Associate Professor, Shiv Nadar IoE.
Author of Everyday Reading: Middlebrow Magazines and Book Publishing in Post-Independence India (UMass Press, July 2024)
Excited, nervous, relieved, joyous to share that my first book Everyday Reading: Middlebrow Magazines and Book Publishing in Post-Independence India comes out this summer!
Heres a gorgeous evocative image of a woman not reading but writing. The cover of Shama, a massively successful Urdu periodical with circulation figures far surpassing any others. Also one of those archival regrets - a magazine I wish I could have worked on!
A short note on the excellent cover: I asked all my friends about images of women reading from the 1950 and 60s. Devyani Gupta proposed this image as a possibility (a million thanks Devyani!). Contd.
Here’s another exciting image of a woman reading. The woman’s gaze is averted, with a thin smile as she gazes, almost shyly or perhaps knowingly (or longingly?) into the distance. Reading here acquires sensual proportions.
Once I saw the glorious image of Meena Kumari reclined and reading languidly (most probably a book of poetry in Urdu), there was no going back. A hunt for provenance began.
After many months spent in asking film and magazine historians, fans, private collectors and sellers, and joining multiple Meena Kumari Fan Clubs, I finally found the source through a private seller at such a club!
A creative colourful ad for Rajkamal Pocket Books. Notice the first offerings of the series: Renu's Maila Anchal rubs shoulders with a cookbook alongside an offering titled Vivaah aur Prem (a translation of Mary Stopes' Married Love). Source Nayi Kahaniya May 1960 issue.
A gorgeous caption image of a woman stretched across the bed, pillow tucked under her neck, reading languidly. Chand Magazine, April 1946 issue. Also pay attn to the main topic of conversation highlighted just below in a section titled "Apni Baat".
Read the fantastic The Last Courtesan by Manish Gaekwad today. Gaekwad records his mother recalling the reading lives of some tawaifs she knew-they read Ved Prakash,Gulshan Nanda,Surendra Mohan Pathak among others, fascinating her and how she “learnt to read all of them later”.
This lovely cover image of a veiled bejewelled woman writing is courtesy
@NaTurkNaHindu
. The book, Dulhan ki Diary: Suhag ki Aath Raatein, is meant to be a manual for newlyweds. Sumaira and I plan to, ahem, read it a bit more closely to investigate.
#Summerurdureading
Podcast Episode Alert: I speak about my upcoming book Everyday Reading: Middlebrow Magazines and Book Publishing in Post-Independence India on this very nice podcast on the
@NewBooksSAsia
@NewBooksLitStud
networks:
@iqtibaas88
Thank you for sharing! This is the image I was looking at just this morning itself. It’s interesting that such images of women reading are ubiquitous in Urdu periodicals but quite scant in the Hindi periodicals (around the 1950s I mean).
Just finished reading (aka risen from a feverish dream)
@tweetingayesha
s fantastic novel The Centre in a single sitting. Her writing has moved me and disquieted me in the best possible way. The novel is utterly unexpected. Highly recommend.
Source: Before Nayi Kahaniyan re-enters our imagination as the bastion of the Nayi Kahani/New Story movement in 1960, a periodical with the same name existed in this form in the pre-independence period. This is from the November 1946 issue.
✨️ Early announcement! ✨️
Parts of my research on the Daryaganj Sunday Book Bazaar will be published in an exciting new academic format in August 2024.
Read the abstract here:
@CambridgeUP
@CUPElementsPBC
My masters thesis student Smriti Verma, currently a DPhil scholar at Oxford, has won this lovely poetry prize! Listen to her reciting her excellent poem.
We had an incredible evening of poetry at our TASTE Awards Celebration last night! The winners are:
1st Prize: Smriti Verma, "My favourite thing to write about"
2nd Prize:
@EstelleHPrice
"A last meal with my father"
3rd Prize: John Gallas, "ábhar blas"
Two faces of science learning in 1920s Madhuri. While one image shows a learned old man pouring over books, the second portrays a young woman operating a (telegraph?) machine surrounded by a ship, flowers and an aeroplane. War here has a feminised scientific face.
1/5. Never mind the entries thrown up on google search, please stop calling Indian languages ‘vernacular.’ There’s a colonial context to the use of the word in the British Raj – from the older Latin origin: tongues of the home-born slave.
#britishraj
#language
#psainath
Nice thread demystifying academic proposal writing. We need to talk about this more and not gatekeep essential knowledge. I wouldn’t have secured my UMass press contract without tips and tricks from
@Aditya_Balasub
(who has a fantastic book from Princeton UP).
Now that I’m set to write a book w/
@PrincetonUPress
, I’d like to share a🧵on writing an academic book proposal and getting a contract. Most of us get NO training on this in grad school and the path forward is murky and complex. Here’s what I wish I would have known: (1/)
📣 Stoked to share that our Newslaundry app has won the Best Innovative Digital Product at the prestigious
@NewspaperWorld
Digital Media Awards Worldwide!
Yes, worldwide, beating not only desi but also foreign counterparts.
“Penelope, once tart as the lemony dresses she wore, loses all spice once marriage to Colin, England’s answer to Alamzeb, becomes a prospect. In a vintage Bhabhi move, she even declares she will use her column, Lady Whisteldown for good. Why? What did we do to deserve this?”
What's going on with wedding clothes: from Radhika Merchant to Bridgerton and the line from Mann ke Manjeere to the Nooran Sisters new music video in today's
#ParonormalActivity
This section of photographs of women achievers often recur in the Hindi magazine Kamla, again in the late colonial period. I esp like photograph 2 which of course tells us who the woman was married to but, more interestingly, that she’s been to Europe four times.
A few weeks ago, somewhere in Dadri, my Ola car and the tempo truck on the left grazed each other. As they stood resolving the issue of who hit whom, a kulfi seller set up shop next to the scene. Both parties partook in some kulfi eating and conflict resolution. Life is a film.
The May issue of Critical Collective is dedicated to Libraries and Archives in North India. I’ve contributed a small piece on the Madhav Sapre Sangrahalaya that you can read here:
An early 1950s advertisement promising that, in ten days one can learn, among other things, “diet for health” and “Hindu ideals of Health and Eugenics”.
At our lovely convocation ceremony at uni, with happy colleagues and students. This time I even remembered to get some photos with students I’ve taught and whose research work I’ve supervised!
The blue stamp on the first page of the landmark Hindi periodical Pratīk prominently states that this copy of the periodical is a gift from the great writer editor Dharmvir Bharti's wife Pushpa Bharti, in “the memory of Dr. Dharmvir Bharti” (1/5)
Many thanks to
@lawoqalam
for this wonderful image of Geeta Dutt recording in studio. While Burman is in the frame, the joy of reading (in this case, singing) belongs to Geeta Dutt alone.
@nilanjanaroy
Thank you Nilanjana! The book comes out in July - I very much look forward to hearing what you think of it. (Also, big fan of your work!)
What a nice essay on women reading on the screen. For my upcoming book on reading in 1950s India, it was so incredibly hard to find many images of women reading!
It's Tagore's birth anniversary--pachishe Baisakh. My essay on women who read on screen, and how many of them are based on Tagore novels positioning women on the threshold between the home and the world: Charulata. Bimala. Binodini
#rabindrajayanti
My dear friend
@Aditya_Balasub
talking about his *excellent* book Toward a Free Economy: Swatantra and Opposition Politics in Democratic India at
@ShivNadarUniv
.
The semester’s invigorating English dept seminar series at SNU ended with a lovely talk by Prof Tapan Basu on his new book Hindi Dalit Literature in the United Provinces
Swami Acchutanand and Chandrika Prasad Jigyasu, 1900-1930.
@DrTarana
That’s so nice! Did they have their own copies each? Did they leave the magazines around the drawing room/shared spaces? Would love to hear about their modes of reading!
Having a terrifically good time reading The Hachette Book of Indian Detective Fiction edited by Tarun K Saint. So far a parrot has featured prominently, a care nurse has solved an attempted murder, a detective’s wife is his Watson on vacation in Tokyo. Fully recommend.
@manishgaekwad
@RadhaKapuria
Yes, absolutely
@RadhaKapuria
! The narrative voice switchover, the chronologically ordered yet clipped remembering and forgetting,always offering enough honesty,always with the suggestion of some things left unsaid.And the play of built in/swiftly moving translations.A delight.
@GreenBowlerHat
Thank you! In chapter 2, I do talk about the self help boom in Hindi in the early 20th c and what happens to it in the mid century with Hind Pocket Books!
Murder in Mahim is a painful example of a very good police procedural novel turned into a terribly bad TV show. It’s a pity, esp since the book is so evocatively written, esp since good Indian crime telly writing and direction already exists.
Here's a joyous set caption image from the 1930s. The column was titled “Mahila Manoranjan” / “Women’s Entertainment” that ran regularly in the popular Hindi magazine Madhuri.
@chandrica_barua
Hi Chandrica so nice to see you here - Hope you’ve been well! Thank you so much for sharing - I look forward to hearing what you think of the book!
दुष्यंत कुमार टू धर्मयुग संपादक
पत्थर नहीं हैं आप तो पसीजिए हुज़ूर|
संपादकी का हक़ तो अदा कीजिए हुज़ूर|१|
अब ज़िन्दगी के साथ ज़माना बदल गया|
पारिश्रमिक भी थोड़ा बदल दीजिए हुज़ूर|२|
कल मैक़दे में चेक दिखाया था आपका|
वे हँस के बोले इससे ज़हर पीजिए हुज़ूर|३|
@manishgaekwad
@RadhaKapuria
Thanks so much
@manishgaekwad
for your excellent memoir of your mother! The cover is Meena Kumari reading on the sets of Pakeezah, first appearing in Filmfare magazine. 😊
@Maazme
Hi Maaz - thank you! It looks at Hindi, Urdu and English but mostly through Hindi sources. I’ll def share the contents page soon. Hope you’ve been well!
Thanks to Neelam Raaj for the opportunity to write this. In today’s Sunday TOI.
Voices : Heeramandi’s stereotyped courtesan world is a missed opportunity