In which I dwell on how a more historically accurate
#Heeramandi
might have looked, with the little I know about courtesans in pre-1947 Lahore. Thanks to Neelam Raaj for the invitation.
That indescribable moment when, after multiple iterations, you stare at your very final book cover.
@OxUniPress
Coming 🔜 in late 2022, watch this space for more!
Image: Maharaja Sher Singh & Companions Watching a Dance Performance, c1850, Artist Unknown. San Diego Museum of Art.
Releasing 📆 30 March 2023 🥳
The 1st social history of musicians and dancers across undivided Punjab 🇮🇳🇵🇰 featuring a wide cast- from tawa’if to mirasis, kanjris to kalawants, & from Maharajas & Sahibs to Bibis & Ustads 📚🎼📕
📩DM now to pre-order your copy.
#AcademicTwitter
Academic Twitter: I am putting together an introductory course on Gender, Caste & Community in South Asia, c. 1750-1950. What are some of your favourite books, articles, movies, songs, podcasts? Grateful for recommendations 😄📚
📍Deadline extended: 22 Jan📍
🎶The Travelling Female Performer: Mobility & Agency in South Asia & Beyond, c. 1760-1940💃🏽 We seek papers that will explore links between travel, mobility & power for female performers during the broad colonial period. Apply:
📣 It’s FINALLY here! My book is now available to read on Google Play in the UK 🇬🇧, and on Amazon/Kindle in India 🇮🇳 & the US 🇺🇸. For a sneak peak into some gorgeous colour images, click “Look Inside” on the icon
#AcademicTwitter
#History
#Punjab
Links to shop below 👇🏽
🧵/1
New workplace views
@durham_history
- first day today as Assistant Professor- still feels incredible. Thinking of all the fantastic, inspiring SA historians I had the privilege of studying with in Delhi & then in London-in a journey that began more than a decade ago.
#FullCircle
Just 1 week until the Delhi launch of “Music in Colonial Punjab”- in the city where it all began, with my MPhil at JNU 10 years ago.
Delhi is my home, but it is so much more than that, it is a piece of my heart…
1/3
MY book finally has a home on the
@OUPHistory
website. Publishers have pushed 🇮🇳 release to April, w/ availability in 🇬🇧 slated for May. For now, it’s a high to know the book exists *out there*, in some form! I’ll share more details as soon as I have them.
Very pleased (and relieved!) to share that this article on Sikh ruler Ranjit Singh, and the courtesans and musicians at his Lahore court is finally published in the March 2020 issue of Modern Asian Studies. Please inbox me if you cannot access this.
On the eve of the Delhi book launch, my publishers
@OUPAcademic
gave me the happy news that the book has *sold out* & gone into its second print run! Thankyou to all those who bought a copy, for showering it with so much love, despite the high price tag (out of my hands, sadly).
TMW the much awaited “Unboxing” of your first cache of author copies of your very first book coincides with a summer party and ends up happening to the weirdest new age Punjabi music blaring in the background 😆🎶💃🏽
#bookstagram
#firsttime
#academia
#punjab
#history
All who feel that we need to stand by our fellow citizens, let's tape our mouth on 19th Oct, that is 75 days of this, for 75 minutes or any time we are comfortable, gather at any place, or do it individually. Do we have even 10 concerned citizens?
#ShutMyMouthToo
#RegainYourVoice
RIP Prof Kavita Singh 💔: “his end was still untimely, undeserved and unjust…Perhaps that is why almost all the men who are here in this funeral procession have had their heads tonsured…they have also all become sons who have been rendered fatherless.”
New publication 🙂Delighted to have contributed a chapter to the volume *Punjabi Centuries* edited by Prof. Anshu Malhotra. Full details available at the link below 👇🏽
A unique honour to write this piece for
@TheQuint
-an attempt to place the legendary Amar Singh Chamkila- slain at 27 in 1988- within the wider arc of cultural history in Punjab, where music meets morality.
(sharing again with direct access to the link):
@SansyG
So thrilling to see all the gorgeous books on here. Here’s mine - on a cultural and social history of musicians and dancers in colonial Punjab- to be published in late 2022 with
@OxUniPress
Happy to share this piece I wrote for Punjab’s historic newspaper, The Tribune
@thetribunechd
, a newspaper I have used extensively in my 10+ years of research on the region’s musical histories; with thanks to
@sarikaksharma
for the opportunity.
A massively enjoyable semester of teaching
@durham_history
@durham_uni
comes to a close - with some exceptional students
@durhist_student
! The thrill of designing and leading your own modules (on caste, gender)- esp. when students are such engaged co-participants-is incredible!
The joy of spotting your book next to your PhD supervisor’s
@katherineschof8
@Bahrisons_books
Ironically, placed next to a recent book on Savarkar by Prof
#JanakiBakhle
, whose first book was on music, too.
This panel for ECSAS 2023 explores links b/w travel, mobility & power for female performers in the broad colonial period (1760-1940), for a dialogue across history, ethnomusicology, literature, politics, and art history. CfP opens 15 Nov, closes 15 Jan 23.
Finally a book signing at
@Bahrisons_books
in Khan Market, home for many years to my dad and granddad’s famous veterinary (Dr Kapuria’s Dogs and Cats) clinic. This one will be extra special.
Hope many of you in Delhi can join me!
@OUPHistory
@OUPAcademic
Durham South Asianists &
@NESouthAsia
invite you to a reading group next Thurs 29 Feb. We will be reading *Merchants of Virtue* by
@dillivali
Pls email nesouthasia
@gmail
.com for the Zoom link. The book is available to read for free:
@durham_history
In London next Sunday 9th September? Let's catch up over tales of musicians and beautiful dancers! Thrilled to be speaking on music in 19th century Lahore, esp. Maharaja Ranjit Singh's patronage of female cross-dressing dancers.
#EmpireoftheSikhs
Register:
Did you know Maharaja Ranjit Singh loved the flute? Sneak preview of my last gig for a while: Mon, 21 Sept.@ 5pm (UK) for
@UKPHA
Images: British Museum, SDMA & MFA Boston.
Music: Raga Brindabani Sarang, Pt Chaurasia, Music Today.
Link for registration:
Tomorrow afternoon
@Bahrisons_books
in the Delhi market where my grandfather, the late Dr Pushkar Raj Kapuria and then my dad, the late Dr Rajiv Kapuria ran their veterinary practice for decades, from the 1960s until 2017. Can’t wait! 🙂😃
@OUPHistory
@OUPAcademic
Join us tomorrow for tales of courtesans like Bibi Moran, Maharaja Ranjit Singh’s wife, who apparently danced like a peacock or a “Mor”. Sign up here: .
(Image courtesy, British Museum, early 19th century).
🎶Excited to be hosting this online
@sheffielduni
@unishefhistory
with Vebhuti Duggal
@AUD_Delhi
Great papers on Punjab’s Sounds historically across 🇵🇰 🇮🇳 🇬🇧 🇨🇦 🇺🇸 -
beyond stereotypes, using sound to engage w/ region, nation, transnation, technology & affect. Register now! 🎶
You know bhangra, but do you know about the kavishris?
📢Join us to tune into Punjab's sounds🎧 from 📅August 16-18, 2021, to find out more.
Register here -
Not the most prosperous time to commit to life in 🇬🇧, and I am proud to have messed up at least 1 answer where I confused James II with Charles II, but here we are 🥳
My two bits on Chamkila, or for a “Hot Take” on
@TheQuint
- grateful for an opportunity to place “Punjab’s Elvis” within a longer historical trajectory going back to colonial Punjab.
"
#ImtiazAli
’s
#AmarSinghChamkila
brings to the fore the curiously intertwined nature of music, morality & politics in Punjab. Chamkila’s lifestory & music are part of the gendered & caste-inflected nature of Punjabi music-making," writes
@RadhaKapuria
.
This coming Sunday, 3pm
@SOAS
. I promise to entertain you with tales from the quirky history of music in undivided Punjab, esp Ranjit Singh's famed contingent of warrior female dancers. Pls tag/ share with those interested!
#GirlPower
#EmpireOftheSikhs
Did you know the 1st painted images of the
#tabla
are of Pahari women playing it? Thrilled to present some fledgling research into the long history of Punjab’s drumming women, this coming Tuesday Aug 17th for the
@PunjabSounds
colloquium.
#girlpower
#southasianheritagemonth
You know of Punjab’s male Dhol players, but do you know the history of its powerful drumming women?
Join us on Day 2, Aug. 17 to trace the history of female Dhol(ak), Pakhawaj & Tabla playing with
@RadhaKapuria
& others.
#SouthAsianHeritageMonth
Register:
To mark the Independence Days of 🇮🇳🇵🇰 I am giving away a FREE signed copy of my book to 1 lucky winner! 🎁📗📕
Because 'Azaadi' also means the freedom to access knowledge (despite exorbitant publisher prices!) :)
🚩To enter, simply RT by 11.59 pm today (UK only)🚩
#bookgiveaway
I am excited to have an Instalive conversation with the superlative
@manishgaekwad
We’ll discuss his mother’s lifestory, reflect on stories of courtesans in the Bambai-Kalkatta network in the 1970s/80s, & 19th c./early 20th c. Lahauri courtesans. I hope many of you can join us!
‼️Good news 🚨 friends in India 🇮🇳 - my book is NOW available at the discounted price of ₹1492 for the e-book (which includes images in colour) and for ₹1795 for the hard copy.
Click below to order 👇🏽
#booksof2023
#History
#music
#punjab
#AcademicTwitter
A story that has brought so much “rang”-joy & colour-to me and my family since 2019. Finally found a moment to share it with the world. Holi Mubarak everyone❣️🌈
The colour of hope, of discovery, of 🩷& continuing legacies. May the happy colours always overshadow the sad ones !
1 Month to go until this fabulous musical dialogue across the 3 Punjabs: Chaar Yaar in Delhi, Marifat Sufi Band in Lahore, and the Grewal Twins in London. On 5 August, 2-4 pm UK/ 6:30-8:30 pm IST, over Zoom. Register below to attend (FREE admission):
Photos that make your day. A friend
#ManavKapur
spotted my book
@Bahrisons_books
store in Delhi's Khan Market, just a few stops from the location of my Dadaji’s and dad’s veterinary clinic (1960-2017). A strange, glorious feeling! "Kaleje nu thand mili!", as they say in Punjabi!
Such a high to celebrate our fantastic graduands today with the best colleagues
@durham_history
1 of those rare days when the value of education and of the Humanities was wholeheartedly re-affirmed. So proud of my amazing students 👏🏽 who produced top class research on South Asia!
In conversation about borders and musicians in Punjab with the Grewal twins tonight at 8:30 pm GMT on Instagram Live, as we approach the eve of South Asian Independence/Partition on 14-15 August.
@unishefhistory
@tuosmusic
@SAHM_UK
@UKPHA
@priyaatwal
🎵🎶Upcoming talk on Maharaja Ranjit Singh's patronage & powerful use of musicians & sword-bearing dancers @ his 19th century Lahore court. *Monday, 21 September, 5pm GMT on Zoom*
I'll be sharing exciting new images, so do tune in. You can register for the link via
@UKPHA
An exciting line-up of talks in September at the UKPHA bookclub. Taking you backwards in time from WW2, WW1, Ranjit Singh and then we finish the month by Walking with Nanak.
As ever register at
Who would you like to hear from in October ?
Like every time we can proudly say that "We have Rana".
When people read you, they will say that Rana is also a name for struggle and courage.✊🏽🇮🇳
Congrats
@RanaAyyub
💫
Thanks to Neelam Raaj for the opportunity to write this. In today’s Sunday TOI.
Voices : Heeramandi’s stereotyped courtesan world is a missed opportunity
🏷️💯My book is currently on offer at a massive 60% discount from the exorbitant original price. “Used like new” copies for £36 or “brand new” ones for £54. I’d recommend the “used like new” since I still await the hard copies! Click here for a copy👇🏽
Such an honour to be on this fantastic panel led by Prof Partho Datta
@HistoryLitFest
- where we discussed everything from gharanas, ragon ki tasir, to Ustads & Pandits, Tawai’fs & Kalawants sarangi vs harmonium, khayal vs dhrupad, & beautiful musical examples by Radhika Joshi.
Congratulations to my awesome friend Dr Sonia Wigh
@Dil_afruzi
for winning the prestigious Bayly Prize 2022 for her PhD
@UniofExeter
on “The Body of Words: A Social History of Sex & the Body in early modern South Asia”, so well deserved! Check out also:
New blog post: Events and Awards gives details of recent lectures, book launches and medal awards. It also announces the winner of 2022 Bayly Prize. Congratulations to Sonia Wigh
@Dil_afruzi
Huge congratulations to
@RadhaKapuria
, Chris Bahl, and Jonathan Saha for winning the
@durham_uni
Global Curriculum Award for their Level 1 module on South Asia which uses artefacts from the Oriental Museum and the Palace Green Special Collections. 🎉
@DUThingsToDo
@DU_Collections
Can online repositories of music help subvert the borders of 1947? Thrilled for this event in Sheffield
@MigMatFest
Thurs, 23 June, 6:30-8pm. South Asian music, digitisation & heritage across the Indo-Pak border- with live music to follow.
@SaareyMusic
@tuosmusic
@unishefhistory
Such a joy to finally meet the brilliant writer
@manishgaekwad
: full fangirl moment ! Watch this space for our very own ‘Tawaifmandi’ chat, coming soon. Waiting for the day we can host Manish
@durham_history
@durhist_student
for a chat with our students on courtesan histories.
Just chatted with
@RadhaKapuria
, a historian of gender & culture at Durham University. Radha also writes astutely on music, courtesans, poets, waghera-waghera. We are plotting our version of Tawaifmandi - her expert research, my experience (as a lacklustre tawaif). Coming soon.
My friend Dr
@rajpal_shilpi
has published her book on the history of insanity in colonial north India (10 years’ hard labour across 🇮🇳🇵🇰) So imp. to break mental health taboos in SA, talk about
#insanity
& the long
#history
to cure it! Grab your copy now:
10 days today, Squeeks, since you left us for your onwards journey - and we cannot fathom just how we are able to continue functioning in a world without you. Each moment with you, soaked in love, and an affection we didn’t know our hearts possessed. 🐱❤️🩹🧵/1
@EconAbhishek
On this month's
#MeetTheAuthor
, we have not one, but two talented writers in the studio.
Manchester author
@zahid4Labour
has just released the second instalment of 'The Curry Mile' and
@RadhaKapuria
has released her book 'Music in Colonial Punjab'.
🔊
There will never, ever be as kind and strong a person as her in the halls of Indian academia again. Your sharpest scholarship and your affection for your students will forever live with us, Professor Kavita Singh.
Overwhelmed (overjoyed!) with the Twittersphere response to my piece on Ranjit Singh and music. I've now uploaded the preprint version submitted to MAS on my website 👩💻 available for downloading under ‘Research’ and publications. Please read and share!🙏
Witnessing a weird, scary & alienating mix of hooliganism & white supremacy-sat amidst loud & drunk football fans on a severely packed train from Manchester-only 2 hours long, it’s the longest journey ever. Never before felt this level of vulnerability-as a woman of colour.
Our panel “The Travelling Female Performer in South Asia” is now open & welcoming abstract submissions!
Final Deadline: January 15, 2023; Decisions by end February 2023. Apply via
(Paper title > 150 characters, abstract > 1500 characters).
@jhowesuk
This panel for ECSAS 2023 explores links b/w travel, mobility & power for female performers in the broad colonial period (1760-1940), for a dialogue across history, ethnomusicology, literature, politics, and art history. CfP opens 15 Nov, closes 15 Jan 23.
Book signing
@Bahrisons_books
Khan Market postponed from tomorrow 1 February to Saturday 3rd February at 3 pm.
(Publishers were waiting for newly released stock from the second print, hence the delay.)
Friends in Delhi, hope I can meet some of you there!
PhD rejections
0
PhD acceptances
-JNU
-KCL
-SOAS
-Manchester
I’d barely applied elsewhere (considered York-Canada & Michigan in the US, but ultimately chose the UK). I was lucky to have the best mentors who worked v. hard with me on my applications.
10 years later, I am 🫠
PhD rejections
UToronto & my mom wrote them an irate letter 🙈
Acceptances
UT Austin
Genocide-loving Columbia
UPenn
SOAS where i wanted to go study Punjabi lit with Shackle & use commode & lota which they had in their restrooms 💖 but I had no money
20 years later I’m furniture
Do you love Bhangra? Have you ever thought critically about sound, history, region and identity? Then this is for you! :D Call for Papers for a workshop (summer 2021) on Affect, Technology & the Aural across Region & Nation. Abstracts Deadline: 1 June 2020
Sounds of the dhol, tumbi, bhangra-rap➡️ Punjabi music as pervasive as the Hindi film song. But what do Punjab's sounds "mean"? An exciting new workshop across History & Sound Studies
@sheffielduni
in 2021.
Call for Papers:
Abstracts due: ⏲️ 1 June 2020.
92 years old , Rena Verma, from India , reached Rawalpindi her ancestral Towm , after 75 years . The residents of her Mohala, welcomed her with Dhol thumping .