I am obsessed — OBSESSED — with this new Joan Didion interview in which she cannot work her TV, admires no one, is tired of being asked about New York a lot
APNews: Arts Council England (
@ace_national
) has updated its policies, warning that "political statements" made by individuals linked to an organisation can cause "reputational risk", breaching funding agreements (1/5)
THE HYPOCRITE is available for pre-order:
‘An acid chamber piece…It’s tense, it’s painful, it’s funny. I loved it.’ —Chris Power
‘Brilliant & unpredictable…a story of failed connection, told with a dreamy, Sofia Coppola-esque quality.’ —Natasha Brown
I’m doing my PhD at the same place I did my BA ten yrs ago & the shift in the common room is astounding. No chat, no laughter, no curiosity abt fellow students, no exchange of ideas. We used to drunkenly harass lecturers in the kitchen after hours &now the place feels like a void
students are sadder and sadder, more and more anxious, in significant part because they are being given shiny buildings instead of what they need: time and attention from non-burnt-out older human adults
the fact that I have not seen a single link to or quote from that letter, have no idea what it says or where it was published, and have instead had my tl flooded with love for and links to buy Detransition, Baby — that’s poetry in motion; that’s lit twitter working right for once
Treasure the below photo from pub night of me reassuring my worried father that writing a novel about daddy issues does not mean I have daddy issues. We love when life imitates art! Thank you
@LRBbookshop
for having me, and thank you to everyone who came 🍾💚
presenting my well-adjusted, non-publishing fiancé with a fevered gossip session on who oyler is and what reviews she’s getting, only for him to digest it in two seconds with the words ‘live by the sword, die by the sword, eh?’
enjoyed this; would love someone to pick up the line of thought begun in this essay on the production of glamorous literary personae online vs the low-wage, precarious nature of the book industry offline
not sick of the discourse yet? i wrote about the 'literary it girl' and the insidious ways we market female writers online. with digressions into the critic wars, a certain new album, and 'glamorous' female authors.
link in bio♥️
Reunited with Natasha for THE HYPOCRITE’s publication day. She’s a genius. The
@LRBbookshop
is staffed by angels. Please come, and bring friends — I can’t wait 🤸🏽♀️🤸🏽♀️
25 Apr:
@jo_hamya
joins us to discuss THE HYPOCRITE, a thought-provoking tale of misunderstanding between the generations, with Natasha Brown
Book here:
THE NEW
@TheBookerPrizes
PODCAST LAUNCHES JULY 6TH 🚀 Subscribe now wherever you get your podcasts to hear
@JamesWalton_
and I turn the book trade's most unlikely blind date into 45 minutes of Booker gossip every Thursday
Introducing The Booker Prize Podcast. Coming to a podcast player near you on 6th July.
Find us on
@ApplePodcasts
,
@SpotifyUK
or wherever you listen to podcasts and make sure to follow the show so you know when our first episode releases.
➡️
sorry, netflix wants me to believe that joe walks from south kensington to royal holloway uni and back everyday??? bc i can excuse him getting away with ten plus murders across three seasons but i kind of draw the line at this
“I seldom know where I’m headed, but if the story is meant to be, you cross over to the other side—you’re inside it, and there’s an engine.”
From our Art of Fiction interview with Jhumpa Lahiri in our new Spring issue.
One month until THE HYPOCRITE publishes in the U.K. 🌊 Merciless according to Sarah Bernstein; witty and astute according to
@DavidNWriter
(!!!).
Every pre-order helps:
THE HYPOCRITE is available for pre-order:
‘An acid chamber piece…It’s tense, it’s painful, it’s funny. I loved it.’ —Chris Power
‘Brilliant & unpredictable…a story of failed connection, told with a dreamy, Sofia Coppola-esque quality.’ —Natasha Brown
Last month, I visited
@HMPDownview
to see Books Unlocked in action, and to interview
@poorsasquatch
,
@woodgaby
, and
@DUALIPA
about the project. The best part of that day was what we couldn’t film: Downview’s reading group 1/
Our Books Unlocked project, run in partnership with
@Literacy_Trust
, encourages people in prisons across the UK and Ireland to read for enjoyment and improve literacy. We invited
@DUALIPA
to join us at a reading group session at
@HMPDownview
to find out more about the initiative.
The problem with trying to think of a humble yet witty caption for being Olivia Laing’s favourite read of 2021 in The New Statesman is that the more wine I celebrate with, the more brain cells I lose to the process.
Not a single thought to be had. Just pure, confused joy.
Rosemary Tonks’ THE BLOATER is republished by
@vintagebooks
today. It’s the sort of thing I’m going to shamelessly plagiarise the next time I write. Every sentence is exquisite. As though Love Island got staged as an opera scored by Delia Derbyshire 💜
Oxford! I will be in conversation with the brilliant Natasha Brown at
@DauntSummertown
on April 27th. Come say hi, and then come have pints in the city centre after.
I finished the manuscript for book 2 and wrote
@gibbsne
an unhinged email in the middle of the night after she left Mariner, begging her to take me with her.
‘The Hypocrite’ will be published by
@PantheonBooks
in the U.S. next year ✨🇺🇸
So pleased to reunite with
@jo_hamya
and bring this sharp, hyper-astute, gorgeously written novel to readers. It’s at times laugh-out-loud funny, at times perfectly, satisfyingly cringe-inducing. And always she gets our modern world better on the page than most anyone.
there’s a girl on tiktok persuading gen z into reading physical print media by relaying stories from the new york times like she’s putting out hits on deuxmoi…she deserves a nobel peace prize; a pulitzer, good hair days and uninterrupted sleep for the rest of her life—
THE HYPOCRITE is available for pre-order:
‘An acid chamber piece…It’s tense, it’s painful, it’s funny. I loved it.’ —Chris Power
‘Brilliant & unpredictable…a story of failed connection, told with a dreamy, Sofia Coppola-esque quality.’ —Natasha Brown
I’ve donated two copies of ‘THREE ROOMS’ to Burley Fisher, who are working with other indies to raise money for PEN’s Emergency Fund for Writers at Risk.
The copies are annotated w/ the playlist I used to write the novel. I’ve never shared it before.
🍉
@BarryPierce
A rare L. Take your point re the triumph of Puritanism over critical faculties, but with the idol it’s not a case of dirty content. Ppl’s issue is that it’s a show that started out with feminist vision/intent & got derailed into straight porn. Surprised you didn’t mention that.
i need a new yorker long-read on the logic ottessa moshfegh is using to price her stuff on depop with. $78 for a zara blouse, but also $70 for one from thakoon? unhinged!
Had a lot of fun writing this up: spoke to Yann Martel about his envelope system for writing, parsing the best and worst out of religious systems, magical thinking, and Coetzee for
@TheBookerPrizes
'From the very first sentence, I knew what the last sentence would be' - Booker Prize winner
@WriterYann
explains how he researched, planned and wrote Life of Pi, and why some people find his methods very strange
@canongatebooks
@jo_hamya
Spoke to
@InterviewMag
about smoking while writing; listening to St. Vincent while writing; good Tolstoy quotes for writing; my da and boyfriend cooking for me
while writing; wanting to read Tove Jansson; wanting to have Nick Cave round for dinner👇🏾
I have been raving about INTIMACIES on podcasts, to friends, to strangers for the past two weeks, and so it's really fucking thrilling to be so precisely x-rayed by
@katiekitamura
in the NYT
I’m back in
@GuardianBooks
this weekend, outing myself rather horrendously in order to rave about
@prasifcat
’s THIS IS HOW YOU REMEMBER IT — which you should all be buying copies of.
Absolutely stunned at this review of This Is How You Remember It in The Guardian… it’s not often that you see a book force a reviewer to break with form themselves. Couldn’t ask for a better response.
@ImogenWK
Help (2021) starting Jodie Comer and Stephen Graham genuinely floored me, but I think the trick was that gave a fully fleshed out stories to fictional characters based on the news of the time instead of giving the leads bad wigs and word for word newsfeed dialogue
Tired of ‘Waterstones Dad’, ‘literary non-hottie’ & ‘intellectual bimbo’ discourse?
💥 The
@TheBookerPrizes
Podcast launches one week from now 💥
We kick off with episodes on Patricia Lockwood, Patrick McCabe, & Han Kang. Subscribe today for the book world’s greatest unifier
THE NEW
@TheBookerPrizes
PODCAST LAUNCHES JULY 6TH 🚀 Subscribe now wherever you get your podcasts to hear
@JamesWalton_
and I turn the book trade's most unlikely blind date into 45 minutes of Booker gossip every Thursday
anecdotally, the reading rooms at the british library are a fascinating place to be rn. lots of grown men and women losing their shit over having to order books manually. lots of academics being undone by paper slips. material culture dying on its ass in the most improbable place
@BarryPierce
if we're going to use a degree of the nuance you've espoused in that article, don't you think it's a) disingenuous to completely erase context from what you're discussing, bc you're right, it has 'morphed', not sprung out of nowhere, & b) a bit ironic to cherry-pick? no shade
Have thought a lot about recording this with Jack and Jess over the past month - their generosity and supreme intelligence, and their incredible shrewdness in approaching THREE ROOMS. Makes me blush. Would listen to them for hours on any book, but glad to talk about mine here:
🎙️💥 TB012 w/ Jo Hamya 💥🎙️
We chat to
@jo_hamya
abt her brilliant novel Three Rooms (
@JonathanCape
), myths of meritocracy, the commodification of protest and what it really means to inhabit a room of one's own in contemporary Britain (1/2) Listen here:
🐸 We're excited to add this beauty to our Daunt anthologies next year! Ready to dive in? 🐸
🌊This collection celebrates water and its transformative qualities, travelling from Seville to Trinidad, Virginia Woolf to Rumer Godden🌊
I've been doggedly not retweeting my own press, but I had such a great time talking to
@eva4fr
, and she gave me a space to finally rant about why plans for differential tuition fees in the UK are a pipeline for Conservative rhetoric to be better swallowed in this country.
Dredheza is the legend who made this all possible. She sent the original manuscript in for consideration without my knowing.
@DredhezaM
— I still can’t thank you enough 💛
✨ SO exciting to see
@jo_hamya
’s THREE ROOMS proof in the flesh...publishing 8 July as a
@JonathanCape
lead debut. Can’t wait for you all to experience reading it for the first time ✨
☀️
@John_Clegg_37
’s beautiful ALIQUOT — ☀️
‘This is the best I think I can offer you
with any hopefulness: if not uninteresting
times at least uninteresting objects:
a tame sun hung from wires, I believe in it,’
Mostly, I love SPENCER for joining IN BRUGES via the medium of 'Christmas films about people who aren't quite sure whether or not they want to kill themselves' -- I have been waiting my whole life to call it a pantheon
My first reads of 2024:
Loved the Helen Garner - a perfect short novel of family disintegration - can't wait to read more of her work (
@wnbooks
reissuing lots this year from March)
There are still some tickets left (below) for my event at
@DauntSummertown
tomorrow. If you’re in Oxford, come 🕊️🎟️
Tickets for the LRB shop event have now sold out, but there are still plenty for my conversation with
@chloelashby
at
@WaterstonesN8
here:
📣
@TheBookerPrizes
podcast launches today 📣
We kick off with
@JamesWalton_
and I discussing our love for Patrick McCabe’s ‘The Butcher Boy’, and Patricia Lockwood’s ‘No One Is Talking About This’.
Subscribe now wherever you get your podcasts.
@BarryPierce
Short form sucks. Actually what your piece reminded me of, rather than the idol, was TikTok cancelling Sylvia Plath last year for being as bigoted as any other white woman in 1960 while she wrote The Bell Jar. I remember marvelling at the idea of 'cancelling' someone 59 yrs dead
For this week’s
@TheBookerPrizes
podcast, James and I kick off a two-part special on this year’s shortlist. Hard to overstate how much I love Sarah Bernstein’s complex and riveting STUDY FOR OBEDIENCE (
@GrantaBooks
): it’s my personal winner for this year—
beautiful night cosplaying as the booker trophy — tune in monday 27/11 and thursday 7/12
@TheBookerPrizes
podcast for a behind the scenes look at this year’s ceremony 🏆✨
From my notes, two comments made by the women there still strike me:
1) '[Books] humanise harrowing behaviour a lot of people don't want to understand'
2) 'Every book has its place; the right place and time to be read.'
I loved listening to them
3/3
the problem with people running for their platform at euston is that they have nowhere chic to be. where are you and your little suitcase in such a hurry to? milton keynes? lmao, pls
@Scatterbrie
@novaramedia
I wish that had been a natural response though. Then I would have made a socialist pun and kissed the floor Jezza walks on. Only then.
If you'd like a front row seat to the country burning, I'm told our London Living event at
@southbankcentre
this Saturday looks out onto the Houses of Parliament. Come pour one out for UK democracy with me,
@SNFSchlee
, and
@Victoria_Spratt
:
So, so loved this from Tender Buttons with
@maxjohnporter
-- particularly on egalitarian approaches to craft, and thinking about form before conventional plot and character content
🎙️💥 V excited to bring you our first ep. of Season 2 with the inimitable
@maxjohnporter
. We chat abt writing as a mode of time travel, the relationship between novel & stage, mourning as a form of love & much more (1/2)
💫🌿✨
being a hottie is a self determined vibe; idk why we’re ignoring the swathes of ppl in academia & publishing who thrive by actively enforcing a binary between intelligence and looks
the lack of adventurousness & progress in both has a lot to do with a loss of sex appeal/joy/fun
The scope of their interests (magical realism; business manuals; YA; historical non-fiction) was vast, and the conversation profoundly intelligent. For them, books have been recovery or rehabilitation tools, companions, escape modes, teachers of empathy-- 2/
If you've been thinking of buying a copy, it would mean the world to me if you did so through your local independent, or via the
@bookshop_org_UK
link below. Thank you to everyone who has said a kind word over the past few months 💛
reminded yet again of
@neevkm
's line from last summer, about publishing - but really, about 90% of book trade:
"It is deeply hypocritical...to use the aesthetics of counter-cultural politics to sell...products while quietly profiting from...cheap labour..."