the fact that sabrina carpenter’s “espresso” and charli xcx’s “360” were not even considered further validates that these award shows do not have their finger on the pulse at all
am i going to be crucified if i say that i hope the 1975 never work with jack antonoff again. like they can have that one album that’s fine (and it’s a fantastic album don’t get it twisted) but neverrrr again
brittany broski was really out here fighting for her LIFE trying to explain the concept of matty healy to two straight men she deserves an honorary medal of bravery
i gave that brat album a listen. the production is stellar and the vocal performances on xcx' part are catchy, but the lyrics' fascistic celebration of narcissism, from the delusions of grandeur to the self deprecation, is so annoyingly myopic that it sours everything for me.
i love matty healy photoshoots bc he’s either going to be the hottest person you’ve ever laid eyes on or he’s going to act like a little freak and there’s no in between
literally nobody was doing it like them in 2017 like what do you mean they stepped out in medieval lord-core jazz lounge chic. the most stylish embodiment of a fever dream
this song was absolutely their espresso. you could not escape this song in 2013. an absolute ear-worm. this song still plays in dentist offices everywhere
this video will forever fascinate me
why was he silently vibing out in front of a crowd of people
why did the person drop a lime
why was he so elated about the lime
i hope none of my questions ever get answered