Adjunct Prof. | 1st gen college student | digital media, influencer culture, film & tv, production labor, race, gender, sexuality, class, materiality, etc.
New dossier with Mediapolis is launching this week🥳 We have the intro live This whole thing started off as a extremely generative panel Slaveya and I organized at SCMS 2023. I’ll share more about each article as they get released throughout the week 🤩
The latest issue opens with a dossier on "Media In-Between". In their intro, Slaveya Minkova and Zizi Li (
@influencerlabor
) reflect on the concept of the “In-Between” as a framework for thinking about media, space, and place.
My article “Digital Domestic (Im)material Labor: Managing Waste and Self While Producing Closet Decluttering Videos” is now published with Television and New Media, and available open access: 🎉
Going to teach my first-ever self-designed undergrad seminar class "Influencer Culture and Economy" in Spring 2022, starting next week! Hoping to document / archive the experience here as I always enjoy
@tangoldman
's tweets. Stay tune!
Week 5 already 😱 Last min prepping for tmrw's class🥵 I'm excited to discuss viral tiktok dances and their invisible Black girl & women creators like Jalaiah Harmon & D1 Nayah, as well as the hypervisible & racialized virtual influencers such as Miquela and Shudu.
My 22 students brought me so much joy today as I debuted as an instructor of record 🥰 And for some reason, I physically and mentally feel less tense after this seminar session than all my previous TA sections.
If you are at
#SCMS2023
, please consider joining me,
@pcccne
, Andrea Kelly, and my amazing co-chair Slaveya Minkova at our
#SCMS23
Friday 9am morning session “Im/materiality; Media in between” 🔥
We all finished teaching our first seminar classes as instructors of record 🥂💜✨. So proud of my friends Benjamin, Nashra, and Rose Ann. One year of friendship and many more to come 🥰
For wk2 of my influencer class, students are reading
@nancybaym
's short piece with Communication Review on relational labor,
@sophiehbishop
's "Name of the Game", and
@tamigraph
's "Home Spun". Already excited about the discussions as I lesson plan 🤩
Week 7 is exhausting, but the influencer class will discuss the desire of consumption, frictionless capitalism, & logistics! 📽️ unboxing vids, Amazon ads, Amazon drivers dancing TikToks, logistics TikToks & YT vlogs, plus storymaps of Amazon facilities.
Week 6 of the influencer class is on spectacle, fantasy, & capital. Will be discussing content houses like Hype House and Clubhouse. Also assigned some Liziqi's videos that mobilize aestheticized & fantastical lifestyle imaginaries of rural China. Very curious how it'll go...
I just want April to be over. Only 4 weeks into spring quarter and I’m absolutely exhausted. It’s partially due to a terribly stressful March. Starting today, I will not take on anything new. Actually going to practice saying no. Wish me luck.
Two months later, I finally read the R&R comments I received. Made a to-do list, downloaded all the recommended texts, and hope I will stick to the plan and finish the revision this summer.
2022 has been a struggle and March is going to be particularly horrendous. But I am looking forward to my sweets consumption this month. Already enjoyed a whole tub of mango sorbet, and a box of Portuguese egg tarts and Matcha cheesecakes.
Week 3: we are discussing intimacy, affect, and sexuality. Core materials assigned are Tobias Raun's "Capitalizing intimacy" & YT vlogs by Vietnamese Canadian transgender model, beauty queen and makeup artist Julie Vu (aka PRINCESSJOULES).
You may want to read my article “Digital Domestic (Im)material Labor: Managing Waste and Self While Producing Closet Decluttering Videos” in light of this recent development from Marie Kondo.
Assigning materials for Week 1 is tricky. But
@madalyn_amato
's how-to on becoming an influencer,
@LaurenKGurley
's "The Promise—and Risk—of a Career in TikTok", and
@wishcrys
's "Layers of Identity: How to be ‘real’ when everyone is watching" really got the conversion going!
Got mochi donuts and Portuguese egg tarts for students. Heading toward campus for our last day of class at a outdoor sculpture garden. Looking forward to sharing with them these amazing sweets that soothed my soul. Pictures to come.
Besides responding to messages on social media in the past 24hrs, I cried like crazy. Education has been a key part to my CPTSD. I then did yoga and binged the kdrama It's Okay to Not Be Okay. Watching a show that really centers around CPTSD is painful but also healing for me.
Post conference Sunday frantic before I will get sit down to reflect on SCMS and appreciate all the old/new connections: unpack, calculate 💰, do laundry, file taxes, catch up on overdue work, and prep for the new week 🤯🤯🤯
Updated my profile pic to the one I shared with students so that they know what I look like without a mask 😝 This is me taking a selfie at the patio of the Museum of Contemporary Art of Monterrey (MARCO) with a bucket hat.
Had a great time at our panel.
Love that we ended on collective actions and coalition building! Have to give
@tamigraph
a big shout out for being so supportive when I cold emailed her for the possibility of a panel, and bringing
@ButNoCigar
and Jen Ayres on board!
This was so much fun! Our open time ended with a discussion of cultural worker/streamer/seller/influencer collective action, within union contexts and beyond
Woke up to the news that my paper “On Brown Boxes” is accepted to
#AoIR21
. Excited to be a first-time
#AoIR
conference goer this fall and looking forward to be a part of the
@AoIR_org
community.
Today’s the day!! OIL BEACH is officially out, hot off the press. (Pinch me.)
Thank ever so much to my editor
@josephcalamia
at
@UChicagoPress
who believed in this strange little project from the beginning.
Week 8's theme is "behind the screen" via convos around click farms, content farms, the webcam industry, Amazon Mechanical Turk workers, and content moderators.
I stumbled upon this gem at Amoeba! Criterion collection’s Wong Kar-Wai box set is beautiful but I need this out of print copy of 墮落天使 Fallen Angels before WKW changed the aspect ratio. Preserving more pre-1997 hk in my collection 💜✨
Friends in LA, I’m the coordinator behind the Thinking Gender 2023 conference “Transforming Research: Feminist Methods for Times of Crisis and Possibility”. Please RSVP & join us in person on Feb 24 feat
@CelineShimizu
,
@AgingSuperModel
,
@raultishness
& amazing graduate students.
IDK why I thought I could do all these things on top of last mile of wedding planning plus a whole month of family visit 🤪 What is RAship, dissertation, job market materials, conference pre, journal article abstracts?!?! All I’ve done is 🏃🏻♀️🧘🏻♀️🚴🏻♀️to keep me from exploding.
Another week of assigning
@restofworld
articles. This time, students are reading
@decka227
's "The Chinese content farms behind Factory TikTok" along with "Meet the off-screen workers who keep the adult webcam industry running" by
@FogginSophie
&
@telliotter
.
Check out this CFP and consider applying to Thinking Gender 2023! The in-person conference on Feb 24, 2023 will feature two keynote sessions: one by
@CelineShimizu
, and another by
@AgingSuperModel
and
@raultishness
.
Submit YOUR work for Thinking Gender 2023 that centers feminist research methods and practice and engages substantively with race, Indigeneity, Blackness, settler colonialism, and/or empire.
DEADLINE: OCTOBER 23, 2022
APPLY HERE:
🚨 Seeking a third panelist joining me and my dear friend Slaveya Minkova to pre-constitute a
#scms23
panel around the notion of the “in between” 🚨 We have lined up a fabulous respondent 🌟 Feel free to DM or email.
When you learned that your book review is actually published from the physical copy you just received 🤣 Anyway, my review of The Process Genre (Duke 2020) is now up at The Moving Image (The Journal of AMIA)!
This quarter has been a personal mess but I’m so happy to wrap it up with Kara Keeling’s “Queer OS”, Zach Blas’ “Queer Technologies”, and micha cárdena’s “Becoming Dragon”, “Sin Sol”, and “The Android Goddess Declaration”.🥂 to methods of resistance & modes of survival!
@SCMStudies
Caucus on Class is hosting *A Roundtable on Labor Actions at Academic Institutions* on Friday June 3 at 3-4/4:30 pm ET (Zoom Meeting ID: 875 8443 2358 | Passcode: 983457). The event features Yulia Gilich, Sam Hunter
@sam_hunter___
, and Sam Smucker
@samuelsmucker
.
i did something today 👏👏👏 drafted my SCMS abstract AND submitted the applications for my Spring 2022 seminar class “Influencer Culture and Economy” for GE credits in both Arts& Humanities and Society&Culture.
Watched it a couple weeks ago, but just want to share that I kicked off my 2023 screening with 許鞍華Ann Hui’s debut film 瘋劫The Secret (1979). This amazing Hong Kong New Wave thriller was recently restored by Hong Kong Film Archive. Highly recommend 🔥
Applied for a conference coordinator position. Application writing extracts so much work but also hope, creativity, and visions. It's just an app. Shouldn't have contributed that many great ideas with the current graduate student researcher wage & benefit.
Tidying up requires a lot of gendered and racial uses work, and so is making decluttering videos. This article examines (im)material digital labor essential to the production of closet decluttering videos on YouTube by analyzing two case studies: Leighannsays and Bestdressed.
It was such an honor! I had fun and am really grateful
@tangoldman
’s generous invitation! Also, what a great idea to have a show-and-tell of social media finds at the end of a semester 💜
A huge THANK YOU to Zizi Li (
@influencerlabor
) for guest lecturing on influencer scholarship at the beginning of my "Travel Cinemas" seminar today. You left us poised to engage in a lively show-and-tell and group analysis of students' social media finds.
It’s a bummer that I won’t be able to travel to Canada in late July, but if any of my brilliant friends can, please consider applying to this amazing SSRC workshop on “Labor and Technology” led by
@iajunwa
and
@teflonbeltran
🔥
Call for applications! The Data Fluencies Project is hosting a Research Development Workshop this summer on the theme “Labor and Technology.” Come join us in Vancouver on July 24-25! Applications are due Monday, May 1, by midnight EST.
Two months later, I finally read the R&R comments I received. Made a to-do list, downloaded all the recommended texts, and hope I will stick to the plan and finish the revision this summer.
Looking forward to our
#SCMS22
panel tomorrow! I'll be talking about logistics fetishism and hanging out with
@influencerlabor
,
@ButNoCigar
, and Jen Ayres. Of interest to digital labor and feminist media studies types
Friday, April 1, 9 AM-10:45 AM Pacific
📦Spreading the word on my
#AoIR2021
presentation "On Brown Boxes: Hidden Interdependence in Unboxing Videos." You can watch the video or read the extended abstract 📦
Woke up to the news that my paper “On Brown Boxes” is accepted to
#AoIR21
. Excited to be a first-time
#AoIR
conference goer this fall and looking forward to be a part of the
@AoIR_org
community.
did a bunch of grading at a coffee shop with a nice outdoor patio. had a burger with draft beer at a happy hour pub. visited the new Amoeba location in Hollywood for the first time. maybe ☕️🍔🍺💿 will become my friday afternoon/early evening routine.
Hate to say it, but the 2024 election cycle confirms that shitposting, memes, and vibes are going to be essential campaign tools for both parties as we move toward November.
Arguably, this has been happening since 2008, and was a core staple of the 2022 PA senate race.
You can now preorder The Sustainable Legacy of Agnès Varda edited by the fantastic
@cbkenkar
and Feride Çiçekoğlu. Excited for my chapter “Women Directors on the Edge of Hollywood: Agnès Varda/Shirley Clarke in and beyond Lions Love (1969)” to see the light this April🎉
A good thing for scms being online for someone with a stomach bug is the reassurance that my bathroom is right there, and I don’t need to embarrass myself by rushing out of a room full of people. But please, I’ve have enough of this bug. Go away!
Finally took the courage to scan through 12 quarters of evals all together. (Most of them) are so overwhelmingly positive. Now I have a document filled with absolute applauds of me to read and lifte up when in doubt.
ahhh i hate that downvote button is so close to the like button. and i just accidentally downvoted and somehow unfollowed someone i really like and respect...had to undo the downvote and refollow😬 forgive my clumsy fingers and the glitches my friends 🙏
i pulled through a 4-hr long AoIR doctoral colloquium with my typical pounding migraine. but will i be able to make sense or survive my in-person teaching in a bit? who knows.
I didn’t even apply to AoIR due to varying reasons and only submitted to the online doctoral colloquium…BUT now I feel FOMO with all the fabulous ppl I follow here all going to Philly in Oct. Maybe I shall try attending anyhow🤔
This hit hard again today. Just turned down an actually very well paid and well suited freelance offer due to my status. Looking at my bank account in tears 😭
🎉 Just published for
#LaborDay2021
: a review of the art show SILENT WORKS by Phoenix Nomi, a Berlin-based audio transcription & machine learning worker. It’s a testament to all workers organizing in the face of bosses and algorithms used to replace and/or fire us 🧡
Assigned readings include
@TaylorLorenz
's NYT article "The Original Renegade" along with Francesca Sobande's "Spectacularized and Branded Digital (Re)presentations of Black People and Blackness" on TVNM.
I didn't realize that today is April 1. I miss you 張國榮. May I encounter my "Leslie Cheung ghost" like what happened in Kim Cho-hee's Lucky Chan-sil (2019).
You can now preorder The Sustainable Legacy of Agnès Varda edited by the fantastic
@cbkenkar
and Feride Çiçekoğlu. Excited for my chapter “Women Directors on the Edge of Hollywood: Agnès Varda/Shirley Clarke in and beyond Lions Love (1969)” to see the light this April🎉
The influencer class transitions to mechanisms of (in)visibility in digital economy 👻 Start with a mini pre based on the 2016 anthology Invisible Labor: Hidden Work in the Contemporary World along with
@aNormanWilson
's "The Artist Leaving the Googleplex"
Our Fall 2021 event “The Logistics Counter-revolution: Fast Circulation, Slow Violence and Decolonial Struggle along the Transpacific Supply Chain” with the amazing
@CharmaineSChua
is on Mon Nov 22, 2-4pm PT. DM us if you aren’t in COVEN already but are interested to participate!
What a way to start the Lunar New Year: Our book is officially published! So proud to spotlight our authors' local and diasporic writing on Hong Kong's global practices of radical resistance along with my co-editors
@wenliunyc
@onequietcup
@cantnonical
.
From slow-burning ghost stories to eerie psychological thrillers, Japan has crafted some of the most iconic horror films. 👹
Get your dose of J-horror terror—episode 3 of
#HorrorsGreatest
is streaming now.
Absolutely delighted to share the new issue of Wide Screen. Among other essays, the issue features a dossier on disability and film and another on COVID media. Please read and share among your colleagues, students and listservs wherever you can.
Also assigned
@gleemie
's "Justice for 'Data Janitor'" to go with a brief lecture on
@ubiquity75
's amazing book Behind the Screen: Content Moderation in the Shadows of Social media.
This is a really exciting project: A media analysis of anime via Evangelion as a case study. Open Access, with some of the BEST voices in anime studies in it (can't wait to read Ishida's piece on voice acting). Hats off to the editors!
Had some good discussions on virtual influencers, CGI models, and NFT in class wherein students are really critically analyzing the diigitals NFT promo materials and Daz3D’s “non-fungible people”