A hedge fund multimillionaire turned composer. A businessman with apparent links to the Russian state. A cohort of superstar performers all too happy to look the other way.
Welcome to Shorworld, classical music’s lucrative parallel world.
@vanmusicmag
Musical achievement is about how well you can do, how good you can get. That sense of attainment is tested by assessment which gives us intrinsic motivation to make us want to get better. That’s the virtuous circle of motivation.
I just followed this up with Cardiff Philharmonic Orchestra, who said the following:
@MusicMagazine
, any plans to update your story, and give it some much-needed context?
Some personal news: after six months of freelancing, unsure where my next work might lie, delighted to land my first job in journalism, as Assistant Music Editor of the Sandford Citizen! Thanks to the team for the warm welcome, especially Tim Messenger (not on Twitter)
fwiw, I think this is how classical music dies. Not its ageing audience, not the price of tickets. Telling people that its not for them, that they will find it too difficult and should stick to something simple.
embarrassing as it may be, sometimes I go to a concert to be primarily to be forced into a space where I can’t look at my phone. let me tell you, the relief of getting my brain / imagination back is palpable
My friend and colleague Jeff Brown is doing really essential work at the moment - here’s a telling case of a composer who inflated his CV and plagiarised a lot of his work, and largely got away with it.
A gentle Thursday afternoon read: Sarah Connolly discussing the merits of different forms of capital punishment, and why she's heading up an opera funded by a regime she previously described as “murdering autocrats stuck in a time warp."
For
@vanmusicmag
Here is my first profile for the
@newyorker
!
Victoria Canal Feels Seen: A rising star of sad-girl pop talks disability, public personae, and just going for it.
NEW: A Freedom of Information request by
@vanmusicmag
has revealed how Sir Nicholas Serota, chair of Arts Council England, put significant pressure on Welsh National Opera after their music director spoke out about financial difficulties
More here:
🚨Achievement unlocked: I’m on the front page of today’s
@nytimes
!
A surreal moment heightened by currently being stuck in traffic around Birmingham on the Megabus 🥲
NY folks, buy a paper!
Update: very pleased to have a couple of NYT pieces in the pipeline over the next few months.
The first of those is out today: ahead of
#Pistol
, I spoke with Steve Jones from the Sex Pistols about seeing his version of events on screen.
Classical music Twitter! (Or what's left of it...)
For
@vanmusicmag
, I'm constructing a (very lighthearted) classical music word jail, featuring the most tired, clichéd words and phrases in this world.
Name your worst offenders👇
who would win in a fight: a coalition of the UK’s oldest orchestras, publishers, conservatoires, 700+ composers, the vast majority of the mainstream media and over 125k online supporters; or one highly intelligent Ligeti hater?
Some days this job sucks, and others, you get to ride around the Scottish Borders with Richard Skelton, talking about music, landscapes, death and dildos. A grand day out, for
@guardian
.
Some news – v. pleased to be making another little pivot, this time into radio documentary presenting, as part of a series looking at the nature of work for young people in former industrial areas (I'll be going back to Durham to record it). Out on Times Radio later this year.
News: will be covering jazz/alternative/left-field/genre-less music in Europe in a series of features for the NYT until the end of the year. Artists & PRs, get in touch if you’ve got something curious coming up ⚡️
Latest feature for
@nytimes
explores new technologically focused avenues in experimental music that incorporate disability and neurodivergence into the creative process, with fascinating, intriguing results.
Morning all: here’s my latest feature for
@guardian
Ahead of the two
@TredegarBand
Proms, I spoke to Iwan Fox and
@gavhiggins
about one of my favourite subjects: banding.
For
@Bandcamp
, I profiled Another Timbre, one of the UK's most interesting new music labels. Such fun delving into their massive catalogue and reams of readily available information about their releases.
I reported on the current situation with Northern Ballet Sinfonia, a story of precarious labor and historic underfunding.
The musicians were remarkably candid with me—I'd suggest you give it a read.
waiting to see how many of the UK’s classical institutions will distance themselves from said figure, someone who was deeply embedded in this community
Good morning all – nervously adding fast food and outlandish architecture to my already scattergun beat in my debut for
@TheFaceMagazine
ft.
@nonstandardmcd
&
@MaxKriegerVG
.
This piece was great fun to write – have a read! ✍️
Just putting it out there, would 💫 love 💫 to write a cover feature one day, my profile writing is so much better than last year and yea a big goal ty x
@Dr_JAH
@AdrianEdmondson
@BBCRadio3
They keep asking me to do things with them and I have to politely explain that I don’t much like classical music. Such jaw dropping heresy!
Here's my
@FT
debut! I explore postmodern operas from Adams to Turnage to
@oliverleith
's new one, the different ways these operas obscure the literal, and the spectre of relevance in the world of modern-day programming.
(I didn't write the headline!)
“During a meeting with Rachel Jupp (who wrote the report) she informed us that she had spoken to just two people about the UK choral industry, both outside the BBC, and that one of those was a child.”
I support
@lordmaccrington
's idea that the BBC's
#Glastonbury
festival presenters should lose the wide-eyed every-set-is-HISTORIC hyperbole and act more like analytical football pundits who don't care about being liked. Where is the Roy Keane of the Pyramid Stage?
in many ways, the current response is actually the worst – organisations deleting any mention of him from the internet and not offering any explanation or response, as if he simply didn’t exist
waiting to see how many of the UK’s classical institutions will distance themselves from said figure, someone who was deeply embedded in this community
a whole industry of people with deep knowledge, interesting opinions, and lives dedicated to the art form, and the call goes—repeatedly!—to somebody who doesn't care for it (which is fine!)
I just followed this up with Cardiff Philharmonic Orchestra, who said the following:
@MusicMagazine
, any plans to update your story, and give it some much-needed context?
Leaving Manchester tomorrow 😯 trialling an exciting/chaotic ‘digital nomad’ existence & coming to a European city near you (Krakow London Edinburgh Lyon Turin & Berlin on the trip list so far) xx
Also today:
– first day in my new job as an editor at VAN 🍒🍒🍒(will be doing mostly production things)
– I now have a book column with VAN 🍒🍒🍒 called Pages Turned. My first piece is on Igor Levit's "House Concert," which was dreadful.
Wholesome content alert: got a tap on the shoulder at the pub yesterday and a young lad presented me with this – he’d been drawing things all evening and drew me from his table. Robbie is only 12!
My first mini investigation for
@PrivateEyeNews
and... it’s not about music or culture!! 😱
I took a look at the Science-Based Targets initiative and the corporate greenwashing that goes with it.
Buy a copy to reveal the journalism 😎
We’re pleased so many cultural organisations & practitioners are showing solidarity with Ukraine
We don’t believe this invasion is in the name of the Russian people and welcome any actions you take which are focussed on Russian and Belarusian state-sponsored orgs and activities
🇺🇸 HUGH YORK TIMES, BABY 🇺🇸
Put very simply, this is the biggest moment of my writing career. I put a significant amount of time, effort and love into it, so I'd appreciate you paying 50p or whatever it is to give it a read.
Out in print on 28th!
I reported on the current situation with Northern Ballet Sinfonia, a story of precarious labor and historic underfunding.
The musicians were remarkably candid with me—I'd suggest you give it a read.
New in VAN:
Can the Northern Ballet Sinfonia survive?
@hwfmorris
goes inside the labor dispute that encapsulates the pressures on the UK classical music scene.
Thanks to everyone reading Shorworld - we started it way back in February and I’m so pleased we managed to get it out there in the end.
It’s free to read until tomorrow - but better still, subscribe to VAN so we can do more mad things like this :))))
A hedge fund multimillionaire turned composer. A businessman with apparent links to the Russian state. A cohort of superstar performers all too happy to look the other way.
Welcome to Shorworld, classical music’s lucrative parallel world.
@vanmusicmag
Hopeful chat of the Gemma Owen / ‘well done he’s thirteen’ goalkeeper clash in the villa got me wondering where he is now and of COURSE
@FootballCliches
got there six years before the rest of us
#loveisland
A gentle Thursday afternoon read: Sarah Connolly discussing the merits of different forms of capital punishment, and why she's heading up an opera funded by a regime she previously described as “murdering autocrats stuck in a time warp."
For
@vanmusicmag
Work news: from October till EOY, I'll be working behind the scenes at
@vanmusicmag
learning from legends
@glendasplenda
&
@ogiovetti
🥰 Also hoping to contribute stories from the UK (with an emphasis on reporting & investigative stories) to expand VAN's reach even further.
Yoooo!! What a day today has been!
Cheers to
@UKWritingAwards
this has all been a lovely lovely surprise! Gonna have a glass of something to celebrate 🍻 Well in
@Alice_Khabib
and
@KimiChaddah_
🙏
We have a highly commended entry for the New Freelancer category, and that’s Hugh Morris (
@hwfmorris
)! Judges said Hugh has a “real freshness of voice and gorgeous moments of flair.” They also complimented his “lovely ledes!”
#FreelanceWritingAwards