I’ve just found a “Guide To Acid House Parties” by the Pay Party Unit (anti-rave police squad set up in 1989) in the National Archives.
This, which I don’t remember ever seeing before, is their logo.
Of all the UK’s big 90s dance acts, I increasingly feel like Basement Jaxx were the ones, and don’t get nearly enough credit. 15+ years of unstoppable chart bangers, each album at least interesting, genuinely inventive live shows / collabs, packed it in before it got embarrassing
Weird how BBC News’ famed commitment to balance and airing competing or contentious views apparently doesn’t extend to even the mildest criticism of the monarchy as an institution during a period of intense public attention on its functions and powers.
This is a truly exceptional piece of writing: deeply but rightfully uncomfortable, beautifully descriptive, and honest enough to let its frictions and contradictions percolate rather forcing them into some kind of resolution.
In case this little 🧵 is useful for anyone else: I ditched Spotify recently, and now have a streaming / listening setup which is loads better, pays artists more, and doesn’t fund Joe Rogan or gross military tech.
@keewa
@demarionunn
You’ve missed the best bit - he named the fake Polish man after a character from his own terrible novel, but no-one made the connection for ages because it sold about four copies.
SE London people: far-right homophobes are protesting outside a drag show in Honor Oak a week today, there’s a counter-protest planned which urgently needs your support.
I’m going with a bunch of mates, feel free to DM if you’re on your own and we can fold you into our group.
So after giving this speech calling for a ceasefire, the MP of which I was so proud… abstained on the vote actually calling for a ceasefire, less than an hour later.
Truly some of the most craven cynical bullshit I’ve seen from an MP of either party, which is saying something.
I’m incredibly proud of my MP
@helenhayes_
for listening to her conscience and her constituents, and putting the lives of Palestinians ahead of her career by calling for a ceasefire. Labour as a whole urgently need to show the same moral clarity & leadership on this issue.
And with that, I’ve just sent the final edited version of Party Lines off to get proofs printed. If you’d like to review it, or are very famous and might write a blurb for the cover, please slide into my DMs forthwith.
@jonholmes1
Hi Jon, sorry to see such one-note replies here. Just as a counterbalance to everyone criticising you on the basis of the show’s politics, I wanted to let you know that it’s also terminally unfunny and appallingly produced. Everyone involved should be fired. Hope this helps!
Belatedly spotted the news that the hedge fund which bought up every single railway arch in the country from Network Rail is now doubling rents for music venues and forcing them to close.
I’ve written about the unnecessary and wrong-headed funding cuts to the excellent
@PRSFoundation
announced this week - a subject which everyone who cares about grassroots UK music should be extremely angry about.
Other people’s weekend moods are coloured by how their football team fares; mine’s similarly affected by whether the Guardian Blind Date is good or not. And boy, is today’s a winner.
If you’re a musician or producer who has even the faintest concern for trans lives, then stop buying Spitfire Audio products and supporting their deeply suspect anti-trans owner.
Between the £3 pints, pickled onion Monster Munch behind the bar and someone bringing their dog onto the dancefloor, I’m fairly certain that Walthamstow Trade Hall is now officially the best venue in London.
Not even exaggerating when I say that this is one of the greatest pieces of archive-collage filmmaking I’ve ever seen. Gen Z does Koyaanisqatsi in 2m47s, no notes.
Not sure exactly what it says about dance music journalism that there's currently an editor-in-chief role being advertised at £21k a year, but I'm pretty sure it's not good.
Party Lines is out in paperback TODAY, and looking very fit even if I say so myself. Buy a copy, tell your friends, etc.
I’ll be on
@bbc5live
at 12.30 today to celebrate, chatting raves and riots with
@chriswarburton_
@TanyaGold1
Thank you, Tanya, for bravely reminding us that the person most deserving of sympathy in this story is the serial sexual harasser who’s spent decades being protected by his powerful allies.
Finally submitted a first draft to my editor yesterday. 114,000 words, dozens of interviews, countless hours in the British Library, near-infinite cups of tea and 18 months of my life in here. Cannot wait for you all to read it.
If we’re genuinely interested in immoral / illegal behaviour by media personalities, then we’re looking in the wrong place. This thread of allegations regarding Dan Wootton - stalking, harassment, blackmail and more - is properly horrific.
Confidential memo from West Yorkshire police to the Home Office, regarding the Love Decade party outside Leeds at which 836 people were arrested. Second paragraph confirms the presence of undercover police before the venue was raided.
“Slow-motion Balearic dub techno remix of Simply Red” is surely a phrase to strike terror into the heart of even the strongest among us. Imagine my surprise, then, to discover that not only does such a thing exist, but that it absolutely fucking slaps.
Last thing before I disappear from here again, but this “the SNP motion was divisive / wouldn’t have actually led to a ceasefire” is such absolute horseshit. Of course it was divisive: that’s the whole point. Voting in the Commons is literally called a “division”.
@RobBurl
@bbclaurak
Lmao if the journalists you oversaw approached their work with even half the tenacity of those on today's round, we wouldn't be in this mess in the first place. The odds of Laura unlearning a lifetime of lukewarm lobby-based backscratching are zero.
Party Lines comes out one week today!
This is the point where pre-orders can make a huge difference to the book’s visibility, so if you’ve been thinking about getting a copy, then now’s the time!
At the Honor Oak pub for today’s counter-protest: huge numbers, great atmosphere, only mildly soured by the inevitable presence of the SWP. Saw the Turning Point protest on my way past: a dozen depressed middle-aged people pleading with the police, properly laughable.
And here’s Lib Dem hereditary peer and Bertrand Russell’s son Earl Russell in 1992 (post-Castlemorton, as what would become the CJA was being devised) arguing that it should be “a criminal offence to make noise above a certain volume”
At the risk of sounding completely unhinged: I’ve had stuffed-up sinuses for basically my entire life, but this video has just done an insanely good job of clearing them. Proper black magic stuff. Urge any perma-sniffly types out there to give it a go.
Not expecting them to put someone on just to call the Queen a dickhead, but some acknowledgement of the millions of people who aren’t absolutely thrilled about systems of hereditary privilege and wealth might be nice.
It was also presumably written in full expectation of the anti-trans crowd’s response, which has been precisely as confused & abusive as you’d expect. Exposing yourself to their attention in pursuit of these nuanced, muddy truths is an act of journalistic courage in my view.
I see that Amy Lamé’s coming in for renewed criticism again, this time from the Daily Mail. A couple of things that are worth remembering every time her role comes up & people start asking if we even need a Night Czar:
Great to see nightlife workers unionising. If independent venue owners like Dan Beaumont can do the right thing, so can those backed by multi-billion pound property developers. Next time you're in Printworks, ask yourself where your money's really going.
Fuck developers - Old Paradise Yard, one of the capital's strangest, most beautiful and peaceful little spots, including the wonderful Iklectick Arts Lab, is threatened with demolition. Please get involved in trying to save it.
Just finished a (first draft of) 12k words on the early 90s free party scene, Castlemorton and the Criminal Justice Act which ends with Orbital dropping Chime at Glastonbury and inventing stadium techno. Absolutely buzzing. Writing a book is extremely tough but by god it's fun.
Having spent the first part of this year trying (& largely failing) to get an insanely good slate of music documentaries & other shows commissioned, the continued existence of stuff like this boils my piss beyond all reasonable bounds.
Really good rundown of the different gigantic financial interests muscling into dance music at the moment. Not a new phenomenon, obviously, but the sheer scale of the forces involved has definitely shifted.
Recent years have seen an influx of venture capitalists and private equity companies investing in electronic music. What does this mean for club culture?
@NewStatesman
@octaviarose
So many interesting things to say about dance music, and you go for rage clicks: how tedious.
Genuinely concerned about NS’ safeguarding of its writers, if you’re prepared to commission, edit and publish something so obviously intended to rile people up & get torn to shreds.
@brokenbottleboy
This is the same Jimmy Carr, presumably, who has famously never said a single mean thing about anyone anywhere for any reason whatsoever.
God this looks dire. Why do UK cultural institutions remain so hugely resistant to funding or engaging with dance music as current, living culture, but so keen to fetishise / endlessly recycle the same narratives about what it was 30 years ago?
I wrote about this possibility four years ago, just before the sale went through, to the surprise of venues and industry bodies and denial / disinterest from government. Infuriating to see that no-one's done anything to prevent it happening in the interim.
Try not to give airtime to bad people saying stupid things, but this guy coming up with “provide legal refugee routes into the UK, remove the ban on asylum applicants working and give them free social housing” as some kind of right-wing gotcha is just perfect. Welcome, comrade.
@lighghtmusic
Who amongst us in the Tethead community could have foreseen a mass-market pivot like this, away from such fearless experimental masterpieces as his Ellie Goulding collabs and remix of Eric Prydz?
This is grim. Anyone working with, supporting or giving a platform to Felix Hall needs to have a serious think about whether sending people death threats for supporting Palestine is something they’re happy to stand behind.
two days ago, i was shocked to see that someone deeply embedded in the seemingly outwardly progressive music community in London can show this virulent hatred and violence to Palestinians in the midst of the violence currently being wrought against them.
statement below
Where to even begin with this. Genuinely one of the most depressing things I've read in months. Appallingly written and edited, deeply misguided in its assumptions and utterly misleading for aspiring artists.
@matthewcarter7
@peterjukes
It depends on context, as with basically every other form of culture: some forms will be appropriate for kids, others won’t. Mid-afternoon storytime is about as transgressive as panto, and attempts to censor it have nothing to do with protecting children.
Have belatedly clocked that the company responsible for this are The same ones who own Printworks, Drumsheds, The Beams, WHP etc, who are also bankrolled by billions in investment from property developers & global media corps.
East London club Oval Space — shut down in September — has relaunched as Oval Studios, which is now a space described as “unrivalled” for “brand activations”
In case any
#QPR
fans can help out, the saxophonist from Pigbag - yes that Pigbag, the guy responsible for the riff we all know & love - is currently facing eviction from his home. Crowdfunder to help him keep a roof over his head is here:
Classic example of the half-arsed, evasive celebrity non-apology making someone look even more out of touch than the thing they’re apologising for, from someone I really hoped would have known better.
So - deep breath - here's the first publicly-available snippet from Party Lines, exploring how unlicensed Black music spaces laid the foundations for UK dance music, for
@factoryintl
as part of their runup to
@mifestival
, guest edited by
@kemioliviax
Also, thinking about it, I can’t help but wonder if their influences, guest vocalists & general cultural associations being noticeably less white, male, straight and / or rockist than their peers might have affected their place in the stadium rave pantheon?
@shockproofbeats
There was no drill, hip-hop or R&B on the lineup at all, as far as I can see. Closest thing was probably Blackhaine, an experimental noise act who cites drill as an influence. Massive and extremely suspicious dogwhistle.
Extremely long shot but has anyone ever heard of a zine called Pod, which covered the free party / squat rave scene in the early 90s? Just found this from 1992 but I can't find any other mention of it anywhere. Would love to track down some old copies
The single greatest piece of evidence for the unfair privilege conferred by private schools is the seemingly constant stream of dogshit articles by privately-educated journalists attempting to defend them.
That guardian trans piece is an abject failure of editorial standards and a safeguarding risk for pretty much everyone involved. Should never have been published and carries substantial threat of long-term harm to the people who now risk being defined / haunted by it.
@thugclive
Music journalists get paid peanuts, platforms are broke, big artists are more selective about access & online fandoms much more aggressive about negative coverage. Power balance is so lopsided that picking a fight with big pop stars is rarely if ever worth it.
I have discovered my kryptonite, the online hill I will die on, the Twitter spat I will refuse to leave alone no matter how dumb it gets: Americans’ insistence on treating band names as singular.
“The Pixies is reforming”
“The Ramones is four guys”
🤬🤬🤬
@elle_hunt
This is so good! Absolutely nails the issue, without ever straying into being nasty to individual nepotists (which would be deserved in a few places, but would weaken the overall argument I think). Lots to think about for everyone on both sides of the class divide.
Some personal news: after two years of patience and hard work, I’m delighted to announce that I’ve officially contracted the novel coronavirus SARS-CoV-2. I’d like to thank so many people, but particularly the government for removing all restrictions while cases are rising.
The owners of the venue in question - Depot Mayfield, also home of WHP if you're wondering why Sacha Lord is being uncharacteristically quiet - are Broadwick Live, who also own Printworks, Drumsheds, The Beams, Oval Space / Studios etc.
@RoriMoseli
@timeforjaya
If you can spend $700 on dinner, you can absolutely spend an extra $140 to ensure the people providing it are paid properly. The US system is fucking grim but cheaping out on tips is entirely about entitlement, whatever hoops ppl jump through to try & justify it.
I've started a Substack for "Party Lines" w/ lots of cool stuff on dance music and politics planned ahead of the book release: weird archive finds, interviews which didn’t make the cut, launch party invites etc
Please subscribe / RT / tell your mates!
@mrjamesob
@DorMin
@HadleyFreeman
I'd invite you to step back, and consider why someone might respond to a finding of deep-seated institutional bigotry within the Met by suggesting that they should just have been nastier to trans people specifically.
Obviously the ideal solution would be to overthrow the current streaming model entirely - shout out
@Bandcamp
&
@resonatecoop
- but until that happens, a combination of Tidal,
@plex
and
@songshift
means I don’t need to put a penny more in Daniel Ek’s grubby little hands.
“Heartbroken ambient vaporwave built entirely around samples of Celine Dion” sounds like the sort of thing you’d get if you trained an AI using nothing but Boomkat reviews, but holy shit this is so good, far far better than it has any right to be really.
SE London people: far-right homophobes are protesting outside a drag show in Honor Oak a week today, there’s a counter-protest planned which urgently needs your support.
I’m going with a bunch of mates, feel free to DM if you’re on your own and we can fold you into our group.
This is fucked. PRS For Music collected £670m in licensing in 2020. They spent £80m on their own admin, and less than £3m on artist grant support.
For the sake of less than 2% of their office budget, they’ve gutted one of the most vital funding sources for new UK artists.
As part of the AGM
@PRSforMusic
have announced a 60% decrease in funds for
@PRSFoundation
from 2024 - please get in touch to find out how you can help us support talented music creators
Me, an idiot: capital co-opts nightlife as a marketing tool while simultaneously hollowing out actual culture
Some random office block, an intellectual:
Having spent most mornings during the writing of Party Lines listening to NTS, and regularly procrastinating by replying to everyone’s Matters Of The Heart in the chat room, getting a shout out from the one and only
@flollid
last week was very special indeed.
@lottelydia
Obviously because it gives Tory candidates a better chance, but the official reason was voter confusion, wasted votes, and… it’s what Churchill would have wanted?
If you come to the UK illegally:
➡️ You can’t claim asylum
➡️ You can’t benefit from our modern slavery protections
➡️ You can’t make spurious human rights claims
➡️ You can’t stay
@ShippersUnbound
@Bec2043
@cooperphil156
Ppl from Hong Kong, many of whom are *already* British Nationals by law, make up >100k of that figure. We've accepted four Afghan refugees via UNHCR since Kabul fell. The idea we're going above & beyond to welcome refugees is a lie told to soothe right-wing consciences.
Hello! I'm desperately looking to speak to anyone from the early 90s rave scene / opposition to the Criminal Justice Act who can help me find Michelle Poole of the Advance Party, one of the main anti-CJA protest groups, or her partner Andy. Any info / RTs appreciated, DMs open.
I obviously love and respect Bjork unconditionally, and the new record is very interesting, but I really miss her ability to combine weird avant-garde stuff with something closer to pop. What I'd give for a massive heartstopping tune along with the dissonance.
Very belatedly getting round to giving
@wordcolour
's debut album a proper listen, and it's extremely special: some strange amalgam of Midori Takada, Gregory Whitehead, Trevor Horn, Digital Mystikz and The Books.