It’s weird how films have such a short cultural half-life these days. Midnight Sky lasted a day. Mank a week. There’s no real talk. Cinema has become tv. Without the theatrical experience and ancillary publicity and chatter, films last barely longer than it takes to watch them...
What’s your favorite British TV to Hollywood blockbuster move?
I like the guy who orders Waldorf Salad in Fawlty Towers turning up to berate
@MatthewModine
in Full Metal Jacket
Rewatching Birth. Jonathan Glazer’s second film. It’s almost impossible to categorize. A ghost story/psychological thriller. It channels Polanski and the Hitchcock of Marnie. It’s perverse and disturbing. Kidman is luminous and also fading. What if it’s a sequel to Eyes Wide Shut
In fact tv shows have more impact because it takes more time to watch them. I don’t know if this will be permanent. I doubt it. Everything changes. But I do know if I was a filmmaker I would hate my film to come out like this.
Kevin Costner’s Horizon is an old fashioned western and there’s something so beautiful about taking out cliches, polishing them to a shine and wholeheartedly embracing them. I loved it. It’s unironic unrevisionist classic western with a wonderful sense of place and language.
Positive vibes. Name two things that you’ve done that would have impressed your 13 year old self. I acted in a play in a foreign language and I went to China.
Here's a question
#FilmTwitter
: what opening scene in a movie did you watch and in the cinema think: this might be the best film ever (regardless of the final outcome)?
Colin Farrell has gone from being a failed lead actor to a triumphant character actor, one of the best working today, which makes me want to go back and watch all those early films because I suspect his performances have always been brilliant. We've just been watching them wrong.
I once asked Ben Mendelssohn if he worried about being typecast and he told me that he’s a taxi driver who knows the neighborhood. If that’s where he’s paid to go he’s happy to oblige. Happy Birthday Ben.
It’s odd how a scene in a film can change when you view it several times. For instance that scene in Fight Club when Jared Leto gets his face punched in seemed way too long when I first saw it. But now it seems nowhere near long enough
Sean Baker is one of the nicest guys in the business. He did a film club over Zoom for my film club when Italy was in lockdown. His speech dedicated the award to sex workers, past, present and future. He has also made endlessly fascinating funny generous and humaa work. Chapeau
Murray Melvin died yesterday. He's probably best known for his work in Barry Lyndon and The Devils. But his role in Tony Richardson's Taste of Honey was genuinely ground-breaking and beautiful in providing a real human portrait of a gay man. Watch the film if you haven't already
Something I’ve noticed -via a conversation- most of my favorite filmmakers make period films. Who is your favorite filmmaker who is making films set in the right now?
Can’t get enough of Mr Bronson from Grange Hill commanding a Star Destroyer in Empire Strikes Back (Waldorf Salad was manning the rebellion outpost on Hoth)!
A bit of personal news. Earlier this year I signed a contract to write a biography of one of my fave directors, Terrence Malick, provisionally titled The Magic Hours: The Hidden Life of Terrence Malick - I can’t wait for you guys to see it but it will take a little time.
I loved The Last Duel. Brilliant epic filmmaking with a genuinely fascinating insight into history and storytelling. There’s a Rashomon like structure but this is also its own thing. Best Ridley Scott since Gladiator.
48% of British people identify as working class.
8% of actors come from working class backgrounds
I can’t name hardly any recents examples.
Who are your favorites?
My favourite
#Cannes
memory of all time: meeting my hero Werner Herzog. I told him I was a great fan and apologised for interrupting him. He asked what i did. I told him I was a writer. And he said *Werner Herzog voice* "Then you are not a fan, you are a colleague."
Drugstore Cowboy is a wonderful film. One of Matt Dillon’s best performances and a wonderful cameo by William S Burroughs as William S Burroughs. An underrated or slightly forgotten film I fear.
Oscars are about marketing not quality. Marketing is truly important and so the Oscars are important. But they’re not important in terms of assigning, defining or indicating quality and never were.
Just saw Christopher Nolan at my hotel having breakfast. No entourage. On his own. Weird he ate a bowl of dry cornflakes then drank a glass of milk then ate a spoon of sugar. Not how I would do it but oddly compelling.
Megalopolis is the Spruce Goose of films, often stupid, barely functional, rarely airborne but I’m kinda glad it exists. Like Ayn Rand tripping balls. Adam Driver continues his tour of dream projects of aging directors. Coppola has had fun and proved why Zoetrope failed.
McCabe & Mrs Miller (1971) Altman’s western influenced Deadwood, Once Upon a Time in America and The Shining. It’s a tale of progress and defeat, capital and poetry. Songs by Leonard Cohen, cinematography by Zsigmond, weather by God. Altman’s best?
I first saw Threads when I was a 12 years old. It was September, 1984 and the next day that's all anyone could talk about at school for a week. It affected me hugely, viscerally and politically. I watched it again today and its power has not diminished. What an unbelievable film
Tonight the screening of Love Lies Bleeding
@KVIFF
a champion woman body builder came on and led the whole audience through a routine. The woman next to me shouted “You don’t get this at Cannes!”
I know this is an odd thing for a critic to say but I think we should admit more about the films that flummox us; that we don’t have a properly formed opinion on. There’s value in being baffled, in the complex reaction that doesn’t fit into a hot take or a tweet.
RW: Sexy Beast (2000) Jonathan Glazer's film came out during a glut of Brit Gangster pics, but it's a masterpiece. Channelling Pinter and surrealism, a bold eye, true economy and a sense of genuine empathy, even for monsters. Gal & his wife & surrogate son. Winstone's best
Here’s an idea for making films interesting. Give your characters real jobs. What’s a film where the protagonist has a job you don’t usually see a protagonist do? Like Adam Driver driving a bus in Patterson
Gian Maria Volonté deserves to be better known internationally. Investigation of a Citizen Above Suspicion, The Mattei Affair, Many Wars Ago and Sacco and Vanzetti are just a few I would advise you watch.
In Italy - ITALY - we've been wearing masks for months in shops, stations, on public transport and supermarkets (
@sainsburys
?). The thing polices itself. All those stereotypes of the law abiding English compared to the relaxed continentals is utter bullcrap.
I have an honest question. Not engagement bait honest. Has this been an exceptionally poor year for films? We’ve had a few good ones; maybe even a great one or two. But it feels pretty drab so far. I’d have a job compiling a top five. Or is it just me?
@daveyjenkins
The Prestige and Memento are witty as fuck. His Batman films have a healthy sense of their own ludicrousness. This critical truism about Nolan’s lack of humor is inaccurate and kind of tedious. No guffaws perhaps but so what?
I don’t usually announce family stuff here but my daughter today passed her entrance exam for university. She has also won a three year scholarship to pay for it. I’m so happy I could shit.
Elon Musk has released a deep fake video of Kamala Harris saying she is a diversity hire. I don’t know where this white South African diamond heir could have got his racism.
Rewatched The Zone of Interest:
This is a film about the Holocaust that isn’t cathartic. It hasn’t any need for your tears or pity. It is darkness domesticated. It is the sort of film that you don’t want to lessen with talk.
Jeez. You all slept on Underwater guys. You can keep Color Out of Space. This is the best Lovecraft movie for decades. Chapeau
@superswift
tentacley chapeau.
The days of Netflix attempting the prestige acquisition/production are over. We got The Irishman, Roma, Marriage Story, White Noise, The King, I’m Thinking of Ending Things, Power of the Dog, and Other Side of the Wind. Was it a good haul?
The reaction in
#cannes2024
to Costner’s Horizon shows the bias that has developed over the years towards horror and social realism away from the western. Critics who would applaud and hoot at the lamest horror met this with scorn. I like horror AND westerns btw
Kevin Costner’s Horizon is an old fashioned western and there’s something so beautiful about taking out cliches, polishing them to a shine and wholeheartedly embracing them. I loved it. It’s unironic unrevisionist classic western with a wonderful sense of place and language.