Earl Sweatshirt's style change was so radical and successful that the only comparable example I can think of is when Jordan came back and had the turnaround fadeaway
at this point, rapping is kinda like playing guitar - anybody can learn the basics, some people can do it at a virtuosic level, but for it to really resonate beyond competency, youโve got to bring something special, something intangible, something substantive to the table.
๐ ๐๐ฉ๐ฑ๐ฏ๐ฌ๐ญ๐ฐ ๐ฆ๐ฐ๐ฐ๐ฒ๐ข ๐ฐ๐ฆ๐ต๐ฑ๐ข๐ข๐ซ:
Earl Sweatshirt
@earlxsweat
: A Geography of Grief and Growth
+staple-bound zine
+kraft cardstock cover
+available now
+DM to request a copy
๐ญ๐
sometimes i forget how a lot of the music i listen to is so different from what a mainstream music listener might be used to. then i'll have somebody in the car, and they'll be like, "what the fuck are we listening to?!" and i'm like, "oh right."
two years ago I realized some of yโall have more reading stamina than I assumed.
hereโs the first copy of the physical. numbered 1/100 AND signed. Iโm selling it for charity. weโll be raising funds for my purchase of a mechanical toothbrush.
weโll start the bidding at $100.
the whole โbackhanded compliment of ELUCIDโ discourse is really very irritating and reflects a narrow understanding of what makes an MC. he is not ancillary. I know we live in a culture that prizes deification, but weโre not dealing with a lesser god here.
the fact that Co Flow dropped the Funcrusher EP in the year after Illmatic (1995, another one for the 9-5,
@zillarocca
) is nothing short of remarkable. unreal. a quantum leap. and that's not to discredit Nas, of course. but Jus and El pushed things substantially forward.
Your 'doom quote' for today:
"We are living in a world locked into a suicide pact, with deeply entrenched ways of thinking about energy and security which are designed, unwittingly, to keep us on course for disaster..."
--Dr. Jeremy Leggett, 5000 Days to Save the Planet
in the past 5-7 years i've gained a deeper appreciation for:
prog-rock
ambient
spiritual jazz
math rock
dub
midwest emo
hardcore
trip-hop
these are genres i'd only dabbled in or been outright hostile to during my adolescence and 20s.
moral of story: never stop listening
Fatboi Sharif worked with Bigg Jus, Beans, and Kool Keith in 2023. I canโt think of another artist who has been able to directly link and build with their progenitors.
challenge: instead of posting yr random thoughts & opinions here, write 'em out, cut 'em up, pair them w/ a bunch of cut-up pictures, paste/tape them to pieces of paper, photocopy, staple, fold & send them to people in the mail. you'll feel better & be doing society a favor.
might turn Caltrops into a record label just so I can put out the music of one of the greatest artists Iโve ever known since he has no desire to publicize his own music.
the zine version of โA Manual of Exorcism: ELUCIDโs I Told Bessieโ will be available at this show in BK on 9/17. after that, i will set the zine loose in the wild (by which i mean the internet)
@elucidwho
i feel so privileged that Armand Hammer sent me their new track, "Bishop Whitehead," for an early listen. can't wait until the rest of you hear this one.
issue 9 will be available at the โญ๐ฅ๐ฒ๐ฏ๐ ๐ฅ release show on Wednesday. look for me with the black backpack and black mask, likely with the zines in my grip. mail orders available next weekend for everyone else.
@BackwoodzHipHop
@theMessiahMusik
๐จ
context:
by 2009, i'd removed myself from staying current & checking for new hip-hop. then Odd Future broke & got my attention. i remember a student of mine turned in a vocab quiz with "OFWGKTA" written at the top. like most, i got excited about the crew & what they were doing.
CALTROPS
#13
: Two from Armand Hammerโs WHT LBL
+ gunmetal cardstock
+ first 10 copies have wax thread saddle-stitch binding
+ everything after staple-bound
@BackwoodzHipHop
@elucidwho
@ArmandHammerNYC
DM or email to cop
[will also have copies at the 11/16 AH show in NYC]
i know people talk about how the music of your youth is the most significant to you based on formative years/neurological development, but i think there's something to be said for just the sheer number of hours you have as a young person to sit around absorbed in music
CALTROPS year-end wrap-up.
gained a lot of new readers and supporters this year. very, very grateful for that.
gonna keep it going in the 2-3.
๐๐ค
happy september. in anticipation of the new
@ArmandHammerNYC
album at the end of the month, i'll be posting two new Caltrops pieces in the coming weeks - both about songs from WHT LBL.
they will be combined in a single zine, issue 13. stay tuned.
read stories about Armand Hammer in both the New York Times and Washington Post this weekend. that means the only legacy media outlet left for them to appear on is
@CallOutCultPod
woods started his set the other night with a 20-second clip of some scuzzy, guttural, soul-scathing beat by the god
@AugustFanon
. time will tell, i suppose, what comes of that noisy excellence.
i just completed a concordance of every hip-hop song in existence, and
@BackwoodzHipHop
has mentioned โChristmasโ more than any other rapper in the history of the genre. data sheet forthcoming.
"we" here at Caltrops have been rather dormant for the past 3 months. "we" apologize for nothing. "we" have been playing too much basketball & working on "the book." that said, the next couple weeks will include some new pieces, new interviews, & a new zine issue. stay tuned!
๏ผฒ๏ผก๏ผฐ๏ผณ ๏ผ ๏ผฃ๏ผฒ๏ผก๏ผฆ๏ผด๏ผณ ๏ผ๏ผ๏ผ: ๐ ๐ ๐ฝ๐ผ๐ ๐ฝ๐ณ๐ธ
learn about how
@sunmundi
risks his life while writing during his commute, teaches stuffy academics about Griselda, and approaches his lyrics with meticulous care
the figurative use of โdiggingโ was originally apt because it was grueling to crouch down, rifle through dusty crates, inhaling the must of time and space, searching through cardboard and wax for something worth sampling - risking bloody and abraded knuckles, +
1998. me on the floor of my bedroom with my finger on the REC button of my stereo cassette deck. the dial tuned to Hot97. never dubbed over this one and probably never will.
might turn Caltrops into a record label just so I can put out the music of one of the greatest artists Iโve ever known since he has no desire to publicize his own music.
according to Robert Schneider, a "classic" album emerges from the following formula:
-young people in their prime with no money
-pouring their hearts into a work of pure art
-no oversight from any business interest
sometimes I think about how artists fought govt censorship tooth and nail to prevent parental advisory stickers from being slapped on their album covers and now indie artists do it willingly.
shout-out to those tabs you keep open in your browser, just waiting for the day when you'll have the time to read that article or watch that video, & then - eventually - as if it wasn't worth keeping the tab open for five months, you say to yourself, "fuck it," & x that shit out.
thereโs a poet whoโs making waves today for a stupid reason - someone I took shots at a few years ago because Iโm the Chino XL of this poetry shit
i feel like every time Bobbito appears in a documentary he's sitting on a bench beside a ball court at an NYC park.
i'd like to believe he requires it.
"you want my opinion? ok, meet me here."