We are organising a special event on 30 April 24 to showcase the marvellous but relatively unknown South Asian art collection of
@EdinburghUni
🐘 For people interested in South Asia and/or its arts, it's free and open to all but you have sign up. Pls do come!
The 1st Indian to qualify for the Olympics in equestrian sports in 2 decades, Fouaad Mirza, is descended on his father’s side from an Iranian horse trader who migrated to India 7 generations ago. His family’s horsey history is in The Tale of the Horse. With his horse Mickey!
I thought my quota of miracles was up when I got funding to do my PhD at SOAS. But it turns out that miracles happen in pairs, & I landed the job of my dreams, as Lecturer in South Asian Art History
@EdiArtHistory
@eca_edinburgh
in the University of Edinburgh. I begin in Spring!
The historical horse culture of India & related equestrian sports (or their forms) declined with colonial rule. Modern equestrian sports like eventing have deep roots in Europe but aren't big here. For Fouaad Mirza to make it this far on his Olympic debut is a huge achievement👏
How do you know you are back in Delhi? You visit the Qutb Minar and drink a rose-infused gin & tonic 🩷 Nothing like a winter afternoon in Delhi (if you can overlook the pollution).
In spite of their declining fortunes, the later Mughals continued to have equestrian portraits of themselves made, in the manner of their great ancestors. Here Shah Alam II rides a beautiful grey stallion. Collection of
@mfaboston
This 'Moorish Mosque' was built by the Francophile Maharaja Jagatjit Singh of Kapurthala. The inauguration plaque reads that 'the existence of this mosque will bear an enduring testimony to [HH's] broadminded tolerance and solicitude for the welfare of his subjects.'
One of my favourite paintings, a Pahari one, from
@NMnewdelhi
. A beautiful young mother looks at her reflection in the mirror and does her toilette as her child tries to get her attention.
At a time when most people pass time mindlessly scrolling through their phones (& cultivating ADD), this ASI caretaker spends his reading tomes under the dome under his watch. I had peak & he also has good taste.
Preparing for the last class on my course on Empire. It's on the imperial capital of New Delhi – I'm reminded of the 3 years I spent on the President's Estate, managing a documentation project. Here's a photo by Narendra Bisht from the project. Source: Life at Rashtrapati Bhavan.
A mural painting from the Alchi monastery in Ladakh depicting a Kashmiri king and his retinue out on a hunt. The painting is a detail of a dhoti worn by a gigantic statue of the Bodhisattva Avalokiteshvara! Photo by Jaroslav Poncar.
A beauty stands on a swing that hangs from a fruiting, flowering tree under a dark, stormy sky. Such 'monsoon' paintings were pregnant with anticipation as men returned home at the end of the campaign season & couples were reunited. Pahari painting, 18th cent. From
@metmuseum
The vivid blue skies of his beloved Jodhpur will always remind me of my friend Karni Singh Jasol, the brilliant director of Mehrangarh Museum Trust. He died in a tragic car accident on Monday. It's impossible to imagine the fort or the city without his larger-than-life presence.
Fishing through old hard disks for my PhD abstract, I came across these photos of me interviewing the great art historian Ebba Koch against the backdrop of Humayun's tomb. I was still a wonder-eyed PhD student then, wearing chinar leaves in her honour, & she was just marvellous.
I introduced Prof. B.N. Goswamy, the great art historian of India, at the last JLF. I couldn't have known then that I would never see him again & my only consolation is that I had the chance to pay my tribute to him: He gave us new ways of thinking, seeing & even feeling . . .
So cocks, elephants, & dogs (?) were not the only animals made to fight in India. Here's a rare record of clashing stallions from 19th-century Kota, Rajasthan. In the collection of
@V_and_A
The magical
@iamrana
sent me this exquisite glass flask from her travels: Of Egyptian or Syrian heritage, from c. 1300, it is painted with male & female polo players in enamel & gold. What a decanter! Collection: Museum für Islamische Kunst, Pergamon Museum.
And the gift horses keep coming – this image from the mighty
@DalrympleWill
. The Safavid painting, from the Houghton Shahnameh, features Rustam's marvellous stallion, Rakhsh. He's the dappled dun horse in front, as his coat was supposed to be the red & gold of rose & saffron.
I may be the last to arrive at my own party, among the last to receive advance copies in India - but what a thrill to receive a stack of my first book! Thanks to my agent
@DGALitAgents
, editor
@TeestaGuha
& publisher
@PanMacIndia
from the bottom of my horsey heart ❤️
Another oil painting by Thomas Hickey produced in the aftermath of Tipu's fall in the Rashtrapati Bhavan collection - 'Portrait of Krishnaraja Wadiar III', 1801. From the book The Arts and Interiors of Rashtrapati Bhavan: Lutyens and Beyond.
Shah Jahan's boys: Who would have thought looking at this youthful portrait of brothers-in-arms that it would all end in blood & tears?
#Mughal
painting by Balchand, c. 1635. From the
@V_and_A
Delighted to receive my contributor's copy of this super handy volume, exploring Hindu architecture in India across different styles & regions, elite & folk patronage, ritual & pilgrimage. More than a decade in the making, it really is a wide-ranging & comprehensive work.
Cornell University's collection of photos by Robert MacDougall, Beyond the Taj: Architecture & the Landscape Experience in South Asia, isn't only a fantastic resource but includes atmospheric photos of India of another time, while he also seems to have had a spot spot for horses!
This painting has been tentatively identified as a retrospective of the ill-fated
#Mughal
prince Dara Shikoh & his beloved wife Nadira Banu. One of my students was struck by the difference b/w the pearls of the man & the woman! Jaipur, 18th c. The David Collection, Copenhagen
Oil painting of Mysore's Ghulam Ali Khan by Thomas Hickey, 1801, Rashtrapati Bhavan collection, New Delhi. Photo by Anil Luthra, published in The Arts and Interiors of Rashtrapati Bhavan: Lutyens and Beyond.
The Mughal worldview is captured and shaped in painting – and I can't wait to be in conversation with the wonderful
@Ursula_Weekes
about her work on Mughal portraiture and her upcoming book. Do come & watch our session at JLF 22 in the Baithak today at 1pm.
JLF 22 came to an end and the lovely staff of the hotel asked me to plant a tree 🍀🤍 What a blast the festival was after three bleak years of the pandemic!
Just finished the proof of a spectacular non-fiction debut, full of wit and brilliance, The Tale of the Horse- A History of India on horseback by Yashaswini Chandra. 1/3
'EIC school' painting of mainly Afghan horse traders, collection of Prince & Princess Sadruddin Aga Khan. Key chapters of The Tale of the Horse cover the historical links enabled by the overland trade in horses from Central Asia to India & the role of Afghans entrepreneurs.
Horses can take you where you’d never get in any other way and I hope this tale does too. It has been a long time coming but what a wonderful ride it has been!
Happy Publication Day to
@Yashaswini_Ch
and her exceptional debut THE TALE OF THE HORSE: A HISTORY OF INDIA ON HORSEBACK!
Out now on Amazon and wherever books are sold. Go ahead and show us some horse love! 🐎
On a winding road to Mussoorie, stands a sprawling colonial house, Sikander Hall, built by the descendents of the Anglo-Indian cavalry officer James Skinner, founder of the legendary Skinner's Horse, aka Sikander Sahib.
One of the many joys of being an art historian is all the places you get to go to. I had the most perfect little jaunt to the spectacular Fountains Abbey & Studley Royal to delve into the Indian connections of the latter (once owned by Lord Ripon).
Who knew that there’s a delightful little racecourse in Lucknow where deer come to graze when the horses are in their stables? I promptly made an offering of my horsey book.
What a sweet painting of a lovely little pied myna by Abil Khan, an Indian artist working for British patrons during the Company period. Calcutta, c. 1810, collection:
@LACMA
Another fabulous
#Mughal
hookah. Do the golden poppy plants on the main body indicate that it was used for smoking opium in stylish Mughal mehfils? From the Cleveland Museum of Art.
Short 🧵on the Indian 🐘. It was a powerful symbol of Indian kingship since ancient times. Descriptions of battles are littered with the names of actual elephants that stole the show. Portraits were also made of prize specimens such as this little masterpiece in
@CRC_EdUni
...
Our cow had a female calf of half-Sahiwal breed. In honour of her Punjabi-Sindhi heritage, I named the calf Sohni (of Sohni–Mahiwal fame). And she does have the most wistful eyes 🥹
Visit Jabberkhet, north India's first private reserve forest, near Mussoorie, for walks through thickets of grey oak and rhododendron trees and sweeping views of the central Himalayan snowline.
Exciting new job alert for curators & historians of South Asian art 📣: The National Trust is looking for a National Collector of South Asian Collections to work on houses such as Powis Castle & Kedleston Hall to unpack their complex legacies. .
What is more cheering than waking up to parrots squawking from trees? In Indian lore and literature, these birdies are arbiters of wisdom, as in the eponymous Tutinama, & messengers of love, as in the epic of Pabuji. EIC school painting, c. 1820, collection:
@ClevelandArt
My friends continue to send me gifts of horses. In the latest,
@ParshatiDutta
sent me this image of a fabulous polychrome tile featuring a 'flying' blue horse from the early 13th century from Kubadabad Palace near Konya in Turkey.
"Merkel made no specific announcements and called for no nationwide curfews or additional closures. Yet what gave her address its force was her tone, which was direct, honest, and searingly empathic."
This stunning chess set made of ivory & bone from c. 1899–1905, Murshidabad (now in WB, India) is one of the many colonial treasures in Kedleston House. The National Trust is hiring a National Curator of South Asian Collections to work on the contested histories of such houses 🧵
The road to Paonta Sahib: The town was founded by the 10th Sikh Guru, Guru Govind Singhji, on the bank of the Yamuna, surrounded by sal forests in the Himalayan foothills, after his horse stopped there. The horse always knows.
Bikaner once lay on the caravan route to Pugal & onto Bhawalpur & Multan, leading to Afghanistan & beyond. The local, 'Marwari', bankers & merchants who controlled the trade that passed through the region used their wealth to build such amazing havelis.
📷
@dineshkhanna
.
This stunning 30.60-carat Colombian emerald inscribed with the full title of Shah Jahan was sold this year by Chirstie's for USD 500,000! Less enamoured of 'insipid' diamonds, the
#Mughals
coveted coloured stones such as emeralds, rubies & spinels.
“The experience of this nameless woman, dumped in a strange country in June 1908, may be shocking, but she was not exceptional. She was one of hundreds, perhaps thousands of ayahs”
#LONGLIST
2022: Karwaan Book Prize
Karwaan is delighted to announce the Longlist for this year’s
#KarwaanBookPrize
. It is awarded annually to recognise the outstanding scholarship on the History of Indian Subcontinent.
Stay Tune for the
#Shortlist
Announcement!
Writing about the colonial world of hill stations & tea gardens in the eastern Himalayas, I'm struck by all the evocations of the mighty Kangchenjunga. Here is a view by the pre-Raphaelite artist Edward Lear in the spirit of the sublime. 1879, Yale Center of British Art.
There is something so wonderfully distinctive & stylised about the 'Kashmiri school of sculpture' that flourished from circa 8th century to the 12th high up in the Himalayas. Here are a couple of masterpieces from the
@ClevelandArt
representing Durga as Mahisasuramardini & Shiva.
The desert 'is a site of wildness & madness...the place of lovers...a place of joy & gladness', said Khwaja Farid. & Dhola-Maru is one of the epic romances of the western desert frontier. In this painting from
@FortMehrangarh
, Dhola & Maru reunite with the help of a camel.
For a lighter, brighter horse, do pick up The Tale of the Horse in paperback. I'm thrilled it has made it this far and, once again, grateful to my wonderful publisher
@PanMacIndia
and agent
@DGALitAgents
.
THE TALE OF THE HORSE: A History of India on Horseback,
@Yashaswini_Ch
's magnificent debut, is out now in paperback! History lovers, horsey readers, what are you waiting for?!
Pick up a copy here or from a bookstore near you!🐎
A winged horse of heaven, reminiscent of the legend of the celestial origins of horses, from the Satavahana period (1st-3rd century). Collection of Bangalore Government Museum. PC:
@DalrympleWill
This hookah was used in
#Mughal
male gatherings where poetry was recited. It is incised with lines from Nizami's Khamsa, as well as a description of the hookah, likening it to an uncomplaining servant who will accept burning embers from his master. From Cleveland Museum of Art
How did Rajasthan become the most renowned of India's horse territories & Chetak our most famous horse? Do attend my session today with the magnificent Dr Rima Hooja on Maharana Pratap & Chetak at JLF 22 in the Durbar Hall at 3pm. Photos from Pushkar 2017 by
@dineshkhanna
🌞
The Mughals knew what they were talking about if they waxed eloquent about shab-i Malwa, as is said. Nowhere is the magic of Malwi nights more acute than in the environs of the fittingly called Shadiabad, better known as Mandu.
His & Her Horses: This princely couple have dismounted from their horses & retreated into a bower for a romantic tryst. Collection of
@FortMehrangarh
#Rajasthan
& they are off! It has been gratifying to follow the trail of the horse through the Indian landscape & trace its enduring hoofprints. My debut book on this most magnificent of creatures is an exercise in history writing but also an act of love.
Thrilled to announce that
@Yashaswini_Ch
's exceptional and groundbreaking debut THE TALE OF THE HORSE: A HISTORY OF INDIA ON HORSEBACK finally leaves the stables on 22 January! This masterpiece of history writing can be pre-ordered here:
@DGALitAgents
The Pre-Columbian collection at the National Museum in New Delhi is one of its best-kept secrets. Few people realise what a treasure trove it is – donated by Nasli Heeramaneck, the legendary Indian American art collector, to encourage comparative studies within the global south.
Fascinating depictions of different animals in the 'Gazi' pata (scroll) painting dated to c. 1800 from Murshidabad in the British Museum – a reflection of life in/around the Sundarban mangrove forest in Bengal.
One of my favourite Mughal paintings, in which Shah Jahan ties a sehra (veil) of pearls, emeralds & rubies around Dara Shukoh's face before the prince's wedding! Shah Jahan had worn the same veil as a prince at his own wedding to Dara's mother, Mumtaz Mahal ❤️
The award finally went to the highly deserving Farah Bashir. But 3 out of 4 books on the shortlist were published by
@PanMacIndia
& steered by
@TeestaGuha
. So here's to her for championing women debut authors, often working on offbeat topics, with imagination & integrity.
Incredible how gins are still named to evoke different colonial associations with G&Ts – polo in Jodhpur, pig-sticking in Jaisalmer & elephant hunts in the Terai, for example. In contrast to the spirit of shikar tales from the Raj is the earthier Rampur whiskey!
"He has refused the place in the penumbra that our divided society would relegate him to, in order to claim a place in the spotlight of the cameras." Chandrashekhar’s azadi with swag: The fabulous mystique of the Bhim Army chief via
@scroll_in
Such Mughal jaalis were added as ornamentation to 'Indianise' the Palladian architecture of the Rashtrapati Bhavan, formerly the Viceroy's House, designed by Edwin Lutyens. PC: Joginder Singh for
@Sahapedia
#RashtrapatiBhavan
#Indiandesign
The fort of Raisen loomed over an ancient trading route through Vidisha from the early medieval period. It assimilates different phases of construction & includes imposing gateways, an original temple, & a high Mughal mosque & baradaris.
"[Modi is] a profoundly vain man, a publicity hound who craves international attention and respectability. So [Western] condemnation now may well make a difference."
The Shortest History of India is a must for anyone looking for a well-told & insightful overview. Thank you
@PanMacIndia
&
@TeestaGuha
for my copy. We are making the most of it! The cover is rather pleasing too, matching the brilliant colours of the post-monsoon foliage.
This blue & white ceramic flask from Jaipur is incredibly enough painted with a tiger hunt by/from an elephant & a deer hunt from horseback. It might have been 'picnic ware' for hunts or may reflect the general fetishisation of the hunt. 19th century, National Museum, New Delhi.
Struck by the association of power & refinement with women falconing on horseback that are common to both these images from completely different contexts –Mary of Burgundy & Chand Bibi of Ahmednagar. The main difference is of course the seats of the women.
This most beautiful of Himalayan goddesses is a form of Tara unique to the Alchi monastery in Ladakh, who was meant to help patrons, travellers & pilgrims surmount obstacles & endow them with wealth. PC: Jaroslav Poncar.
#WesternHimalayas
#Indianart
For all its qualities, Mughal painting is not known for its
depiction of the underclass. The major exceptions being Bhil hunters, ascetics & mystics. This intriguing painting by Mir Kalan Khan, c. 1770–5, depicts the nocturnal activities of Kanphata yogis. In
@NatGalleriesSco
,
'Given the storied history of the horse in Indian culture, it is fitting that the last great artist to commemorate it on canvas was M.F. Husain. His iconic paintings encapsulate the enduring imprint of the horse on the Indian imagination long after mechanization had eclipsed it.'
Inspired by Deen Dayal's 1890 photo of a caravanserai in Maharashtra, sharing a photo of the interiors of one in
#Mandu
(Malwa), Madhya Pradesh. Some of the trees at Mandu are supposed to be 500 years old.
#caravanserais
@PicsSilkRoad
@yannth2
By way of 'horse appreciation', a friend shared his photo of horses on the Mall in Shimla. Parked in the mountains, these horses with their twirly ears seem to be Marwari, even Kathiawari ones - such beauties ❤️ Photo by Siddharth Pandey.