*excellent* pieces on Persianate lit and culture in PMLA. an honor to edit this. Ati Akbari, Aria Fani, Kevin Schwartz, Samuel Hodgkin, Supriya Gandhi,
@profchander
, Nicole Ferreira, Catherine Ambler, David Brophy, Nile Green,
@yakabikaj
Anahid Nersessian
Hi everyone; starting this fall, I'll be joining the faculty at Bryn Mawr College, as Assistant Professor of Literatures in English and Film Studies. I'm going to miss my colleagues and friends at UNR a lot. But I'm also really excited to move back East (home for me).
Hi everyone. My book, _Losing the Plot: Film and Feeling in the Modern Novel_ is now officially under contract with
@UChicagoPress
! It asks: what happened to plot in literary modernism? The answer involves understanding what happened to it in the classical Hollywood cinema.
When students ask me how to become better writers, I often tell them to spend a summer reading Jane Austen. None of them have listened to me (though one did read _Persuasion_! She was brilliant; now training to be a legal scholar), but I won't stop recommending this!
Cover of _Losing the Plot_ (out in November; pre-order!). So many thanks to Daniel Morgan and Dora Zhang for such generous blurbs.
@UChicagoPress
@msatweet
In the flesh! Come by the Chicago table if you’re at
#MLA2024
!
And if you’re around this evening, come by Poison Heart bar (6pm-8pm) to celebrate _LOSING THE PLOT_ with me, along with new amazing books by Kelly Rich and Arielle Zibrak!
Sitting with the copyedits of _Losing the Plot: Film and Feeling in the Modern Novel_
@UChicagoPress
(in which Dietrich figures quite prominently), coming out in Fall 2023. This is not what I look like going over them, but it would be cool I did.
Why, hello there, all you beautiful people. Consider, over morning coffee (or your beverage of choice), pre-ordering a copy of my book, which is coming out in November!
Over the several years I've now been teaching, the sentence that comes up with the most regularity in my evaluations is "She is intimidating." .... I prefer to think of my teaching affect as "I'm not here to amuse you."
Aerial shot of audience present for State of the Method roundtable at
#SCMS23
, feat.
@cinewallah
,
@_nbaer_
,
@rawreader
,
@PDabashi
, & Patrice Petro!!! 👏🏾 Keywords: horror, revelation, pleasure, love, war, grad school, anxiety, intellectual history, undisciplinarity
consider joinng me at this event (April 7!) ! I’m gng to be talkng about what it means to be convinced by a critical reading + what the diff. is, if any, between that and having faith/believing (in the non-secular sense). Thank you
@englishwali
and
@theschac
for the invitation!
Hi! If you're in the Philadelphia area on 11/18, please feel free to stop by
@PennEnglish
, where I'll be presenting work from my first book, _Losing the Plot: Film and Feeling the Modern Novel_ (
@UChicagoPress
, forthcoming Falll 2023). I'll be talking about Larsen and Garbo.
Please join the MSA executive board in congratulating our newly elected board members:
2nd Vice President Octavio González
@TaviRGonzalez
Program Chair Pardis Dabashi
@PDabashi
Treasurer Matthew Eatough
@EatoughMatthew
Our sincere thanks to everyone who ran this year!
Happening *this Monday* @ 6pm on Zoom
@Harvard
. Join me, Paul Saint-Amour, and the rest of the Novel Theory Seminar discussing my book, just out. _Losing the Plot: Film and Feeling in the Modern Novel (
@UChicagoPress
).
Hi! If you’re in the Philly area on Thursday, Nov. 30th, please consider coming to the Bryn Mawr Film Institute to see _The Scarlet Empress_ on 35mm! I’ll also be talking about my book, _Losing the Plot_, which discusses this and other Dietrich films.
Essay I wrote on the racial politics of Northern US moving picture palace architecture in the 1910s just published in the latst issue of Early Popular Visual Culture, guest edited by
@agatafrymus
and Special Issues edtor
@BeccaEHarrison
. Lmk if you want a free copy.
@SCMStudies
My professional website is now up and running, entirely thanks to
@woodavens
, for their amazing work on it, and
@ria4983
for the wonderful recommendation. 🙏
@WakeRevolt
I’m writing a book called _Losing the Plot_ about existential desire/need for plot(s) and narrative coherence. It’s coming out in Fall 2023 from University of Chicago Press.
@UChicagoPress
@heyprofbow
I set these boundaries as well. If I don't, then I will drown under email correspondences and be of no good to anyone--including the students. And as others have said, I encourage the students to set these limits as well.
Read! "Workers in the oil and energy sector have staged strikes for two days .... During the 1979 Islamic revolution, strikes in those sectors were a powerful tool that accelerated the Shah’s collapse."
I reviewed Sarah Keller's excellent new book, _Anxious Cinephilia_ for
@MModernity
, print journal, but it's also featured here: , on Modernism/modernity Print +
@msatweet
@SCMStudies
@madame_noworry
I agree with this very much. I wrote a piece about this problem, called “The Loose Garments of Argument.” Came out in PMLA in 2020. Let me know if you’d like a pdf
Head to _Visualities_ @ M/m Print+ to see Sophie Oliver and Sarah Parker's extraordinary--and stylish--new piece, just out!
@alixbeeston
and I are extremely grateful to have worked with such fantastic co-authors.
@MModernity
@modernistudies
@msatweet
The latest in our Visualities series, edited by
@PDabashi
and
@alixbeeston
, is now live on Print Plus! Read Robert Volpicelli's "Monet’s Cataracts, Re-examined" here:
I talked recently with Kim Adams of
@HighTheoryPodc1
about my new book, LOSING THE PLOT, just out w/
@UChicagoPress
. Listen in! (You can get a 30% discount on the book @ the UChicagoP website with the promo code UCPNEW.)
Hi everyone-- a reminder, if you're in the Philly area. This afternoon (Nov. 18 @ 5:00) I'll be sharing some work at
@PennEnglish
from my book, _Losing the Plot_, forthcoming from
@UChicagoPress
in Fall 2023.
👀 for “Theories and Methodlgies” sction I’m edtng for Mrch ‘24 issu PMLA, on “The Persianate.” AMZING essays by
@yakabikaj
@profchander
Anahid Nersessian Atefeh Akbari Catherine Ambler Supriya Gandhi David Brophy Aria Fani Kevin Schwartz Samuel Hodgkin Nicole Ferreira Nile Green
The latest in our Visualities series, edited by
@PDabashi
and
@alixbeeston
, is now live on Print Plus! Read
@NadineAttewell
's "Looking With Images: Chinese Diasporic Worldmaking Beyond the Frame" here:
Hi everyone- I reviewed Daniel Morgan's excellent new book on camera movement for _Film Quarterly_. I can't recommend the book enough.
#FilmTwitter
#AcademicTwitter
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan
I'm retweeting myself on this (lol). Seriously, folks. Too much. It's just all too much. We're all too tired. We all need more headspace, headspace not to be filled with *yet more correspondence*.
I'm *really* enjoying Ruth Grant's _Hypocrisy and Integrity: Machiavelli, Rousseau, and the Ethics of Politics_ (1997,
@UChicagoPress
). So smart--and accessible. On the necessity of hypocrisy to the operations of politics. One of those books that forces one to think subtly.
I had a *wonderful* conversation with the History of Literature podcast about my book LOSING THE PLOT (
@UChicagoPress
2023); 30%discount on UchicagoP website with the promo code UCPNEW
Had SO much fun on this episode with Kim Adams!! Advance warning: there is a *lot* of laughter and delightful Adorno-influenced silliness. What would Adorno think...🙀
RELAUNCH! EPISODE 7: AUTONOMOUS WORK OF ART
@PDabashi
talks to Kim about Theodore Adorno's concept. Does it exist? What can it be a placeholder for? What after all is art for Adorno?
"Yes, we are full, but we are full of fluff." --one of my favorite lines from my book _Losing the Plot_, said from the perspective of Louise de...'s closets in Max Ophuls's _The Earrings of Madame de..._ (1953) (
@UChicagoPress
~Fall 2023)
Why when the US does horrific things that are entirely of a piece with its own internal history does it compare itself to other parts of the world of which it considers itself the antithesis. Rhetorical non-question.
Guess what pals? From now on I'll be coediting
#Visualities
@MModernity
with my fav academic and bestie
@PDabashi
! We've got a stellar line-up of critical and creative essays on modern/ist visual cultures this year and we accept rolling pitches at pitchvisualities
@gmail
.com ❤️
Two books finally arrived from
@UChicagoPress
, one new, one a bit older: _Bette Davis Black and White_ (Julia Stern) and _Hypocrisy and Integrity_ (Ruth Grant). Very excited about both, BDBW already proving excellent.
The latest in our Visualities series, edited by
@PDabashi
and
@alixbeeston
, is now live on Print Plus! Read
@noarheva
's "'Improbable Life': Bain, the Baroness, and Public Photography" here:
Those who helpd me with the class passing question, thank you!! (I should've specified: Passing was already on my list prior to my tweet.) Also, this is a *writing* class, where I have to teach a vry small # of texts. I've decidd on Pssng, Talntd Mr. Ripley, and Vanishng Half.🙏
Read! “American sanctions“ have caused the “economic suffering of … Iranian people — rents … have multiplied, goods … have become prohibitively expensive, a currency … has plummeted so low that Iranians need stacks of bills to do everyday shopping.”
Because I grew up, the better part of my life, in NYC, I will always--at least at first go--pronounce Houston Baker's first name as in the street downtown rather than the city in Texas. "House-ton."
Reminder: please join the Novel Theory Seminar
@Harvard
, via Zoom, *October 23rd* @ 6pm EST. I'll be discussing my book just out _LOSING THE PLOT_ (2023) with Paul Saint-Amour. Also, 30% discount on the book
@UChicagoPress
website, promotion code UCPNEW.