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E_Abalajon

@JLaneria

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aka Jacob Laneria. Cultural Worker.

near Iloilo City
Joined July 2020
Don't wanna be here? Send us removal request.
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@JLaneria
E_Abalajon
6 months
Received complimentary copies of Hulagway: Empire and Emporia earlier this week. I have a suite of erasure poems here based on the essays of 19th century photographer Felix Laureano, specifically those on bodies of water and bathing. Grateful to be part of such bold project.
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@JLaneria
E_Abalajon
2 years
A former student asked for Martial Law resources. She prefers PDFs. She said physical copies of certain books might become dangerous soon. I reminded her of library purges last year. Resharing the Aswang sa Aklatan link
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@JLaneria
E_Abalajon
11 months
Translated Refaat Alareer ( @itranslate123 )’s poem ‘If I must die’ into Filipino. Will ask friends if they could to translate it into Hiligaynon and Kinaray-a. @TranslfromGaza
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@JLaneria
E_Abalajon
3 years
Paano sumusulat ng tula ang isang ina? Panakaw, ‘yan ang sagot. -Luna Sicat Cleto
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@JLaneria
E_Abalajon
2 years
And in the end, Tár treats the Philippines precisely like one of these masseuses: it is interchangeable, it doesn’t exist in its own right, and is only a stand-in for the guilt attached to events elsewhere.
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@JLaneria
E_Abalajon
1 year
Ngũgĩ wa Thiong’o:
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@JLaneria
E_Abalajon
1 year
“Colonialism is a system. It doesn’t matter if you’re carrying a gun or a Bible, you’re still a colonialist.” Ngũgĩ wa Thiong’o
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@JLaneria
E_Abalajon
11 months
Refaat Alareer’s poem ‘If I must die’ in Hiligaynon, translated by Jhio Jan Navarro. @TranslfromGaza
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@JLaneria
E_Abalajon
3 years
Another quote from Berger, “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
@electromilc
𝔢𝔩𝔢𝔠𝔱𝔯𝔬𝔪𝔦𝔩𝔨
3 years
John Berger - The Ways of Seeing
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@JLaneria
E_Abalajon
2 years
I co-translated a poem by Mark Dorado, now up at Issue 26 of @FourWayReview
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@FourWayReview
Four Way Review
2 years
Spring has sprung, and with its arrival comes our 26th issue!! Chock full of poems, stories, translations, an interview, and artwork for your reading and viewing pleasure!! #poetry #fiction #translation #art #interview #litmag #readingcommunity
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@JLaneria
E_Abalajon
3 years
“Cuba is a victim of magical realism,” said John Kirk, “The idea that Cuba, with only 11 million people, and limited income, could be a biotech power, might be incomprehensible for someone working at Pfizer, but for Cuba it is possible.”
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@JLaneria
E_Abalajon
3 years
Ang ganda. Story book about Tumandok astrological knowledge. Created by talented friends. Will be available online soon.
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@JLaneria
E_Abalajon
3 years
Elections happen every three years, thousands leave everyday. PetiB misconception of both elections and labor migration
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@JLaneria
E_Abalajon
2 years
@sannytbreak Magandang study ‘to. Pre-pandemic yata ang fieldwork. Things siempre, got worse.
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@JLaneria
E_Abalajon
2 years
Under Marcos Jr. this year, a rebel-poet, Ericson Acosta, was killed. Last year...Acosta’s wife, the rebel-poet Kerima Tariman, was killed. For a country whose national hero is a poet, such murders are no small irony — nor a great surprise. Gina Apostol
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@JLaneria
E_Abalajon
2 years
To say colonization is a part of history is to give it constructive value. In actuality, colonization is not a moment in history but a process of destruction. It is the permanent negation of all that is pre-existing. ⁦ @TheFunambulist_
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@JLaneria
E_Abalajon
1 year
Filipino translation by Amado Anthony G. Mendoza & Mark Laurence D. Garcia. Open access at SWF-UPD
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@mekitron
meki
1 year
wiji thukul is indonesia's greatest protest poet. he was disappeared in early 1998 for his activism to bring down the murderous orde baru regime. his whereabouts is still unknown. this is one of my favourite poems of his. i've translated it for the people of palestine. ✊🍉🇵🇸
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@JLaneria
E_Abalajon
1 year
Another one for International Translation Day, my Filipino translation of Kei Miller’s ‘What The Mapmaker Ought to Know’ in the last issue of Salin Journal.
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@JLaneria
E_Abalajon
1 year
The revised version of my book review on Land and Life is included in the latest issue of Pingkian, among very impressive company. Congrats to the editorial team, thanks to @OneDividesToTwo for the invitation to submit.
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@JLaneria
E_Abalajon
3 years
Excellent article by @OneDividesToTwo in Daluyan: Journal ng Wikang Filipino on the life and works of revolutionary poet Mayamor, and the landmark collection translated by Kerima Tariman.
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@JLaneria
E_Abalajon
2 years
The outdated belief that the Ifugao Terraces are 2,000 years old has prevented us from seeing how the earlier generation of Ifugaos had used their ingenuity and indigeneity in resisting Spanish colonization.
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@JLaneria
E_Abalajon
2 years
...the familiar alarm that nothing has changed is a comfort in having newfound words to understand our current social condition; a realization that the answers we are looking for may already exist, just hidden away in archives and libraries and journals.
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@JLaneria
E_Abalajon
11 months
Please get this book, for yourself and for your loved ones. Unbecoming by Angeli Lacson (Paper Trail Projects, 2023) @cuddlyplant
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@JLaneria
E_Abalajon
1 year
Let me tell you about the movement The revolutionary twists and turns The flow as well as the ebb Not only my strengths but my vacillations. No romance. Only the resolute capacity to overcome.
@rapplerdotcom
Rappler
1 year
Poet, essayist, and activist Mila Aguilar died on Friday, October 13 at the age of 74, her son Doy Roque announced on social media on Saturday, October 14.
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@JLaneria
E_Abalajon
1 year
One of Kill Joy’s murals in Iloilo City, somewhere in Mandurriao.
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@JLaneria
E_Abalajon
1 year
In my art practice, I’ve realized what I truly aim for in my art: solidarity with groups and causes that I believe in and want to lend my work towards. Kill Joy, ⁦ @Purveyr
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@JLaneria
E_Abalajon
2 years
The Human Rights Violations Victims’ Memorial Commission is a government agency. It is protected by law, says Crisanto, “but it can be starved”. Its budget is reviewed annually by Congress.
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@JLaneria
E_Abalajon
3 years
Being a mother is so romanticized, and so its labor, the maintenance labor, is made invisible. People also want to romanticize writing and make it not labor so they don’t have to view writers as workers. Writers are, of course, workers.
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@JLaneria
E_Abalajon
2 years
The joke being: I left my country so that I may study my country in a vast, cold country that gives money to the men who are the very reason I left my country.
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@JLaneria
E_Abalajon
2 years
Kaya’t huwag pagmalupitan, Itong bihag na kataga. Sa halip ay pagdamutan, Itong tulisang talinhaga. Isa-isa kong pupulutin Ang mga tula kong nagkalat, Habang binabawi ang lakas Dito sa inatrasang gubat. Kerima Lorena Tariman collected poems, from @GantalaPress
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@JLaneria
E_Abalajon
3 years
We need to blur the distinctions between who we are as artists and who we are as wage workers, laborers, etc., lines that make us think we are immune to our country’s shared oppression.
@not_alfonso
Alfonso Manalastas 🇵🇸
3 years
I have a new essay up on @PhilstarNews ! Here, I talk about the national artist award, the 2022 elections, and the participation and complicity of artists in the myth-making of public officials.
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@JLaneria
E_Abalajon
2 years
She rolled on her back to show me her scar. Playing dead, she showed me her spaying scar. I have one of those, I said, but mine is perpendicular. Little princess, I too have been opened with a crowbar. @dlseuss , in @AGNIMagazine
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@JLaneria
E_Abalajon
11 months
I have translations of May Morales Dolis and Jaku Mata in the latest issue of @MPTmagazine . Mata’s poem could be read online,
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@JLaneria
E_Abalajon
1 year
The Philippines is a place in which everyone is born already wanting to leave, poisoned as it is by centuries of overlapping occupation. Spain, Japan, America. Nations are landscapes that capitalize on longing. Louie Leyson ( @aswangpoem )
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@JLaneria
E_Abalajon
2 years
Trying this for the first time. 2022 writing round up. For a year that has been hazy due to day to day (not to mention paycheck to paycheck) existence, I have been somewhat productive.
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@JLaneria
E_Abalajon
2 years
Edmond Jabès was right when he critiqued Theodor Adorno's dictum: It isn't that after horror we should not or cannot write poetry. It's that, while we are integral witnesses to horror, we must write poetry differently. —Cristina Rivera Garza, translated by Sarah Booker
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@JLaneria
E_Abalajon
3 years
Bookmail from @FLP_books
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@JLaneria
E_Abalajon
2 years
Deleter could have extended its critique of how labor from the Global South is often caught in this shadow of internet technology, how the thin line between moderation and censorship figures in a space replete with propaganda and disinformation,
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@JLaneria
E_Abalajon
1 year
Four more amazing books read this year so far. Great year for poetry.
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@1SusyQ
Susan Pigman 📚
1 year
The best four books I’ve read so far this year (not counting rereads)
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@JLaneria
E_Abalajon
11 months
Feminism allows us to see these dead exchanges of care and arms as a reproductive issue: the trading of the life worth expending of many for the life deserving of care of some. Neferti Tadiar
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@peacc
positions journal
11 months
New on praxis in positions politics, Neferti Tadiar, On Feminism and Palestine
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@JLaneria
E_Abalajon
3 years
Apostol evokes “reading’s endlessly replenishable boon.” She also wisely recognizes the limits of living for words alone.
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@JLaneria
E_Abalajon
1 year
Misreadings are really potent in a colonized history, because the heroes that you love, of course, are the ones actually created by your enemies. Gina Apostol, @electriclit
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@JLaneria
E_Abalajon
2 years
Very important project. From the new issue of BANWAAN: The Philippine Journal of Folklore,
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@JLaneria
E_Abalajon
2 years
Tariman’s blunt poetry refuses to hide behind metaphors, relying instead on reality’s details to express the circumstances of the agrarian population. @ArtReview_
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@JLaneria
E_Abalajon
1 year
forthcoming poems in @vvpoetryhk updated bio includes announcement for next year, with @FlowerSongPress
@vvpoetryhk
vvpoetry
1 year
Eric Abalajon's “Speaking Test” and “Trip To The World’s Fair” will be included in OUTSIDERS. Eric is a lecturer at the University of the Philippines Visayas, Iloilo. His debut poetry collection is forthcoming from Flowesong Press. He lives near Iloilo City.
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@JLaneria
E_Abalajon
3 years
Poetry was always a dialogue with the dead. It was always interlingual but the establishment buffoons of US poetry want to keep the foreign languages out, want to keep death out. They dream about a noiseless communication of the soul. @action__books
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@JLaneria
E_Abalajon
11 months
@TranslfromGaza Refaat Alareer’s poem ‘If I must die’ in Kinaray-a, translated by Carla Faith Aquino. @TranslfromGaza
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@JLaneria
E_Abalajon
2 years
mula sa ‘Anatomiya ng Antolohiya: Interbensiyonal na Pagsipat sa Politika at Ideolohiya ng Piling Antolohiyang Pampanitikan ng mga Iskolar ng Rehiyon’ ni Michael Francis Andrada
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@JLaneria
E_Abalajon
3 years
Tupas, according to the detainees, then approached the PDEA agents, and they overheard her telling them, "Staff ko ni Inday Sara, unsa ni sir? (I'm a staff of Sara, what's this about, sir?)"
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@JLaneria
E_Abalajon
3 years
Thankful to receive complimentary copies of @LIKHAAN special issues. Both Vols. 3 & 4 too, when I only have a piece in the former. Plus freebies. Wrote about the bloody raid against the Tumandok in Central Panay towards the end of 2020, with the violence spilling over into 2021.
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@JLaneria
E_Abalajon
3 years
Recognizing the historical role of education as a site of erasure, colonialism, and global white supremacy is enough to raise eyebrows when confronted with the kinds of gaps that exist in Harvard’s curriculum. But the reality is much worse.
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@JLaneria
E_Abalajon
2 years
First @dlseuss book. Want to share everything, but will settle with this section in Stateline Pastoral. @GraywolfPress
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@JLaneria
E_Abalajon
1 year
The visual language of advertising pushes us to see the world through the lens of mimetic desire and jealousy; everything, under the ubiquitous, inescapable touch of commerce, becomes glamour, becomes publicity, becomes commodity. @anothergaze
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@JLaneria
E_Abalajon
3 years
“We remember them because our families continue to feel the pain. They are victims of state violence. The perpetrators have escaped justice until now while many human rights defenders and progressive organizations continuously face threats and repression,”
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@JLaneria
E_Abalajon
3 years
I have poems in Issue 2 of @ProvenanceJourn . Theme is on Asian history, I wrote about how history migrates and is mediated, the Kidapawan Massacre via social media and the Philippine-American War via photographs by F.T. Neely.
@ProvenanceJourn
Provenance Journal ⏳ ISSUE 5
3 years
ISSUE 02: ASIA OUT NOW! 💖 Ft. @oormilaprahlad // @SabinaYWong // @cbstrange1 // @kalousta1 // Eric Abalajon // Shujaat Mirza // Singular Poet // Mozid Mahmud // Maija Haavisto // Sandra Salinas-Newton // Sreekanth Kopuri // Aishwarya Khale READ HERE:
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@JLaneria
E_Abalajon
3 years
Read these over the weekend to convince myself I deserve the new Pao-Yu Ching title from @FLP_books , also The Great Debate collection
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@JLaneria
E_Abalajon
3 years
Behind the fierce gun my body might be decimated but my emotions will not. They will make you think. Then, write, write my unwritten poem. -Captain Vaanati, trans. Meena Kandasamy
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@JLaneria
E_Abalajon
3 years
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@JLaneria
E_Abalajon
2 years
The building is now mostly in disrepair, damaged by Typhoon Ulysses in 2020 and closed for more than two years because of the coronavirus pandemic before reopening in February.
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@JLaneria
E_Abalajon
1 year
Settlerscapes necessitate erasure of not only the native inhabitants, but also of their crimes against them, and depend, therefore, on institutionalized forgetting, which is labeled as culture to act as a proxy for their power. ⁦ @TheFunambulist_
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@JLaneria
E_Abalajon
3 years
Cover art and lay-out by @totorres_art , rendered from a photo of Alfred Tennyson Neely. More background and download link for the chapbook available here,
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@JLaneria
E_Abalajon
2 years
My tired past sits alone with a blank look on its face. The fortuneteller returns and digs up dirt where my past is sitting, saying there should not be a seat there. Yi Sang
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@JLaneria
E_Abalajon
2 years
For ⁦ @dlseuss ⁩ the sonnet is also something like a rental car: a borrowed vehicle that allows you to visit life’s disappointments (which are often, even as disappointments, disappointing).
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@JLaneria
E_Abalajon
3 years
@glennndiaz Everyone in attendance to that party tbh
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@JLaneria
E_Abalajon
3 years
If Not Us, Who?, a new edited volume sponsored by the Rosa Luxemburg Foundation, features contributions from some 30 authors on the new class-conscious feminism and labour struggles during the COVID-19 pandemic
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@JLaneria
E_Abalajon
1 year
I don’t look back even when a lifetime of my faces call me I don’t cry inside the water because it’s echoless ⁦ @PoetKimHyesoon ⁩, translated by ⁦ @DonMeeChoi
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@JLaneria
E_Abalajon
1 year
Available from @uglyducklingprs Dec 2023. Sharing my blurb,
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@kristinemuslim
Kristine Ong Muslim
1 year
Marlon Hacla's GLOSSOLALIA to be released in December by @uglyducklingprs Thank you for the blurbs, @tildeclutter & @JLaneria !
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@JLaneria
E_Abalajon
10 months
My translations of Orland Agustin Solis, Mark Dorado, & Carla Faith Aquino are included in the latest issue of Firmament now available for order from @sublunaryeds
@sublunaryeds
Sublunary Editions
10 months
Arrived and shipped! Coming in at the tale end of 2023, the final entry in Volume 3 of Firmament! Pick it up here: Subscribe here:
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@JLaneria
E_Abalajon
2 years
Iloilo Mega Book Fair, Day 1. Pic from PSN’s FB.
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@JLaneria
E_Abalajon
11 months
Vague, textbook-type tributes making rounds on Graciano Lopez Jaena day, none of which mention that his writings are back in print. Filipino translation by Francis Juen from Komisyon sa Wikang Filipino (2022).
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@JLaneria
E_Abalajon
2 years
Always wanted to write a something and use a Robyn Magalit Rodriguez quote as a epigraph. Hope this poem gave it justice. One of two pieces in the inaugural issue of @asamgaramlit
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@asamgaramlit
Asam/Garam
2 years
ISSUE 001 OF OUR MAGAZINE IS OUT TODAY!!! We're so excited to share it with you. Get your free copy now!!!!
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@JLaneria
E_Abalajon
1 year
In women’s writings we see the revolution that is happening in the countryside. And as a Filipino women’s press, it is our privilege and commitment to help plant the seeds in the unquiet fields. Faye Cura of @GantalaPress
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@JLaneria
E_Abalajon
2 years
Kiri Dalena’s Pila [Lines, 2022], portrays Filipinos waiting in line for some rice at a local community pantry — in a country where the lockdowns are some of the strictest, paired with harsh punitive measures and extremely expensive Covid tests.
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@JLaneria
E_Abalajon
2 years
For Roy, great literature is literature that’s needed, built, as Roy puts it, through a compact between ‘writers and readers’. An echo, perhaps, of Berger’s statement about a storyteller being someone who listens.
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@JLaneria
E_Abalajon
1 year
Mahmoud Darwish on Edward Said, translated by Fady Joudah
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@Layla_AlAmmar
Layla AlAmmar | ليلى العمار
1 year
It's been 20 years since Said passed. I had occasion to ponder his work last week, and it is a treasure trove that gives unceasingly. 'A novel, in particular, if it is not to be read reductively as an item of sociopolitical evidence, involves the reader with itself...
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@JLaneria
E_Abalajon
1 year
I can’t tolerate the sky like the way I can’t tolerate poetry I think of a plump girl called Ego Tonight I need to starve her to death ⁦ @PoetKimHyesoon ⁩, translated by ⁦ @DonMeeChoi
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@JLaneria
E_Abalajon
3 years
In choosing to retell this story through Mother Tining’s narrative, we want to send a message of hope to young people and express solidarity with Indigenous people everywhere, as their struggles continue.
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@JLaneria
E_Abalajon
2 years
The geographical imagination of Palestine is not merely semantic. It is a battle over collective memory and collective expression of desires and ambitions. Bekriah Mawasi, @TheFunambulist_
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@JLaneria
E_Abalajon
2 years
A Glossary of the Marcos Era (1965-1986) in the Philippines (A-C) This glossary, by no means exhaustive, presents potted histories of keywords and phenomena that are evocative of the Marcos era (1965-1986) in the Philippines. Caroline Hau
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@JLaneria
E_Abalajon
1 year
In my art practice, I’ve realized what I truly aim for in my art: solidarity with groups and causes that I believe in and want to lend my work towards. Kill Joy, ⁦ @Purveyr
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@JLaneria
E_Abalajon
2 years
When one's culture is multilingual and translational, would that not itself be the reference?
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@rayjideguia
Rayji de Guia
2 years
mga kapitbahay, lumabas na yung first issue ng makiling review! kasama ang (revised) chapter 1 ng undergrad thesis ko! link:
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@JLaneria
E_Abalajon
9 months
Locsin-Nava on Ramon Muzones
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@JLaneria
E_Abalajon
2 years
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@lithub
Literary Hub
2 years
"At heart, my issue with how we read is as much an existential grievance as it is a labor dispute: the industry is simply not serving its employees equally." Elaine Castillo on how white supremacy makes for terrible readers.
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@JLaneria
E_Abalajon
2 years
Excited for the debut of @ZenyMayRecidoro , cover by @rayjideguia . From @thealienbuddha .
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@JLaneria
E_Abalajon
11 months
Refaat Alareer’s poem ‘If I must die’ in Ilokano
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@JLaneria
E_Abalajon
1 year
Sharing the link for the inaugural issue of Dungán, online literary journal dedicated to Western Visayas language and literature studies. …
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@JLaneria
E_Abalajon
1 year
What does it mean to come from a country created by an unfinished revolution, traumatized by three empires, U.S. counterinsurgency, and dictatorships supported by the U.S.? Nerissa Balce, ⁦ @aaww
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@JLaneria
E_Abalajon
1 year
I have poems on Issue 2 of @AndLoafe about Iloilo City, or how a city projects one image, but the built spaces reveal something different. Grateful to the suggestions of @BrendonBoothJo1 , and to the editor @af_orr
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@JLaneria
E_Abalajon
2 years
Revised, and self-translated my long poem about the Tumadok Massacre of December 30 2020. Honored to be in great company in Issue 2 of @prAtajournal
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@JLaneria
E_Abalajon
2 years
I have a poem in volume 7 of @PaddlerPress . pdf available for download, print edition available for purchase.
@PaddlerPress
Paddler Press
2 years
Finally, Volume 7 - Silence is ready for the world. Download a PDF or purchase a full colour print version from our online store.
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@JLaneria
E_Abalajon
2 years
Since 2015, Kasingkasing Press, an alternative press and online bookshop in Western Visayas, has been publishing books that steadily redefine what makes up the Philippines’ national literature.
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@JLaneria
E_Abalajon
1 year
When the ownership-class capture of state interests allows for rampant privatization, deregulation, and cost-cutting, the world becomes less accessible—a symptom of capital’s all-pervading demands. Angeli Lacson ( @cuddlyplant ) in @proteanmag
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@JLaneria
E_Abalajon
1 year
from Joyelle McSweeney ( @JoyelleMcS )
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@JohannesGoranss
Johannes Göransson
1 year
If youre interested in how translation volatilizes poems, art beyond making them available to new readers, heres a free pdf of @JoyelleMcS and my Deformation Zone ( @uglyducklingprs ): And my book Transgresdive Circulation:
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@JLaneria
E_Abalajon
3 years
Got a print version from @KomiketPH because of @Deadbalagtas
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@JLaneria
E_Abalajon
1 year
No longer out of print. From Gina Apostol’s Insurrecto (2018)
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@JLaneria
E_Abalajon
2 years
I love the Noli, which created a nation, but my favorite is the Fili, which reveals the writer.
@LAReviewofBooks
Los Angeles Review of Books
2 years
“He was the grandfather of Hitler. He invented the yo-yo. He knew Jack the Ripper. He was Jack the Ripper.” Gina Apostol explores the works and cultural meanings of the great Philippine rebel-poet José Rizal.
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@JLaneria
E_Abalajon
1 year
I translated two poems by Luisito Queano from Filipino to Hiligaynon in issue 12 of @PolyglotMag , that aims to move beyond the hegemony of English and French in Canada. Preorders open in time for International Translation Day. Amazing cover too by @steffitady !
@PolyglotMag
The Polyglot
1 year
What do you think of this cover?! With twelve issues now under our belt, we thought it was time to redesign our look. This cover features a stunning collage by poet and artist @steffitady !
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