"A new dance banger in the classic Finn style" - Tom Lea
You've Got To (NO!!!)
A new single out today on
@localactionrec
Trying to land somewhere between Chicago & South Yorkshire:
my theory; reason 'london left wing twitter' gets so prickly about northerners protesting disgusting regional inequality is because it's 1 area of political discourse they can't centre themselves in! but maybe ive lost my mind!
formative dj experience i often come back 2 > turn up at the club, 18 years old, excited, nervous, and the promoter tells me sorry buddy change of plan you're no longer playing - but he had his face painted to look like a frog
here, know what i find annoying - when DJs tweet "oops! played a speed garage record in a techno club last night! oops! how naughty!" - listen it's not a terry's chocolate orange, it's the single best dance music genre ever formed
isnt it crazy that we, as a society, have given Jamie XX the means to financially and legally clear records for sampling, but not Jersey Club producers?
lots of discussion of b2b conduct on the timeline this week... as a veteran and well respected DJ partner i have compiled some thoughts on 'the back to back' for your consideration
left my day job last week to pursue music full time - and i'd just like to apologise to the dance music industry for 'jinxing it', resulting in another lockdown
Opinion:
The underlying perspective here is fundamentally counter to the spirit of play and expression that is at the heart of (making/playing) music & dancing.
Process > outcomes
lots of people cashing out early and posting photos of their shaved heads atm. to those of us quietly striding towards the Games Workshop ponytail - our patience will be rewarded.
ive been asked to host and judge a dance music version of 'Great British Bake Off' for channel 4. should i take this job? i dont like the format but i desperately need the attention and money it will bring
if that mass google youtube deletion thing comes to pass im gonna be a way less interesting DJ. it’s my fave place finding tunes, particularly off weird accounts that uploaded something 15 years ago and never again
as lineups start to return, it's important to take a moment to reflect on how hard you've worked over the past year, and how it was ultimately all for nothing
lots of artists under the impression that playing Warehouse Project represents a "manchester date" - it isnt, WHP is situated in an entirely different civic entity; an enclave, much like Rome and 'The Vatican'
why dont northern djs get adjectives on event writeups why's it always "ethereal vibe controller DJ ARIES brings their brand of burly bombastic bangers alongside the mysterious, sultry vibe summoner & certified rave warlock G-DALF. they're joined by Manchester's RICHARD COATES"
are there any magazines or websites interested in publishing my bottom 10 dance records of the year? ithink it's important that hatred & disdain is represented in the eoy roundups
Today we're talking DJ riders; should grown adults ask people to buy them sweets, or is it all an important part of building rapport? Or is it a case of "if you can you should"! Next call from
@craig__ad
who says he's sick of spending his Friday nights looking for starfruit
super distressing watching a musical hero go off the deep end with anti-semitism and super distressing watching people 'liking' and engaging with it, you are all twisted
right you know in shrek when he gets all mopey and says "people judge me before they even know me" - you eat shit mate, stop eating poo off the ground if you want to make friends
remember when everyone got excited chuka umunna used to be a garage dj then he did that interview saying he lost interest when it got darker and mcs got involved? says it all, fuck off you lame
can someone please make me a parody Dune poster with Skepta and the members of Boy Better Know that says "I'm Dune It Again, They Tried To Stop Me But I'm Dune It Again" - it's for a viral post
if someone is on a 12 hour anti-semitic rant, you absolutely should not be liking the odd tweets you agree with in the middle of the tirade, that is fucking grubby
i now support introducing a 'dj license' , legally required to play above 142 bpm. once again a small group has - unfortunately - ruined it for the rest of us
lots of unbelievably boring debates happening about the value of dance music and clubbing in the media atm - important to defer to Andrew Weatherall on this point imo!!
coffee place near me did amazing sausage rolls during lockdown. when i returned to ask about the sausage rolls they said: that was only for lockdown. why would sausage rolls be for lockdown only? livid.
offering free social media consultancy! DJs who should definitely know better can pass their tweets across my desk before they post them and i'll determine whether it's something I learnt you shouldn't say in primary school
the Dance Music Producer in the internet era is much like Matthew Mcconaughey when he becomes trapped in a black hole at the end of Interstellar; witness to every single thread in dance music's history at once, bashing at them in a desperate attempt to get through to the kids.
DJs—please include tracklists to your mixes! Gate keeping music you didn’t make cause you don’t want people stealing “your” selection of tracks is absolute insanity and against the whole purpose of making/sharing music.
isnt there something perverse about how majors went after Jersey, Philly, regional club music - automated takedowns, shutting down Soundclouds etc - & now they pay stupid money to marketing consultants to try & work out how to make stuff blow up on tik tok? isnt that baffling?
imo the very top shelf highest quality speed garage should put a lump in your throat and bring tears to your eyes - but it should also make you feel prepared to take a life, if necessary
if you were a mega rich elite what would be ur weird flex be in your home? i think id keep a donner rotisserie spinning in my kitchen, just over the breakfast bar
seen lots of Fish86Octagon discourse which tries to be quite measured and fair to him + his newfound celebrity - with this in mind id like to announce i think the whole thing's awful and i consider him 1 of the 4 horsemen of dance music's apocalypse
hate feeling absolutely down in the dumps for weeks- building some quite extravagant theories of sadness and despair - then the sun comes out and you're like oh im just a stupid fucking ape desperate for vitamins!!!
people often say to me, finn - do you think wealth is being distributed fairly between djs and producers? what changes would you like to see to this dynamic? annd i always say;
im at the urinal right now, can i please find you when im finished??
i've put together a ginormo exploration of UK Garage with
@NTSlive
interviews with key figures across the genre's history followed by a mix of records from each style & era
6 hours in total - broadcasting this Sunday 3-9pm
This Sunday 25th July, NTS traces the amorphous evolution of UK Garage: a foundational genre within the tradition of UK dance music.
Full schedule + line-up →
when you play Wobbler Pt 3 in London and noone shouts "don't think you're a g, staaaar" along with trilla - always a sobering moment, a nation separated by a common language