「アニメはヤバイ」原画子ちゃんが言った。 @FARfromani Twitter profile | Pikagi

Pikagi

「アニメはヤバイ」原画子ちゃんが言った。

@FARfromani

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President of Buta Productions (ButaPro), the anime studio crazy for human kino!!! Producer, Translator/Interpreter. アニメ会社「ブタプロダクション」（ブタプロ）社長。アニP、デザインP、翻訳、通訳担当

IT, EN, JP, ES, CH

https://t.co/baJXgAeqKD

Joined August 2015

Don't wanna be here? Send us removal request.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

1 year

Otachan Season 2 Episode 2 is finally out. Thousands of hours were spent into making something special, a piece of animation able to stand out even among giants. Please give yourself the privilege of being surprised by some of the most talented creators working in anime today!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 years

原画吉成曜

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「アニメはヤバイ」原画子ちゃんが言った。

6 years

原画すしお

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「アニメはヤバイ」原画子ちゃんが言った。

4 years

電車 IS 作画

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「アニメはヤバイ」原画子ちゃんが言った。

6 years

my head is splitted in two

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 years

彼が最高

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

1 year

I've worked on 3 episodes of NieR:Automata Ver1.1, 2 of them released today and they forgot to credit me on all 3😂😂😂😂😂

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 years

Kyoto Animation's CEO, Hideaki Hatta, wrote a message on the company website titled: "世界中の皆さまへ" (Sekaijuu no mina-sama e) "To everyone in the world"

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ぼっち・ざ・ろっく！第１０話で通訳作業させて頂きました！やっと川上様にお会いできて光栄です！また、原画段階でアニメーターを組織するのを少し手伝いました。よろしければ是非！ I did some interpreting and helped a bit organising the genga phase on today's episode of #BocchiTheRock 🪕

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

Just wanted to point that Kishida said this in the context of "helping the industries that nourish Japanese soft power" in general so it's just the same old Cool Japan strat all over again. Never explicitly addressed creators and so forth.

@Ario_Tengen

Ario

3 years

Japans new Prime Minister is a big fan of Demon Slayer (especially akaza) and promised to boost the income for people working in the Anime and Manga industry

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#着せ恋第話１２の翻訳と英語通訳を担当していました！！こんなに特別で楽しい最終話に参加できて良かったです！とても感謝します。。。お疲れ！ I assisted My Dress-Up Darling's finale as the production English interpreter&translator, thank you for watching!! Hope you had a fun ride!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 years

原画小嶋慶祐

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#明日ちゃん第話１０の翻訳と英語通訳を担当していました！！、璃生奈ちゃん本当に可愛かったよ。泣いちゃいますよ、今！！すみません。。。よろしくお願いたします！ I assisted Akebi-chan episode 10 as the production English interpreter & translator, thank you so much for watching! 😭🙏

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ぼっち・ざ・ろっく！第１１話少しだけて通訳作業させて頂きました！外国のアニメーターの発掘と管理を手伝い、制作資料の翻訳を提供しました。よろしければ是非！ I've helped a bit organising and doing translations for the international team on #bocchitherock 11! Please enjoy the kino!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

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「アニメはヤバイ」原画子ちゃんが言った。

1 year

This ain't it. We need to improve the working conditions and daily lives of animation workers around the globe with smart planning and gutsy moves from the production side, not destroying them further with additional outsourcing and low tier AI interventions...

@AnimeNewsNet

Anime News Network

1 year

Tonari Animation's CEO on Which Innovations Will Help the Anime Industry

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ナナニジ #曇り空の向こうは晴れている MV制作の英翻訳と通訳を担当していました！こんな質高い作品に参加できて光栄でした！できれば、ぜひ見てください！！ I was in charge of the EN TL/interpreting for the new 22/7 MV "Kumorizora no Mukou ha Hareteiru" ➡️➡️

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ぼっち・ざ・ろっく！ #08 通訳や海外制作作業させて頂きました！才能のあるスタッフの方々を集めることができてとてもうれしく、楽しかったです！よろしければ是非！ I've helped managing the international animators on tonight's episode of #bocchitherock and did a bit of interpreting work!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

。。。そしてそして#明日ちゃん第話１２の翻訳と英語通訳を担当していました！！この最後の第話は、本当に学習体験であり、一番美しい光景でした。ありがたい！！！ I also worked Akebi-chan's finale doing my usual stuff, what a wonderful experience! I'm so blessed I was able join 😭🙏

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

28 days

Every year since a couple of years ago I end up saying this but then I look at kadokawa/sony numbers even for low-priority low-effort productions and I stop myself for a minute. A big indicator will be if small animation seisaku studios will keep popping up like they do today.

@worldofcrap

Justin Sevakis

28 days

I still have two meetings to go this AX, but so far my takeaways are... 1. Anime content bubble is probably gonna burst soon, way too many shows and nobody can handle it, not fans nor industry 2. Anime merch sales have fallen off a cliff, especially figures Everyone's kinda 😐

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ぼっち・ざ・ろっく！ #05 少しだけて通訳作業させて頂きました！外国のアニメーターの発掘と管理を手伝い、制作資料の翻訳を提供しました。よろしければ是非！ I've helped a bit organising and doing the translations for the international team on #bocchitherock #05 ! Please enjoy the kino!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ぼっち・ざ・ろっく！最終回で通訳作業させて頂きました！そして原画段階でアニメーターを組織するのを少し手伝いました。最後まで見ていただきありがとうございました！！！ I did some interpreting and production work the last episode of #BocchiTheRock 🪕 Thanks for watching till the end!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

I worked on today's Wonder Egg Priority Special as an interpreter and translator! Other than TLing the production materials and helping the animators during the final hours, I attended 5 meetings with Director Wakabayashi, Producer Umehara and all the LO artists!! #ワンエグ #wep

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

その着せ恋OPの翻訳と英語通訳を担当していました！！よろしくお願いたします。いつも梅原さんに感謝します。 I was in charge of the translation of production materials and English interpreting for the Opening animation of My Dress-Up Darling!! Thank you so much for watching!!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

WHAT A CREDIT WE GOT OH BOY I did some S.A.K.U.G.A. translation work for today's Wonder Egg Priority episode! Be prepared it's quite an intense ride. All my thanks to @Bloodyredstar who's actually the sakuga part and to Mr. Umehara who actually invented a new credit for us!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 months

Keiko Oyama, who seems to be doing inbetween animation on Look Back, affirms that they're using a more western-like approach to handle the inbetweens workflow. Supposedly, it will help facing the dispersion of visual nuances that plagues productions with bad 2key and imbetweens.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

16 days

I'm hearing people saying stuff like "but their level of quality isn't as high as the studios who actually finish stuff in time without rushing" Good environments can create good artists OVER TIME, you don't get good overnight just because you're finally valued as an employee

@Anime

Anime News Network

16 days

MAHO FILM's President Junji Murata on Creating a Better Anime Studio “We've been trying to improve things by providing good wages to all the staff, providing a stable working environment, and holding various [internal company] events.” ➤

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

Helped developing this article with @Yuyucow on a topic that needs attention from all sakuga fans: the rapid deterioration of layouts' average quality in the current industry. It's depressing but has to be addressed as a starting point for significant changes. Give it a read!

@Yuyucow

kViN 🌈🕒

2 years

Layouts, the backbone of Japanese animation and its sense of immersion, are shattering. Industry veterans and newcomers point fingers: the death of studio culture & mentorship, the effect of commercialism, labor issues, but also how to address it all Read➡️

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#SPYxFamily 第話10の英翻訳, 語通訳と外国アニメーター管理を担当していました！よろしくお願いたします！ Thank you so much for watching SPYxFamily 10! I served as the interpreter and "production assistant" for some of the international animators on the WIT part!! I had so much fun!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

めちゃくちゃ楽しかった、そして本当に感動しましたよ！GOSSOさんや皆様のスタッフいつも感謝しています！ #osama_ranking #王様ランキング

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

4 months

with all the respect, anime fans need to start taking in account that wanting to change your work enviroment is a perfectly normal and healthy wish, no matter if it's because you feel you don't shine in your current company or because you want to try different genres and projects

@HexagonHill

HexagonHill

4 months

Just checked a random name I didn`t recognize on BCG it turned out to be a recent KyoAni deserter. Watching people leave KyoAni is incredibly depressing. If they can`t keep their staff, what chance do others have?

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

A lot of rookie animators don't understand this but being contacted by a PA doesn't imply getting recognised by the anime industry en-large in terms of skill level. On a theoretical level the seisaku should manage the quality level but it's not really as prioritary as timing.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

16 days

According to this study anime might lose around 10% of its workforce in only 5 years, with an cost of 10k less minutes of animation produced x year. In order to avoid this, it's necessary constantly rise wages to make the job more attractive, but it's going to be difficult...

@jri_eco

（株）日本総合研究所　調査部　（日本総研）

17 days

アニメの海外需要が強いため、供給が追い付かない可能性があります。賃上げなどで労働環境を改善していくことが必要です。 #JRI 安井洋輔「アニメ産業における供給面の課題」

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 years

担当アニメーターは誰かな--

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

28 days

Another huge element that comes into play is how reliant current anime is to boomers: a lot of CDs, directors, konte-only, sousakkans are getting near retirement age, and while anime might as well expect less demand by then it might not be enough to tank the "quality" damage.

@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

28 days

But at the same time don't think the industry isn't realizing this: lot of big content producers are buying or founding studios, lot of care is going towards big titles, staff training is a topic re-entering the broader discussion.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

The pay in recent years is getting, sometimes, *slightly* nicer thanks to a *huge* labor shortage caused by the fact that the quality level demanded is *rapidly* skyrocketing and schedules are *drastically* shrinking each year.

@THR

The Hollywood Reporter

2 years

Cannes: How Japanese Anime Became the World’s Most Bankable Genre

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

Nobumoto began her career in anime simply doing administrative tasks, and only after demonstrating her skills with competitions and countless consultations did she manage to find a precarious place as a screenwriter. Even if she wasn't the most prolific, she was one of the bests.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

This is a good indicator of how the "budgetary inflation" issue affecting the animation industry today is not only unresolved, it is also getting worse as many investors and studios are still unable to accept that much more money is needed on average today to produce a series.

@Anime

Anime News Network

2 years

Teikoku Databank reports that a record 39․8% of anime studios were in the red in 2021. The industry contracted for a second straight year for the first time since at least 2000.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

I have always appreciated this section animated by Yasuomi Umetsu a lot because it shows with a certain emotional depth the almost "soviet"-like spirit of Neo-Zeon at that paritcular moment: very different people move almost rhythmically to deliver the flower to the colonel. 1/2

@hitasuraeiga

タイプ・あ～る

3 years

『機動戦士ガンダム逆襲のシャア』のこのシーンは『メガゾーン23 PART II』などのキャラクターデザインで知られる梅津泰臣さんが原画を描いてるんだけど、モブキャラの個性が強すぎて、どうしてもそっちに目がいってしまうw #シャア・アズナブル生誕祭2021

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

The anime industry should first learn from the West that you actually have to pay your staff and stick to your schedule in order to guarantee a certain degree of quality. Even only those two aspects in isolation would be game-changers.

@ZucchiniJuice

KesselSol

2 years

The western animation industry can highly benefit from learning from the anime industry's pipeline traditions and the anime industry can learn from the modernization and technology advancements of the western pipeline is basically what I see from my experience in both.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 years

ここは遠藤正明さんかな？

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

Some of @__ani__ illustrations for @YuukiRafflesia 's ending theme. I absolutely love how our child Ani was able to easily understand the personality of each character in such a visceral and immediate way while never giving up his own personal style. He's really a powerful artist

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

4 years

"When I directed the Naruto TV series (even if it was for just for 4 episodes), I staged a scene where Naruto and the 3rd Hokage encounter each others and talk a bit. The story of the star that the Hokage tells Naruto was actually told by my father to me when I was little (laugh)

@osamukoba

小林治

4 years

NARUTOのTVシリーズの監督をやったとき(４本分ですけど)ナルトと三代目火影の出会いと会話のシーンを作ったんだけど、そこで火影がナルトに話す星の話は、僕が子供の頃に親父から聞いた話ですw。なので脚本協力に親父の名前を書きました。親父が子供の頃には、東京でも夜に星がよく見えたそうですw。

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

WEBアニメDiscordGirlsの本編とEDの制作を担当しました!!! 本当に楽しかった。スタッフ、キャストの皆様に感謝です!!! I was in charge of the production of DiscordGirls, both the episode and the incredibly cute ED! I kneel to our wonderful staff and cast 🧎🙇 📲

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

Sad to see that Ikuhara deleted their tweet about why a lot of smaller anime studios are currently in the red. Helped a lot to quantify how harmful delays are for the cashflow of not-parented companies, as they are able to ruin higher scope plans even due to just small mistakes.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 years

Oh that was the birth of the madman yeah I remember now

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

OTACHAN Staff thread!!! @OtakuVs is definitely the mind behind the current shape of the show, however I wanted to introduce little by little all the other staff members that make Otachan the cool little project that is finally becoming!!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 months

This is incredibly alarming for fans, translators and even producers alike: imagine pulling a life-threatening effort making an incredible original show only to get its international reception and lifespan tanked by some terribly wrong subtitles that fucking ruin each screenplay

@Daiz42

Daiz

5 months

CEO of Crunchyroll is advocating for AI translation. Pretty much to be expected from a soulless businessman, but I have to ask, does this man have even the first clue about what the company he is leading actually does? Because these are some baffling takes

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

#ACoupleOfCuckoos #01 is out! @Bloodyredstar and I managed the production & TL work for the english-speaking animators. We handeled 142 cuts of LO and 108 cuts of genga out of 261! BIG OTSU to all the animators for their tremendous effort! #カッコウの許嫁

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 years

このカットの原画マン知っていますか？

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

#着せ恋第話４の翻訳と英語通訳を担当していました！！初めて作監打に取り組みましたが、本当に勉強になりました。よろしくお願いたします。 I was in charge of English interpreting & TL for the 4th episode of MyDressUpDarling!! It was my first time working on sakkan meetings, super fun!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

Still very important to remember that animation seisaku yosan (as the budget for the animation studio) and anime yosan (the overall budget) are two very different things, even if the reasoning here is correct.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

This is the sort of question you should ask a producer/ planner from production committees, not an animation producer who is merely involved in producing a series commissioned by other parties. OFC international fans don't have a voice in how anime is "technically" produced.

@FireSisterBee

Karen 玉子焼き 🎐🌸

3 years

Gigguk : "It feels like overseas fans have a bigger voice in Japan" J.C. Staff : "no."

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

advice for anime animators: when drawings BGs for your layout, care only about placing everything in the right position and follow the bg settei/sankous you're given. No need to be kino since the BG artist won't follow your style but the art director's! Somewhat rough BGs are OK!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

Nooo they forgot th credit me on today Tokyo Ku 24's episode :(((( I did the usual TL and interpreting stuff. 残念ながら、京24区の第話０４ではクレジットされていなかったようですが、いつもの英通訳の仕事をしていました。よろしくお願いたします！

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

Helped a bit our Glas-chan with some of the translations for this episode. Incredibly proud of seeing the growth of such a magnificent artist and animator. I want him to keep delivering powerful expressive cuts forever!!

@glasround

Glas

2 years

I got to contribute both LO and Genga this time, I hope you enjoyed it! Thank you Aoki-san!!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

still kinda baffled to how after two years of translating production materials there are still animation studios that don't understand why I don't want to work uncredited. How can I even show I did something if every single material is under NdAs and my name isn't anywhere???

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

4 years

Big name animator Ryo Imamura, famous for his action scenes for the anime series of Studio Shaft, has opened commissions because he is in a difficult economic situation. Try to help him out pls!

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

1 year

Ishiguro: "There is a person named Toshiyuki Sato credited for key animation on episode 10, I wonder if it's the same Toshiyuki Sato who taught me how to watch anime more consciously by showing me recordings of Itano Circuses and Kanada's crazy perspective tricks back in uni..."

@masakazuishi

石黒正数

1 year

10話の原画に佐藤利幸という人がいるけど、これは俺が知ってる佐藤利幸かな。大学の時に金田パースやら板野サーカスやら吹き込んでアニメの見方を教えてくれた佐藤利幸？

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

Tbh I don't really think it's the case anymore, Japanese companies would really love to make international-oriented productions atm but is quite difficult to find Japanese creators able to design a product for the international audience so the final result doesn't change much.

@OliverJia1014

Oliver Jia (オリバー・ジア)

2 years

They seem to be under the impression that anime was made for them, when most of it was actually made for Japanese people familiar with Japanese culture. If a series is successful overseas that’s viewed as a happy bonus, but it’s almost never Japanese creators’ priority.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

This wonderful piece was handled by @atenaantenna ! You might not believe it, but this was one of their very first attempts a professional animation ever. It wasn't even particularly touched by the supervisors, so a lot of the original ideas from the layouts are still here! (1/4)

@AnimexAdulti

AnimexAdulti

2 years

KakkouNoIinazukeEp03.The first part caught me off guard with that refined half-length representation of the girl wrapping herself up in a towel. The shading (look at those collarbones:3) gives the cut a very elegant and convincing volume. Second half is absolutely hilarious.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

4 years

the 200 employees are actually a misconception: the official data lists only actual employees and freelancers with a binding contract devoted only to MAPPA. All actual freelancers, all external departments (coloring, BG, compositing) and all animation outsourcing are missing.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

While there is definitely a ton of sexism female aspiring anime directors have to face I believe there is also serious problem within mainstream critics, because within the industry and sakuga fandom alike people like Yamada, Rie Matsumoto , Ai Yoshimura, Hiroko Utsumi are(1/?)

@Matt_Alt

Matt Alt

3 years

Great discussion between @myhlee and Mamoru Hosoda about his upcoming "Belle." But it also makes me wonder: given the huge amount of female talent in the anime industry, why has no female director yet risen to his level of influence?

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

Producer Umehara Thank you for the 5th episode of #WEP ! Sukegawa, who was the main animation supervisor this time, is my junior from the Doga Kobo days. The Amazon edition BD illustration he drew is super cute! 1/2

@kafunsyokougun

梅原翔太

@kafunsyokougun

3 years

ワンダーエッグ・プライオリティ第５回、ありがとうございました！今回初めて単独での作画監督をした助川くんは動画工房の後輩です。彼が描いたAmazon特典も可愛い！！次世代を背負っていくひとりです！！！ #ワンエグ

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

@KaroshiMyriad

Kars

3 years

In order to expand their ever-growing animation business, Kadokawa aims to produce 40 anime per year until 2023. They will also expand on anime-related games.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 years

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

どやら京都アニが「ガンダムククルス・ドアンの島」の動画で少し協力したようです。京都アニメが外部アニメに外注するのは珍しいね It seems that Kyoani helped with some inbetween animation for the newly released Gundam Cucuruz Doan, it's quite rare for them to offer outsourcing.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

FunFact: several times I had to to act as the international accountant due to the accounting team within the anime studio that refusing to learn the procedures for international accounting because "uuuh too difficult/too time consuming" this stuff has to stop

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 years

🙏🙏🙏🙏

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

5 years

今村亮さん？

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

2 years

This was actually Mr. Sai's great animation discovery for the episode, as Nagai wan't really part of the team before the episode and is still a very obscure animator. Big props to both of them 🙏

@BurstRiot

Bursty

2 years

Extraordinary work by 永井克人 (Katsuhito Nagai?) in Kakkou no Iinazuke #3 , there's so much life in the character acting and I love the way the water looks both in the animation and compositing aspects, an animator that I will follow closely now.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

Me and my number one ally @Bloodyredstar got interviewed by the lovely @frog_kun about our explosive work on Wonder Egg Priority #10 , we tried to clarify a bit about the quite strange credit we got back then while trying to give some insights on the general production to you all!

@Anime

Anime News Network

3 years

When production began to fall apart, aspiring animators filled in to save the show. Kim Morrissy talks with FAR and Blou about the coordination effort and its reflection of the anime industry's current state.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

really in conflict when on sakugabooru an animator who was just LO only credits themselves but then it turns out that the AD has corrected practically every drawing, did also the genga and nothing is left of the original animator.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

28 days

But at the same time don't think the industry isn't realizing this: lot of big content producers are buying or founding studios, lot of care is going towards big titles, staff training is a topic re-entering the broader discussion.

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

4 years

If you decide to open a crowfounding to translate this manual, how many of you would be honestly interested? Of course I would do the translation myself.

@sakyuuga

きゅうでれ

4 years

The Association of Japanese Animations (AJA) just published "The Manual Book for Production Assistants" to the public for free. You can download the pdf by following this link:

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

6 years

シンプルでエレガント

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@FARfromani

「アニメはヤバイ」原画子ちゃんが言った。

3 years

It's finally out! I did the English translation and names romanization of the short Kagarihibana, directed by Q-Kawa with the help of some wonderful friends. If you enjoy contemporary action sakuga episodes, please give this crazy fun short a try!

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