Thread 1/3 Mathematical deception in Lewes. The 200-year-old Bartholomew House off the High Street below the castle is faced with black "mathematical tiles" mimicking brickwork.
Some things just don't change! This Roman-era brick with a cat paw print was brought to Fort Vancouver from England as ship's ballast. Archaeologists in England's Castleshaw Valley found the Roman tile fragment in the tweet below, also with a cat paw print!
#CatsOfTwitter
Is this England's oldest Catholic church? The 12th-century St Leonard and St Mary was given to the Catholic community in Malton, North Yorkshire, in 1971 by the Anglican diocese of York.
Modest buildings like this make Lewes High Street so attractive. Shop, once a house, 1780. Walls of painted mathematical tiles with quoins. Nineteenth century double shop-front with carriage entrance to one side. Building Listed Grade II.
Lewes layers: 73 High Street, a 17th-century building in 18th-century cladding with 19th-century shop-front and big first-floor window. Side wall tile-hung with jettied first floor with concave moulding. Listed building Grade II.
1/2 Look up! The spire of St Michael's church in Lewes High Street is covered with wooden shingles. It is one of only three round-tower churches in Sussex.
Fancy living in an early 14th-century old inn (rear) with front from 1470 featuring little figures under crocketed canopies? The old White Hart, Market Place, Newark, is to let.
Stunning stone. Many London buildings are of Portland stone. Chandos House, London W1, 1771, Grade I listed building by Robert Adam, is of Craigleith sandstone, quarried where Sainsbury's is now in Edinburgh.
Today the City of London planning committee approved the application that will allow a developer to cantilever over the Bishopsgate Bathhouse. Our caseworker spoke at the meeting. We are very, very sad. We will keep you informed if there is further news.
#cityoflondon
#heritage
Not to be ignored: No 1 St James's St, London SW1, 1882, R Norman Shaw. Grade II*: 'Red brick with plenty of stone dressings in richly striated chromatism and moulded brick decorative panels. Tiled roofs. "Queen Anne" closely based on Flemish Renaissance and French models.'
More secrets below the surface in Lewes. A pair of 18th-century houses in the High Street, not brick built but clad in mathematical tiles.
The white quoins at the ends of the facade hiding the edges of the tiles are not stone but painted wood.
Less familiar view of Victoria Station, London, opened up by demolition opposite. It's a remnant from 1860 of the London, Chatham & Dover Railway terminus.
A remarkable concept for a devotional sculpture: the Child Jesus in a ruff, as if a king of Spain tired with the weight of the world like the orb in his hand. 16th-century, from the Monastery of St John of Jerusalem, Zamora, now in the diocesan museum.
The timber for this house in Stodman Street, Newark, was felled in 1452. Of the Wealden pattern, the part behind the door was a two-storey hall. Now the Prince Rupert, it was formerly the Woolpack. I like the way the curved timbers meet the roof.
Oh, here's the new Papal Nuncio, Archbishop Miguel Maury Buendía, getting into his carriage (or rather the King's) at Archbishop's House, Westminster, bound for Buckingham Palace, waved off by Cardinal Vincent Nichols, the Archbishop of Westminster.
Save Museum Street supported by Griff, the Vic Soc and other heritage groups campaigned against a 74m tower that will overlook the British Museum, Hawksmoor’s famous St George’s Church, that will be visible from Bedford Square, and parts of Westminster.
Bomb damage at the Victoria & Albert Museum. An inscription nearby says: "The damage to these walls is the result of enemy bombing during the blitz of the Second World War 1939-1945 and is left as a memorial to the enduring values of this great museum in a time of conflict."
Under a rainy Norfolk sky, the Customs House, King's Lynn, built as a merchants' exchange by Henry Bell, 1683. "An exquisitely proportioned building with elevations of outstanding architectural refinement," says the Grade I listing excitedly.
More here:
St Cuthbert's Beads: fragmented fossilised crinoid stems that washed up on the shore at Lindisfarne and were strung into rosaries. Medieval people associated them with St Cuthbert: “the sea-born beads that bear his name”.
Something sublime and powerful in the treasure of the sea.
In 1916, CS Lewis, aged 17, bought a book that changed his life.
Exactly where was the bookstall he bought it from? This is the down platform at Leatherhead, from which Lewis's train left...
It cost A LOT to pave the pedestrian part of Waterloo Place at the bottom of Lower Regent Street. In July I tweeted an asphalt scar across it like the mark of Voldemort.
"Don't worry," said the sanguine, "It'll just be while it settles."
November's upon us. The scar remains.
There is, wonderful to relate, a sewer-vent pipe listed as a building of special architectural and historic interest. It's at Gordon House Road, London NW5, next to Parliament Hill Fields.
Pictures: Charles Watson
When visiting Norfolk in November, I noticed Overstrand Methodist Church. I've never seen a church look quite like this. I've no idea how to even describe it. Are there other examples like this out there?
#churchcrawling
#norfolkchurches
It's bad enough that St Thomas's Hospital can't spell its own name, but it's now corrupting the media.
It is pronounced St Thomas's and that is how to spell it. Like the Court of St James's.
It always cheers me up to see this 16th-century post office building in Ciudad Rodrigo, behind its beaky porch. It was once the Palace of Francisco Vázquez. Opposite is the church of San
Agustin.
A LOT of money went to pave the pedestrian part of Waterloo Place at the bottom of Lower Regent Street. Now there is a scar of asphalt across it like the shadow of Sauron or some other suitably evil figure. Will it ever be made good in stone?
Archy architecture. This mews arch of about 1855, at Queen's Gate Place Mews, London SW7,
an "elaborate triple archway; stuccoed Ionic order, segmental pediment" is a listed building, Grade II.
I hadn't noticed, till I was shown, the mitre over the middle window of the house built for the Bishop of Ely in Dover Street, London W1, architect Sir Robert Taylor. It makes quite a grand statement.
"The most valuable building in Middlesbrough", declares Jane Grenville in her Yorkshire: The North Riding for the
@YalePevsner
series. It's by Philip Webb, 1889, his only commercial building. It's what I went to see. Hard to snap, because of works opposite.
A kitchen chair defending the little spiral stair behind the pulpit leading up to the door to the void where the rood-loft used to be 475 years ago at the peaceful church of St Mary, Waterperry, Oxfordshire.