The difference with BTS is that it's the fans doing the manipulation, not the labels. I don't really understand that impulse, but in an atomized age, that's what's driving popularity. BTS has the most mobilized, devoted fan army, and that's why they're winning.
Wrote about how the pop charts have become a battlefield for warring stan armies rather than a record of what's organically popular at any given moment:
The first Girls album has seemingly left absolutely no cultural footprint, but it spun my whole shit around and I still love it. Wrote about it a decade later:
As of today, I have worked at Stereogum for 10 years, and my job has given me an absolutely baffling sense of security in a landscape that typically offers none. Thank you to
@scottgum
for keeping me around that long and for everyone who's read my stuff.
I've seen this quote from my Violent J interview going around in the past few days, and I gotta add that he just brought all this stuff up on his own, in response to the question "hey, remember when you were on that Three 6 Mafia song"
I was ready for a very bad day online when I published this, and I got the opposite. Thank you to everyone who read and responded. Music criticism always comes from a place of love, and I take my job real seriously.
@stereogum
Exhausted by writers like
@tombreihan
just casually accusing
#israel
of genocide in stories like these. "Israel’s campaign of genocide..." is used lazily, like its simply a fact, not opinion. You can write blogs like this without intentionally mischaracterizing what's happening.
10 best new January albums I heard:
1. Jeff Rosenstock: POST-
2. Maxo Kream: Punken
3. Closer: All This Will Be
4. Payroll Giovanni & Cardo: Big Bossin, Vol. 2
5. Camila Cabello: Camila
6. Tribulation: Down Below
7. Summoning: With Doom We Come
8. Migos: Culture II...
Thinking about how Post Malone has near-universal goodwill these days despite looking like an actual pile of garbage to an extent that I find honestly impressive. He must be the best hang in the world.
Taylor Swift is (1) announcing her album drop on the same day as the One Direction 10th-anniversary thing, (2) making the indie record that circa-2012 Jake Gyllenhaal was probably bugging her to make, and (3) potentially releasing an album on the same day as Kanye West. Amazing.
Nobody really deserves a
#1
hit -- deserve's got nothing to do with it -- but they're playing the same game as everyone else, and they're playing it better. BTS now have a bunch of
#1
hits with virtually no radio support, and that's kind of inspiring, in a way.
My book The Number Ones is out today. Thanks to everyone at Stereogum and everyone who reads the column for helping me get to this point. It feels truly insane. I hope people like the book.
Goddamn, I am so fucking mad right now. Everyone else in my house is asleep, and I'm half-drunk and tweeting about the state of the music press. Don't know what to do with myself. Seems bad.
For the first time in my lifetime, we had a chance at electing an actual principled left-wing president and building a massive popular front, and now the Democratic party is pissing it away. I'm disgusted.
There's a very small list of rappers who could just keep you hanging on every word, wondering where they're going to twist things next. DOOM was one of those. A truly great writer.
Flea’s filmography is sick as fuck: Suburbia, Thrashin, Less Than Zero, Back to the Future 2-3, Private Idaho, Son in Law, a classic Simpsons, The Chase, Big Lebowski, Fear & Loathing, Inside Out, Baby Driver, Toy Story 4, Queen & Slim.
I have been in music criticism for 20 damn years, and in that time, I have never met anyone more devoted to her job than Amy Phillips, my old boss, at Pitchfork. I cannot even fathom the idea of that site without her. Absolute lunacy.
Welp… it happened. My time
@pitchfork
is being brought to an end, as it was announced today that the publication is being folded into GQ. It’s been the honor of my life to have worked here for the past 18-and-a-half (!) years…
I never do this, but I think I was wrong to write this piece, or at least to frame it the way I did. The Billboard charts have never, ever been sacrosanct, and they've always been subject to manipulation.
Pretty fuckin wack that the AV Club, after forcing its entire staff to quit, is populating its main page by recirculating articles that I wrote years ago. They didn't ask for my permission, and I wouldn't have given it.
Things I learned from researching popular music: The guy who wrote the elegiac "Layla" coda also played drums on the Incredible Bongo Band "Apache" & got sampled a million times. That guy is now in psychiatric prison for murdering his mother with a hammer & butcher knife in 1983.
I think "Butter" is a bad song, an example of cynical committee songwriting, and the fact that the label head gets a credit is gross. But lots of songs way worse than that have gotten to
#1
.
The whole phenomenon is kinda weird for me because most of the stuff that I love never had half a chance at getting to
#1
. I can't relate. But from what I can see, there's an actual community here. That's cool. That deserves respect.
Etiquette question: House full of young dudes, like 3 doors up from me, I only really know them to say hi when I'm walking dogs. Can I ask them for weed? They have so much weed.
If a pop-music entity is capable of inspiring that much devotion, and of getting a bunch of people to pay money for downloads, then I'm in no position to say their song shouldn't be
#1
.
Two decades ago, Ghostface Killah, operating almost entirely without his Wu-Tang comrades and trying to find his own place within the chaotic world of Def Jam Records, released a classic. Wrote about The Pretty Toney album at 20:
Wrote about how "Mr. Brightside" has become the white "Back That Azz Up," the Killers eating all the hyped-up New York bands' lunch, and Hot Fuss at 20:
The Federalist isn't even writing its own shitty music reviews for fascists, it's blatantly plagiarising Tom Breihan's Stereogum piece and using ChatGPT to change it
Long story but I just found out someone tried to have me and my daughter kicked out of the Taylor Swift show for being tall. I spent the whole show doing everything in my power to stay out of this person's way, and I shoulda just stood there on my tippy toes with my arms out.
Getting endless waves of BTS fans in my mentions for the past week has been annoying and also pretty weird. I anticipated that. But I gotta respect the passion! Labels can't manufacture that kind of response. They would if they could.
Not even really a laugh. It's like: "tuh." This is the *exact same sound* that I make when I hear a lyric that I think is clever. Never heard her make that sound before. Warmed my heart. So shout to Taylor Swift for that one. I appreciate it.
Whether you love or hate Taylor Swift's latest album, there is no way to adequately digest its 31 songs and write about it within hours of its release, says
@jkarl26
via
@opinion
Without my book advance, there is noooo way I could've afforded that. But I got paid for the book, so she got her operation. She's home and feeling good. Shout out to everyone who read The Number Ones; you guys literally (albeit indirectly) saved my cat's life.
In 2008, Pitchfork hired me and my dude
@ryandombal
as news writers when we got laid off from our job at a startup that never started. I lasted a couple of years. Ryan was there for 15 years, doing great work the whole time. They laid him off today. What the hell, dude.