The Stickney House (1865)
Bull Valley, IL
Built by George and Sylvia Stickney, two Spiritualists who believed that right angles trapped ghosts. The Stickneys often held seances in the second-floor ballroom.
I’d seen photos of it and still nothing could prepare me for the sheer craziness of the scale of this thing: Philadelphia City Hall (1871-1901) by John McArthur Jr. and Thomas Ustick Walter.
Frank Lloyd Wright’s iconic Robie House (1910). Considered maybe the finest expression of Wright’s Prairie design, the house is one of 8 Wright buildings designated as a UNESCO World Heritage Site.
Not sure how to say this but:
Today, I was standing at an 84 bus stop. A car jumped the curb, colliding with the bus shelter. I saw it coming and ran. It missed me by a foot. Somehow, my only injury is a nasty puncture wound to the leg from flying debris.
Merchants National Bank (1912) in Winona, MN. Designed by Purcell, Feick and Elmslie. If it reminds you of the Sullivan bank I posted yesterday, that’s not terribly surprising given that Elmslie had worked on that bank only a few years prior.
As someone who likes to take pictures of buildings, I always find the Upper East Side so overwhelming. Not enough time in the world to look at all of it.
Surreal to finally see this in person, grateful it was saved from the brink of permanent loss: Michigan Central Station (1913) by Reed & Stem and Warren & Wetmore.
It also wouldn’t have been a visit to southwestern Wisconsin without a stop at the House on the Rock. A true phantasmagoria, one I still haven’t really processed.
First time at the Civic Opera (1929) by Graham, Anderson, Probst and White and I got the privilege of enjoying the show from the box seats. One of the most spectacular venues I’ve ever seen.
A.D. German Warehouse (1917-1921) in Richland Center, WI. Designed by Frank Lloyd Wright who did so as compensation for unpaid bills at German’s store. It was never officially completed.
While I was in Hudson, my friend gave me a tour of the glorious Olana, an estate designed and owned by Hudson River School painter Frederic Edwin Church. Calvert Vaux assisted in the design.
Detroit’s glorious Book Tower (1926) by Louis Kamper which was recently fully restored and turned into a hotel/residential/office/retail mixed use giant.
A year ago today, a driver killed Concepcion Lopez at this bus stop and left me with permanent injury to my leg. In the absence of any justice for her family, flowers felt like a small way to remember her today.
Went on the delightful Logs to Lustrons tour this weekend in Indiana Dunes National Park. One of the best stops was the Meyer House (1961-1965) by Harold Olin.
The woman sitting at the bus shelter five feet from me did not survive—I’m heartbroken and unspeakably mad. I’ll probably have more to say later, but for now…I’m just in shock that I’m still here.
Well, I got inside. What an unbelievably gorgeous space (and what a great venue for a night of eerie music performed by the newly formed Varo String Quartet!).
Elfreth’s Alley, which was originally created in 1706 as a cart path to the Delaware River, is thought to be the oldest continuously-inhabited residential street in the United States.
Didn’t have time to go inside 😩 but the tremendous exterior of Frank Furness and George Hewitt’s Pennsylvania Academy of the Fine Arts (1876) is its own work of art.
Despite its wild flamboyance, I feel like this incredible storefront is consistently overlooked: 5519-5525 N. Clark (1923) by Ronneberg, Pierce & Hauber
Two years. The driver is finally going to trial this summer. For a ticket. For improper lane usage. Traffic violence remains an epidemic and there is so often little to no justice for its victims.
A year ago today, a driver killed Concepcion Lopez at this bus stop and left me with permanent injury to my leg. In the absence of any justice for her family, flowers felt like a small way to remember her today.
More Art Deco! The grand and monumental Perelman Building (1926) at sunset, designed by Zantzinger, Borie & Medary. Sculptures and other decorative elements by Lee Lawrie.