I shot & edited this video yesterday to celebrate City of Ghosts
@PeabodyAwards
win today. Tell
#storiesthatmatter
?! Hell Yeah, we did!!! Congratulations to my City of Ghosts crew, my family, and to Los Angeles. Love y’all 💖👻😎⚡️⚡️ The music is Billy Changer 🖤✌️
Where the fuck is the Notre Dame level words of sadness and go fundmes at for this?! Fuck. I think about that every time I read about another place, destroyed by this genocide.
Israel bombed my favourite place in Gaza today. The ancient Great Mosque of Gaza, Mesjid Omar built in 1344.
This photo taken last yr. I can’t imagine the ruins that exist there now. How many murdered here because of the air strikes. Will we ever find out for sure?
I still make royalties from episodes of Adventure Time, and before that Phineas and Ferb, because when the episodes I wrote or directed aired in other countries, I got paid for it. I will never see a single royalty from whatever the number of views are on City of Ghosts.
They really hated me talking about the reality of it in my show about Los Angeles, and wouldn’t let me make a second season at Netflix of it, even though it won a Peabody award and two Emmys, but whatever man haha:
I think worth pointing out the big differences between the neighborhoods that USC and UCLA are in, and how those two different locations also have very different histories with LAPD & the way they act.
Brave was about Brenda’s daughter and they fired her and handed it off to a dude. maybe it’s not the content so much as how y’all are managing stories about things you don’t know the first thing about because they came from someone’s lived experience that isn’t a cis white dude.
Thank you <3 . Its been so long, I'm not that mad anymore but I do really wish nepotism had worked for me, in this particular case, 'cause I could've made a great show with my brother & fam.
My grandparents were incarcerated because of it. and the first time it’s been directly talked about on a mainstream show for kids was in my show, released in 2021. Had to get my digs in while I could! 💜✊
68 civilians died in Pearl Harbor.
Pearl Harbor was then used to justify the incarceration of 150,000+ people of Japanese ancestry in the Americas, and the murder by atomic bomb of 200,000+ in Japan, most of whom were civilians.
I just want to stop people from thinking that campaigning to have people watch shows en masse on that platform will change the trajectory of the plans for making more. That’s not what they base it on.
I had a white dude tell me I took his job at Sony when they hired me as a board artist, and I told him joke was on him, they had two open positions and the other was also filled by not him.
In case you often find yourself wondering, lately: a lot a people ain't normal or OK anymore. There's a lot of unresolved anxiety and stress emanating from everywhere. Its showing up in so many really random ways all the time around me, lately, not just online.
This is exactly the same reasoning they used when they told me they weren’t making more City of Ghosts at Netflix, and encouraged me to make something that was both “indie feeling” and that had mass appeal like Waffles and Mochi, the Michelle Obama show.
Pixar is now focusing on films with “clear mass appeal” with less focus on directors’ “autobiographical tales” like ‘Luca’ and ‘Turning Red’
“The studio’s movies should be less a pursuit of any director’s catharsis & instead speak to a commonality of experience”
(Source:
Some things weren’t meant to be adapted for broad appeal live-action, you could’ve leaned in to how cool this could be just using simple animation. Instead it cost $40M and had nothing to excite fans of the beloved children’s book.
I put them in our show because it was 1) simple to do, 2) important for kids like Thomas to see themselves loved & 3) a reflection of the full & beautiful world in which we live 💜✌️ Happy Pride month, Thomas. We love you.
Right now my biggest concern about AI is that it’s literally an environmental threat. Same with NFTs, same with crypto. We need to end it. Every time someone talks about a future with AI being inevitable we need to hammer them about it. Jobs won’t matter if we don’t have an earth
Animation friends: I understand the sadness and shock. I have no advice at the moment, other than solidarity in knowing the feeling. I want you to know it was never your fault that you were hopeful, try not to let this kill that part of you.
We need to squash that myth, and find other ways to make our stuff or to distribute it. I am never recommending anyone subscribe. It’s time for us to boycott these shams.
Can't believe this was over 2 years ago. What an insane trajectory from that studio releasing a groundbreaking, first-of-its-kind series, that made people hopeful, to the state it's in now re: original ideas and the sham Netflix Animation proved to be without someone like me.
Looking for a kids show thats as relaxing as a hot bowl of soup on a rainy day? Check out
@kikutowne
’s City of Ghosts, a visually stunning love letter to LA’s heritage that shows that the normal is as beautiful as the paranormal. Now streaming on
@netflix
!
I’m glad people loved my show, I think it’s phenomenal. But I would say don’t subscribe. Find a way to watch it that doesn’t benefit Netflix because they don’t give a shit about creatives getting fair compensation and they blew up our industry.
The traditional animation desk being in full clear view in the ad, something meaningful to a lot of my industry, gets smashed and flattened into a small rectangle. Our industry is 77% unemployed right now. The one that Hollywood was saying “saved them” during Pandemic.
"Apple came along and handed us a perfect visual metaphor for one of our most potent fears about big tech right now — namely, that it is crushing the arts and transmuting them into dull consumer products."
I asked them if a copy of City of Ghosts could be available to the
@LAPublicLibrary
since that’s where the Ghost Club meets in my show. I wanted it initially because one of their oldest librarians grew up in Boyle Heights and they didn’t have Netflix. They said no.
Mike Flanagan says Netflix was actively hostile towards the idea of releasing any physical media.
“I tried very hard to get them to release my work on Blu-Ray & DVD. Netflix refused at every turn. It became clear very fast that their only priority was subs, & that they were
If we got paid for the streams I would feel differently. But the people who made it will see nothing from tens of millions of views. We don’t get royalties from streams but they get viewership and continued subscriptions
Yeah, I was the same... used to get three dvds at a time, even. I also made them a Peabody Award Winning show that they barely acknowledged. I quit subscribing because they also sucked as an employer.
I said this and a lot more directly to people at Netflix and believe you me, it's like trying to explain to a person trapped in a cult that things might not be so great about the way they're doing things in the cult.
Working at Netflix Animation prior to the Pandemic, I could absolutely sense they were creating a bubble. We talked about how there weren't enough artists working in the industry to make the amount of shows they planned to churn out.
I tried for 2 years to get ideas greenlit at Apple TV+ and wasn’t able to get anything going, to give you even more perspective. I came really close but came up empty handed. And ever since I was done at Netflix I have not been able to get another show greenlit.
I’ve said this once and I’ll say it again: it’s not any artist’s fault that it’s hard to break into the animation industry right now. THERE ARE VERY FEW JOBS BC STUDIOS AREN’T ABLE TO CREATE SHOWS RIGHT NOW. It’s not bc an artist is not talented or anything-
Settler colonialism attempted to snuff out Native and Black families in all forms. Children torn from parents. All genders demonized. Entire familial lineages eliminated. Centuries later, it’s still a battle. There’s no way you can look at Palestine and not see the parallels.
Dropping whole seasons of TV shows at once and putting movies on streaming platforms before they’ve had a chance to make their money back through ticket sales in theaters… like these things are a big part of what’s broken (not the only thing, just part of it)
The thing that got to me lately, that I can’t shake, is seeing kids in the images from Gaza, wearing clothes and having backpacks/ belongings with American cartoon characters on them. They are fans, our audience. And we can’t even get it together to say “ceasefire” for them.
2024 is the year of corporate profits for big studios and executives in animation while the source of those profits, animation artists & writers… 70% are unemployed, without health insurance, & having to relocate because cost of living is too high in CA
This is also how so many people talk to animation artists who can draw, so many people claim they have a golden idea but can’t draw or write, & don’t know the first thing about completing a project. But they have a precious idea…
Lol my mentions are full of AI fans talking about how it’s ableist not to consider people with “great ideas” writers simply because they don’t in fact write, and my dude, ideas are dirt cheap. They mean nothing. I get ten book ideas daily. Writing is what breathes life into ideas
Viewership data pushes Max to make animated shows for young adult audiences, according to Max EVP Suzanna Makkos.
"We see it in the numbers—I feel like that’s the home run in animation, whenever you can get something that can play to both [young and older] audiences.”
You want established IP? I got your established IP right here! (I'm actually serious, the rights to this project that's had 5.7 million views, went back to me a little while ago)
The fuck? Well this is what I spent my budget on and they said they didn’t need more of it, I guess so this guy could have more money to blow on Dogecoin or whatever.
Netflix bought a sci-fi series from director Carl Rinsch in 2018 and spent $55M developing it
Not a single episode has been finished
Instead, the director has reportedly spent $11M of Netflix’s money gambling on risky stocks and buying dogecoin, which he flipped for $27M
Also fuck Apple for that commercial, too. Did you see they managed to put an old school animation desk in that pile of creative items they obliterated? They’re telling us to eat cake and we’re telling our fans to keep watching on these platforms? Not me!
Lmao, level of dedication? They let people on Trash Trucks bring in a raccoon to draw like this. This kind of stuff still happens, buddy, and people also still go on research trips to whole other countries to study the art and style? Also, now they let women be animators, too.
Warner Bros. Discovery plans to venture into more genres for adult animation, including drama, sci-fi, post-apocalyptic, mystery and young adult.
"We think there's more to do in dramas and prestige animation," says Adult Swim President Michael Ouweleen.
#AnnecyFestival
Additionally they siphon off viewers for movies where the number of tickets sold could’ve made the studios more money to where some of the artists could get bonuses, so like seriously, I dunno, I’m done with them!
RELEASE COYOTE VS ACME!
The Animation Guild’s (TAG) Master Agreement expires on August 16th — and we need YOUR help!
Spread the word about what’s at stake for animation!!! Post about your favorite cartoons that got canceled using
#CanceledCartoons
!
Executives were expecting a deluge of pitches after the writers strike, but that didn’t arrive: "If come January and February, it’s still crickets, then we have a problem"
It would make it a lot easier on everyone if the problem with kids having gaps in learning was as simple as too many screens, believe me I wish that was it. But any human being with a heart takes a step back to think about everything that's been going on for the past 5 years.
I don’t need to use a ton of words and drawings to tell you that I know it’s not a good idea to trust any of these corporations or institutions about anything because they will say anything to you to get you to believe they have good intentions.
I worked on the Bee Movie and that sucked too, like animation folks keep trying to tell you, lots of money and famous comedy names don’t make funny or good animation. They make expensive, mild fun that’s palatable to tasteless Americans.
At least make them have to work for it! It’s their fucking product. They’re supposed to be in charge of marketing it, NOT THE ARTISTS! Get them to put the work in if they want the thing to make them money.
When I was 8, I left a Snoopy in a hotel my family stayed at in Monterey Bay, and when we came back they had tucked him in, and it still makes me happy to think about it today. I'm 44 now.
This kind of feels like when big corporations responsible for most of the pollution on earth telling ppl to use paper straws and mind their carbon footprint - ultimately it’s not a “fans weren’t supportive enough” issue as much as “studios weren’t supportive enough”
Instead they’re all about big IP or things that they already know people will watch because it’s worked somewhere else. Because they don’t know shit about how to market anything, and if people already know it they think they won’t have to do a thing to sell it. Boy are they wrong
This is a smaller deal for sure, but I asked if Netflix could give a copy of City of Ghosts to the Los Angeles Public Library since it featured the library and would be meaningful for people to be able to check it out there who might not have money for Netflix. They said no.
The history of student debt:
In 1970, Ronald Reagan was running for reelection as governor of California. Public universities were free in the state. A Reagan advisor warned that free college was producing the dangerously explosive “dynamite” of an “educated proletariat”
Celebrating being nominated for too many big things by doing a self photoshoot with myself in my backyard. I need to practice my look for the Emmys. Even if I lose I can still slay, I hope ❤️🔥, but I need to build up my confidence …
sometimes when my brain goes to depression towne, & I need a quick boost for my self esteem, I go and look at this score on the only series I’ve ever made…still pretty baller, IMO
Just 'cause they say it on a billboard doesn't mean they support that on their platform, FYI, especially when it doesn't come from a big man name.
Anyway, find my future work on Apple TV+
gotta hand it to GdT and Netflix for building a successful awards campaign around sending the message that animation is “not just for kids” while running a children’s fairy tale against a movie that is actual adult animation
To be totally frank, I will run out of health insurance hours at the start of 2025 because of my lack of hours working for a union studio. Dunno what I’m gonna do. 🤟💀
Cartoon Network is dead?!?!
Spread the word about what’s at stake for animation!!! Post about your favorite Cartoon Network shows using
#RIPCartoonNetwork
Active members of TAG can help by filling out your survey! Today (7/8) is the last day!
Yeah. Sometimes they mean “because it spoke to kids about something that a lot of adults don’t wanna talk about because they don’t know how to explain it.” Like the shit we’re living through that some adults can’t even talk about, now.
Whenever someone says "This children's cartoon was ACTUALLY for adults," what they tend to mean is "This children's cartoon did not approach children like they were a clueless, undeserving audience."
The fear of whether you can be a good showrunner/ director, like good to the people who work for & with you, and also make incredible work at a big studio… it’s a very real fear for people who step into that job, including me.
Republican Congressman Ryan Zinke has introduced a bill to expel Palestinians from the United States. And ban Palestinians from entering the country. What the fuck.
I had a white dude tell me I took his job at Sony when they hired me as a board artist, and I told him joke was on him, they had two open positions and the other was also filled by not him.
I just don't want all my options for things to work on to be superhero stuff, spinoffs, reboots etc etc. I want to make original, weird, animated, board driven comedy, that isn't based on any past project or characters that already exist to "give my spin on it."
What no one ever told me was that if you make something subversive and powerful, like a kids show that speaks truth to power, the evidence of how great the thing you achieved is, is the extent to which the people in power gaslight you & act like they didn’t notice.
I’m more concerned about what AI, streaming, and big tech are doing to the planet than whether I have a job or if my art is going to be used by AI. I’m not switching to another platform, I’m not pitching projects to go to streaming, I’m reconsidering how I can avoid the cloud.
I could’ve made 3 more seasons of City of Ghosts by now. I’ve been wasting so much time fighting to get someone power to let me make another thing like it.
So pardon me if you see me giving a big middle finger to anyone who fucking tries to claim that personal stories with personal details about people who aren’t the “majority” are the issue that’s costing them profits.
I think there is a severe lack of understanding of how you build a healthy community with other artists, and that does not mean we stay silent when there are people who are part of our ranks that have family DYING, watching them being bombed out of existence everyday
Have I got an idea for you... its about kids and ghosts, and the kids are the documentary crew... learning about local history and not just white people in a motherfucking office job town.
A reboot of ‘THE OFFICE’ is not happening but the creator is interested in making a series set in the same universe.
“Something like the notion of this documentary crew doing a documentary about a different subject.”
(Source: )
I wish more animation artists had the nerve to question authority, because all of the big institutions in the western world are lying to us. But y’all think we’re gonna adhere to some rules of order in a game with liars? You might be that naive, but I’m not.
Its so stupid that Cal Arts Job fair had the same vibes, for me, LMAO. Getting a call-back from Cartoon Network got me so many mean glares, only topped by getting called back by Pixar.
Thinking a lot about how the day I got into Harvard three different white kids told me I only got in because I am Black, how after I won a litany of awards a faculty member called me a diversity hire and after I earned tenure another one let me think everyone felt that way, about
The thing I’m most burnt out from my industry is being talked down to by people with ideas not as good as mine, like passive aggressive power trips, when i know for certain giving notes on creative things just doesn’t have to be like that and shouldn’t be like that.
ADVENTURE TIME (2009) Storyboard test and really a key to some of the magic that became the series. Pen’s directions give you insight into his world thinking.
The library has a lot of stuff you can rent on dvd or cds, for free, you just gotta sign up for a card. They also have a free streaming service called Kanopy 💜✊
Friendly reminder saying, “You should own physical media,” to someone who can’t watch something on a streaming service is like telling a person who rents to just “buy a house.” It’s a HUGE upfront cost and many can’t afford it. It’s not a helpful suggestion
So pardon me if you see me giving a big middle finger to anyone who fucking tries to claim that personal stories with personal details about people who aren’t the “majority” are the issue that’s costing them profits.