Manga addict, journalist & traveler. Co-host for Mangasplaining podcast. Writes about manga for Comics Beat & Publishers Weekly. Tweets are 75% comix stuff.
The panel asks Junji Ito what he thinks of Animorphs - “when they’re morphing, is there a chance that they get stuck in the in-between state? If yes, then 7 on (1-5) scary scale!”
#crx2019
It’s pretty ridiculous that Rumiko Takahashi gets passed over every. damn. year. for the Eisner Hall of Fame, despite the fact that she probably influenced a lot of comics creators today. Don’t know who she is? Start here 👇🏻
Generally, my 1st check for “is it a shojo/shonen/seinen/josei manga title?” is to see what magazine it was originally published in Japan, since that’s your best indicator of its original target reader demographic. However, i understand the confusion when its published overseas
One takeaway from
#ax2024
is how many people desperately want to draw manga, but don’t know how to get to the level where they’ll get published / can go pro. When i tell them that if they want to work in Japan, they should learn to speak/read Japanese, they’re so sad.
One thing that makes me sad about the US manga creator ecosystem is how creators end up spending more time & creative energy making prints & “merch” to sell in artists alley vs making comics. The Kodansha editors fr JP noticed this diff too & were slightly puzzled by this.
After talking with JP manga & US comics editors, I’ve heard a few common themes / tips for aspiring manga / webtoon creators:
1. Start with one-shot short stories, and do a lot of them! It will help you build your storytelling muscles and develop your individual art style
we announced our next
@mangasplaining
manga license at
#SDCC2022
: Giga Town by Fumiyo Kouno - a collection of witty comics explaining “manpu,” the visual language of manga. It’ll be out in print in Spring 2023 with our latest publishing partner,
@UdonEnt
!
Meanwhile, comics shows in Japan like comitia cost maybe $50-$75 for a table. It’s only one day, so usually ppl don’t need to fly in or book hotels for several nights. Thus, artists’ costs to participate in JP comics shows = less pressure to make profits.
Meanwhile, when i go to comics/doujinshi shows in Japan like Comitia or Super Comics City — yes, ppl sell merch, but it’s primarily people selling printed comics. And the merch is mostly handmade/small production run goods.
One reason for US Artists Alley focus on making “merch” to sell vs making comics is that AA tables at big anime conventions are expensive. Add in travel & hotel costs, and amateur/semi-pro artist are spending minimum $1000 - $2000+ just to be there.
And portfolio reviews? That’s built into the Japanese comics shows I’ve visited. Table after table of manga magazine editors reviewing work by aspiring manga creators. At US anime cons? Not so much.
When asked what a cat’s best “charm points” are, Junji Ito says he’s most charmed when cats sleep and have a double-chin - he draws a quick sketch for us
#CRX2019
A great way to start on your 1-shot story journey is to read 1-shot stories or early short-story works by manga artists — the Tatsuki Fujimoto “before chainsaw man” collections fr.
@VIZMedia
& Ryoko Kui (Delicious in Dungeon) collection fr
@yenpress
are terrific places to start.
IMHO, In US, the pressure on aspiring comics/manga creators to make prints & merch instead of comics, + few opptys to get real feedback to improve their visual storytelling skills are factors that stunt/hinder their growth towards becoming pro comics creators.
Otomo’s new film is called Orbital Era. It’s his 3rd feature film. It’s a “coming of age story” set in a space station. The opening scene was a skateboard floating in space to reveal a huge space station.
#ax2019
Biggest mistake i see from aspiring manga artists: making their first project that ambitious, epic multi-volume manga story they’ve been dreaming of drawing since they were kids. My tip: DON’T do this. Build skill with short stories first.
for the manga vs US comics discussion, maybe we need to look at a more 🍎:🍏 comparison: US superhero comics vs. shonen manga
for starters, shonen manga is primarily made with tween/teen readers in mind. US hero comix today seems to be more like seinen manga, for older readers
My other tip for aspiring manga artists: pay attention to your paneling/komawari and page composition. Is your story easy to read, intuitive for readers to follow the action, dialogue and when/where things are happening? More tips:
Also on my “omg France’s manga selection is bonkers” tour, i also visited the “BD/Mangas/DVD/Musique” annex of Gibert Joseph on Bd Saint-Michel, near the Sorbonne
What makes stories like Delicious in Dungeon and Spy x Family so delightful and memorable for fans is how each character has a distinct look and personality, and their interactions are fun and true to their motivations, moods and circumstances
A common weakness i see in work from aspiring manga/comics artists is that they spend too much time drawing pin-up/cover art illustrations of characters, but not enough time really thinking about their characters’ personalities, backstories, and interactions with others
Haha. I guess this is my way of saying, “it’s not that Japanese publishing is weird/hard to understand, but maybe their take on what readers enjoy reading is more open-minded/progressive/blended than western comics publishing is now, & maybe that’s the bigger issue?” 🙃
.
@remoteryan
asked Junji Ito what he thought of the tributes & memes inspired by his manga, like this scene from Steven Universe and this episode of Spongebob Squarepants. His reply: “I’ve seen this online but thought it was just fan art! It’s an actual kids TV show?”
#TCAF2019
Drawing comics pages is only one part of making manga — you need to also understand visual storytelling, pacing, how to write dialogue, create interesting characters, and how to engage readers to keep them coming back for more. It takes time & practice to master these skills.
Wow, sad news -- KIKU, the longtime Japanese TV station in Hawaii is switching to a 24-hour shopping channel as of June 28, 2021. :-(
I watched tokusatsu shows like Kikaida, anime like Ikkyu-san, TV shows like Aburenbo Shogun & Soko ga Shiritai on KIKU.
After a year of carefully spacing out my binge read/watch of One Piece (i started in June 2020), I finally caught up with the latest chapter on
@shonenjump
🥲
So the comics shows i’ve been to in Japan (Comitia in Tokyo and Super Comic City in Osaka) are basically comics marketplaces 1st, maybe cosplay gatherings 2nd, and a place where magazines do portfolio reviews 3rd.
They’re not like US anime cons, full stop.
@debaoki
I'm curious since I really have no idea - how much are artists at JP cons competing with things like arcades, panels, concerts and such? And the people that come there largely to socialize and catch up with con friends?
Exciting! Uzumaki anime! Directed by Hiroshi Nagahama (Mushishi) / Production IG, music by Colin Stetson (Hereditary)- coming exclusively to Toonami / Adult Swim
The good news for aspiring manga creators: you’ve got more opportunities than ever to get your work seen by manga editors & possibly get published than ever before. The
@VIZMedia
Originals and One-Shot programs are worth a shot:
#AX2024
.
@UdonEnt
at
#SDCC2024
- Kenichi Sonoda shows off some previously unseen sketches from a proposed Bubblegum Crisis reboot from 10 yesterday ago that never happened. He hopes by sharing these, it’ll revive interest in the project!
Yon and Mu are in cat heaven - junji ito’s current cats are Tenmaru (blk/white) and Tonichi (wht/orange) -they get along pretty well, it seems!
#CRX2019
Man, if y’all’s minds are blown about what I’ve been describing about the Japanese manga “amateur to pro” ecosystem, your heads are gonna 🤯 when I get around to describing the webtoon publishing system / economy / creator pay scale in S. Korea.
This cover of Shonen Magazine from 1969 is just amazing. I can pick out Takao Saito (Golgo 13) -2nd row L, Shigeru Mizuki (kitaro) - 1st row L), Kazuo Umezu (Drifting Classroom) - top row, 2nd from L), Fujio Fujiko A & F - 3rd row R), Shotaro Ishinomori (Kamen Rider) 4th row R…
“We’re just starting discussions on this. We’re bringing Akira back as a new production - it’s not a sequel. There are 6 volumes of the manga, so we want to take more of it in. - Makoto Asanuma, CEO sunrise “that’s all I can say for now”
#ax2019
I have never seen this at any US comics convention, but our Angouleme taxi driver keeps a mini sketchbook where he asks his (often cartoonist) riders to draw him a picture
One mistake that overseas readers frequently make is assuming that all “romances” or stories centered around female protagonists are either shojo or josei (girls / womens) manga series. Horumiya, Emma & Ranma 1/2 were all serialized in shonen/seinen magazines.
2021
@HarveyAwards
Hall of Fame inductee is Rumiko Takahashi, creator of Inu-Yasha, Maison Ikkoku and so much more - here’s here acceptance message, via
@VIZMedia
WHOAH. The latest volume of Spy x Family fr.
@vizmedia
is the
#1
BESTSELLING BOOK (not just graphic novel) in N. America this week, according to the bestsellers chart on the
@PublishersWkly
homepage.
Added bonus: Jujutsu Kaisen vol. 19 is at
#5
!
North American Anime & Manga Webshop "RightStuf Anime" will shut down on Oct 10, 2023 after previously getting acquired by Crunchyroll. The products will be sold on the Crunchyroll Store going forward.
Okay, so the main reason why I wanted to visit Tokorozawa
@sakuratownjp
was to check out
@Kadokawa_Museum
- that big building that looks like a rock, but is a big love letter to books, manga, anime & light novels
.
@shonenjump
@
#SDCC18
Q: “All-Might is such a supportive mentor. Do you base him on anyone in your life?” Horikoshi: “No, not anyone in real life. I based him on Goku in Dragon Ball.”
At last! Our next
@mangasplaining
release from
@UdonEnt
is available for pre-order! Gigatown: A Guide to Manga Iconography by Fumiyo Kouno (In This Corner of the World) explains commonly seen symbols of manga in charming 4-panel comics and will be in stores on Sept 3!
.
@KodanshaUSA
at
#ax2018
- new print license! Witch Hat Atelier by
@shirahamakamome
- March 2019! In a magical world, a girl lacks powers to become a witch. Gorgeous art, voted one of top 10 manga in JP 2018
Yep, that’s correct. And that’s another broken part of the comics ecosystem in the US. A lot of it is “work for hire,” meaning you’re hired to write or draw a story, but you dont get creative ownership like many manga artists do.
@debaoki
I have a question. In America, even if you become a creator for a major publishing company, the copyright of the work belongs to the company, so I hear that your main income comes from manuscript fees.
“I had a cat that would pee a lot (in in appropriate places). One time it came to sleep with me, and it slowly got warmer.... (eeewwww) - Junji Ito cat stories that didnt make it into the cat diary manga...😹
#crx2019
Is it that hard for western publishers/readers to imagine a comics magazine aimed primarily at young boys would have romance stories, or that a boys volleyball team story would be just as appealing to girls/women readers? Or that adults might enjoy an “all-ages” series? I wonder.
But a lot of manga that overseas readers consider to be “all-ages friendly series” were originally published in seinen manga magazines. Chi’s Sweet Home, Witch Hat Atelier, Yotsuba&! were/are serialized in seinen manga magazines in Japan, like Morning Two or Dengeki Daioh
Akira Toriyama is up for "voters choice" for the Eisner Hall of Fame awards. - don't get me started on why he isn't there already... Read DragonBall - & Dr. Slump & you'll see why i say that
if you ever wondered about the lengths a manga artist will go through to NOT be photographed, i give you Paru Itagaki (BEASTARS, now avail. fr.
@vizmedia
) and her chicken mask. (bonus live iguana too)
If you were ever wondering what a chicken holding an iguana would look like 🐔🦎 BEASTARS’s Itagaki Paru & Mairimashita! Iruma-kun’s Nishi Osamu at an event for Shōnen Champion’s 50th anniversary. Both have TV anime series coming up in October. In the meantime, read BEASTARS!!🐺
@DarkHorseComics
“It’s important to remember that manga was made for Japanese readers. At
@DarkHorseComics
, manga is 1% of our output, but represents 66% of our sales.” - Michael Gombos - at “Found in Translation” panel at
#SDCC2023
@KodanshaManga
@ccacomics
Also from
@KodanshaManga
is “A Kingdom of Quartz,” a fantasy series by Canada-based creator Bomhat. It’s serialized in JP monthly manga magazine Afternoon, i saw it on stores in Japan months before the English edition hit shelves here.
.
@shonenjump
at
#AX2018
- “Burn the Witch” new one shot 62-page manga by Tite Kubo (Bleach) - debuting in July 16 issue of Weekly Shonen Jump “a rom-com set in London - I got a sneak peek & the art is pretty cool
The Uzumaki anime will premiere in US on Toonami/Adult Swim - before Japan! “We went to the temple to get blessings, so we wouldnt get cursed for showing this (even on a late night slot) on a kids’ cartoon network”
Besides the traditional “shojo/shonen manga” magazines, there are magazines that are kinda/mostly thought of as “shonen” magazine that are aimed at both male & female readers’ tastes, such as Square Enix’s GFantasy, home of Black Butler (fr
@yenpress
)
On Wed (5/12), the chat I had with TCAF special guest Nagata Kabi (
@gogatsubyyyo
) will debut on YouTube:
(big thanks to
@brainvsbook
for translating!)
Her latest, My Alcoholic Escape from Reality fr.
@gomanga
goes on sale on 5/11 -