for the
@LRB
, i wrote about
@ehgillett
's Party Lines, a social and political history of dance music in Britain. a great book โย funny, astute, definitive โย and a great opportunity to get the words "big beats are the best" into print.
Farewell to another legend: Shigeichi Negishi, inventor of karaoke, has died age 100. By automating the sing-along, he earned the enmity of performers who saw his machine as a threat to their jobs. It's an eerie precursor of the debate surrounding AI's impact on artists today.
i already had inside info on fred again being a total prat but the next level hate began when i learned that he tried to get out of paying strippers by offering to tag them on social media. always the rich kids, isn't it? anyway he's playing madison square garden soon
i will point to this tweet forever and ever. the site was doing fine. this move enables Conde to lay off the -union organisers-. Conde had already sacked the union leader. this decision is about union busting
today i learned that stans think music critics listen to the album when it comes out and just start furiously writing so they can publish a review within an hour. we need a back to basics campaign here
i spoke to the CEO of Bandcamp about what it means to put artists before listeners, and how Bandcamp became the rarest of Silicon Valley stories: a slow-burn success.
also featuring insights from
@dada_drummer
&
@BokehVersions
Iโm currently obsessed with the sophisticated modernist designs Sainsburyโs used for their own-label packaging in the 1960s and 1970s. They employed an in-house design team, who used abstract shapes to represent the products. I want them to decorate my house ๐งก
very sad to learn that FACT will no longer be publishing written content. we had some golden years back there and i'm proud of what we did - sometimes adding vital context and sometimes just noising up diplo for the lols. the real FACT magazine was truly the friends i made alo--
think it's time for me to add: I liked Gou, great tunes, seemed fun, not fussed about the ghost producers or running a thirst account, you do you beb - but private jets and Saudi gigs, then lecturing about plastic? Nope
lots of small sad things about dealing with a death but cancelling my dad's brighton season ticket was grim :( we spent many saturdays on horrible stands at e.g. Torquay in the early 00s, bleak times for the Albion! at least he got to see them in the prem, is what i thought.
if the sound of early dance music was defined by technology - samplers, sequencers, 303s - then what tech is shaping club music now? I'd argue it's the evolution of DJ tools that's driving new styles, genres and affects on the 'floor. thoughts?
if you also hate that automated Overground message telling you not to give money to homeless people, well.
from the Whitechapel Mission website: "We have considered offering lunch and an evening meal, but are concerned that [this] may encourage homelessness as a lifestyle"
Overground fans, here's your regular reminder (in this chilly weather) that Whitechapel Mission doesn't offer beds for the night, and charges for breakfast and showers
We're proud of the lifesaving work our volunteers do in the Channel โ we make no apology for it. Those we rescue are vulnerable people in danger & distress. Each of them is someoneโs father, mother, son or daughter - every life is precious. This is why we launch:
in a hundred years' time all their fucking castles will be underwater, so who gives a nazi-sympathising gollywog-brooch-wearing taxpayer-funded fuck, really?
"In a hundred years' time, the royal historians are going to be looking at this moment as a seismic moment for the Royal Family."
Historian Kate Williams says Harry and Meghan's departure shows that the country needs to look at "a new way forward for... members of the monarchy."
i was born in the msn chat rooms. i came of age in myspace html view. i fought off beasts n weirdos in lycoschat, yknow the weird nautical one. staying in all weekend to talk to people from the internet?? made 4 this shit
@VALENTI
what these analogies never understand is that 'cutting out the middlepeople' is the *opposite* of what we want to happen! the middlepeople are the labels, the shops, the DJs, the writers, the promoters, the whole scene of interlinked people that might aim to be a community
me again! banging that same (hard, broken) drum about UK club music, its glorious current state, and what we should even call it when the old definitions have collapsed. this is only a limited overview, inevitably, but thoughts welcome...
The ways in which we define electronic music styles are rapidly changing.
@chalravens
explores the evolution of โUK club musicโ, from its regional roots to a new digital ecosystem, and speaks to some of its key players
I reviewed the new Erika de Casier album, the highpoint of y2k revivalism so far, with all the contradictions that entails. for pitchfork, which still exists!
COVID was a wrecking ball, but the music industry was already broken. i've written about our possible routes towards a sustainable underground music culture, from collectively owned streaming to music workers alliances
#thesupportnetmustbebuilt
god i've spent so much time, thru the years, searching for the right words to try and capture the potency of SOPHIE's art and and life, and why it meant so much to me/us. to have to sum it up... no it can't be done. devastated
i wasn't prepared for the emotional wallop of listening to the Knife/Fever Ray/Oni Ayhun catalogue again in order to write this. who else has done synthpop-with-ideas so perfectly in the 21st C? friends, it can only be Karin Dreijer.
i've been having a Seefeel moment. the new reissues are the very definition of essential, so it was a ~treat~ to talk to singer/guitarist Sarah Peacock about being the first guitar group on Warp, punks vs hippies, and hanging out with the Cocteaus ๐๐๐
father forgive me for i have aided and abetted a PR stunt from this year's most talked-about Two Guys making electronic music. this article will self-destruct in eight hours
exhilarating read from Hubert Adjei-Kontoh.
'Part of the reason music writers attempt to engage with [dance] music through the lens of Blackness is that itโs much easier to make claims about racial inequity than describe abstract music.'
i think we can agree that the return of the clubbing was... suboptimal? me on rave protests, dangerous dancefloors and a darkside alliance of capitalists and crusties.
unbelievable. look at this group of people hanging out in london fields, not keeping a 2m distance. how can they be so selfish! i will be calling the-- oh
.
@JoseyRebelle
detests being in the spotlight, to the extent that she actually hates *daylight* ("Why is the sun so bright?!")
so it's a bit of an honour to tell her story for
@DJmag
โ talking Tottenham, jungle, pirate radio, her love of words & her dedication to the craft.
hello! i went past, present, future, long and wide on SAMPLING. will this edit-mania ever end or are we entering a new era of permanent versioning? has sampling gone... post-truth?? i don't know, but i have some ideas.
my reviews of AceMo, Actress, Shinichi Atobe, Basic Rhythm, Black Void Smith, UR's DJ Dex, Jackson Veil Panther, a perplexing club compilation and an absolute belter from Lyric Hood โ all in the new
@thewiremagazine
. why not subscribe?
once again, a Klein album really grew on me.ย this time it's an abstract, anguished, wall-of-guitar type noise record (!). not as alluring as her ~signature style, i think, but so nice to listen to something that doesn't explain itself.
asking the govt to support clubs as part of the "nighttime economy" not only reduces club to profit-machines, it reduces clubbing to a string of individual financial transactions rather than a shared activity with cultural, emotional, historical meanings
one of my favourite *forthcoming* albums is by Arushi Jain, an artist mixing Hindustani classical vox with modular synthesis to magical effect. she's basically operating in a field of one, and raising many questions about 21stC east-meets-west sonics. ๐งก
Beatrice Dillon's Workaround is just *fantastic* isn't it? i wrote about that, and how it seems to respond to the visual art she's inspired by, from virtual photograms to '70s American minimalists ๐ณ
two Italians meet in the queue for Fabric and end up starting a label... you might not expect that label to be
@NervousHorizon
. in 5 years its become the nerve centre of a fwd-thinking new sound, fusing LDN bass with a whole world of rhythm and style๐ฅ
i do enjoy vinyl as an object (doesn't everyone?) but maybe it's time to just print up album artwork on big squares and be done with this whole charade
we need to have a serious conversation about vinyl records. Except for a few select titles (mostly reissues)-they arent really selling, and yet everyone is releasing records. Turnaround time is over a year. This cant sustain itself.
if the gov delays 21 June reopening, and if certain clubs decide to open anyway, ignoring new evidence on transmission (delta variant is *40%* more transmissible) knowing that clubs are full of unvaccinated under-25s... then you have to ask yourself whose side those clubs are on.
in the new issue of
@DJmag
, i talk to everyone's favourite
@batu_uk
about communing with ancestors, competing with your peers and defeating self-doubt. his debut album Opal is out tmw and the mag is out now!
if you're an agency with a headline act, you leverage that in order to demand slots for the other acts on your books in return. right? what are we angry about, that there aren't more booking agencies? at a mainstream pop festival? i'm honestly confused
the fact my phone is being deluged with messages, multiple group chats pinging, says something about how special and adored Andrew Weatherall was. gutted to lose a hero. he was such an original ๐ซ
had a dream I was at a rave talking to a girl and she told me about a genre called โhit emโ that is in 5/4 time at 212 bpm with super crunched out sounds thank you dream girl
came on to say "john maus isn't MAGA" but unfortunately i just went down the reddithole to discover that the man who once described himself as "left of left of left" has apparently tradpilled himself into reactionary catholicism and pizzagate trumpism.
0.0
ah here we go, i'm doing 'shaming' and 'envy' rather than 'please could you do just one specific thing to stop destroying the environment and it only involves giving up a mini-bar and coke mirror for a few hours'
Festivals are a really important part of whatever modern club culture is, but they're often done badly or for the wrong reasons. My overview of a decade of lost weekends!
i spoke to
@ErisDrew
about her (genius, surreal!!) new album and the cosmic coincidences that give our lives meaning when we're wandering in the dark ๐ฟ
feels like i've been writing this in my head for years. thanks to Eris for her candour & generosity!
i only got round to listening to
@ErisDrew
&
@octo_octa
's fabric mix this past saturday because i wanted to give it my Full Attention, which was of course the right thing to doย โ we honoured it at 4am with full smoke machine in Room 1
paul johnson is the blueprint. deceptively simple music that contains all you could ever need. and he made HITS. i remember hearing 'get get down' on the radio and at kiddie discos, along with my first taste of the smoke machine... that was the blueprint! we owe him so much ๐ค
a most improbable collection of out-of-date factoids, know-nothing bluster, weird aversion to hearing protection and anti-woke fear of veganism and "boys who dress like girls". 10/10 showing from britain's cleverest right-wingers
i am once again asking you to tell me about nice mixes you've been listening to!
particularly looking for non-uk DJs, concept mixes, lesser known radio stations and so on.
ohhh you've gotta love seeing
@Spotify
sweat, i guess. they've now paid this man $100 million to help spread deadly lies about vaccines, but are still pretending they can't pay artists one cent per stream. just beautiful
i spoke to minimal auteur and electroclash survivor
@dalecornish
for
@thewiremagazine
. he was surprisingly down to earth, and VERY funny. here is a fucking amazing photograph of him and here is how you can read/support The Wire online โ now is the time!!!
NEW:
@ipsosmori
polling for The Economist shows some Brits support anti-covid restrictions *permanently*, regardless of covid risk. Inc:
- 19% for nighttime curfews
- 26% for closing casinos and clubs
- 35% for travel quarantine
- 40% for masks
Itโs crazy that the CD era brought the full proliferation of lossless digital audio at even the lowest levels of consumer retail and we just abandoned it in the name of normalizing legalized piracy. The lossy compressed underwater Kazaa MP3s have become the industry standard.
really sad to hear about Florian Schneider. aside from other members of Kraftwerk, has anyone had such an influence on modern pop โ VAST, unimaginable! โ while remaining basically anonymous? a robot, a cyborg, a man you'd not look twice at on the street? just perfect, genius.
@VALENTI
in underground scenes (which is at least 90% of all music, really) those people are very rarely there to skim profits โ they're involved because they love the music and they've found a place in the scene that doesn't necessarily involve the making of music