Joey Badass: “Mac gave me one of my first shots in the game — I remember the date. April 15, 2012. He asked me to open up. It was a school night!... I just remember all of us, we felt like we could take over the world that night.”
Found the detention center 21 Savage is being held in and talked to experts about what it's like there. The general consensus: It's a brutal place that the UN has been lobbied to close
DJ Jazzy Jeff, on Mac Miller: “You have touched so many people, including myself. I want to thank you for the advice you gave me. Not the advice I gave you.”
Aminé: “You don’t really understand how loving a person is once they’re gone, and every person you know is saying the exact same thing about him. Every person I know is saying the same thing about you. I don’t understand how someone could be like that all the time."
hi! i'm looking for new music freelancers at complex. if you would like to start writing for me, or know a good music writer, get in touch.
as always, this goes double for black writers.
brendan.klinkenberg
@complex
.com
Since I was a teenager, I’ve been listening to DJ Screw, but I didn’t know anything about the man himself. So we reported it. This is the story of a reclusive genius who changed the sound of everything:
An immigration lawyer I spoke to about 21 Savage's current situation: “‘Detained’ doesn’t sound like he’s a prisoner, or incarcerated, or in jail. But he’s in jail"
Scoop: Drake recorded "March 14" (the song where he addresses his son) before Pusha T recorded "Adidon" (the song accusing him of having a son) and likely played it for the Ye/Pusha team in Wyoming, pre-beef
next up, i'm thrilled to be joining the team
@Gimletmedia
, who have graciously agreed to teach me how to make a podcast. excited to try something new.
hiring a producer on my team! looking for people who know hip-hop, and a huge bonus if you can cut tape and like talking about story structure — dm if you have any questions
variety's "retire the n word" take is bad, but this is the real cover of a real book from that writer so there's something more interesting going on here
i was the magazine's first hip-hop editor, and i'm so, so proud of the work we did. it's too hard to pick specific pieces, but we broke a ton of news, published some great features, and had a lot of fun
i’m spending this week at an investigative editor training at
@propublica
, then will start figuring out what i want to work on next. if you want to talk editing/writing/podcasts/magazines/tv, i’m at brendan.klinkenberg
@gmail
.com
@Mattyfatpants
@mogul
Perfect open - whenever I connect with
@candlestickem
about making a new tape, it always begins with the virtual shoebox, I put a bunch of songs in, some of the score and a rip of the audio-track from the film and wait to see what comes back.
this is what i’ve been working on since joining up with gimlet: a podcast from the frontlines of the BLM protest movement, hosted by
@SaiduTTJ
. i’m really proud of it.
i’m hiring again! i’m looking for a supervising producer to work with me on Mogul; ideally someone who’s organized, experienced, and loves hip-hop. my DMs are open if you have any questions:
Launched a new column today
@RollingStone
in which
@ottergawd
reviews the products famous rappers are selling. It's called Side Hustle and first up: Rick Ross' beauty line
The first story I've reported/narrated for
@Gimletmedia
drops on Tuesday. It's a wild ride through blood-soaked MMA gyms, London's criminal underworld, and an audacious heist that shocked the world.
Here's a preview of what to expect:
the most memorable concert i’ve ever been to was when DOOM sent out an imposter who lasted maybe 45 seconds before the crowd caught on and started throwing bottles. RIP to one of the last genuine legends.
the biggest honor of my career has been editing
@ottergawd
and
@ehleight
— none of the work i did at RS would have been possible without them. they made me so much better at my job.
i found
@ottergawd
on twitter when i was editing at complex, and we've been working together ever since. watching him put in the work to develop into a fully-fledged feature writer has made me indescribably proud
When I first heard "Old Town Road" by Lil Nas X, I wasn't sure if it was a joke. Since then, it blew up so fast that radio programmers had to rip it from YouTube to play it on the air. Things got weirder from there. via
@ehleight
since joining up at gimlet in 2020 i’ve edited over 100 episodes of basically every kind of audio story you can think of. it was a dream job. if you want to listen, here they are:
huge thank you to
@christianhoard
and
@simonwilliam
, who brought me on, showed me the ropes, and gave me the space to try some new things. not many people give you chances like that in this industry.
some personal news: i'm now a (the?) tv critic for
@indoorvoices1
, please send suggestions of episodes for me to review (can be literally anything) to
@knguyen
.
@ehleight
is a true reporter's reporter, one of the best i've ever seen at finding and digging into the stories no one else can, with a moral compass to match
in 2009, a rapper on the cusp of stardom was sentenced to 75 years in prison for a robbery he says he wasn’t even there for. so we looked into it, and found a hell of a story. THE CONVICTION OF MAX B is out now