Imagining them together in a love story set in a hilly town..Nainital. Talking in Indian-American English. Sitting on one of those green benches, fingers interlaced. Looking at the jheel. Discussing groceries, calling the plumber, picking up their daughter after school…
sharing here the preposterous behaviour meted out to me by
@palashmehrotra
of
@thepunchmag
he reached out to me to publish one of my blog entries and then went on to publish it without informing me. see screenshots of his replies when i asked the reason for not informing me.
Late evening autorickshaw rides from one part of south Delhi to another are a mood, a zone, a tonic of their own.
It’s literally hard not to fall for the deep beauty of the city, just as the smog lifts and winter begins to set in.
@markarby
Dear Mark! Hope you're OK. Also hope that you know that you and your yellow bus photos are a rage in far away land New Delhi. I'm down with a cold but have been cackling at your replies. Thanks, with due credit, of course.
I love how Laapata Ladies continues to cause some of us to think that we know the “story of the Indian village” better than
@raodyness
when she hasn’t even attempted to make that claim through the movie. Here’s
@SumanaSiliguri
in today’s Express:
@Salandthebadpun
can't act at all, imo. very stagnant, straitjacketed choices. not willing to come undone in her filmic choices. not much difference between personal and professional.
Gulmohar trees from my neighbourhood bring me so much joy each time I see them. Sometimes even when am tired after work, I step out just to be able to walk around and see these beauties
i demand a public apology from him and
@ShireenQuadri
for such downright disturbing behaviour.
all this while silence from
@ShireenQuadri
who is the editor of
@thepunchmag
.
i should not be, but am appalled at the privilege and gall of this man.
trembling as i type this.
“It was impossible to rush plants, to tell a tree to ‘hurry up’. In envy, in admiration and with ambition, I began to call that pace ‘Tree time’.”
@SumanaSiliguri
, How I Became a Tree
Jerry Pinto now has a fortnightly column in HT Mumbai where he takes walks in different areas of the city and meditates about them on the page. This is his most recent piece
KATRINA KAIF - VIJAY SETHUPATHI: ‘MERRY CHRISTMAS’ TO NOW ARRIVE ON 12 JAN 2024... 12 Jan 2024 is the new release date of
#MerryChristmas
, which teams
#KatrinaKaif
and
#VijaySethupathi
for the first time…
#NewPosters
…
“We have made this film with a lot of love and passion,
Sally Rooney’s Normal People completes five years next month and this is a good reckoning about its rather simplistic and culturally tone deaf reading by people outside of Ireland.
Randomly reached that age where I carry paracetamol, meftal, ibuprofen, saridon, pudin hara and electral in my handbag. Especially when going to a party, because very often we don’t know which aunt, friend or stranger will need what and how terrific it’ll be to have it handy!
.
@sardesairajdeep
in maacher bazar in garia hat, commenting on the fishes and chingri, wearing a pink shirt, casually debating if MH cooks better fish curries than WB, chatting up with fish sellers and dadus. all this with splendid camera work. good old TV reporting.
To create more human-friendly public space we do not lack street space. We lack imagination!
The
#FlyingCarMovement
reached Skalitzer Strasse, Berlin. Support
@jan_kamensky
:
A viral tweet last week went on about how Laapata Ladies’ feminism is city-washed and uninteresting when irl it’s the academics who are quick to judge anything that’s “niche” and also palatable to a large audience. They feel their territory is being impinged.
Friends who gift you books are perhaps the best kind of friends. But the friends who gift you books that you’ve been dreaming to read for years, the books you wanted to hold in your hands, read with a pencil are the best possible human beings
#nowreading
(with two other titles)
Part of my mother’s side of the family is from a village in UP (my mum was born and brought up there) and watching Laapata Ladies gave her, my aunt and us cousins a (kinda much needed) reprieve, supplying us with joy and even hope. Just like the movie intends to ☘️
A journal is an effigy of the self, or else is the self, the self that exists because we create it. I am no longer sure, for the record, what people mean when they say that the self is illusory. Isn’t it here?
@egabbert
in top form on memory and the self
Today's must rewatch: Sai Paranjpe's
#Saaz
(1997). Supposedly based on the life of sisters
#LataMangeshkar
&
#AshaBhosle
, it fictionalises how the older interfered with Asha's career (+ life). Aruna Irani plays Lata, Shabana Azmi Asha & Zakir Hussain RD Burman.
saw
@alexanderchee
in my dream, telling my mom that I’m on my way to become a fine writer. only (????) weird part about the dream was that we were in the otherwise ignored lawn of my school of 14 years!
It's been 45° everyday for days now and I'm tired, fuming. I'm smoking hot. I'm burnt from these desert winds that leave us aloof. I'm charred from living like a sardine inside a tin can. I'm endlessly supine in the memory of the winter that was. I'm cooped up, resigned, ebonied
Mint, Delhi is looking for copy editors for the newspaper and web. Experience, anywhere between 1-5/6 years. Please drop a line at pranav.s
@htlive
.com
#jobs
please Retweet
🍾🍿 Sat down virtually with THE Sal aka
@Salandthebadpun
and got bare bones about movies, earlier inspirations in Rekha, Mads, Bebo & finding a filmic community online
📣I truly loved this conversation and really wish this wouldn't have had to end
🔗 where they go
“The current political dispensation is perhaps aware of the influence and reach of the literature written in Indian languages, because cultural and political phrases and imagery are best reflected in Indian languages.“
I guess I'll try put together a 🧵 of books I'm reading. Just wrapped up Camus' The Fall. Utterly bedazzled and dazed through this monologuish piece... I've to admit, I might've to read it again in a couple of months.
for
@popula
i write about living through Delhi's lockdowns, reading Jane Jacobs in the pandemic and the renewed relevance of her theory of 'eyes on streets'
in my essay for
@ElectricLit
i write about learning, reading, writing in English as the language that would help me break out, only to forget Hindi far behind in the process. read on
In the November 2021 issue of
@TheBrooklynRail
I have an essay about Emma Seligman's Shiva Baby and how it's awkwardness, anxieties and horrors are essentially about a woman trying to come to terms with her body as a sexual being. Read here:
@TheLuisPanini
I so identify with this sentiment, Luis. In fact wrote about this at length a couple of years ago. Hope you enjoy the movies and also reading my essay ✨🥳
🔗
DP is able to emote, express and play around more openly than Aish because obviously of their personal circumstances... Hence making hrithik-deepika>>>hrithik-aish. Goated
#ishjaisakuch
After watching every new Hindi movie in the last few months I’ve gone online looking for that good, comprehensive review only to realise that people made entire careers writing mocking, hilarious ones, killing the genuinely inquisitive, searching nuanced kind of film criticism.
Past Lives will stay with me for a long time. But more importantly, how are almost all A24 movies so gorgeously framed? What is with that kind of attention to detail? I kept taking mental screenshots through the hours at PVR today.
“In the Mood for Love” ’s Era-Defining Aesthetic
Everything about this Encounters piece by
@chaykak
is gorgeous. Like a novel on In The Mood For Love waiting to be written!
can someone create a video of Ali Sethi’s dil ki khair with a montage of Salman Toor’s exhausted musical gathering paintings ✨all I need to get through all festive seasons
I had too much fun working on this review and was really glad when
@soonamahal
at
@fullstopmag
decided to give it a home. Read my Janet Malcolm-esque review of
@OlgaRavn
's The Employees in ten different attempts here: