Mitesh @PMitesh Twitter profile

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Mitesh

@PMitesh

1 year

Will be counting down the days till I get to shoot with this set of Clavius lenses again.

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Mitesh

@PMitesh

9 months

To all the people comparing the domestic abuse in Animal to Scorsese films. There’s a clear difference in how Scorsese presents these kind of scenes vs how SRV presents these scenes. Trigger warning. Screengrabs of Domestic Violence from Raging Bull. (1/12)

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Mitesh

@PMitesh

6 months

Not so fun fact: When I had my knee surgery few years ago, there was a woman in the room next to mine in the post op recovery who had developed a UTI because she never used the washroom for a couple of days when she had gone to Kedarnath on a pilgrimage. She passed away.

Gulte

@GulteOfficial

6 months

#ChandiniChowdary was the only girl on set in the Himalayas. She used to refrain from drinking water as she wouldn't be able to use the washroom from 7 AM in the morning until 8 PM in the evening. Hats off to her courage and stubbornness. - #Vishwaksen at #Gaami Pre Release.

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Mitesh

@PMitesh

10 months

Watching Bhagavanth Kesari and spotted this uncanny resemblance between these Tarkovksy and Anil Ravipudi shots. Both are using similar techniques in composition to communicate two extremely different ideas through that framing choice.

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Mitesh

@PMitesh

9 months

Watched Jigarthanda XX with mom and dad last night. A thread/open letter to @karthiksubbaraj

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Mitesh

@PMitesh

5 months

Slightly long, pretentious stylistic breakdown and technical thread, brace yourselves. When it comes to PC sir’s early work vs recent work, I have a theory. His work through the years, for me, can be bifurcated into two styles, expressionistic and naturalistic.

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Mitesh

@PMitesh

6 months

The story of Gaami and its making is being sold to the audience as a story of perseverance through the power of marketing and orchestral music. But to me it is a cautionary tale of half baked ideas and half baked execution.

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Mitesh

@PMitesh

9 months

This is gonna be a bit of a long rebuttal so please bear with me and read through the whole thread. Firstly he never says anything about skilled or unskilled. Most of the films/shows in India lack proper budgeting and time for pre production. (1/5)

Chitra Alochana

@CAlochana

9 months

Sandeep Vanga makes a great point about the lack of skilled technicians in India.

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Mitesh

@PMitesh

4 months

The first one is always special but this is extra special!!!

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Mitesh

@PMitesh

6 months

All you boys tweeting at @ssrajamouli @urstrulyMahesh to shoot their film on Imax need to calm the fuck down. I remember watching Skyfall on imax many years ago which was shot on a 2.8K Alexa mini. It’s not about the fucking cameras, it’s about how you use them.

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Mitesh

@PMitesh

9 months

What a time to be discussing films in India Producers asking critics not to post reviews Critics asking audience to not watch films with a critical mind of their own Producers laughing their way to the bank Critics taunting audience because producers are making bank

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Mitesh

@PMitesh

1 year

Personal Story Time : #SwaasaMeedhaDhyaasa and #Anxiety 5 years ago I lost my best friends with whom I started my filmmaking journey in a car crash. Few days later it finally sunk in that I had lost the people who were my emotional rocks, I had my first full blown anxiety attack

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Mitesh

@PMitesh

9 months

Ok let’s do this one last time I finally have all the answers I need for myself as to why Animal is a movie that just doesn’t work on any level of filmmaking After this thread I’m done discussing the film forever and you’ll probably see why I have arrived at my conclusion(1/11)

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Mitesh

@PMitesh

6 months

Sometimes my mind is still stuck here. A film that I shot in Sinakeithei, Manipur. A film that will probably never see the light of day.

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Mitesh

@PMitesh

9 months

Watched Keeda Cola finally last night. Full on laugh riot. Another film that people don’t seem to get at the time of release because they had boxed their expectations of what a @TharunBhasckerD film should be instead of watching the film for what it is.

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Mitesh

@PMitesh

2 months

Karna has always been and will always be the greatest archetype for writing a mainstream Indian film hero’s journey. It has been the template since Sr NTR’s films, Amitabh’s angry young man films, Mani Ratnam’s Thalapathy/Naayagan and will continue to be “The Template”.

Hari 🐉🪓

@Heyhari_

2 months

my only positive from kalki is that finally a story that shows karna the real 👑 he is

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Mitesh

@PMitesh

9 months

I want to see the films of these telugu peeps with “Director” in their handle name. Em direct chesinaru ra babu? Koddhiga maaku chupisthe memu kuda judge chestham about how good you are at your job?

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Mitesh

@PMitesh

9 months

We have fantastic technicians in our country. Actually in my opinion I would go as far as saying that it’s actually because of these fantastic technicians, half the mediocre films produced in our country are elevated because of their work. (4/5)

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Mitesh

@PMitesh

9 months

I will sign off by saying what I’d like to say to my favourite filmmakers “You beautiful bastard, I love you and your cinema.”

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Mitesh

@PMitesh

9 months

Films like Gladiator/300 were shot in 60 days because literally every frame of those film is storyboarded and the VFX is first pre vized before they start working on the production. (2/5)

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Mitesh

@PMitesh

8 months

Me when someone calls me Vijay Sethupathi in Mumbai vs him when someone calls him Jackie Chan.

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Mitesh

@PMitesh

6 months

Really have to give it to Chandini for her dedication to the project but this isn’t something to flaunt about on public platform. It’s a dangerously unhealthy thing to do.

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Mitesh

@PMitesh

9 months

I know you want to fanboy over everything your favourite directors say but please don’t pass off statements like this against our fantastic technicians who put in their sweat, blood and tears for the work they do. (5/5)

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Mitesh

@PMitesh

9 months

This where Animal as film is almost dead on arrival. Because Animal isn’t a character study. It’s merely masquerading as one. Animal is a mass masala film that doesn’t have space for interpretation in its design language. (6/11)

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Mitesh

@PMitesh

9 months

This is why the film starts to feel like this is either the Director’s point of view or what he wants his audience to take away from those scenes. This is why the film and the filmmaker end up feeling like they are morally bankrupt to the audience. (12/12)

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Mitesh

@PMitesh

9 months

“A good 45 days for post production” is the saddest thing I’ve read this year in film journalism. 🥲

idlebrain.com

@idlebraindotcom

9 months

Mathu Vadalara 2 on cards; to roll from Feb 1st week Sri Simha and Satya will be returning to the sequel, which, like the first part, will be a Hyderabad-set drama. The makers are planning to kick-start the production from February 1st week and complete it by the mid of April,

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Mitesh

@PMitesh

9 months

Indian production houses have caught on in past decade about how important preprod is but while some of the productions give you time, rarely is there enough money budgeted for pre prod. (3/5)

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Mitesh

@PMitesh

9 months

Analyse the film from multiple perspectives instead of reacting to the “mass moments” and cheering for them. Mass moments in Indian cinema are designed to appeal to that caveman inside us but we are better than cavemen. Right? Right? (11/11)

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Mitesh

@PMitesh

2 years

@Su4ita Don’t you think it’s a bit much to say that the film is peddling hindutva just because of one scene that too a scene where a character inspired by a real life freedom fighter who actually dressed like Ram. Seems bit of a stretch.

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Mitesh

@PMitesh

1 year

Hate it when directors work on 3,4 projects simultaneously and they tell you to handle some of the pre prod work before they come join the team. Then they come in a week before the shoot and take a huge shit on the work done so far and go in a completely new direction.

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Mitesh

@PMitesh

9 months

I hope I can go back someday and show some of them your film. Because your film is an audaciously entertaining testament to a belief I have long held. “Art & storytelling is the purest form of revolution”

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Mitesh

@PMitesh

8 months

Signing off this app for this year with the most beautiful shot of mine this year. A shot so pretty that it didn’t fit in with the rest of the film we were making. As Deakins Dada says Cinematography isn’t about crafting beautiful shots.

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Mitesh

@PMitesh

9 months

When your protagonist mouths lines about cave man mating logic as if it’s an idealistic, aspirational thing without any sense of irony on behalf of the film or filmmaker… YOU KILL THAT SPACE FOR INTERPRETATION (8/11)

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Mitesh

@PMitesh

1 year

My AC fucked up the framing and I fucked up the costume but close enough. I’ll live with this for now. 😂🤘🏽

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Mitesh

@PMitesh

8 months

While our Telugu cinema twitter youths/bhooths were fighting about Bob or Babu last night I went to see Double Engine last night🤘🏽 It was exactly what @rohitcjs & @campsasi promised A Telugu film unlike anything you’ve seen. A coming of age story treated like an acidic western

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Mitesh

@PMitesh

9 months

Now I’ll come to animal. I don’t have screengrabs from the film right now to present this argument with absoluteness. But in the film SRV constantly prefers to linger on the close up of Ranbir to give what the character is saying more emphasis and weight. (11/12)

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Mitesh

@PMitesh

1 year

Almost everyone who loves movies with a passion, deify some artist or the other in the industry through statements that are hyperbolic in our lives or on this app. This is just basic human nature guys, calm the feck down.

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Mitesh

@PMitesh

9 months

One of the first things we learn in film theory and analysis is how filmmakers use wide/mid neutral shots to present a scene with objectivity. Filmmakers use close ups to emphasis a point or take on the point of view of a character or the filmmaker themselves. (8/12)

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Mitesh

@PMitesh

9 months

As soon as you put a low angle close up of your protagonist with high octane score playing you kill that space for interpretation. (7/11)

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Mitesh

@PMitesh

8 months

Self Dabba Time. Manam shoot chesina ad. 😬

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Mitesh

@PMitesh

9 months

So my only thing to all the people claiming that Animal is apparently a deep film that us peasant brains don’t understand it, I implore you to look at the film through a dialectical lens. (10/11)

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Mitesh

@PMitesh

9 months

@karthiksubbaraj your film took a while to grow on us. For the first half while all three of us could see and were entertained by the influences/references your film wears on its shoulders, we were still like “but what’s is all of this leading to?”

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Mitesh

@PMitesh

9 months

This is the primary difference for me between a Provocateur like Kanu Behl and a mass masala edge lord like Sandeep Vanga. (9/11)

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Mitesh

@PMitesh

9 months

Earlier this year I had the opportunity of watching Kanu Behl’s Agra @MumbaiFilmFest . A film with a much more depraved protagonist than Animal. Probably one of the most vile and unlikeable protagonist ever put on screen. (2/11)

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Mitesh

@PMitesh

6 months

Watching something you have shot on a 20ft screen with DCP projection just hits different.

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Mitesh

@PMitesh

9 months

Udaan and Bhavesh Joshi have a special place in my heart for different reasons but I feel Lootera is still Peak Motwane in my opinion.

Pramit

@pramitheus

3 years

One of the best chase/action scenes in Indian cinema.

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Mitesh

@PMitesh

1 year

Thanks @TharunBhasckerD for speaking publicly about your experience with anxiety. Love ENE so much man, for me personally it feels like I’m reliving a memory with my friends again. Can’t thank you enough for that.

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Mitesh

@PMitesh

9 months

My dad grew up on a staple diet of what Tarantino would call the “Cinema of Cool”. Whenever someone asks my dad what his favourite film is he’d say “Dirty Harry” *ing Clint Eastwood without a single moments delay as if he was in a mexican stand off in Sergio Leone film.

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Mitesh

@PMitesh

1 year

Even the people closest to you will have trouble processing the information when you first come clean about the mental health issues you have been facing. It is at times truly a lonely battle you have to fight for yourself regardless of having a therapist or meds to help you.

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Mitesh

@PMitesh

1 month

Haven’t been very active on this app lately, time for some film hot takes. “Kill” was boring, a few gory kills here and there don’t maketh a good movie. “Joker 2” trailers look great but pretty images with Frank Sinatra music, don’t maketh a good movie.

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Mitesh

@PMitesh

1 year

Thanks @IIsankalpII for recording the space on Save the Cat and script structures. I couldn’t join in yesterday. But yep absolutely agree that you need to understand filmmaking & screenwriting rules before you break them.

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Mitesh

@PMitesh

9 months

Scorsese doesn’t appeal you to either side with Jake LaMotta or his wife through the way this scene is blocked and framed by the end. (6/12)

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Mitesh

@PMitesh

5 months

And in films like “I” PC sir straight up clips saturation and highlights to a level of jarring. To shoot those early PC style expressionistic frames on digital cameras just isn’t possible because digital doesn’t naturally have that film like roll off in highlights and saturation.

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Mitesh

@PMitesh

9 months

Scorsese is mostly known for his stylised filmmaking. But the influence of Italian Neorealism on his films is huge. Films from that movement are probably the best examples of how filmmakers use objective framing. Please watch, read and learn about these films. (9/12)

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Mitesh

@PMitesh

6 months

My Parsi baawa got married yesterday in the cutest wedding ceremony I’ve seen in Hyderabad. Why can’t all weddings be this cute and intimate?

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Mitesh

@PMitesh

10 months

I’m guessing people think I posted this as a joke People keep dividing Art and Commercial films as separate entities Regardless of what kind of films you like the language of film always begins with what’s in frame and how you choose to frame it within the context of your film

Mitesh

@PMitesh

10 months

Watching Bhagavanth Kesari and spotted this uncanny resemblance between these Tarkovksy and Anil Ravipudi shots. Both are using similar techniques in composition to communicate two extremely different ideas through that framing choice.

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Mitesh

@PMitesh

9 months

Whereas my mom grew up on a staple diet of Indian melodramas and having spent time in Kolkata in her formative years, the cinema of Satyajit Ray as well. I inherited my love for various kinds of films through them. The greatest inheritance that I could’ve asked for.

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Mitesh

@PMitesh

9 months

I shot a documentary few years ago in the tribal villages of Manipur with people who used to be part of separatist groups over there.

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Mitesh

@PMitesh

10 months

Although I love and enjoy stylised films, the films that usually move me the most are the ones where the idea of film making style is invisible and the camera being there with the characters in intimate spaces feels almost incidental. Tótem was just heartbreakingly beautiful.

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Mitesh

@PMitesh

5 months

30 years industry kaadhu kaani muddi kindha 30 years vachai. The decade of 20s in 4 photos.

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Mitesh

@PMitesh

9 months

Back when I used to teach I found that most film students often have this mental block (I used to have one as well 😅) that documentary films and narrative films are separate forms. We tend to look at documentaries as objective truths and narrative films as constructed truths.

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Mitesh

@PMitesh

9 months

In this first screenshot. You have the wife on the edge of frame with a lot of negative space leading to the door. It is crystal clear what to infer from this frame. “Scorsese wants to you feel very very scared about how cornered the wife is”. (3/12)

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Mitesh

@PMitesh

9 months

My dad must have turned to me and said “This is brilliant” because of your uniquely twisted plotting at least three times during that second half. My mom had an instant connect with the tribal people and their oneness with nature.

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Mitesh

@PMitesh

5 months

He’d bring an expressionistic style to a lot of the shots in Nayagan, Thiruda thiruda but when he shoots a Khushi he’d mostly keep it naturalistic. When I say expressionistic, I’m referring to his high contrast style with a lot of heavy reliance on backlight and use of color.

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Mitesh

@PMitesh

9 months

I’m condensing this aspect of filmmaking quite a bit. But please go read more on this to understand how lensing and camera angles are used to present objective/subjective points of view. (10/12)

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Mitesh

@PMitesh

9 months

People who took up arms because they were discriminated against and subjected to inhumane treatment by their fellow countrymen. But they left the separatist groups because they found that violence wasn’t their answer as it didn’t achieve any peace within themselves or their land

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Mitesh

@PMitesh

8 months

Sailesh Kolanu hasn’t earned my trust yet but we getting turtle neck Venks from Jayam Mandhe Ra and will buy a ticket for that alone.

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Mitesh

@PMitesh

5 months

You can get close to it if you have a great colorist in DI but I think PC sir genuinely wants to push these images beyond their capacity and see what he ends up with. I really want to interview the man about this as someone who’s so inspired by his early work.

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Mitesh

@PMitesh

9 months

Scene description from Raging Bull: Jake LaMotta has just found out that his wife has cheated on him and is having rage fit. His wife goes to the bathroom to hide from him. (2/12)

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Mitesh

@PMitesh

1 year

Anxiety made me lose even more friends as I was unable to pick myself up and go out with them when they’d call me to chill. And I didn’t have the courage to tell them that it’s these anxiety attacks that keep me from meeting them and that I’m not an asshole who’s avoiding them.

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Mitesh

@PMitesh

1 year

It felt as if some imaginary hands were choking me or someone had placed a huge rock on my chest and made it so that I couldn’t breathe. I never felt so crippled in my life. Little did I know this wasn’t just something that I’d have to deal with physically but also emotionally.

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Mitesh

@PMitesh

6 months

Really needed this trip to Mumbai. To screen our documentary on the big screen and interacting with the students & faculty at our film school. And most of all spending some downtime with my batchmates.

Mitesh

@PMitesh

6 months

Finally got tiny bit of approval from my film school mentor who’s always pushing me to do better 😭😭😭

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Mitesh

@PMitesh

6 months

Finally got tiny bit of approval from my film school mentor who’s always pushing me to do better 😭😭😭

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Mitesh

@PMitesh

5 months

If you have whip pans in your films why haven’t you contacted me yet?

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Mitesh

@PMitesh

1 year

There’s no in between people. You are either Kojima pilled or you ain’t.

Aaron Murray

@AjMurray21

1 year

It's so awesome how directors now either direct a movie for Disney or become buddies with Hideo Kojima for some reason.

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Mitesh

@PMitesh

1 year

also to any one else who bothered to go through this thread and deal with anxiety, check out the video linked. Not a cure all but definitely one of the things that helped me manage my anxiety. #SwaasaMeedhaDhyaasa #Anxiety

Guided Wim Hof Method Breathing

!! Don't do the breathing exercises in a swimming pool, before going underwater, beneath the shower, or piloting any vehicle. Always practice sitting or lyin...

www.youtube.com

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Mitesh

@PMitesh

3 months

Our film has been selected in the documentary competition section and will be screened at MIFF this month.

Abhimanyu Kanodia

@Manyukan

3 months

So excited to share that our documentary featurette 'MAIN THANSU DUR NAHI' has been officially selected for the competition section at the 18th Mumbai International Film Festival 2024 @miff_india organized by the National Films Development Corporation of India (NFDC) @nfdcindia

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Mitesh

@PMitesh

1 year

Shot this for Zero Forty Hyderabad a couple of years ago with my boi Sushi @SaiSushanthR , Directed by @surysrikanthh

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Mitesh

@PMitesh

4 years

#DengeyTejasviSurya is my favourite hashtag of the year. 😂

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Mitesh

@PMitesh

9 months

But when you get to the real meat of the story and the themes you wanted to explore with this film in the second half of the film We Were Hooked

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Mitesh

@PMitesh

5 months

Images from a digital sensor aren’t really pleasing on the eye in over exposed or extreme contrast/extreme saturation scenarios unless they are shot & graded in a certain way where you don’t clip your colors or your exposure but bring them right to the edge of data clipping.

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Mitesh

@PMitesh

6 months

The superhero genre is dying because no one is making inventive choices like this anymore More musical stand offs and interpretive dance offs than people shooting laser beams out of their hands With some slight peppering of Jon Hamm narrating philosophical & anthropology theory

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Mitesh

@PMitesh

10 months

The best way to experience this film is by not reading anything about or watching a single frame from the film. What a fucking roller coaster ride.

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Mitesh

@PMitesh

5 months

There are other monikers in his work for them to be described as expressionistic choices in cinematography but that will require a detour to art history and film history which is too much for a thread. 😅

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Mitesh

@PMitesh

9 months

Before I continue I might have to explain objective and subjective framing in cinema so that people understand the argument I’m trying to make. (7/12)

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Mitesh

@PMitesh

9 months

Jake then breaks down the door and gets closer to his wife. (4/12)

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Mitesh

@PMitesh

10 months

Dibakar Banerjee isn’t just one of the best directors in India right now, he’s one of the best directors ever. Period. Sad to see that he can’t get his films released or made because they might ruffle some feathers of the ones in power.

Parth MN

@parthpunter

10 months

Netflix didn't release a film by Dibakar Banerjee. It was about "generations of an Indian Muslim family experiencing bigotry". It was completed but Netflix "signaled to Banerjee that if BJP left power, the political climate may be more amenable for the film." A political

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Mitesh

@PMitesh

9 months

The camera then pans along with him to arrive on a two shot. Now we are in objective sense of framing where both the characters occupy equal space in the frame. Both of them are abusive, one uses emotional abuse and the other physical. (5/12)

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Mitesh

@PMitesh

9 months

It’s most likely a 20/20 or 40/40 muslin cloth rigged behind the actor which is then flooded with backlight using HMI lights. Used a similar technique for this shot on my short film albeit on a smaller scale.

Will McCrabb

@mccrabb_will

9 months

Tripping on how the hell this was lit.

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Mitesh

@PMitesh

6 months

@Veera_Bobbili True. Some pretty images here and there with rousing music don’t maketh a good film.

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Mitesh

@PMitesh

9 months

This guy might have gone to film school but he must have missed the first few weeks where they teach you to apply feminist and other anthropological theories to analyse films. You might understand the technicalities of filmmaking, doesn’t mean you get the techniques of film.

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Mitesh

@PMitesh

9 months

Kanu Behl’s film uses its unlikeable characters to explore themes of repressed sexuality, gender power dynamics in a society/family that’s heavily entrenched in patriarchy The film isn’t out yet so I’m linking this interview of Kanu from Cannes. (3/11)

Cannes 2023: Kanu Behl on Agra, and how India's real estate and...

Behl's new film, Agra, is partly funded in France, with a majority-Indian crew. He speaks with film critic and journalist Meenakshi Shedde on the sidelines o...

www.youtube.com

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Mitesh

@PMitesh

5 months

Once the switch to digital happened his collaborations with Balki which fall into the more naturalistic zone work really well because that’s what the digital sensors can handle.

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Mitesh

@PMitesh

1 year

My face after shooting in Rajasthan for a couple of weeks.

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Mitesh

@PMitesh

9 months

@IIsankalpII AI focus pulling would be great for continuous subject/object tracking and static shots But sometimes you do need the human element to react to the actors’ rhythm which isn’t always the same in diff takes.

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Mitesh

@PMitesh

9 months

In this fantastic interview with @ChalchitraT Kanu talks about filmmakers leaving space within the film and its filmmaking style for the audience to come into the film and form their own interpretations of a film. Watch from 4:15 mark (5/11)

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Mitesh

@PMitesh

1 year

Even now it’s easier for me to share this on twitter because very few people who know me in real life follow me here.

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Mitesh

@PMitesh

1 year

“Life ae cinema, evadi cinema lo vaade hero” annatu. Evadi heroes or gods vaadiki untaay. Mii pani meeru chuskondi, mi heroes ki mi directors ki meeru elavation lu icchukondi.

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Mitesh

@PMitesh

9 months

This just as ridiculous a logic as the one that Telugu film producers were using recently by asking reviewers not to post their reviews for the first couple of days after a film’s release.

Sajin Shrijith

@SajinShrijith

9 months

If you hate superhero movies, don't review them. If you get triggered by certain subjects, stay away from discussing them. If you find stand-up comedians offensive don't follow them. Consuming something you know you are going to hate and then complaining about it is ridiculous.

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Mitesh

@PMitesh

6 months

But bro could do Inner Engineering no? Why not Inner Surgery as well?

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