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Hollywood Script Reader Profile
Hollywood Script Reader

@HwoodScrptReadr

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I am the gatekeeper, the first hurdle, and the most important person in Hollywood as far as you're concerned. I can't say yes, but I can say no so LISTEN UP!

Los Angeles, CA
Joined December 2023
Don't wanna be here? Send us removal request.
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@HwoodScrptReadr
Hollywood Script Reader
4 months
Okay let's do this. I’m a professional script reader – aka “story analyst” – for one of the majors and I have a lot of opinions #AskMeAnything #Screenwriting
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@HwoodScrptReadr
Hollywood Script Reader
3 months
A story from the trenches. In September, 2001, when I was working for Focus Features, I was assigned to cover a script called ETERNAL SUNSHINE OF THE SPOTLESS MIND by Charlie Kaufman. (1/27)
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@HwoodScrptReadr
Hollywood Script Reader
18 days
Someone has to explain to me why L.A. does not offer the same tax incentives of Atlanta and New Orleans. Used to be a grip could have a nice house in the Valley and raise a family there. Now they're out of town six months out of the year. It's terrible for the economy too
@aadip
Aadip Desai (he/him)
19 days
This is sobering. As of June 2024, the # of people employed in the entertainment industry in LOS ANGELES hit its lowest point in 30+ YEARS, according to the U.S. Bureau of Labor Statistics. Californians make up LESS THAN 30% of the US entertainment industry, down 40% in 10 years.
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@HwoodScrptReadr
Hollywood Script Reader
17 days
All I know is a lot of my friends in L.A. both in production and post are not working or have barely worked for months. They say it's never been this bad. I do think things are starting to pick up on my end, but they haven't started shooting yet. What are you guys seeing?
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Here goes. If a person or a company is charging money to connect you with industry professionals, they are taking advantage of you, end of story, full stop. That includes many so-called coverage services, most if not all screenplay contests, and assorted startups... 1/3
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Now this is ABSOLUTELY WILD to me. Were people aware of this? Has anybody submitted their scripts to multiple contests under this banner?
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Writers are getting scammed left and right, and it's a travesty. It's gonna ruffle some feathers, but I don't give a f*ck. You guys deserve to know the truth. Stay tuned
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Changing the subject. Someone asked can a bad script turn into a good movie and I said I can think of one example. So gather round and let me tell you about how I passed on the script that won the Oscar for Best Original Screenplay in 2015. Can any of you movie buffs name it?
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Bit late to the party with this one. Without mentioning it by name, there's a very well-known annual list of the best unproduced screenplays that the industry at large votes on each year. Agents and managers in particular try to game the system, but it's legit... 1/5
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@HwoodScrptReadr
Hollywood Script Reader
1 month
So, the development process. One part of my job is to read new drafts of projects we're developing and track the changes. It's dull and tedious work but it teaches you a lot.
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@HwoodScrptReadr
Hollywood Script Reader
3 months
But he rolled with the punches and got it done. Here's the takeaway, I guess. Kaufman is a genius. And writing is rewriting. Always and forever more #screenwriting (27/27)
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@HwoodScrptReadr
Hollywood Script Reader
1 month
I never took an econ class but I do understand the basic law of supply and demand. There's an endless supply of mediocre screenplays – far more than anyone could read or would want to. Which is why they hire readers like me. And yet the demand remains as high as ever. 1/8
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Allow me to explain. In Hollywood-speak “I liked it but I didn’t love it” means I hated it. “I loved it” means I liked it but unfortunately we have something similar already in development #screenwriting
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@HwoodScrptReadr
Hollywood Script Reader
3 months
My job in a nutshell: picking what scripts the exec takes home to read by the pool on Sunday afternoon. If they don't like it's "Why are you wasting my time with this when I could be with friends & family?" If there's a big spec sale the next week it's "Why didn't we see this?"
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@HwoodScrptReadr
Hollywood Script Reader
12 days
So I read an absolutely fantastic script yesterday – arguably the best one of the year so far. Can't share any of the details yet, but if we don't end up doing it, it will surely end up somewhere...
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@HwoodScrptReadr
Hollywood Script Reader
3 months
BONUS: If you can get your hands on FRANK OR FRANCIS, you should. It's F*CKING INSANE and absolutely worth a read
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Sometimes I think the Hollywood spec script market is like the Gold Rush but it's like 1880 and there's no more gold in them thar hills and yet people keep showing up here every day ready to make their fortune while many others are lining up to sell them pickaxes and shovels
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@HwoodScrptReadr
Hollywood Script Reader
16 days
Sorry to see so many people out of work. Hollywood has been undergoing a realignment even before the WGA/SAG strikes plus fears of an IATSE walkout this summer. I do think things will pick up, but maybe not to where they were. Some of the streamers won't survive for much longer
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@HwoodScrptReadr
Hollywood Script Reader
27 days
Someone asked the other day essentially how many Spielbergs and Tarantinos are out there who just didn't get the chance to show what us they can do due to bad luck or other unfortunate circumstances. My answer is – contrary to many of your comments – very few...
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@HwoodScrptReadr
Hollywood Script Reader
15 days
How did we get here? As the story goes, RAIDERS OF THE LOST ARK was released in the summer of 1981 and stayed in theaters for over a year. It came out on home video in late 1983 – more than two years later.
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@HwoodScrptReadr
Hollywood Script Reader
1 month
You should probably quit. I'm serious. You're not good enough. You'll never be good enough. It's all luck anyway. You don't have connections. You don't live in L.A. Those people wouldn't know a good script if they saw one anyway. It's all been done before...
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Here is one point I will not concede. The system is not rigged. It's absolutely a meritocracy – one of the few there are. Is there luck involved? As with every other business under the sun, yes. Do connections help? Absolutely they do. Go out and make some...
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@HwoodScrptReadr
Hollywood Script Reader
21 days
At some point do we run out of IP? Or do we just keep turning ever more obscure boardgames and all but forgotten toys into movies? How many times can we recast the same old superheroes with younger actors before audiences get sick of it and demand something fresh and original?
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@HwoodScrptReadr
Hollywood Script Reader
3 months
But also because it was one of the very few times where the script got better and not worse, through the development process. And I've seen a LOT of them go south over the years. (24/27)
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Does this sound like your inner monologue?Congratulations, you're a screenwriter. You knew I was gonna say that, didn't you? Now get off the internet and get back to work. (And come back for more uninspirational thoughts tomorrow.) #screenwriting
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@HwoodScrptReadr
Hollywood Script Reader
2 months
It is clear to me now that there is an entire screenwriting industrial complex that does not like to be challenged or questioned in any way, but I, like a one-man Woodward & Bernstein, am about to the blow the lid off... 1/2
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Confession time. For a brief period over a decade ago I too was a reader for a widely known coverage service. I hated it – and not just for the abysmally low pay. One thing I love about my now much more reasonably paid job is that I can share my true and unvarnished opinion. 1/12
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@HwoodScrptReadr
Hollywood Script Reader
2 months
They are all middlemen, parasites, and leeches, and YOU DON'T NEED THEM #screenwriting 3/3
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Save the Cat is not a how-to manual and was never intended as such. It's a series of observations about recurring story beats found in common among many, many movies, and an analysis of how those beats function. It does not mean you need to have all those beats in the same order.
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Anyway, it was early on in my career, but I knew it was something special. Going back over my original coverage – I save EVERYTHING – I thought it was one of the most brilliant, beautiful, and downright bizarre scripts I had ever read. IYKYK. I absolutely loved it. (3/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Until the whole souffle collapses in on itself. So what's the moral of this story? It's a long, hard road to get a movie made. It takes perseverance and courage and also humility. Believe me, a lot of the notes Kaufman got were...not smart and not good. (26/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
All it means is some guy knows a guy at an agency/studio/prod co and says "Hey, if I find a really good script, would you wanna read it?" and the guy says "Sure." But it almost never happens, and none of those people take it seriously anyway because that's not how it works... 2/2
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@HwoodScrptReadr
Hollywood Script Reader
2 months
How the comedy sausage is made. Every movie has a certain number of credited writers but that doesn't tell the whole story when it comes to comedies. In between final draft and shooting script, a roundtable of hired guns is convened to punch up dialogue and write new jokes. 1/3
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@HwoodScrptReadr
Hollywood Script Reader
1 month
As requested: a tale of Development Hell. 2009. The manuscript arrived at my house via messenger in a bankers box – well over 1,000 double-spaced pages long. A post-apocalyptic sci-fi epic – the first in a planned trilogy...
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@HwoodScrptReadr
Hollywood Script Reader
3 months
You've had a good twenty years to see it by now, but if you haven't ***SPOILERS AHEAD*** Obviously I knew who Kaufman was at the time. In fact I had read his first screenplay HUMAN NATURE when he was more or less an unknown, but I digress. (2/27)
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Read one this week by an established writer – a sports dramedy about an over-the-hill athlete that would've been a perfect vehicle for Kevin Costner...in 1995. It was very well-written – solid structure, a charming protagonist, witty dialogue, but it didn't feel "timely." 1/10
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@HwoodScrptReadr
Hollywood Script Reader
18 days
Short release windows are also utterly baffling to me. Why bother seeing a movie in theaters if you can watch it at home in six weeks? I get why they do it – put it out there while it's still fresh in audiences' minds, but it's another example of the industry cannibalizing itself
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@HwoodScrptReadr
Hollywood Script Reader
3 months
More often than not what we see is the "too many cooks" problem where everyone has to put their grubby little paws on a project. To justify their parking space or whatever. Even when leaving well enough alone is the right way to go. (25/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
But it took AWHILE to get there – well over a year. not including the time it took to write the draft he had originally submitted. (22/27)
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@HwoodScrptReadr
Hollywood Script Reader
1 month
A 180° from yesterday's anecdote. The female-driven sci-fi thriller with an A-list actress I'm working on now. The writer-director took two out of three big notes by seamlessly weaving them into the story within several existing scenes...
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@HwoodScrptReadr
Hollywood Script Reader
2 months
I get it. A lot of y'all are mad at me because I said if you have talent, ability, and drive, you can succeed in Hollywood. Don't shoot the messenger. The fact that there's so much mediocrity could be proof or a rigged system...
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Now the reason this story sticks with me is because not only did it give me some insight into the process of one of the greatest minds in screenwriting history. (23/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Bittersweet with a note of uncertainty that feels more grounded and realistic, less forced and not as saccharine. In other words, the best of all possible endings. (21/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
It's tough times for comedies right now. People still want to laugh, but nothing has really broken through. Why do you think that is?
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@HwoodScrptReadr
Hollywood Script Reader
13 days
Am I the only one who thinks the Amazon Prime business model is super weird? Like "Pay a flat rate for free shipping and we'll throw in some mostly okay TV shows to sweeten the deal."
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Except for the ending. And I knew that if he didn't change it audiences would rise up in revolt and burn the theater to the ground. I actually read the 2nd draft first and the 1st draft a few days later, but for the sake of clarity, let's take this in order: (4/27)
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@HwoodScrptReadr
Hollywood Script Reader
1 month
So many ways a good script can turn into a bad movie. Sometimes it happens during development. Dumb studio notes forced on the writer. A director who insists on putting their own stamp on it. Wrong casting, etc. When everything comes together in just the right way it's a miracle
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@HwoodScrptReadr
Hollywood Script Reader
3 months
In fact, this is her sixteenth time. History is doomed to repeat itself forever until the day they die. This ending is in a way even more bleak and depressing so more notes and back to the drawing board once again. (13/27)
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@HwoodScrptReadr
Hollywood Script Reader
24 days
Real talk: I do not give a single fuck about scene headings, how they're formatted, or whether they're there at all as long as your script is clear and readable. I barely glance at them as it is. Yes, the shooting script will have to put back all the INTs and EXTs, but NBD
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@HwoodScrptReadr
Hollywood Script Reader
28 days
Story notes – from a studio, coverage service or even a friend – can be hard on the ego. Resist the urge to dismiss a note you don't agree with. Something is bothering them, but maybe they can't articulate it properly. It's called "finding the note behind the note" #screenwriting
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@HwoodScrptReadr
Hollywood Script Reader
19 days
While I'm in my "old man yelling at clouds" era, there should be a rule against trailers using any shots from more than halfway through the movie and if I had my way nothing past the first third
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@HwoodScrptReadr
Hollywood Script Reader
3 months
But maybe something about that didn't quite ring true because, after another round of notes, Kaufman came back with YET ANOTHER draft – the 4th for those keeping score – that is more or less the movie we know and love. (20/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
He essentially threw his draft out the window and started over, maybe not completely from scratch, but the same story with a different structure, different characters, different dialogue each time. Not once, but ultimately three more times. (18/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
I have no problem with paying for legit coverage or story notes – and before you ask, no I will not read your script unless we're friends or family. But I see what they charge and it's highway robbery. They also pay their readers shit. (Ask me how I know) Here's a better idea...
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@HwoodScrptReadr
Hollywood Script Reader
3 months
In the 1st draft, Joel and Clementine both undergo the procedure to have their memories erased. Joel goes to the bookstore where Clem works, but of course for them this is the first time they've met. Joel asks her out and they go to a dinner party at his friends' place. (5/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
This is to say that what Kaufman did is exceedingly rare. Never seen it done before or since. (17/27)
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@HwoodScrptReadr
Hollywood Script Reader
9 days
Another lesson learned from REBEL RIDGE is if you want to make your protagonist seem likable show them listening to Iron Maiden in the first scene
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Screenwriters, in my experience, tend to be a bit precious about their work and, like the rest of us, they don't want to do more than they have to. And so what we mostly see are small, incremental changes between drafts. Baby steps, not giant leaps. (16/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
In the music biz they call it "pay to play" where the bands pay the clubs, not the other way around, by having to buy X number of tickets up front and trying to resell them (or not). The bands almost always lose money on the whole deal, but there's another downside... 1/3
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@HwoodScrptReadr
Hollywood Script Reader
2 months
THIS THIS THIS
@JEStew3
Jonathon E. Stewart
2 months
There’s a bunch of screenwriting posts circling about how contests and paid coverage / listing sites don’t really help screenwriters. Okay… So what do you do instead? 1/16
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@HwoodScrptReadr
Hollywood Script Reader
8 days
What movies can you think of that started out as one thing and then turned into something completely different? PSYCHO did it, but there must be others
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@HwoodScrptReadr
Hollywood Script Reader
3 months
His friends recognize Clementine and sit them down to explain that the two of them had dated before. In fact, last time they were together for three years before they broke up and erased their memories of each other. (6/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
By the way, I do not take any credit for how this movie turned out. Nor should the studio. There is no doubt in my mind that Kaufman considered every possible ending and chose the one he thought was best at the time. (14/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
They lock eyes and she smiles at him, but for her he is a total stranger. Sad, right? Way too sad in my opinion. (8/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
I don't know. You tell me. My guess is "jack" and "shit," but I want to know what experiences y'all have had with this site – both good and bad – so other writers can know what they're in for. #screenwriting 5/5
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Part II of Development Hell, cont'd from yesterday. CUT TO: Two years later. Big Shot Director is no longer directing, and Medium Shot Director is brought on...
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@HwoodScrptReadr
Hollywood Script Reader
3 months
So the studio – which at this point was in active development on the project – gives Kaufman story notes and after some grumbling (I imagine), he comes back with another draft. This one is wildly different. (10/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
And this confusion is very much intentional or its proprietors or would call it something else less misleading. There are all sorts of ways they can take your money. You can "list" a project for free, but to "host" one – whatever that means – is $30 bucks a month... 3/5
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@HwoodScrptReadr
Hollywood Script Reader
3 months
They decide that for all the pain and sorrow they had to go through to get here, it was all worth it, and they make love. True love wins, right? Not quite. We then cut back to an elderly Clementine as she walks into the doctor's office to have the procedure done again. (12/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
After the emotional roller coaster we've been put through, audiences will want and expect an ending where Joel and Clementine for the most part live happily ever after. And the other people on the development team agree with me because of course they do. (9/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Hey there's nothing wrong with contests as long as you can afford the entry fee and know what you're getting. It's nice to get recognition for your work and if there's prize money so much the better. Just don't expect to sell a script or find an agent this way... 1/3
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Okay kiddies. Here's another one from the archive. Some of you might know this one but here goes. September, 2015. I'm assigned a red-hot spec from Blumhouse called GET OUT by Jordan Peele, which is slated to be his directorial debut. 1/6
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@HwoodScrptReadr
Hollywood Script Reader
3 months
The next day, Clementine storms into the doctor's office and demands he erase the last few days from her memory. Later, Joel is at a bar with his coworker when he sees Clementine across the room with another man. (7/27)
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@HwoodScrptReadr
Hollywood Script Reader
1 month
I am sure about one thing, however. Dan Gilroy should've won it for NIGHTCRAWLER.
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Every year I've read about half of them and, while my favorites don't always make the cut, I can confirm that they are for the most part pretty good scripts. But this list is not to be confused with another certain website of the same name... 2/5
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@HwoodScrptReadr
Hollywood Script Reader
1 month
A script isn't a lottery ticket even if the odds of selling one are almost as long. Where the more scripts you write, the more chances you have. It doesn't work that way. And it's true the best ones don't always get made, but they can make careers. 8/8
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@HwoodScrptReadr
Hollywood Script Reader
2 months
You know how Malcolm Gladwell says it takes 10,000 hours to become an expert in something? Well I did the math and can confirm I've read and covered well over 10,000 scripts in my career so I've seen a thing or two...
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@HwoodScrptReadr
Hollywood Script Reader
3 months
So on we go to draft #3 . Again, wildly different. We're back in the present day, and Kaufman is still telling the story from (a young) Clementine's point of view. At this point I should explain how unusual this is. (15/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Here's just one of the many PMs I have received with the usual caveats: anecdotal, can't be verified, etc. but it does reflect a general sentiment I've been seeing. Have you had a similar experience? Be curious to know.
Tweet media one
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@HwoodScrptReadr
Hollywood Script Reader
3 months
It opens in the year 2056 with Clementine as a very old, very unhappy old woman. The rest of the story is told in flashback. Here, Joel and Clem get back together in the end. (11/27)
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Anyway the 3rd draft is the conventional "boy loses girl, boy wins girl" happy ending with Joel and Clem back together again, looking forward to a bright future ahead. (19/27)
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Does anyone really like writing in longhand? I don't mean a whole screenplay but ideas for scenes and bits of dialogue. When I'm writing notes on a script I find I think better than when I'm typing. Of course I can't always read my own handwriting but that's a different problem
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@HwoodScrptReadr
Hollywood Script Reader
1 month
More on notes. Some time ago I read a new draft of a script we had in development – part of a deal with the production company of a very famous comic actor. It was awful. I always say the one thing you can't fix is concept. The premise barely made sense...
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@HwoodScrptReadr
Hollywood Script Reader
1 month
I don't know why anyone would lie about that when I could make up a much more impressive job (like "independent producer" which sounds much more important and a little edgy) but here it is:
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Just saw this in a script. Who can tell me what's wrong with this scene? JACK: Thanks for all your help with the party, Charlie. CHARLIE: Of course. I'm still his uncle after all. JACK: Have you seen Ruth? CHARLIE: No, but that's my sister for you. Always late. #screenwriting
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Actually, no, it's fine. If there's a tool out there, by all means use it. Do I think some of these companies are exploiting writers for their own personal gain? Yes, I do. Can they be useful? Maybe. Would these writers have succeeded anyway without them? Unknowable
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Which of these action lines is more effective? a) John steps into the room. He is anxious. b) As John meekly saunters into the room, a perfect, round bead of sweat swells on his brow and rolls slowly to the tip of his nose before falling to the thick green carpet with a splash.
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Then they want you to pay for at least one evaluation at $100 bucks a pop, which seems pretty reasonable, but how many do you need to get to stay active on the site? And what do you get for all that...? 4/5
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@HwoodScrptReadr
Hollywood Script Reader
1 month
What I meant to say is I personally don’t like it when writers make self-referential gags or call attention to the fact that we’re reading a script in a meta way. Mostly because I think it’s corny and it takes you out of the story but it can be also be done well I guess…
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@HwoodScrptReadr
Hollywood Script Reader
1 month
All of this is easy for me to say I know. But when I say you have a fair shot, what I mean is: you have no idea how bad the stuff I'm reading is. And those are the ones coming from big agencies and production companies. 6/8
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Congratulations to all the quarterfinalists in the Nicholl Fellowship – a badge of prestige that means absolutely everything to the writers who received it and absolutely nothing for the writers who did not. For those who didn't make the cut: unplug, take a day of self-care...
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@HwoodScrptReadr
Hollywood Script Reader
11 days
It's story time again! I call this one "My Brush with Greatness or How I Didn't Meet Steven Spielberg." There was a time my younger friends when screenplays were printed on paper which is made from trees.
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@HwoodScrptReadr
Hollywood Script Reader
1 month
You should focus solely on writing a great script. Not what you think is commercial or might sell, but the one where you know: this is the best I'm capable of. Good enough isn't good enough. 3/8
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@HwoodScrptReadr
Hollywood Script Reader
2 months
Like I have never once read a script where I was like, "Wow, this follows the Save the Cat beat sheet perfectly." What a snooze – PASS. The problem isn't using it or not. It's using it badly
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@HwoodScrptReadr
Hollywood Script Reader
20 days
Also: when did we all agree that opening weekend numbers are the measure of a movie's success? Whatever happened to word of mouth and staying power? I get it – the studios get a better split in week one – but there was a time when a popular movie would be playing all summer long
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@HwoodScrptReadr
Hollywood Script Reader
3 months
HOT TAKE: The plot of 90% of movies before the year 2000 would be ruined if they had cell phones. It's the reason we're seeing so many "period pieces" set in the '80s and '90s for no particular reason. Either that or you get the obligatory "no service" scene #screenwriting
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@HwoodScrptReadr
Hollywood Script Reader
3 months
Let's talk about IP. Studios are in the business of making money and mitigating risk. In the past A-list stars made for a great hedge but nowadays how many big names are there who can open a movie on their own? There's Tom Cruise and... That's about it. 1/6
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Now in my defense either Michael Keaton wasn't cast yet or it hadn't been announced. That makes a huge difference. The movie works so much better with a guy who actually played a superhero playing a character who's a version of himself.
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@HwoodScrptReadr
Hollywood Script Reader
2 months
It's the dumbest debate on #screenwriting and it's the hill I'll die on. Following the so-called "rules" of three-act story structure does not make your script boring. If it's boring that's your fault. It's just a template you can use if it's helpful. Or don't if it's not, period
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@HwoodScrptReadr
Hollywood Script Reader
1 month
Not sure if this is showing up for everyone who asked for it. Clearly I haven't mastered the platform yet so I'm posting it again. Same company, less than a month later. Sometimes I do get it right and I did this time
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@HwoodScrptReadr
Hollywood Script Reader
1 month
P.S.: If you ask me nicely I'll post the cover page for that one too
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