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FilmLand Empire

@FilmLandEmpire

2 months

I’ve updated the list of my favourite films of 2024 so far. Now waiting for FrightFest then the LFF…

Film list: Favourite films of 2024 (New releases/film festivals) - ranked

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FilmLand Empire

@FilmLandEmpire

2 years

Happy “Actually no, that’s not the truth. Ellen” anniversary to those who celebrate

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2 years

BROKER: I’d say Lee Ji-eun has instantly become a frontrunner for best actress, all the more remarkable considering the film is otherwise a bit disappointing #Cannes2022

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5 months

MEGALOPOLIS: one of the most baffling and creative films ever made, incoherent yet truly exhilarating. Like a Syfy channel philosophical fable mixed with ‘90s soap opera antics, Roman history and old Hollywood glamour. There’s never been anything like it, I adored it #Cannes2024

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5 years

Céline Sciamma and Adèle Haenel have walked out of the Césars ceremony after Roman Polanski won best director

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2 years

BROKER: Kore-eda-esque to the max with the director handling the contrast between the harshness of the subject and the tender tone well… but here he just doesn’t hit the emotional high notes of his best films. Still, Lee Ji-eun is outstanding! #Cannes2022

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3 years

Julia Ducournau: “I know my film isn’t perfect but perfection is a dead end” #Cannes2021

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FilmLand Empire

@FilmLandEmpire

5 months

Mikey Madison in ANORA is a serious contender for best actress! #Cannes2024

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1 year

KILLERS OF THE FLOWER MOON: a slow dance of power, betrayal and exploitation in a country consumed by envy and greed. Scorsese’s direction is masterful beyond words: the painterly shots, the tempo, the humanity, his emotional attachment to the story... Extraordinary #Cannes2023

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5 months

Robbie Collin has described MEGALOPOLIS as SUCCESSION crossed with BATMAN FOREVER and a lava lamp and that’s hilarious and also so true! #Cannes2024

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FilmLand Empire

@FilmLandEmpire

3 years

The reactions from her fans when Kristen Stewart was nominated for then won a César were so brilliant, I cannot imagine what it’s going to be like if she is nominated for or even win an Oscar! It’ll be glorious. Some loyal, great fans #Spencer

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@FilmLandEmpire

5 months

Let’s just say Sean Baker was pretty pleased with the rapturous reception ANORA got… #Cannes2024

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@FilmLandEmpire

5 months

EMILIA PEREZ is a wild ride! A mad, sincere crime musical/telenovela. Jacques Audiard took a massive risk with it and if you let yourself go, it pays off beautifully. Karla Sofia Gascón is the heart and soul of the film and I love Selena Gomez and Édgar Ramirez too #Cannes2024

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2 years

CRIMES OF THE FUTURE: fascinating, radical and uncompromising with Cronenberg referencing his work in interesting ways but finding some new inspiration with the unexpected lyricism of the flesh too. Fantastic decaying seaside location and gorgeous score. I adored it! #Cannes2022

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1 year

#BarbieMovie is so fantastic, everything I was hoping for and more! Absolutely hilarious, sweet, charming and madly inventive, with the same chaotic energy as the best mainstream ‘80s comedies while being one of the strangest, maddest, wildest studio films. I adored it!

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5 years

I was reading how JOKER fans now flock to those stairs the Bronx and it got me thinking, have you ever visited a location specifically because of a film you love during your travels, especially not a obvious touristic place?

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@FilmLandEmpire

5 months

I love that picture of Sean Baker I took at the ANORA gala screening, he was so pleased after its rapturous reception. When accepting the award tonight he said winning the palme d’or had been his goal for 30 years… #Cannes2024

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2 years

Some people are asking, when I say the film is otherwise disappointing, we have high expectations with the director who’s made some true masterpieces and here he doesn’t quite pull it but her performance still makes up for it

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5 months

THE SUBSTANCE is *a lot*! Imagine Frank Henenlotter making a female THE PICTURE OF DORIAN GRAY with a SUNSET BOULEVARD twist. Formally impressive, gloriously unhinged yet surprisingly moving and sincere. Demi Moore gives it all, she’s fantastic! I loved it #Cannes2024

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5 months

#NowWatching EMILIA PEREZ With Édgar Ramirez! #Cannes2024

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2 years

DECISION TO LEAVE feels like Park Chan-wook’s tribute to Claude Chabrol, more restrained than usual but with his own, glorious visual touch intact and with such a rich, mature script. I adored it! #Cannes2022

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1 year

ONLY THE RIVER FLOWS: a stunningly shot, restrained but riveting police procedural/psychological drama. Bleak, mysterious, terribly affecting and a particular treat for cinephiles for some elements best left unsaid. It should have been in competition #Cannes2023

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FilmLand Empire

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2 years

Happy “Netflix isn’t advertising a new TV series out today directed by Kore-eda, one of the best contemporary film directors and it will be buried by algorithms so no one will watch it because they’d rather push that Hatchet Hitchhiker true crime thingy instead” day everyone!

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1 year

PERFECT DAYS: a moving exploration of extreme loneliness and of a dreary everyday life, depicted through some purposely dry scenes, punctuated by the most fleeting moments of companionship. All the more affecting as it feels true to life. Koji Yakusho is wonderful #Cannes2023

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5 months

ANORA is the kind of films only Sean Baker can make, brash and loud yet sweet with a chaotic comedic energy and a tinge of sadness too. As a young woman trying to better herself, Mikey Madison gives a wonderful, spirited and poignant performance. Wonderful! #Cannes2024

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@FilmLandEmpire

8 months

I absolutely loved RED ROCKET, so refreshing to watch a film whose scriptwriter isn’t constantly trying to show the audience its modern moral credentials, challenging us with a terribly flawed protagonist. It’s often very funny and so engaging with some beautiful compositions

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1 year

THE ZONE OF INTEREST: the banality of evil, the unbearable blindness to evil. Unashamedly arthouse, oppressive and unsettling with Jonathan Glazer’s direction at its most singular and masterful, an unforgettable viewing experience. Sandra Hüller is immense #Cannes2023

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6 months

CHALLENGERS is pure cinema, at its sweatiest, horniest and most seductive, with a propulsive direction that knows when to slow down, all in moods and vibes, and a banging soundtrack. Some great grownup fun and quite simply the most homoerotic film I’ve ever seen…

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FilmLand Empire

@FilmLandEmpire

2 years

The audience at the Royal Festival Hall for BONES AND ALL was fabulous, giving a rock star reception not just to Timothée Chalamet but also Taylor Russell and Luca Guadagnino (he was moved), enraptured during the film, gasping without overdoing it… A memorable screening! #LFF

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FilmLand Empire

@FilmLandEmpire

5 months

MOTEL DESTINO: languid, stylish af and sweaty Brazilian neo-noir set in a scuzzy sex motel drenched in neon lights. The narrative beats are somehow predictable but the compelling characters and a zest of queerness elevate it #Cannes2024

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7 months

Is there a word, possibly German, to describe that feeling when you finally have a bit of free time and you can’t decide on a film to watch or what to do with your free time because you want to do too many different things so you end up doing nothing?

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FilmLand Empire

@FilmLandEmpire

5 months

Cate Blanchett #Cannes2024

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FilmLand Empire

@FilmLandEmpire

2 years

Today’s lineup: BROKER by Kore-eda and CLOSE by Lukas Dhont #Cannes2022

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@FilmLandEmpire

5 years

THE LIGHTHOUSE is a bombastic psychological drama/dark comedy, indebted to THE TENANT, that feels like a bro-ey PERSONA. I was largely on board with it but it will be divisive! Willem Defoe and Robert Pattinson gleefully chewing the (stunning) scenery is joyful! #Cannes2019

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FilmLand Empire

@FilmLandEmpire

1 year

Molly Manning Walker who won the UCR prize with HOW TO HAVE SEX flew back and literally ran from a taxi to make it on time to pick up her award 🤣🤣🤣 She’s awesome #Cannes2023

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6 months

I’m currently outside Debussy waiting to get in MEGALOPOLIS. The queue is manageable so far, only 5 weeks and a day left to wait #Cannes2024

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3 years

AFTER YANG was warmly received! #Cannes2021

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2 years

Next up: HOLY SPIDER based on the true story of an Iranian serial killer, directed by Ali Abbasi who did the amazing and f*$ked up BORDER #Cannes2022

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2 years

CRIMES OF THE FUTURE: It might appear Cronenberg is repeating himself with the body horror and trademark imagery but this is the whole point, this is about ageing and looking back, finding new flesh, new organs, new ideas and that’s what makes it so fascinating #Cannes2022

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3 years

#Dune a bewitching, unashamedly solemn and sumptuous spectacle with one awe-inspiring shot after another. The scale of it all is insane and it feels like a real, very physical world, not actors in front of a blue-screen. It blew me away, I still can’t quite believe it!

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5 years

BACURAU: fabulous political genre parable that is at once gentle and unhinged, TIETA OF AGRESTE meets ASSAULT ON THE PRECINCT 13. I loved it so, so much, it will be divisive though. Sônia Braga and Udo Kier are the greatest #Cannes2019

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2 years

SHOWING UP: Kelly Reichardt here at her most seemingly mundane yet most richly evocative perfectly captures the daily life of an artist and her simmering frustrations. Quietly affecting with an outstanding Michelle Williams. Film of the fest/year! #Cannes2022

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2 years

Director Chie Hayakawa got a heartfelt standing ovation, we were told she was very nervous before the screening. PLAN 75 is her first film #Cannes2022

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1 year

OPPENHEIMER at the BFI IMAX this weekend… That’s insane! Sure maybe some Marvel films had some sold out screenings like that but considering the length and nature of the film! Also, you maniacs going to the 4am screenings, I salute you! I’m seeing it at 8am on Saturday

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5 months

SENTIMENTAL VALUE by Joachim Trier and starring Renate Reinsve has won Neon its sixth palme d’or in a row tonight, this is incredible! #Cannes2025

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5 years

Willem Dafoe makes his Green Goblin performance feel demure in comparison, but omg Robert Pattinson gamely goes all out trying to outdo him and is excellent, showing us yet another new facet of his talent we hadn’t seen yet! What an incredible actor #Cannes2019 #TheLighthouse

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5 months

GRAND TOUR: Miguel Gomes follows the ghosts of early 20th century colonial storytelling while travelling all across modern and ancient Asia as a woman chases an impossible romantic dream. A sumptuous and evocative arthouse travelogue #Cannes2024

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@FilmLandEmpire

7 years

Les Cahiers’s reader have voted for their top 10 of 2017

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3 years

Julia Ducournau “Thanks to the jury for acknowledging a more diverse and inclusive world. Thanks to the jury for letting the monsters in” #Cannes2021

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@FilmLandEmpire

8 years

Kristen Stewart just walked right past me! #Cannes2016

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2 years

CRIMES OF THE FUTURE is about organ growth as performance art and surgery as the new sexuality. In. VIDEODROME the new flesh is scary, here it’s unexpectedly sensual. Viggo Mortensen, Léa Seydoux and Kristen Stewart are just brilliant #Cannes2022

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5 years

THE DEAD DON’T DIE: a loving tribute to old school B-movies that perfectly blends in small town genre Americana with Jim Jarmusch’s usual indie, deadpan style. I adored it #Cannes2019

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2 years

TERRIFIER 2: Art the Clown is an iconic, sadistic horror monster like we haven’t had in years! The slow paced, nightmarish and grubby atmosphere with these faded shades of orange and blue is impressive. The gore is so extreme though, I couldn’t handle the infamous bedroom scene

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1 year

Scarlett Johansson #Cannes2023

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5 months

THE SHROUDS is fascinating, all the more mysterious because of its seemingly mundane yet dreamlike nature. Cerebral and impossibly sad with its quiet acceptance of grief and exploration of identities, I’m going to be thinking a lot about it. #Cannes2024

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2 years

Star ratings from Les Cahiers. Looking good for CRIMES OF THE FUTURE and great review, predictably #Cannes2022

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6 years

Kristen Stewart #Cannes2018

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6 years

Cate Blanchett said Kristen Stewart’s perspective in the jury was extraordinary #Cannes2018

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1 year

Robert De Niro is the best he’s been in a long time, Leonardo DiCaprio is fantastic and Lily Gladstone delivers such a rich, subtle and moving performance just like in CERTAIN WOMEN, she’s outstanding! #Cannes2023

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5 years

PARASITE: fabulously ferocious upstairs/downstairs satire that offers a searing commentary on social inequality while giving us so. much. Cinema! Some unexpected emotional beats too. A triumph that elicited the biggest reaction of any press screenings this year #Cannes2019

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1 year

Wei Shujun introducing ONLY THE RIVER FLOWS #Cannes2023

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5 months

Lydia Tár has joined the cast of KNIVES OUT 3

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3 years

There is something so mysterious and beautiful about Dakota Johnson and her smile, I could write a poem about her (disclaimer: I will not write said poem, simply because I couldn’t do her justice). Here on the set of PERSUASION

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5 months

Francis Ford Coppola is still in Cannes as he turned up at a rerun screening of MEGALOPOLIS this morning! Has he been called back for an award? #Cannes2024

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11 months

I don’t think I’ll ever forget this moment… Juliette Binoche and me!

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3 years

Yet again I found myself captivated by Dakota Johnson, this time in THE LOST DAUGHTER. Surely one of the finest working actresses and I like the way she cultivates a certain mystery both in her performances and irl

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5 years

@scottEweinberg The Secret of my Success. It’s so funny and sweet and Helen Slater and Margaret Whitton are brilliant in this too

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5 months

The list of serious contenders for the best actress award is stacked! Malou Khebizi for WILD DIAMOND Demi Moore for THE SUBSTANCE Mikey Madison for ANORA Zhao Tao for CAUGHT BY THE TIDES Karla Sofía Gascón for EMILIA PEREZ Cristina Alfaiate for GRAND TOUR #Cannes2024

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5 years

I adored BIRDS OF PREY, an enormously fun and genuinely strange blockbuster that feels like a 90s independent film. Like Doug Liman’s GO/Greg Araki’s NOWHERE/Mike Mendez’s THE CONVENT/a Peaches music video thrown in a dayglo blender. The entire cast is fabulous!

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@FilmLandEmpire

7 years

Me on Twitter vs me irl

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6 months

I gasped and was left with my mouth open at so many moments during CHALLENGERS! I’m going to watch it again about 5 times at the cinema. See it in the biggest, loudest screen you can find!

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10 years

Wow, Kristen Stewart is nominated for best supporting actress for SILS MARIA at the #Cesar2015 . Truly deserved!

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5 months

It would have been easy for Cannes to put THE SUBSTANCE in the midnight screenings section and us sickos were guaranteed to love it but the gamble to expose it to all sorts of audiences in competition has paid off massively and it’s wonderful #Cannes2024

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5 months

I know everyone loves standing ovations in here so here’s the one for ANORA #Cannes2024

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5 months

Shia LaBeouf delivers one of the most unhinged performances ever committed to screen and Aubrey Plaza is on fire, basically serving us her Janet Snakehole character. I can’t believe Megalopolis exists, it is strange in ways we had not anticipated. Cinema!

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5 months

At a time when experimental cinema has become calibrated for audiences worshiping at the altar of A24, it feels so refreshing. There’s a scene in which Coppola uses a technique which I believe has never been attempted before and one that drew surprise gasps from the audience.

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6 years

Ground breaking opinion so get ready for this but I think Cate Blanchett is the closest we have to the golden days of Hollywood glamour. She’s been among the best presidents Cannes has ever had, smart, glamorous, cinephile... We’re not worthy

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5 months

I’m at the jury press conference: Greta Gerwig, Lily Gladstone, Eva Green… #Cannes2024 Greta Gerwig said they were the luckiest people in the world watching all these films

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2 years

ARMAGEDDON TIME is everything you could have hoped for from a coming of age film by James Gray, the director at the top of his game with this subtle, extremely moving autobiographical story in which he brushes a searing portrayal of America at a key time of history. #Cannes2022

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3 years

ANNETTE: an exhilarating, maddening and highly idiosyncratic musical with a wild, fascinating performance by Adam Driver and a fantastic soundtrack, earnest yet brilliantly unconventional, just like the film! #Cannes2021

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5 months

I don’t think I’ll ever forget that screening of THE SUBSTANCE… #Cannes2024

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1 year

I adored POOR THINGS! Such an affecting journey of self-discovery and emancipation, with a wonderfully chaotic strangeness, a playful crudeness and a furiously inventive production design. Emma Stone’s best performance, moving and rich. I want to watch it again already #LFF

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8 years

@glyndaviesmp what's the "real" world according to you?

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1 year

STARVE ACRE: fabulous British folk horror in which Daniel Kokotajlo cultivates an understated yet terribly unsettling atmosphere like a humming of dread. The production design and soundscape are incredible, Morfydd Clark and Matt Smith are outstanding, loved it #LFF

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2 years

Human bodies are changing CRIMES OF THE FUTURE: the lyricism, melancholy of the new flesh. Its striking “derelict Athens” and glacial pace give it a real low key Caro/Enki Bilal sci-fi vibe that I love. A 2nd viewing confirms it, film of the fest/of the year so far #Cannes2022

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8 years

The Polish poster for WORKING GIRL is amazing!

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2 years

BONES AND ALL: I’ve never seen anything like it! A tender coming of age/romance, an elegiac road movie in the heart of America that never feels like social tourism… and then some fantastically creepy and gruesome scenes too. Looks amazing, fabulous performances too #LFF

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5 years

The audience went nuts for PORTRAIT OF A LADY ON FIRE! #Cannes2019

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1 year

LA CHIMERA: Italy’s abrupt, poetic juxtaposition of the past and present. Alice Rohrwacher’s theatrical social realism at its most creative, evocative and free with her motley crew of Commedia dell’ arte art thieves. Immense! #Cannes2023

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2 years

Next up: CRIMES OF THE FUTURE #Cannes2022 #Krisbian

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2 years

That first episode of LOCKWOOD & CO is fab! I love the premise, it’s quite a lot darker than I expected with a real sense of danger but without being dour and there’s some great yet effortless world building. The soundtrack rules so hard too

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1 year

THE KILLER suffers from the usual Netflix conundrum. Without the studio’s money it might not have been made but it looks and sounds absolutely fantastic in a big loud cinema screen. Yet Netflix is denying this experience to the vast majority of audiences

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7 months

The free streaming service from the Paris Cinémathèque, Henri, is still going strong! A fantastic selection of rare films (like this current Otar Iosseliani retrospective). It’s free, with English subs and not geo-locked

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5 months

I can’t stop thinking about THE SHROUDS. It may well be Cronenberg’s most personal film, exploring digital paranoia, grief in a way only him could and bodies, physical decay and disembodiment across identities, with him using a detached tone and glacial pace. #Cannes2024

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5 months

Jia Zhang-ke astonishes with CAUGHT BY THE TIDES, a stunning, melancholic and evocative film essay in which he looks back at the last two decades in China as well as at his own work. If the jury is bold enough it will give Zhao Tao a much deserved best actress award #Cannes2024

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5 months

KINDS OF KINDNESS: Yorgos Lanthimos’s TWILIGHT ZONE. An anthology of weird, unnerving stories infused with the dark, surreal and confrontational humour of his first films. Uneven and slight perhaps but at its best it’s a lot of fun. Emma Stone is fearless #Cannes2024