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@tragickalbooks

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Art is revenge masquerading as healing โฌฆ Stรธries, pรธems โฌฆ ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰

Joined January 2018
Don't wanna be here? Send us removal request.
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@tragickalbooks
๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰, a horror anthology with 20 authors, is out. Thanks to David Kuhnlein, Eunika Sot, Julita Nowosad, all the authors, and anyone who reads it.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Porpentine Charity Heartscapeโ€™s trippy polygonal fiction โ€œRELATIVE TIME KNIFEโ€ ๐•ช๐• ๐•ฆ ๐•™๐•’๐•ง๐•– ๐•ฅ๐•  ๐•ก๐•ฆ๐•Ÿ๐•”๐•™ ๐•ฅ๐•–๐•Ÿ ๐•˜๐•ฆ๐•ช๐•ค ๐•›๐•ฆ๐•ค๐•ฅ ๐•ฅ๐•  ๐•–๐•’๐•ฅ ๐•ฅ๐•™๐•– ๐•—๐• ๐• ๐•• ๐•ฅ๐•™๐•’๐•ฅ ๐•—๐•’๐•๐•๐•ค ๐•—๐•ฃ๐• ๐•ž ๐•ฅ๐•™๐•– ๐•ค๐•œ๐•ช @slimedaughter
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Read Elytron Frassโ€™s revelation โ€œICHNEUTAE REDUX,โ€ about a troupe of satyrs who breed and mimic their way across ancient Greece and beyond, looking for the source of the cacophony ๐Ÿ•ณ๏ธ @Elytron_Frass
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
10 months
Announcing ๐•ƒ๐•€โ„ค๐”ธโ„๐”ป ๐”นโ„๐”ธ๐•€โ„•: a book of 20 horror storiesย  A return to reptile ย ย  Edited by David Kuhnlein and tragickalย  Q1 2024
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
10 months
Announcing ๐•ƒ๐•€โ„ค๐”ธโ„๐”ป ๐”นโ„๐”ธ๐•€โ„•: a book of 20 horror storiesย  A return to reptile ย ย  Edited by David Kuhnlein and tragickalย  Q1 2024
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
from the forthcoming novella DEARยง by Elytron Frass and [x] ๐–œ๐–Š ๐–•๐–š๐–“๐–ˆ๐–™๐–š๐–—๐–Š ๐–”๐–“๐–Š ๐–†๐–“๐–”๐–™๐–๐–Š๐–— ๐–‹๐–”๐–— ๐–™๐–๐–Š ๐–š๐–’๐–‡๐–—๐–†๐–‘ ๐–‘๐–Ž๐–Œ๐–๐–™ ๐Ÿ•ณ๏ธ @Elytron_Frass @xxvi_xxxviii
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Anna Krivolapovaโ€™s โ€œFITZCARRALDO, SEPTYCH SHOCK, AND THE CENTRAL ARTERY FROM BOSTON TO GERASENESโ€ ๐•€ ๐•ค๐•ฅ๐• ๐•๐•– ๐•”๐• ๐•ก๐•ก๐•–๐•ฃ ๐•—๐•ฃ๐• ๐•ž ๐•ฅ๐•™๐•– ๐•›๐•ฆ๐•Ÿ๐•˜๐•๐•– ๐•‹๐•  ๐•จ๐•š๐•ฃ๐•–๐•ฅ๐•’๐•ก ๐•ช๐• ๐•ฆ๐•ฃ ๐•™๐•–๐•’๐••. @AnaKrivolapova
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Dale Brett reveals ARISU, an ecstatic vision of future love in Mujeongsam ๐™ฉ๐™๐™š ๐™ก๐™ž๐™ฃ๐™  ๐™—๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐™›๐™š๐™ข๐™–๐™ก๐™š ๐™›๐™ค๐™ง๐™ข ๐™–๐™ฃ๐™™ ๐™ฉ๐™š๐™˜๐™๐™ฃ๐™ค-๐™จ๐™š๐™ญ๐™ช๐™–๐™ก ๐™™๐™š๐™จ๐™ž๐™ง๐™š ๐™—๐™š๐™˜๐™ค๐™ข๐™š๐™จ ๐™š๐™ญ๐™ฅ๐™ก๐™ž๐™˜๐™ž๐™ฉ๐™ก๐™ฎ ๐™—๐™ก๐™ช๐™ง๐™ง๐™š๐™™ @_blackzodiac
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Next we have Anna Krivolapovaโ€™s โ€œThe Domovoi,โ€ an astonishing revenge story combining Slavic cryptids, NHL trophy wives, cats, disability, trichophobia, Polish grandmas, Pennsylvania, garbage dump meetings, online shopping addiction, penance, Dirt Devil cords, and stalking
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Many book reviews of bad Franzenesque sagas described these books as capturing "how we live" or "how we talk" But Amygdalatropolis DOES achieve this for bbs/internet culture - in capturing the sublime tan you get at 4am from the LED flicker as you stare into your Computer's face
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Matt Lee's โ„‚โ„๐•€๐•Š๐•€๐•Š ๐”ธโ„‚๐•‹๐•†โ„ turns 1 this Halloween. We've set the print price to the minimum & the PDF price to 0 for a while. @Gallows_Ticket
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 months
tonight
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Book 3: ๐“Ÿ๐“พ๐“ป๐“ฐ๐“ช๐“ฝ๐“ธ๐“ป๐”‚ by Ian Townsend ( @nightpainincorp ) "๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ ๐˜ค๐˜ถ๐˜ณ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ, ๐˜บ๐˜ฐ๐˜ถ ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ข ๐˜ฏ๐˜ฆ๐˜ธ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ถ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ."
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
You donโ€™t need to be alone with your thoughts on plasticbaggerโ€™s โ€œCROWDED PLATFORMโ€ ๐™ฌ๐™๐™–๐™ฉ ๐™ž๐™› ๐™ฎ๐™ค๐™ช ๐™™๐™ž๐™™๐™ฃโ€™๐™ฉ ๐™จ๐™˜๐™–๐™ง๐™š ๐™ฉ๐™๐™š๐™ข ๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™š๐™ฎ ๐™จ๐™ฅ๐™–๐™ง๐™š๐™™ ๐™ฎ๐™ค๐™ช ๐™–๐™ฃ๐™™ ๐™ก๐™š๐™ฉ ๐™ฎ๐™ค๐™ช ๐™ž๐™ฃ๐™ฉ๐™ค ๐™ฉ๐™๐™š๐™ž๐™ง ๐™ฉ๐™ง๐™ž๐™—๐™š?
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
John Trefry gives us the last sighting of โ€œRECENTLY EXTINCT BIRDS,โ€ a domesday book of birds (๐Ÿ‘€ these Darkblooms and Vladivostoks) from his forthcoming โ€œMASSIVE,โ€ the text of geometry and exile
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 years
"CONTROL SUBJECT," from the forthcoming novella THE ARTIFACT (Inside the Castle, 2018), in which Germรกn Sierra with prose like an ECT scalp massager renders ataraxic a futurist neurohell casino
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 years
Writing tip: To have more fidelity to world-building, try conceptualizing all politics/current events as a TV show you donโ€™t watch. If someone mentions โ€œAOCโ€ or โ€œGOP,โ€ say, โ€œI donโ€™t have a TV.โ€ If they push it, say, โ€œI havenโ€™t seen those episodes, so this is lost on me.โ€
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
โ€œTHE WAITRESS,โ€ from D. Kuhnleinโ€™s ๐’Ÿ๐ผ๐ธ ๐’ž๐ฟ๐’ช๐’ฎ๐ธ๐‘… ๐’ฏ๐’ช ๐‘€๐ธ (Merigold, 2023) ๐•Š๐•™๐•– ๐•จ๐•š๐•ค๐•™๐•–๐•• ๐•—๐• ๐•ฃ ๐•”๐•–๐•๐•–๐•ค๐•ฅ๐•š๐•’๐• ๐•๐• ๐•ง๐•–, ๐•Ÿ๐• ๐•ฅ ๐•จ๐•š๐•Ÿ๐••๐• ๐•จ ๐••๐•ฃ๐•–๐•ค๐•ค๐•š๐•Ÿ๐•˜, ๐•“๐•ฆ๐•ฅ ๐•ฅ๐•™๐•– ๐•จ๐•™๐• ๐•๐•– ๐•ก๐•๐•’๐•Ÿ๐•–๐•ฅ ๐•จ๐•’๐•ค ๐••๐•š๐•ค๐•’๐•“๐•๐•–๐••. @princessbl00d
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
three poems by Hayden Church ๐ผ ๐“ˆ๐‘’๐‘’ ๐“Ž๐‘œ๐“Š ๐’ฝ๐’ถ๐“‹๐‘’ ๐’น๐“‡๐‘œ๐“…๐“…๐‘’๐’น ๐“‰๐’ฝ๐‘’ ๐“ˆ๐“‚๐’ถ๐“๐“ ๐“…๐’ถ๐’ธ๐“€๐‘’๐“‰ ๐‘œ๐’ป ๐“…๐‘’๐’ถ๐“ƒ๐“Š๐“‰๐“ˆ ๐‘œ๐“ƒ๐“‰๐‘œ ๐“‰๐’ฝ๐‘’ ๐’ป๐“๐‘œ๐‘œ๐“‡ ๐‘œ๐’ป ๐“‰๐’ฝ๐’พ๐“ˆ ๐’ถ๐’พ๐“‡๐“…๐“๐’ถ๐“ƒ๐‘’. @hayden__church
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Excerpt from Derek Fisherโ€™s upcoming novel NIGHT LIFE (Posthuman Magazine, 2023) ๐•‹๐•™๐•– ๐•“๐•ฆ๐•š๐•๐••๐•š๐•Ÿ๐•˜ ๐•“๐•ฃ๐•š๐•Ÿ๐•˜๐•ค ๐•’๐•“๐• ๐•ฆ๐•ฅ ๐•’ ๐•—๐•–๐•–๐•๐•š๐•Ÿ๐•˜ ๐• ๐•— ๐•ค๐•™๐•š๐•ง๐•–๐•ฃ-๐•š๐•Ÿ๐••๐•ฆ๐•”๐•š๐•Ÿ๐•˜ ๐•—๐•–๐•’๐•ฃ, ๐•ค๐•ฆ๐•“๐•๐•š๐•ž๐•– ๐•ฃ๐•’๐••๐•š๐•  ๐•ฅ๐•–๐•ฃ๐•ฃ๐• ๐•ฃ @d4fisher
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Schism founder Gary J. Shipley contributes the second piece in ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰โ€™s Endocrine section: โ€œHereditary 2,โ€ an imaginary sequel of blunted mania, fractured rhapsody, and spiraling losses
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
William Blake's death
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Nicholas Clementeโ€™s extrasensory graveyard invocation โ€œDEATH IS A GIANT MACHINE THAT SITS AT THE HEART OF THE UNIVERSEโ€ ๐•™๐•– ๐•”๐•’๐•Ÿ ๐•—๐•–๐•–๐• ๐•ฅ๐•™๐•– ๐•™๐•ฆ๐•ž ๐• ๐•— ๐•ฅ๐•™๐•– ๐••๐•–๐•’๐•• ๐•จ๐•š๐•ฅ๐•™๐•š๐•Ÿ ๐•™๐•š๐•ค ๐• ๐•จ๐•Ÿ ๐•“๐• ๐••๐•ช @NickDeForest_
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
just found out about outsider artists. damn that shit sucks ๐Ÿ˜ฐ
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 months
AMERI[K]Aโ€ฆ A SORT OF PSEUDO-REALITY by r.g. vaลกรญฤek ๐™ธ ๐š ๐š›๐š’๐š๐šŽ ๐šŠ ๐š—๐š˜๐šŸ๐šŽ๐š• ๐šž๐š—๐š๐šŽ๐š› ๐šŒ๐š˜๐š—๐šœ๐š๐šŠ๐š—๐š ๐šœ๐šž๐š›๐šŸ๐šŽ๐š’๐š•๐š•๐šŠ๐š—๐šŒ๐šŽ. @rg_vasicek
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Matt Leeโ€™s โ€œSLLLLLLMRRRRRREโ€ probes the blank space between barcodes, brandings, clay tokens, counting bones, and social security numbers: โ€œDoes order come naturally to the universe? Or must it be imposed?โ€ ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰ is out Saturday
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰โ€™s Reproductive section ends with Rebecca Gransdenโ€™s โ€œWhistling Past the Slaughter House,โ€ a stark and sulphurous story of factory killing, life after jail, anabolic steroids, and gym rats
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
The middle section of ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰ starts with the story that yielded the quote on the back cover: Tade Davisโ€™s โ€œSummertime Dust,โ€ a gothic, bittersweet lament of secluded love, blindness, rotten joys, and synesthesia
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Daniel Ross's "I SEXUALLY IDENTIFY AS A TRASHCAN" ๐™’๐™๐™š๐™ฃ ๐™จ๐™๐™šโ€™๐™จ ๐™›๐™ž๐™ฃ๐™ž๐™จ๐™๐™š๐™™ ๐™ฌ๐™ง๐™ž๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ž ๐™˜๐™ช๐™ง๐™ก ๐™ช๐™ฅ ๐™ฃ๐™š๐™ญ๐™ฉ ๐™ฉ๐™ค ๐™๐™š๐™ง ๐™จ๐™ค ๐™ž ๐™˜๐™–๐™ฃ ๐™ฅ๐™ง๐™š๐™ฉ๐™š๐™ฃ๐™™ ๐™จ๐™๐™šโ€™๐™จ ๐™จ๐™ค๐™ข๐™š๐™ค๐™ฃ๐™š ๐™š๐™ก๐™จ๐™š ๐™›๐™ค๐™ง ๐™– ๐™จ๐™š๐™˜๐™ค๐™ฃ๐™™.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Book 2
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
14 days
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 months
๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰ is available on Bookshop: And on Ingram (for booksellers)
@tragickalbooks
๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰, a horror anthology with 20 authors, is out. Thanks to David Kuhnlein, Eunika Sot, Julita Nowosad, all the authors, and anyone who reads it.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Blake Butlerโ€™s โ€œDOXXED SCENES FROM ,โ€ the finale of ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰, brings us to the Complex and a matrix of cameras, embryos, ticker tape, intrafractal time and prismatic visions overclocked with synaptic electricity that will reshape brains
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Schism boss Gary J. Shipley brings us SIMILE, BOUBA AND KIKI, and FOOTNOTES ๐™‡๐™ž๐™ ๐™š ๐™– ๐™—๐™ž๐™ง๐™™ ๐™ค๐™› ๐™ฅ๐™–๐™ง๐™–๐™™๐™ž๐™จ๐™š ๐™›๐™š๐™™ ๐™ค๐™ฃ ๐™™๐™ช๐™ฃ๐™œ ๐™—๐™š๐™š๐™ฉ๐™ก๐™š๐™จ, ๐™– ๐™จ๐™ฅ๐™ž๐™™๐™š๐™ง ๐™ง๐™ช๐™ž๐™ฃ๐™š๐™™ ๐™ค๐™ฃ ๐™ง๐™ž๐™˜๐™š ๐™ฌ๐™ž๐™ฃ๐™š, ๐™– ๐™ฌ๐™ค๐™ง๐™ข๐™๐™ค๐™ก๐™š ๐™ž๐™ฃ๐™จ๐™ž๐™™๐™š ๐™– ๐™ฌ๐™ค๐™ง๐™ข
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰ is out May 4. Opening its musculoskeletal section is David Kuhnleinโ€™s linguistically Much Ado About Nothing-inspired โ€œBorn Under Saturn,โ€ a story of rustic wrath and charming superstition
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 years
2/ Dennis Cooper has featured a tragickal day megapost about ๐“Ÿ๐“พ๐“ป๐“ฐ๐“ช๐“ฝ๐“ธ๐“ป๐”‚ by Ian Townsend ( @nightpainincorp ), ๐““๐“ž๐“ง by Alex Beaumais ( @alex_beaumais ), and โ„‚โ„๐•€๐•Š๐•€๐•Š ๐”ธโ„‚๐•‹๐•†โ„ by Matt Lee ( @Gallows_Ticket )โ€”including interviews + excerpts
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Thomasina Eris Thirstโ€™s bratty bewitching LA fairy tale "PETER" ๐™‹๐™š๐™ฉ๐™š ๐™ฅ๐™ค๐™ฅ๐™จ ๐™– ๐™๐™–๐™ก๐™› ๐™– ๐™“๐™–๐™ฃ๐™–๐™ญ ๐™–๐™ฃ๐™™ ๐™™๐™š๐™˜๐™ž๐™™๐™š๐™จ ๐™ฉ๐™ค ๐™œ๐™ค ๐™ฉ๐™ค ๐™‹๐™ž๐™ฃ๐™ ๐™—๐™š๐™ง๐™ง๐™ฎ ๐™›๐™ค๐™ง ๐™– ๐™›๐™ง๐™ค๐™ฏ๐™š๐™ฃ ๐™ฎ๐™ค๐™œ๐™๐™ช๐™ง๐™ฉ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
The first of five sections of ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰ ends with Matthew Kinlinโ€™s โ€œOubliette,โ€ a stark and terminal portrait of a dungeon containing a hierophant, a lunatic, and guardsโ€”all with the cursed beauty of an hourglass
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Daniel Beauregardโ€™s โ€œTHE COURTYARD & THE CASTLE KEEPโ€ after Julio Cortรกzarโ€™s Carta a una seรฑorita en Parรญs ๐™€๐™–๐™˜๐™ ๐™ง๐™–๐™—๐™—๐™ž๐™ฉ ๐™ฉ๐™๐™–๐™ฉ ๐™๐™ค๐™—๐™—๐™ก๐™š๐™จ ๐™ฉ๐™ค๐™ฌ๐™–๐™ง๐™™ ๐™ช๐™จ ๐™ž๐™จ ๐™˜๐™ค๐™ซ๐™š๐™ง๐™š๐™™ ๐™ž๐™ฃ ๐™– ๐™จ๐™š๐™ฅ๐™ฉ๐™ž๐™˜, ๐™—๐™ง๐™ž๐™œ๐™๐™ฉ-๐™œ๐™ง๐™š๐™š๐™ฃ ๐™œ๐™ค๐™ค.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
3 poems by Ryan Bry ๐Ÿ“บ๐Ÿณ๐ŸŒž ๐™๐™ฃ๐™™๐™š๐™ง๐™œ๐™ง๐™ค๐™ช๐™ฃ๐™™ ๐™ž๐™จ ๐™– ๐™ฅ๐™ช๐™ง๐™ฅ๐™ก๐™š ๐™ฅ๐™ก๐™–๐™˜๐™š ๐™ฌ๐™๐™š๐™ง๐™š ๐™ฉ๐™๐™š ๐™จ๐™ฉ๐™–๐™ฉ๐™ช๐™š๐™จ ๐™›๐™–๐™ก๐™ก. ๐™„ ๐™ค๐™ฃ๐™ก๐™ฎ ๐™˜๐™ค๐™ข๐™š ๐™๐™š๐™ง๐™š ๐™ฌ๐™๐™š๐™ฃ ๐™„ ๐™ฉ๐™๐™ž๐™ฃ๐™  ๐™ค๐™› ๐™ฉ๐™๐™š ๐™จ๐™–๐™ข๐™š ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค๐™ค ๐™ก๐™ค๐™ฃ๐™œ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
In Charlene Elsbyโ€™s โ€œThe Upstairs Neighbours,โ€ the narratorโ€™s pondering the appearance of mysterious objects near the border between upstairs and downstairs neighbors as due to negligence or psychological operations is answered by a violent break-and-enter.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Faceless in Nippon is a lucid dream travelogue of zipless romps with nacre vending machines and kanji instructions told in a dream machine voice ("the disruption of flow is not a detour") that pings through like a pachinko without feeling fleeting like a chocolate frog in the sun
@eris_rlt
eris//elizabeth
4 years
dale what do the things over my eyes mean. also y won't u let yourself be tagged in photos T_T
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Nicholas Clementeโ€™s โ€œBODY AND BLOOD,โ€ a story of Proustian colors and dislocated brothers, homing pigeon instincts and drops of dark blood Iแ–ด แ•ผE'แ”• แ‘ŽOT แ—ฉT แ”•แ‘•แ•ผOOแ’ช Tแ•ผEแ‘Ž แ—ฏแ•ผEแ–‡E Iแ”• แ•ผE
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
The gig economy spawns GigaDorm in John Caseyโ€™s Ballardian futurehell โ€œPURPOSE-BUILTโ€ ๐•Ž๐•–โ€™๐•ฃ๐•– ๐•Ÿ๐• ๐•ฅ ๐•ค๐• ๐•ž๐•– ๐•ž๐•–๐•’๐•Ÿ ๐•๐•’๐•Ÿ๐••๐•๐• ๐•ฃ๐••, ๐•จ๐•– ๐•’๐•ฃ๐•– ๐”ผ๐•Ÿ๐•๐•š๐•˜๐•™๐•ฅ๐•–๐•Ÿ!
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 months
David Kuhnleinโ€™s โ€œJACOBโ€™S STOLEN BLESSINGโ€ ๐•‹๐•™๐•š๐•ค ๐•จ๐• ๐•ฃ๐•๐•• ๐•จ๐•’๐•ค ๐•š๐•Ÿ ๐•ฅ๐•™๐•– ๐•™๐•’๐•“๐•š๐•ฅ ๐• ๐•— ๐•ฃ๐•ฆ๐•Ÿ๐•Ÿ๐•š๐•Ÿ๐•˜ ๐•š๐•ฅ๐•ค ๐•š๐•”๐•– ๐•”๐•ฃ๐•–๐•’๐•ž ๐•ค๐•”๐• ๐• ๐•ก ๐•ฆ๐•Ÿ๐••๐•–๐•ฃ ๐•™๐• ๐•ฅ ๐•จ๐•’๐•ฅ๐•–๐•ฃ ๐•“๐•–๐•—๐• ๐•ฃ๐•– ๐••๐•š๐•˜๐•˜๐•š๐•Ÿ๐•˜ ๐•’๐•ฃ๐• ๐•ฆ๐•Ÿ๐•• ๐•ช๐• ๐•ฆ๐•ฃ ๐•ค๐•œ๐•ฆ๐•๐• @princessbl00d
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
David Kuhnleinโ€™s โ€œTHE BEAR PIT,โ€ spiritual successor to last yearโ€™s โ€œTHE DISABLEDโ€ ๐™๐™๐™š ๐™—๐™š๐™–๐™ง ๐™˜๐™ค๐™ฃ๐™ฉ๐™ž๐™ฃ๐™ช๐™š๐™จ ๐™™๐™ฎ๐™ž๐™ฃ๐™œ ๐™ค๐™ฃ ๐™ฉ๐™๐™š ๐™ฅ๐™ค๐™ก๐™š, ๐™ง๐™š๐™–๐™ก๐™ก๐™ฎ ๐™˜๐™ค๐™ข๐™ข๐™ž๐™ฉ๐™ฉ๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™†๐™š๐™œ๐™š๐™ก๐™จ ๐™ค๐™› ๐™š๐™–๐™˜๐™ ๐™ฉ๐™๐™ง๐™ค๐™š. @princessbl00d
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Daniel Beauregardโ€™s psychedelic apocalypse "POOR SOIL" ๐˜ผ ๐™™๐™ง๐™ช๐™œ ๐™ฃ๐™–๐™ข๐™š๐™™ ๐˜ผ๐™ก๐™ž๐™˜๐™š, ๐™–๐™™๐™ข๐™ž๐™ฃ๐™ž๐™จ๐™ฉ๐™š๐™ง๐™š๐™™ ๐™ฌ๐™ž๐™ฉ๐™ ๐™–๐™ฃ ๐™š๐™ฎ๐™š๐™™๐™ง๐™ค๐™ฅ๐™ฅ๐™š๐™ง ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™ฉ๐™š๐™–๐™ง ๐™™๐™ช๐™˜๐™ฉ๐™จ, ๐™—๐™ง๐™ค๐™ช๐™œ๐™๐™ฉ ๐™จ๐™ค๐™ข๐™š ๐™จ๐™ข๐™–๐™ก๐™ก ๐™ง๐™š๐™ก๐™ž๐™š๐™›
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Click ANGEL.EXE, a dialectic of awakenings and captivity by UNITY ๐™„ ๐™–๐™ข ๐™–๐™ก๐™ก ๐™–๐™ก๐™ค๐™ฃ๐™š ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™ƒ๐™ค๐™จ๐™ฅ๐™ž๐™ฉ๐™–๐™ก ๐™ฌ๐™ž๐™ฉ๐™ ๐™ข๐™ฎ ๐™๐™ž๐™™๐™š๐™ค๐™ช๐™จ ๐™ข๐™–๐™ ๐™š๐™ง.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Germรกn Sierraโ€™s โ€œMore Than Oneโ€ is a sublime cyberpunk treatment of death, DNA, stars, wombs, and gods, of noumenal dreams of reverse eternity, of finding your motherโ€™s clone living as an undocumented refugee on the coast of Spain
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
11 months
extracts from THE ARCADIA PROJECT by Kenneth M. Cale and Matthew Kinlin ๐•ด ๐–†๐–’ ๐–ˆ๐–”๐–›๐–Š๐–—๐–Š๐–‰ ๐–Ž๐–“ ๐–†๐–ˆ๐–Ž๐–‰ ๐–—๐–†๐–Ž๐–“ // ๐–“๐–”๐–™๐–๐–Ž๐–“๐–Œ ๐–๐–š๐–—๐–™๐–˜ ๐–“๐–”๐–œ // ๐•ด ๐–ˆ๐–†๐–“ ๐–™๐–”๐–š๐–ˆ๐– ๐–™๐–๐–Š ๐–‹๐–Ž๐–—๐–Š. @garbagemagician @kmcale81
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
10 months
Ryan Kelleyโ€™s โ€œSCRAPE RUNNER,โ€ a PKD-esque story about a government bounty hunter sanitizing crypto-schizotypals ๐•‹๐•™๐•–๐•ช ๐•”๐•’๐•๐• ๐•™๐•š๐•ž ๐”น๐•ฆ๐•˜ ๐•„๐•’๐•Ÿ, ๐•ฅ๐•™๐• ๐•ฆ๐•˜๐•™ ๐•™๐•š๐•ค ๐•—๐•๐•’๐•ฅ ๐•š๐•ค ๐•ก๐• ๐•๐•š๐•ค๐•™๐•–๐•• ๐•ฅ๐•  ๐•ค๐•ฅ๐•–๐•ฃ๐•š๐•๐•š๐•ฅ๐•ช. @CHTHONICHELL
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Laugh then cry with โ€œPELOTON ETERNAL MODELโ€ and โ€œSERVER FARMERโ€ by Mark Wilson ๐˜ผ ๐™ฉ๐™ค๐™ข๐™–๐™ฉ๐™ค ๐™ค๐™ฃ๐™ก๐™ฎ ๐™๐™–๐™™ ๐™ง๐™ค๐™ค๐™ข ๐™›๐™ค๐™ง ๐™ค๐™ฃ๐™š ๐™ง๐™š๐™›๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ค๐™ฃ ๐™–๐™ฃ๐™™ ๐™—๐™ž๐™ง๐™™๐™จ ๐™ค๐™ฃ๐™ก๐™ฎ ๐™๐™–๐™™ ๐™ง๐™ค๐™ค๐™ข ๐™›๐™ค๐™ง ๐™ค๐™ฃ๐™š ๐™จ๐™ฅ๐™ž๐™ง๐™ž๐™ฉ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 years
1/ Our third book, the novel ๐“Ÿ๐“พ๐“ป๐“ฐ๐“ช๐“ฝ๐“ธ๐“ป๐”‚ by Ian Townsend ( @nightpainincorp ), is out now:
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Jack Skelleyโ€™s โ€œIโ€™M SICK TO MY STOMACHโ€ฆโ€ excerpted from THE COMPLETE FEAR OF KATHY ACKER (Semiotext[e], 2023) ๐ผ ๐’ธ๐’ถ๐“ƒโ€™๐“‰ ๐“ˆ๐“‰๐‘œ๐“… ๐“‰๐’ฝ๐’พ๐“ƒ๐“€๐’พ๐“ƒ๐‘” ๐’ถ๐’ท๐‘œ๐“Š๐“‰ ๐’ถ๐“๐“ ๐“‰๐’ฝ๐‘’ ๐‘”๐’พ๐“‡๐“๐“ˆ ๐’พ๐“ƒ ๐“‰๐’ฝ๐‘’ ๐“Œ๐‘œ๐“‡๐“๐’น. @JackSkelley
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Sean Sam interviews Matt Lee on โ„‚๐•ฃ๐•š๐•ค๐•š๐•ค ๐”ธ๐•”๐•ฅ๐• ๐•ฃ ๐˜ฟ๐™ช๐™ง๐™ž๐™ฃ๐™œ ๐™– ๐™จ๐™ฉ๐™ง๐™–๐™ฃ๐™œ๐™š ๐™ฅ๐™š๐™ง๐™ž๐™ค๐™™ ๐™ค๐™› ๐™ข๐™ฎ ๐™ก๐™ž๐™›๐™š, ๐™„ ๐™ฌ๐™ค๐™ง๐™ ๐™š๐™™ ๐™–๐™ฃ ๐™–๐™˜๐™ฉ๐™ž๐™ฃ๐™œ ๐™œ๐™ž๐™œ ๐™ค๐™ฃ ๐™– ๐™ข๐™ž๐™ก๐™ž๐™ฉ๐™–๐™ง๐™ฎ ๐™—๐™–๐™จ๐™š. @sean_sam_ @Gallows_Ticket
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Nathaniel Duggan's SUGGESTIONS FOR A MORE PERFECT SINGULARITY, 3 poems ๐Ÿ›ธ ๐˜ฝ๐™š๐™˜๐™–๐™ช๐™จ๐™š ๐™ฌ๐™๐™–๐™ฉ ๐™ž๐™จ ๐™– ๐™ง๐™ค๐™—๐™ค๐™ฉ ๐™–๐™ฃ๐™ฎ๐™ฌ๐™–๐™ฎ ๐™—๐™ช๐™ฉ ๐™–๐™ฃ ๐™ค๐™ซ๐™š๐™ง๐™œ๐™ง๐™ค๐™ฌ๐™ฃ ๐™ž๐™ฃ๐™จ๐™š๐™˜๐™ฉ? ๐™’๐™๐™–๐™ฉ ๐™ž๐™จ ๐™– ๐™๐™š๐™–๐™ง๐™ฉ ๐™š๐™ญ๐™˜๐™š๐™ฅ๐™ฉ ๐™– ๐™˜๐™ค๐™ก๐™ก๐™–๐™ฅ๐™จ๐™ž๐™ฃ๐™œ ๐™˜๐™ค๐™ก๐™ค๐™ฃ๐™ฎ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Taste the glitter tears of Ryan Kelley's "ECHELON LOOPS" ๐™Ž๐™š๐™ง๐™ž๐™–๐™ฃ๐™– ๐™ฉ๐™ช๐™ฃ๐™š๐™จ ๐™๐™š๐™ง ๐™™๐™ง๐™š๐™–๐™ข ๐™ซ๐™ž๐™จ๐™ช๐™–๐™ก๐™จ ๐™ฉ๐™ค ๐™ข๐™–๐™ญ๐™ž๐™ข๐™–๐™ก๐™ž๐™จ๐™ฉ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Nick Greerโ€™s โ€œShe Who Loves Silenceโ€ starts at a piano bar with a dudebro running game on a woman in a black dress with absinthe eyes and an untouched martini. They go back to his place but the ritual may or may not take an ultraviolent praying mantis turn.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 months
Some etchings on ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Excerpt from โ€œDIONYSUS IN DIGITAL,โ€ the worldโ€™s first AI-acted play, by Karina Bush and DeepSNAKES ๐™‹๐™ง๐™ž๐™จ๐™ค๐™ฃ๐™š๐™ง๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™จ๐™ช๐™ฃ. ๐™„ ๐™จ๐™๐™ค๐™ช๐™ก๐™™ ๐™ฅ๐™ช๐™จ๐™ ๐™ฉ๐™๐™š ๐™—๐™ช๐™ฉ๐™ฉ๐™ค๐™ฃ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
โ„‚๐•ฃ๐•š๐•ค๐•š๐•ค ๐”ธ๐•”๐•ฅ๐• ๐•ฃ and ๐““๐“ž๐“ง are now available on Gumroad in pdf and pdf/ebook form, respectively. (๐““๐“ž๐“ง is also on Kindle. ๐”ธ๐•”๐•ฅ๐• ๐•ฃ was too hazardous for epub.)
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 years
Tade Davisโ€™s โ€œThe Orphan,โ€ a story of carnal sunbeams and beautiful dead girls adorned with flowers ๐•€๐•ฅโ€™๐•ค ๐•ฅ๐•™๐•– ๐•ค๐•ฆ๐•Ÿโ€™๐•ค ๐•—๐•’๐•ฆ๐•๐•ฅ ๐•’๐•Ÿ๐•ช๐•จ๐•’๐•ช๐•ค; ๐•–๐•ง๐•–๐•ฃ๐•ช๐•ฅ๐•™๐•š๐•Ÿ๐•˜ ๐•š๐•ค ๐•ฅ๐•™๐•– ๐•ค๐•ฆ๐•Ÿโ€™๐•ค ๐•—๐•’๐•ฆ๐•๐•ฅ @digital_orb000
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
T.W. Selvey's "FIGURATIVELY SPEAKING" ๐™Š๐™ฉ๐™๐™š๐™ง๐™จ ๐™–๐™ฃ๐™™ ๐™„ ๐™™๐™ค ๐™ฃ๐™ค๐™ฉ ๐™๐™–๐™ซ๐™š ๐™ฉ๐™ค ๐™š๐™ญ๐™ž๐™จ๐™ฉ, ๐™–๐™ฃ๐™™ ๐™ฃ๐™ค๐™ฃ๐™š๐™ญ๐™ž๐™จ๐™ฉ๐™š๐™ฃ๐™˜๐™š ๐™ง๐™š๐™จ๐™ช๐™ก๐™ฉ๐™จ ๐™ž๐™ฃ ๐™– ๐™ฌ๐™ค๐™ง๐™ก๐™™. ๐™๐™๐™š๐™ง๐™š ๐™ž๐™จ ๐™ฃ๐™ค ๐™ฌ๐™–๐™ฎ ๐™ฉ๐™ค ๐™ข๐™–๐™ ๐™š ๐™จ๐™š๐™ฃ๐™จ๐™š. ๐™„ ๐™ฌ๐™–๐™ฃ๐™ฉ ๐™ค๐™ช๐™ฉ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 months
Arzhang Zafarโ€™s โ€œLOWER,โ€ a story of dreams, doctors & strip malls ๐™›๐™ž๐™ง๐™จ๐™ฉ ๐™๐™š ๐™ฌ๐™ž๐™ก๐™ก ๐™๐™–๐™ซ๐™š ๐™ฉ๐™ค ๐™ฅ๐™–๐™ฎ ๐™– ๐™ซ๐™ž๐™จ๐™ž๐™ฉ ๐™ฉ๐™ค ๐™– ๐™ข๐™–๐™ฃ, ๐™ฉ๐™๐™–๐™ฉ ๐™ข๐™–๐™ฃ ๐™ž๐™ฃ ๐™Š๐™˜๐™š๐™–๐™ฃ ๐™‚๐™ง๐™ค๐™ซ๐™š ๐™ฌ๐™๐™ค ๐™˜๐™–๐™ก๐™ก๐™จ ๐™๐™ž๐™ข๐™จ๐™š๐™ก๐™› ๐™– ๐™™๐™ค๐™˜๐™ฉ๐™ค๐™ง @vomunculus
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
10 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Jane Judith brings us a winding prose triptych with text art ๐™๐™๐™š ๐™ฌ๐™–๐™ฎ ๐™จ๐™๐™š ๐™–๐™ฅ๐™ฅ๐™š๐™–๐™ง๐™š๐™™ ๐™ฌ๐™–๐™จ ๐™ข๐™ค๐™ง๐™š ๐™ก๐™ž๐™ ๐™š ๐™– ๐™˜๐™ช๐™š ๐™—๐™ก๐™ž๐™ฅ ๐™ฉ๐™๐™–๐™ฃ ๐™– ๐™—๐™–๐™™๐™ก๐™ฎ ๐™š๐™™๐™ž๐™ฉ๐™š๐™™ ๐™Ÿ๐™ช๐™ข๐™ฅ ๐™˜๐™ช๐™ฉ
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
"We earn resources from the sky in exchange for our great labor in punching faces and torturing people with the Relative Time Knife."
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Peppy Ooze's "BODILY FUNCTIONS AND THE ROOTS OF INTERNATIONAL DREAMWAVE," a stroll through Berlin over the Landwehr canal to the blue neon PrinzenstraรŸe chicken takeaway before riding the U-Bahn to Athenian platz's vaporwavey statues etc. @adidaspoetry
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
Near the terminus of ๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰ we arrive at John Trefryโ€™s โ€œDivination,โ€ a mortuary how-to manual and funerary codex, a technical drawing and accounting of films and 13th-century personages and the ossification of the sacra around the enlargement of a neural canal
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 years
Excerpt from Heath Ison's forthcoming CINEMA OF CRUELTY ๐•‹๐•™๐•– ๐• ๐•Ÿ๐•๐•ช ๐• ๐•ก๐•ฅ๐•š๐• ๐•Ÿ ๐•จ๐•’๐•ค ๐•’๐•Ÿ ๐•’๐•“๐•’๐•Ÿ๐••๐• ๐•Ÿ๐•–๐•• ๐•˜๐•ฃ๐•–๐•–๐•Ÿ๐•™๐• ๐•ฆ๐•ค๐•– ๐• ๐•Ÿ ๐•ฅ๐•™๐•– ๐• ๐•ฆ๐•ฅ๐•ค๐•œ๐•š๐•ฃ๐•ฅ๐•ค ๐• ๐•— ๐•ฅ๐• ๐•จ๐•Ÿ. @h33thison
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
In Ian Townsendโ€™s โ€œBlack Mass,โ€ a shuttle has crash-landed among craters and insects the size of dogs on one of Xeโ€™s moons. A cosmonaut loses his hand after diagnostics, needs a prostheticโ€”if he doesnโ€™t get gulped by the dilating, spinning, maternal black mass
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Paul Bali's prison-bed soliloquy "THERSITES" ๐–† ๐–ˆ๐–†๐–‘๐–‘ ๐–‹๐–”๐–— ๐–๐–Š๐–‘๐–•, ๐–‹๐–”๐–— ๐–†๐–“๐–Œ๐–Š๐–‘โ€™๐–˜ ๐–†๐–Ž๐–‰: ๐–† ๐–ˆ๐–๐–†๐–“๐–Œ๐–Š-๐–”๐–‹-๐–๐–Š๐–†๐–—๐–™, ๐–๐–†๐–‘๐–‹๐–œ๐–†๐–ž ๐–‰๐–”๐–œ๐–“ ๐–™๐–” ๐–•๐–†๐–›๐–Š๐–’๐–Š๐–“๐–™ ๐–‹๐–—๐–”๐–’ ๐–๐–Ž๐–Œ๐– ๐–‡๐–†๐–‘๐–š๐–˜๐–™๐–—๐–†๐–‰๐–Š!
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Look under the digital mattress at Heath Ison's โ€œTHE HOLOGRAPHIC FACELIFT BOTCHโ€ ๐•ฅ๐•™๐•– ๐•ง๐•š๐•ฃ๐•ฅ๐•ฆ๐•’๐• ๐•’๐•ง๐•’๐•ฅ๐•’๐•ฃ ๐•จ๐•š๐•๐• ๐•“๐•–๐•”๐• ๐•ž๐•– ๐•ž๐• ๐•ฃ๐•– ๐•ช๐• ๐•ฆ ๐•ฅ๐•™๐•’๐•Ÿ ๐•ช๐• ๐•ฆ ๐•’๐•Ÿ๐•• ๐•ช๐• ๐•ฆ๐•ฃ ๐•™๐•ฆ๐•ž๐•’๐•Ÿ๐•š๐•ฅ๐•ช ๐•จ๐•š๐•๐• ๐•“๐•– ๐••๐•–๐•Ÿ๐• ๐•ฆ๐•Ÿ๐•”๐•–๐••
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
10 months
Video credit: David Kuhnlein. Song credit: Fabrizio Lapiana, โ€œCollective Chaosโ€ (Berlin: Attic Music, March 6, 2020). Used with permission.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 months
Lizard Brain in Detroit prep got my skin breaking out blue fluorescent scaley, guanine nanocrystals whispering, tongue forking, blood running ectothermic, tail budding and breaking off, casque locking horns with other casque creatures. And my brain? Never had one. No change.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Much love to Dennis Cooper for including @Alex_Beaumais 's ๐““๐“ž๐“ง on his end-of-year list
@german_sierra
Germรกn Sierra
3 years
DCโ€™s annual faves
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Brad Liening brings us a fanfare of 5 poems ๐˜ผ ๐™ง๐™ค๐™จ๐™š ๐™ฅ๐™ก๐™–๐™ฃ๐™ฉ๐™š๐™™ ๐™ค๐™ฃ ๐™ฉ๐™๐™š ๐™š๐™™๐™œ๐™š ๐™ค๐™› ๐™– ๐™ซ๐™ค๐™ž๐™™ ๐™™๐™ง๐™ž๐™›๐™ฉ๐™จ ๐™ž๐™ฃ๐™ฉ๐™ค ๐™ž๐™ฉ ๐™ค๐™ฃ๐™š ๐™ฅ๐™š๐™ฉ๐™–๐™ก ๐™–๐™ฉ ๐™– ๐™ฉ๐™ž๐™ข๐™š, ๐™›๐™ค๐™ง๐™š๐™ซ๐™š๐™ง. ๐˜ฝ๐™š๐™–๐™ช๐™ฉ๐™ฎ ๐™—๐™š๐™˜๐™ค๐™ข๐™š๐™จ ๐™– ๐™ก๐™ค๐™ฃ๐™œ ๐™ง๐™š๐™™ ๐™™๐™ง๐™ž๐™ฅ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
In ancient Greece you couldnโ€™t buy dissident Phoenician literature but now you can buy CRISIS ACTOR by Matt Lee
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Myles Zaveloโ€™s short fiction โ€œA YEAR AGO, I WAS LIVING IN A HOME FOR BOYS SUFFERING FROM BODY DYSMORPHIAโ€ ๐™’๐™š ๐™จ๐™ฉ๐™–๐™ง๐™š๐™™ ๐™–๐™ฉ ๐™ค๐™ช๐™ง๐™จ๐™š๐™ก๐™ซ๐™š๐™จ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™ข๐™ž๐™ง๐™ง๐™ค๐™ง. ๐™’๐™š ๐™ข๐™–๐™™๐™š ๐™ฅ๐™ง๐™š๐™ฉ๐™ฉ๐™ฎ ๐™›๐™–๐™˜๐™š๐™จ. ๐™’๐™š ๐™ฌ๐™š๐™ง๐™š ๐™Ÿ๐™ช๐™จ๐™ฉ ๐™ก๐™ค๐™ค๐™ ๐™ž๐™ฃ๐™œ.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Alex Beaumaisโ€™s ๐““๐“ž๐“ง, a flashbang of love in the danceโ€“doxโ€“death cycle. One pill, two pill, red pill, blue pill. Sexual politicking, witchhunts and goodbyes. 225 pgs. โ„‚๐•ฃ๐•ช ๐•’๐•๐• ๐••๐•’๐•ช, ๐••๐•’๐•Ÿ๐•”๐•– ๐•’๐•๐• ๐•Ÿ๐•š๐•˜๐•™๐•ฅ @alex_beaumais
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
6 months
๐™‡๐™„๐™•๐˜ผ๐™๐˜ฟ ๐˜ฝ๐™๐˜ผ๐™„๐™‰โ€™s Prosthesis section brings us to Daniel Beauregardโ€™s โ€œThe Flesh Fieldsโ€ and a planet of yurts and labor camps where wanderers toil in fields at gunpoint to satiate their desperate hunger and meet the quotas of worm-harvesting industrialists
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
7 months
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
๐““๐“ž๐“ง back cover
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
Immense thanks to @ConorHultman and @SouthwestReview for this review of ๐“Ÿ๐“พ๐“ป๐“ฐ๐“ช๐“ฝ๐“ธ๐“ป๐”‚, whose โ€œresonances build up with zero pretension, forming a glorious Fibonacci spiral of meaning that ultimately condenses into a dark star.โ€
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โ€œTownsend combines the acidic misanthropy of Bret Easton Ellis with the pop slapstick of Mark Leynerโ€ Read @ConorHultman 's review of PURGATORY, the new novel byย Ian Townsend ( @nightpainincorp ), out now via @tragickalbooks ๐Ÿ”ฅ
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 year
excerpt from Lee Levinsonโ€™s sonnet cycle โ€œMOI BรŠTE: A SADISTIC SEQUENCEโ€ ๐’ฏ๐‘œ ๐’ป๐‘’๐“‡๐“‚๐‘’๐“ƒ๐“‰ ๐’น๐‘’๐’ถ๐’น ๐“ˆ๐“Š๐“ƒ, ๐“…รข๐“‰รฉ ๐‘œ๐’ป ๐“Œ๐’ฝ๐’พ๐“‰๐‘’ ๐“‚๐’ถ๐“ƒ๐“ƒ๐’ถ ๐’ฝ๐’พ๐’น. @schlock_jaw
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 years
Read the first five pages from Rauan Klassnikโ€™s A SLOW BOILING BEACH (Schism [2], 2019). ๐˜ผ ๐™จ๐™š๐™š๐™™ ๐™ซ๐™ž๐™—๐™ง๐™–๐™ฉ๐™ž๐™ฃ๐™œ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™˜๐™ค๐™ก๐™™ ๐™š๐™–๐™ง๐™ฉ๐™.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
1 month
Michael Borthโ€™s โ€œTHE ARCH MNEMOSYNE,โ€ six poems ๐•ฑ๐–”๐–— ๐–™๐–๐–Š ๐–Ž๐–’๐–†๐–Œ๐–Š ๐–Ž๐–˜ ๐–† ๐–˜๐–™๐–—๐–”๐–‡๐–Š ๐–”๐–‹ ๐–œ๐–†๐–™๐–Š๐–— ๐•ด๐–“ ๐–™๐–๐–Š ๐–˜๐–†๐–ˆ๐–—๐–†๐–‘ ๐–”๐–‹ ๐–™๐–๐–Š ๐–œ๐–”๐–—๐–‘๐–‰ ๐–ˆ๐–†๐–›๐–Š
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Halloween
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Evan Isoline returns to the site with the beautiful poem โ€œPARASYMPTOTEโ€ ษช แด€แด แด›สœแด‡ แด„แด€ส€แดแดœ๊œฑแด‡สŸ แด€แด› แด›สœแด‡ แด„แด‡ษดแด›แด‡ส€ แด๊œฐ แด›สœษช๊œฑ ษขษชแดขแด€ แด๊œฐ ๊œฑษชสŸแด‡ษดแด„แด‡
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
2 years
Dennis Cooper on ๐“Ÿ๐“พ๐“ป๐“ฐ๐“ช๐“ฝ๐“ธ๐“ป๐”‚ by Ian Townsend
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
First lines are important, but overloading them with sex and death and snark is like having a throbbing erection. It's unsightly. Better to risk being 5% boring than wave that thing around.
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 months
Plz RSVP if youโ€™re thinking of coming to the Lizard Brain launch party in Hamtramck, a Detroit enclave (no cover) ๐—ฅ๐—ฒ๐—ฎ๐—ฑ๐—ถ๐—ป๐—ด๐˜€, ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€, ๐——๐— ๐˜€๐—ฒ๐˜๐˜€, ๐—ฏ๐—ผ๐—ผ๐—ธ๐˜€, ๐—ฏ๐—ฒ๐—ฒ๐—ฟ
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
Matt Lee's CRISIS ACTOR - THE FIRST TEST (ch. 1) ๐™๐™๐™ž๐™จ ๐™ฌ๐™ค๐™ง๐™  ๐™ค๐™› ๐™™๐™š๐™จ๐™ฉ๐™ง๐™ช๐™˜๐™ฉ๐™ž๐™ค๐™ฃ ๐™ž๐™จ ๐™ฃ๐™ค๐™ฉ ๐™–๐™จ ๐™จ๐™ž๐™ข๐™ฅ๐™ก๐™š ๐™–๐™จ ๐™ฅ๐™š๐™ค๐™ฅ๐™ก๐™š ๐™ข๐™ž๐™œ๐™๐™ฉ ๐™ฉ๐™๐™ž๐™ฃ๐™ .
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
4 years
"STEINBERG DEPERSONALIZATION TEST (Qโ€™s 2, 3, 1, 12, 32, 31, 123)" by Derek Maine ๐—ฌ๐—ผ๐˜‚ ๐—ฑ๐—ฟ๐—ถ๐˜ƒ๐—ฒ ๐˜๐—ผ ๐—•๐—ฎ๐—น๐˜๐—ถ๐—บ๐—ผ๐—ฟ๐—ฒ ๐—น๐—ฎ๐˜๐—ฒ ๐—ฎ๐˜ ๐—ป๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ฟ๐—ผ๐—บ ๐—–๐—ต๐—ฒ๐˜ƒ๐˜† ๐—–๐—ต๐—ฎ๐˜€๐—ฒ. ๐—ฌ๐—ผ๐˜‚ ๐—ฎ๐—ฟ๐—ฒ ๐—ต๐—ฒ๐—ฎ๐—ฑ๐—ฒ๐—ฑ ๐˜€๐—ผ๐—บ๐—ฒ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ. @derekmainelives
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
5 months
Just got a cryptic transmission from one of the musical performers tonight that their set will sample excerpts of Lizard Brain ๐Ÿ‘
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๐–™๐–—๐–†๐–Œ๐–Ž๐–ˆ๐–๐–†๐–‘
3 years
Honored to read this from one of the best stylists in this whole damn scene
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