For
@newyorker
: I talked with John Woo about John the Baptist, Dirty Harry, Tsui Hark, Chang Cheh, A BETTER TOMORROW, BULLET IN THE HEAD, WINDTALKERS, RED CLIFF, and more!
RRR, the new maximalist Tollywood blockbuster from SS Rajamouli, isn’t as consistently rich or inventive as his two BAAHUBALI heroic epics or EEGA before that. But RRR’s highlights are plentiful and it’s mostly compelling nationalist countermythmaking. Pretty good, almost great.
I enjoyed the first half of the Telugu language Indian action epic AKHANDA, about an area man who picks a fight with a corrupt mine owner. But the second half brings in the title character, the twin brother of the first half’s lead. Then it becomes something special.
BEAST! The new Kollywood (Tamil) action flick is a star vehicle for MASTER'S Vijay and a DIE HARD-style siege thriller set in a Chennai mall. The violence is brutal, the set pieces are fun, the tone is all over the map--I enjoyed myself. More
@ebertvoices
:
That’s not Jackie Chan’s daughter, it’s the actress Liu Haocun from the recent scripted drama RIDE ON. I suggest you read more about his real life daughter Etta Ng (or son Jaycee Chan) before praising Chan as a great dad.
Jackie Chan and his daughter crying while watching some of his old movie scenes is the most wholesome thing you’ll watch today.
Thanks for our childhood legend ❤️
Rajamouli’s an uncanny image-maker so it’s no surprises that RRR’s action set pieces are consistently thrilling. But the movie’s highest highlight has to be when co-lead Bheem (NT Rama Rao Jr.) is whipped by his fraternal nemesis Raju (Ram Charan), who’s handed a nail-studded…
There are some days where I think Ghanese movie posters are very good, but perhaps overrated compared with, say, Thai or Japanese posters. And then I see this, and think: no, no—all is well.
RRR! Or: RISE ROAR REVOLT! The latest Telugu language action spectacular from writer/director S.S. Rajamouli is a crossover hit. The maximalist anti-colonial fable screens tonight in a rare one-night-only re-release. Why RRR and why now? More
@ebertvoices
:
EXIT, a new Korean action/disaster/rom-com, is easily the best popcorn movie I’ve see this summer. Two plucky Millennials meet-cute and mountain-climb their way to safety after toxic gas over-runs their city. Visually dynamic and energy to spare. Seriously exciting.
Now streaming on Netflix: BEAST, the new Tamil language Indian star vehicle for MASTER’s Vijay. It’s a DIE HARD-style antiterrorist thriller with at least one of the best action scenes of the year (two words: in-line skates). My recent
@ebertvoices
review:
Akhanda fights while possessed by the god Shiva. He impales a few heavies with his trident. Akhanda also rearranges the main heavy’s chakras one by one, naming each body part he’s destroying (solar plexus chakra!). He’s friend to zebu and children. Akhanda is righteous.
AKHANDA’s awesomely cartoonish set pieces are all wind machines, speed ramping, master shots, symmetrical closeups & gonzo choreography. Seeing it alone (save for one guy) at Union Square 14 was thrilling; so loud that my ears popped. “The third eye has opened. You are done for.”
whip by the evil wife of the cartoonish British governor. And as the movies slides into PASSION OF THE CHRIST-style martyr porn: Bheem starts singing. Rao’s generally not as charming as Charan—mostly their respective roles—but that’s a real star moment.
The Telugu language Indian romantic-drama RADHE SHYAM is now on Netflix. 100 proof melodrama & my fave Indian movie of 2022 so far. Prabhas’s streak continues, but also: wow, Pooja Hegde has already had quite the year, what with this, BEAST, and ACHARYA.
I highly recommend THE ISLAND, a Chinese black comedy directed co-written, and starring megastar comedian Bo Huang. It’s like LORD OF THE FLIES as a mordantly funny capitalist critique. Check this one out. More
@villagevoice
:
I hope the next Marie Kondo show begins with her kicking down some shitposter's door and screaming "I HAVE COME TO SPARK JOY AND TAKE OUT THE TRASH, AND I AM ALL OUT OF JOY."
DELETER, from BIRDSHOT director Mikhail Red, is an atmospheric B-movie about a content moderator haunted by disturbing videos and a colleague’s recent suicide. Doesn’t cut deep psychologically, but it is creepy and polished and has a strong lead performance from Nadine Lustre.
Before I turn in: Kollywood Super Star Rajinikanth turns 70 today.
I’ve covered a couple of his recent films, including:
DARBAR (2020):
PETTA (2019):
ROBOT 2.0 (2018):
1/2
As of this moment, here are my ten favorite films of 2017:
10) Nocturama
9) Our Time Will Come
8) Brawl in Cell Block 99
7) Lady Bird
6) Baahubali 2: The Conclusion
5) Endless Poetry
4) The Meyerowitz Stories
3) Get Out
2) Behemoth
1) A Quiet Passion
RIP Wilford Brimley. One of the highlights of me and
@mattzollerseitz
’s THE THING oral history () was deciding where to put the Wilford Brimley quotes. These two are pretty good.
Did not expect to find two (2) Rajinikanth films in the Liberty Drafthouse’s Kim’s Video collection. I was restrained & put 1 back (Muthu). I got:
-Chandramukhi (2005)
-Devdas (2002)
-The Lost Man (1951), Peter Lorre’s only directorial credit
-You Can’t Cheat an Honest Man (1939)
One of the most underrated parts of HOLY GRAIL has to be when the mob is asked what, other than wood, floats. I love that their dumb answers—including the headscratching “churches”—are silenced by what is, in the film’s universe, the relatively lucid answer of “A duck.”
Some 2018 Films That I Like a Whole Lot:
Baaghi 2
Braven
Big Brother
Dear Dictator
Detective Dee 3
Early Man
Goldbuster
Good Manners
Heavy Trip
The Island
Juggernaut
Kaala
Kickboxer: Retaliation
The Last Family
Mom and Dad
Mowgli
Pow Wow
Psychokinesis
A reminder to my Jewish friends: in these dark times, you may feel oppressed by neo-Nazi profiles, omnipresent trees and wreaths, and the same three Did You Know They're Christmas Movies. But we'll always have Pee-Wee Herman's Hanukkah Dinosaurs. Stay strong. And good night.
For
@nytimes
: I wrote about
@MahoningDIT
, the Pennsylvania outdoor theater that I’ve fallen pretty hard for. A lot of movie theaters struggled last year, but the Mahoning was thriving by the time the pandemic hit Lehighton. More here:
RIP Eleanor Abrams, my grandmother. She died in her sleep last night at home. I’m devastated. I received a card from her in the mail the other day. All it said was “bravo Simon” three times. I feel loved. She will be dearly missed.
If you haven't already done so, I highly recommend catching up with Rajamouli's two BAAHUBALI movies, his formative, record-smashing action-fantasies, and EEGA, his delirious reincarnation revenge comedy.
From there, try MAGADHEERA, MARYADA RAMANNA, and SIMHADRI.
I really appreciate that, while EXIT is essentially a post-9/11 survivalist wet dream, it’s much more about two Millennials triumph over insane odds. The romance bw the leads is also modest and believable. And there’s never a question that she’s as resourceful as him.
For
@vulture
: I spoke with Kaiju King Shinji Higuchi—co-director of SHIN GODZILLA and director of both JAPAN SINKS (2006) and the two live action ATTACK ON TITAN films—ahead of
@NYAFF
’s US premiere of SHIN ULTRAMAN.
Best moviegoing experience:
BAAHUBALI 2, at a Jamaica multiplex at ear-splitting volume
HM: 2 audience members who kept talking back to screen at IT (Drafthouse)
2nd HM: the guy who yelled "Shut up" when two women snickered during MOTHER!'s end credits at Drafthouse
I just want you to know that if you have Prime, you could be watching the 1956 episode of TV’s ANNIE OAKLEY, starring Gail Davis. The episode is called:
Netflix does not carry the Telugu language version of RRR, which is exclusively streaming on ZEE5. Netflix has the Hindi version. That may not seem important, but it is. Rajamouli's rare crossover success is symptomatic of a major shift from Bollywood to South Indian productions.
RIP to the irrepressible HK comedian & character actor Richard Ng. First noticed him in WINNERS AND SINNERS, then fell for him every damn time since. Never above or ahead of a gag, not even when he was dressed up like Street Fighter’s Blanka. RIP, you beautiful, silly man.
And man, the action filmmaking is good: snappy, Edgar Wright-worthy editing and visual flair that compliments the main selling point of the set pieces—the thrill you get when the light bulb goes on and a seemingly hopeless obstacle becomes a chance to problem-solve & improvise.
Today: Bryan Singer is officially no longer attached to the RED SONJA remake.
Yesterday: Brigitte Nielsen suggests a female director for the remake and supports an investigation of Singer.
Conclusion: Gitte speaks, and the world listens.
So yes, the difference in language matters, because RRR is an unusual success story, and Rajamouli's a figurehead for an ongoing cultural shift. Plus: RRR looks great on a big screen, as do most of Rajamouli's recent movies. You can't lose, bb.
Looking forward to seeing PIG, but politely disagree with Nicolas Cage fans who claim he's never missed. He definitely has. And sometimes, he doesn't even swing. So, while I, too, enjoy both pre- & post-memefication Cage, I can't really follow this line of revisionist hyperbole.
If you regularly attend AMC theaters to see new Indian movies, you know that Telugu (& most South Indian) titles aren't covered by A-list passes. You can't even find English subs on Hulu's Hotstar hub for some of Rajamouli's earlier films. Western audiences haven't been presold.