Cultural Practice:Diggin through the literary crates, Chasin' Samples, Album cover analysis, Liner note studies. DJ as archivist. Cite me/Don't bite me.
I got quiet and wrote a book. I wrote a damn book—better yet, a literary intervention on the life of Willie Mae “Big Mama” Thornton. It’s a book rooted in Black queer music studies and reaches beyond the Elvis Presley site of injury. September 2023! Preorder link in my bio
The last thing then I'm done. House music was used to help "the children" raise money for weekly funerals when AIDS began to snatch bodies from the dance floor. We turned to house music and to ballroom mothers and fathers when our families turned away from us.
It was Frankie Knuckles who said, "House music is disco's revenge." But why was disco, a genre that centered femme vocals and driving church-funk and four-to-the-floor rhythms, under attack and by whom? There's history in the word revenge.
Dear writers, take this a message from Octavia Butler: “First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.”
Imagine if every White led yoga studio you've ever heard of donated a significant amount of money and resources to support India? A speculative meditation.
To be clear, this is a lesbian werewolf horror film set in Brazil 🇧🇷 It’s being screened in LA August 17, somebody go see it for me please, I stay craving well done queer cinema.
Curious about the gravitational pull Switzerland had on James Baldwin, Tina Turner, Nina Simone, and Lee Scratch Perry. By no means am I romanticizing this place, nor naïve about the resources it requires to live there, but why this place for them 🤔
I don’t like the mean-spirited protection of Beyoncé and the willingness to dispose of people who challenge her. Some of y’all are the reason why bell hooks died with a broken heart. Tasty was and will be on repeat at my house. Kelis is not disposable.
Saddest thing about Beyoncé and her ultra Blackness is that she’s singlehandedly placed many of y’all on the wrong side of history. She gets better with each of your critiques. As a DJ let me say this, the black anthem mixed with formation is gong down in blend culture history.
When most of what you've learned about LA is through Hollywood, chances are you don't know the Compton Cowboys...out in full force today....a staple like the Compton swap meet. Black Los Angeles.
Always sobering to remember they were born on the same day and that Malcolm attended her funeral in January 65, before Baldwin attended his funeral a month later. Thinking about Black internationalism on this special May 19 day.
The fact that Pharoah Sanders was part of a movement that turned to yoga, breathing, and other practices to create a new jazz genre is powerful. From his work with Alice Coltrane to Phyllis Hyman, he blew that horn alongside Black women for decades. As a peer and collaborator.
I coined "DJ Scholarship" in 2013 to focus on house music's Black & queer roots. Azealia, who identifies as bisexual, is part of the reclamation of house. EDM is a white-run multibillion industry built on extraction. We owe working-class DJs from the Midwest for all this shit
One of my favorite moments in Toni Morrison's literary life, one that guides my work as an artist, is her three word response to Ellison's Invisible Man. To avoid writing with the white gaze or the quest for visibility in mind she simply stated: Invisible to whom?
I will never forget the moment when Dr. Robin Kelley politely asked the scholars at a conference to replace the words black bodies with black people. I agreed and refrained from that day forward. It’s been three years.
The way he flipped the conversation from 50 years of hip-hop to the future of non categorizable Black music that swings between a cosmic jazz and an electro classical synth sound is epic. A bold & brave sonic stance against gender and genre— making of new ones in the process.
Not only did Luther tour with Roberta Flack as a background singer, she also encouraged him to consider a solo album. He listened. Roberta was among the first to hear his demo--one of the first to hear "Never Too Much." Luther said she cried cause the lyrics were phenomenal.
Angela Davis got me thinking, "What would Black music scholarship be like if it were not so heavily influenced by white men, black men, and white women? Watching Roberta Flack's documentary & sad to see how few Black women are called to share critical reflections on Black music.
Feeling Peter Tosh heavy today and happy to learn that he refused to play in South Africa and Israel in the 70s/80s--citing them both as apartheid states. He played in Swaziland and showed love to Palestinians instead. Dude was not about that 'Three Little Birds' life.
Happy mother’s day to the Black women (and their children) who survived the Reagan era. May we stop using the word crack to describe addiction to mundane of objects like donuts and toy cars. And may we finally lay to rest all the Hollywood crack mother characters in Black films.
Hold on...there is, in fact one more thing. We don't have house music without Africa and the Caribbean. Period(t). House music is queer music of the Black Atlantic. Run tell dat.
A text that writes a new narrative around Tina’s 60 plus year career. There are so many stories about how she shaped multiple genres of music, in the US and the UK. She deserves deeper focus on who she was as a musician, dancer, and a southern global force of funky refusal.
Where can we hold the grief for the premature passing of a whole generation? I was raised by these Black nerds, given permission to step off commercial lines. Rest well Trugoy...
Wish I could say it was just white insecure men...but it was us too. Some of us, in our dismissal of the femme and queer elements of disco, set the stage for house to be coopted. Imagine had the Black church treated house like one of its own because it truly is an offspring.
I believe Andre's album will unlock a lot for artists, writers, people struggling to flow. It's an opening, not just an album. Cheers to the chain of reactions...
So unfortunate that Patrice, like Nina and Aretha, gets read as a singer, when in fact, she, like Prince and Stevie, is a multi-instrumentalist. I wish Black women music scholars/journalists were called on more to contextualize the work of Black women musicians in documentaries.
Protecting Beyoncé from valid critique robs her of the opportunity to develop as an artist. This kind of protection is closer to the antics of Trumptonian followers. Virgos want to know how to avoid mistakes--how to ensure the performance of perfection. That said...
Just learned that John Coltrane rented a harp to work out a composition he was working on. Alice experimented with it for the first time. He heard the sounds she produced and purchased a harp for her that same day. By the time it arrived he passed having never her heard play it.
When you represent Black Los Angeles and you’ve been calling for impeachment since the fool was elected and you allow white folks to believe they led the charge, so you close your eyes and relish in your dignity. Maxine Waters. Again and Again.
We are lucky to have us. And peep how so much of our attention has shifted to a family of brothers and the elements. Black music is truly the answer...the forcefield protecting our humanity.
Been teaching black and brown youth on probation (shame on America) how to spin and the little homie discovered the fx knobs and filters today. His groove is undeniable. Both hands in pockets to secure the swag. DJ Scholarship in South Central.
Are academics bout to theorize the soul out of house music? Five years ago in the academy, it didn't register as a musical form worthy of scholarly investigation.
Langston Hughes once said the average negro/negress "hasn't even heard of the Harlem Rennaissance, and if they have, it hasn't raised their wages any."
Sitting here reading Little Richard's biography and the moment he cited Mahalia as a primary influence, I couldn't unsee/unhear it. I only recently arrived at a place where I began to understand her as a gospel rock icon, this confirms it. Thank you New Orleans. Thank you Macon
Patti’s language is steeped in black queer poetics. She’s been shaped by us. Luther was president of her fan club when he was a teenager and it makes sense.
Octavia Butler offers the most crucial advice to writers, artists, and scholars alike...habit vs. inspiration. In other words, don’t wait to be inspired, make a habit out of doing your work.
While we're at it. When Nile Rodgers & Bernard Edwards produced Diana (her 1980 self-titled album), they created an album of Black queer classics. Berry Gordy hated it. Motown refused to release a single because...queer context. Diana is Ross's best-selling album to date. holla
The heartbreaking thing is not just that we lost her voice but that Angela Bofill, an Afro-Cuban-Puerto Rican songstress, had to fundraise to cover her medical expenses- much like Rosie Gaines and Rachelle Ferrell. Shame on this country. Go head and fly away from this place mama
Morrison straight-up titled that book "Playing in the Dark: Whiteness and the Literary Imagination." I picked it up a decade ago, thinking it would be a quick read. Instead, it became protection against workshop violence during my MFA moment a decade later. I had my own canon.
Not Oprah's people inviting me to share reflections on Rennaissance. I said yes. The album is a testament that Beyoncé (the brand and the person) has always been a Black queer cultural product. Rennaissance solidifies her gratitude. Here are my thoughts.
All I want is one documentary about Black music without the expertise of a single white body. Not one. And I think Amiri Baraka would want the same thing...
Both Greg and bell had one-syllable names. They were both Libras with insatiable curiosity. They left a gap that we'll strive to fill for the rest of our lives and bodies of work that will take some of us a lifetime to find. This combined loss is a call to action.
Robyn Crawford got me thinking about narrative and the powerful/highly favored/socially acceptable folks who tend to control it. She single handedly reversed the narrative around whitney’s life and it empowered black queer folk AND black women who struggle(d) with addiction.
Not to mention the Black and brown queer DJs, yes, Ron Hardy, Frankie Knuckles, and Levan, but also the many nameless women DJs who traveled between NYC, Jersey, Philly, and Baltimore, sharing queer-inflected music with dance floors in the spirit of disco and house.
Meanwhile Miriam Makeba family out here fighting white South Africans to gain access to the rights to her music...much of it about...white South African apartheid.
I would love to not think about the connection between Jenny Livingston (Director of Paris is Burning) and Madonna. I really would. But alas history and investigative journalism.
Signing off after this because this sentence alone is a full story.
Distance is the only cure for certain diseases--Zora Neale Hurston
I also love this photo of her and how capricornistic she appears to be...
Black scholars at this Prince symposium on the 30th anniversary of the LoveSexy album refuse to discuss Prince in past tense. They all say Prince is. He’s another trickster who managed, somehow, to not die. We miss him. He’s still here.
It took everything in me to put these sentences together, but here they are. Honored to have written about bell hooks for the
@latimes
as a Black Angeleno who fell in love with a brilliant Black Kentuckian.
It's crazy to me that we have no national memorial rituals in place for folks we lost to COVID. Manu Dibango was a force on Black dance floors globally. He left us early in the pandemic at 86. "Soul Makossa" was just as relevant as "Funky Drummer." All that to say thank you, sir
I wrote this piece for
@harpersbazaarus
from the Schomburg Center in Harlem last week. But I’ve been thinking, it’s not enough to cite the Black queer roots of house and techno. Now it’s about shifting the dominate narrative and redistributing the wealth.
More than the fact that today is my pub date, it’s the fact that this book is number one in the blues category where every other book on the list are written by white men. It matters that I’ve written this book and that I am not a white man. Order it here
I hate that “spilling the tea” has become part of the American lexicon and that the black queer cultural context and the history of use of the phrase has been, once again, removed as a signifier.
The thing about Toni Cade’s semi-fictional work ‘Those Bones Are Not My Child,” based on the Atlanta Child Murders, is that she died before finishing the book. Toni Morrison, her editor/very close friend, finished the book after her passing. This is Goddess business.
I wish a citational practice could be applied to the use of black queer slang, cause some of y’all talking bout ‘spilling the tea’ don’t respect humanity of the people who coined the phrase...
An even better day to think about how Luther Vandross worked his production magic for Aretha, helping her score a hit during a slump period in her career. 1982.
bell hooks told y'all that "Writing cultural criticism to be hip & cool, especially when the subject is pop culture, allows critics to indulge in acts of appropriation without risk. Fascinating, titillating cultural criticism that looks at the popular without engaging a radical
This piece contextualizes the foundational elements of the prison abolitionist movement. For folk who don't quite understand the term/movement & want to honor family members who get disappeared by prisons, the activist scholarship of Ruthie Gilmore is key
@blacklikewho
@DrAhmadGH
Hence its black church/African/Caribbean roots and ability to create sensual-musical transcendence, yes. DJs as spirit world mediums.
It’s charged, but worth sharing. Michael Jackson returned Little Richard his publishing rights after buying The Beatles. Why? He realized the Beatles owned Little Richard’s entire catalog. Beat It (no pun intended) Paul McCartney. This is Black music justice. Rhythmic reparations
All I can see are the blues men and women they studied behind them trees....We talk a lot about the (white) British Invasion of the U.S., but not enough about the Black Southern invasion of the UK.
And let's be clear, had you spent 10 minutes w/ Aretha Franklin talking about gospel, it would have become clear that she, too, was a practitioner/scholar. She knew, played, & studied the mechanics of gospel for decades. Plus, like Prince, she loved the erotics of the spiritual.
Had I started reading earlier in life, I could have saved myself from a lot of suffering. Toni Morrison means the world to me because her approach to character development inspired me to figure out how to live my own life with more magic and less madness.
I just discovered Haitian jazz vocal impresario. She's 33 with a grammy and four albums. Cecile McLorin Salvant. daughter of the Betty Carter/Sarah Vaughn tradition. Gorgeous.
Today I'm sitting with the fact that Alice Coltrane created a Detroit Black church/Hindu fusion of prayer and meditation jazz. Her relationship with Pharoah Sanders is just as significant (musically and spiritually), as her relationship with John in the creation of that sound.
Heartbreak. Lee Scratch, like MJ & Prince, are folk you never assumed would die. The music travels to so many realms, it conditions you to believe that they've been here before and that they'll be back again. Honored to be in the UK for this & thank you, Jamaica. The God of Dub
Nipsey is heavy on my heart and mind. The conflict I felt as a young person from the Crenshaw District who trusted gangstas more than cops and who heard stories of LAPD dropping OGs off in rival communities to instigate beef/war. I'll have questions forever.
I can't stop listening to Black women playing the harp and shifting the sonic association with the instrument from classical music to jazz. Subversive and tender. This is an amazing intergenerational overview of artists to look for/listen to.
I put Alice Smith and Meshell Ndegeocello in conversation for this edition of The Black Atlantic/Black Fantastic. Tune in now at (4pm UK) and 11am (EST), and listen like you read
@1BTNradio
Death is breaking us open. Lee Scratch isn't discussed enough in the context of "Afrofuturism" cause we're so U.S.-focused. But I'm clear that he was in conversation with Sun Ra & other cosmic jazz players who were world-building through studio motherships
These album covers existed long before the term Afrofuturism and offered me a visual escape away from the after life of slavery and a pathway to visual cosmic slop. They taught me radical imagination. Rest well Pedro Bell, you illustrated a movement.
We lost the Master Mind behind the Graphic's & Artwork of Funkadelic. Mr. Pedro Bell is an American artist and illustrator best known for his elaborate cover designs and other artwork for numerous Funkadelic and George Clinton solo albums. Thxs for yr service our brother.😲🙏
Wait, Juvenile's NPR Tiny Desk is what my entire life is about today. His phrasing and diction and ability to rock with a live band reminded me that these people are descendants of second lines.