Seems people found my One Pager session useful so I'm gonna expand a little and do another session on how to write a full TV pitch. Free for
@uk_scribe
Pro Members, plus a little run of follow up sessions available
Full details 👇
Been thinking about something a writer said last night in a session - that the screenwriting industry feels impenetrable. And I remember that feeling, not knowing where the hell to start or what do. So here's a bit about how I approached it... (thread)
Since landing my agent around 7 yrs ago I’ve probably written 1 to 2 new spec scripts every year since and thankfully have had every one of them optioned (hopefully one will get made!). And for me, it’s ALL about the power of those first 10 pages… (Thread)
#PipelineWritersUK
No wonder new writers are constantly confused. There’s a difference between overwriting and artistic choice. Version 1 feels clear, deliberate and evocative. Feels like the space matters. There’s no repetition or unnecessary detail. It’s not overwritten
Baby Reindeer is undoubtedly fantastically crafted TV. But for any aspiring writers watching it, don’t think that you have to mine your personal trauma to get something away. You can be influenced by it of course. But BR really is the extreme end of ‘write what you know’
Feels silly that I actually lingered (mostly silently) on Twitter for 11 years before I actually started using it to talk to other screenwriters and industry pros🤨🤦♂️
It’s so ridiculously impressive how so many screenwriters still produce work in between full time jobs, caring for children or family, carving out those precious moments to get words down. It’s amazing what can be achieved when you chip away 🔥🙌🏼
@uk_scribe
Okay I’m going pretty off-brand for a second because I want to offer some balance. Let’s be honest, when things aren’t going well it can be hard to see your peers flourishing when you’re feeling stuck. So, you want know how my writing year has been? 🧵
Just a reminder for any
@uk_scribe
lot getting BBC writersroom results. I submitted endless scripts and never got anywhere. And one of those scripts got me an agent and launched my career. Comps are not a reflection of your ability as a writer 🔥
Since we started
@uk_scribe
one thing I’ve noticed is a few different types of writers you see time and time again. For lolz, here’s a few examples (thread🧵)…
I seriously think that one of the most challenging things about screenwriting is managing your mental health. Insane high and lows, the vulnerability of putting yourself on the page over and over to make it into a product to be judged. No wonder imposter syndrome is a constant!🙃
Don’t forget, Craig Mazin wrote Scary Movie 3&4 and The Hangover 2&3 before Chernobyl and The Last of Us. It’s never too late to shift screenwriting lanes. A writer’s voice and style never stops evolving 🙌🏼🔥
I guess my point is that yes the industry can feel impenetrable. But you don't have to smash down a whole wall to get in. You just have to find and remove the right brick.
As a new screenwriter you have to be tenacious, you have to be bold and approach people, actual humans. Build those relationships, forge a reputation backed up by your work. PROACTIVE. As your work improves people will listen!
Had a great general meeting today. Realised that I find myself asking a quite a few questions of who I'm meeting. After all it is a two-way relationship. Here's a couple key questions I always like to weave in (thread)
There has been so much change in the last couple years when it comes to new writers breaking into the UK industry. So I thought I’d share what I’ve noticed via
@uk_scribe
and some trends 🧵👇
For all the difficulties of screenwriting and breaking into the industry, there are some wonderful professionals out there doing lovely things for new writers. It's all about passing that knowledge on. From one creative to another. You love to see it💛⚡️
Got a cool general meeting tomorrow. Trying to remember ahead of time what I'm watching because inevitably when I'm asked I'll forget what TV is and how to speak 🫠
Oh man. I'm utterly speechless (& a little emotional tbh, probably the fatigue😆) but these 2 weeks have been wonderful. Screenwriting can be a tough and lonely game so to feel everyone come together and celebrate our mad craft has been exhilarating. Now I'm off for a lie down💛
Wouldn't you love to be one of those mad casual screenwriters who post about an epic life changing project by quoting a Variety article fronted by an A-lister and just being like 'did a thing'
It's my birthday today and I'm kicking it off with an ice cold beer* and I can't wait for the bitchin' rave** coming later 🙌 What a way to turn 26***
*Coffee
**Nap
***35
🎂☕️🚀
I’m SO CHUFFED for each and every one of the hundreds of screenwriters I’ve had the pleasure of meeting and working with over the last 12 months. You should be so proud of what you have achieved in this shitstorm of a year. Here’s to the next step in 2022. Happy New Year🥂🍾🎉🥳
So much of screenwriting for me is about mentality. Not positioning yourself below other industry folk in terms of value. They need you and your stories- value yourself and your work. Everyone started somewhere✍🏻
So just know (and I’m saying this for myself as much as you) if you keep writing, keep producing new material and keep doing what you’re doing - your time for posting your wins will come. I guess that was pretty on-brand positive in the end, soz
Here's an idea, why don't we just create a
@uk_scribe
production company and funnel the wealth of talent we have to bring bold, exciting and diverse projects to the masses. Think of the writers rooms we could build!😆🚀✍️
Okay, what if we ran a free
@uk_scribe
writers course for those struggling in these expensive times. Plenty of places, not judged on ability but on passion, ambition and circumstance. Get a bunch of great guest speakers in, arrange some 1-2-1s. Maybe it could help? 🤔🤷♂️
Important thing I want to add: I'm NOT saying that comps are a waste of time. Far from it. I'm saying that not progressing in those comps is NOT a measure of the quality of your work. They have a criteria they're searching for.
This is just mad🤯Our 'little' free festival has shifted over 1700 tickets- with 3 weeks still to go!
So much crazy talent offering up their time. Something positive for all you screenwriters during these guff times. Let's get inspired!🚀
🎟️Free tickets on
Honestly there's so many new writers out there who's standard of work is absolutely good enough to be breaking through. I just hope that people can keep going amid this weird time & don't blame themselves for it not quite happening yet. It's a resilience game, now more than ever
I don't care how many times you've been around the block, when someone v. cool in the industry says nice things about your script, the confidence boost is priceless🔥🚀
Then I wrote the one. The script that nailed me as a writer, it was from my gut. It was an overwritten raw mess but boy did it work. I was now fizzing with urgency, attacking agents telling them THEY NEED to read this. And they did. I got two offers and chose one. New chapter
It's amazing how many writers who are still figuring out their creative screenwriting process think or say they're 'doing it wrong'...
You aren't doing anything wrong. That's why it's a process. It's only what's right and what's wrong FOR YOU 🔥✍️
Okay so following the mad success of last year I'd love to do another completely free online screenwriting festival for 2023. There's so much struggle out there right now so let's get together again and celebrate. Are we up for it?
@uk_scribe
#scribeloungelabs2023
🚀
Best thing about jumping into a new pilot script: rewatching a million brilliant pilot episodes and pulling at all the threads. The techniques, character intros, the teasers, the intrigue, the future, the past, the foreboding. What pilot eps do you always go back to?🔥🚀✍️
It cannot be stressed enough how important it is to cultivate your creative relationships. One minute someone is a trainee script editor, the next minute they could be an exec winning a BAFTA. Same goes for writers. You never know who's gonna rocket!🚀⚡️
Such a lovely surprise when I heard about this. Thanks to my amazing
@uk_scribe
team for thinking to nominate me for Mentor of the Year. What a list to be included in🙌🏼💛🥹
@thetvfoundation
@EdinburghTVFest
The lovely folk at
@bbcwritersroom
have picked up something I tweeted a while back - kind of an observation from overseeing
@uk_scribe
. They've turned it into a really cool blog with awesome graphics! Check it out 👇
Which Type of Writer Are You?🤔✍️ (*cough-Cheerleader🥸)
As writers prep and polish their submissions for our Open Call script window, we’d like to know: What Type of Writer are You? ✍️
Screenwriter,
@jamescapel
came up with a list and shared it on our blog:
Take a look and see which ones apply to you!
Comes up so often so I’ll repeat: No one wants to steal your ideas. There’s 100 ways to tell 1 story with a 1000 minute choices that make it unique to you as a writer ✍🏻🔥
That same script was entered into all the comps at the time including the writersroom. Didn't get anywhere. And yet to this day it's still opening doors for me. And it'll probably never get made, but it doesn't matter.
One of the most frequent pieces of feedback we get on
@uk_scribe
is writers looking for more opportunities to make connections in the industry. We've tried to figure out ways to do it. And so in early 2024 we're starting with something really exciting to help get things going🔥👀
It's here, it's happening! We're LIVE! The Scribe Lounge Labs 2022 free online screenwriting festival Sept 5th-16th. I'm BLOWN AWAY by how many wonderful talented people have offered up their time and expertise! It's gonna be mad💛
🎟️Free tickets on now!
Feeling pretty chuffed right now. 5 months ago me and friend had an idea over a margarita about launching an online community platform for
#screenwriters
. So I created a new twitter account and started chatting to people. Cut to now:
@uk_scribe
just hit 500 members🤯
Dya know, after years of writing TV pitches I think I'd been left feeling creatively stale. So this year I really wanted mix it up and write more interesting things. By the beginning of July I'll have written 2 features, rewrote a pilot and written a new play. Feels pretty good😊
Here we go folks. Submissions open until 5th December. While the outcome isn’t a reflection of your ability but more your suitability to their schemes, it is a clear deadline and a chance to put your hat in the ring. What have you got to lose!
As writers we're responsible for creating the seeds of what ends up employing hundreds. And right now it can feel pretty bleak and pointless to start something new. But we have to keep creating to fight back and prove our value as a world cinematic force. We have to keep writing
FADE OUT
THE END
Phew. That's the first draft of the next feature complete. It's raw, full of holes, underdeveloped, lacking in continuity and texture, it's basically shite but it EXISTS! Now to put it aside while I go back to TV for a bit. What are hooks again? 🥴
I moved to London with no contacts whatsoever. Trained and 'worked' as an actor for a few years while I finished my first scripts. I didn't know where to send them so I went to the usual channels, BBC writersroom, other comps. Got nothing back and so nothing from it.
Finished the year with a lovely phone call from the agent saying he loved the script I sent over. Excited to have a project I love go out to town in Jan.
Here’s to everyone’s latest work creating lots of exciting opportunities in 2023!🎄🚀✍🏼🍺
BBC exec told me my work wasn't ready but keep going. Come back when you have an agent. So I wrote another script, better again. This time I went only to agents. Feedback was ok but ultimately no joy. All the while friends are reading my work giving notes, helping me
I kept writing. Next script was a bit better but I wasn't satisfied with writersroom or comps so I started looking for people. Actual humans. I found some producers emails and starting bothering people asking for advice or feedback. My work wasn't ready so I didn't get any joy
Screenwriting is like constant pendulum of highs to lows. Every time I hit a low where it all falls apart (which is often) I chalk it all off and start again. I do this by writing something new. Forget the industry, rebuild from the page. Focus on the writing not the writer ❤️🩹🚀
Friendly reminder: when it comes to
@uk_scribe
I have no idea what I’m doing. It’s a complete accident, I’m just a writer with no experience in leading communities. I’m learning as quickly as I can along the way. It’s everyone’s patience and support that makes it possible🙌🏼🙂
So I wrote another script, better again. This time getting more hungry and tenacious I bothered lots of people at BBC, more producers, agents, anyone, everyone. The urgency was reflected in my work and people started to listen. Someone at the BBC invited me in for a meeting...
I refuse to treat writing as a competition. It's about nuance, bringing what YOU bring to the table. For every great writer, there is a producer out there looking for EXACTLY what it is that you do. You will find your champions, you just have to keep going✍️🔥
I'll be honest - I'm just a writer. I didn't know the first thing about running an online community. But I'm learning as fast as I can. 2024 is going to be about taking Scribe Lounge to the next level and giving our members as many reasons as possible to keep logging in💛
We did it!🤩
✨4000 Scribe Lounge Members!✨
When our little platform started nearly 3 yrs ago we never imagined we'd reach 40 let alone 4k. Thank you so much to everyone who has supported us, signed up, contributed, joined in, lurked, liked & helped keep our wonderful ethos💛
For any writers who submit to any of the amazing opportunities these lovely guys offer, being aware of these numbers going in will really help measure your expectations:
Scripts received in 22/23 - 5,964 🤯
Writers worked with - 110 (1.8%)
It's not a metric for your quality!
The BBC Writers team is thrilled to share our latest Annual Report covering activity and data for 22/23. We hope you enjoy reading about the many talented emerging writers we have worked with via our writer development groups and invite you to celebrate their successes with us.
I have such massive respect for anyone who has written and completed anything during all this. It's that kind of dedication and resilience that will see you get to where you want to be. Carve out those minutes, get those words down. You WILL make progress✍️🔥
So excited to make my TV writing debut tonight. Such a fun show and a series everyone is super proud of. Fun fact: my son was born in between drafts 1 and 2. The delirium was real.
Tonight on
@ITV
episode 3 of
#ColdFeet
at 9pm!
@ColdFeetTV
@bigtalk
@Kathrynoco
@kentonallen
Got to pull myself together for a meeting with a new exec/prod co this afternoon. Now I just need to remember how to speak. "Oh that script? Yeah I done a script. Me like words..."🥴
I mean who says that acting isn't the gift that keeps on giving. Just received an Equity invoice for Holby City for £7.06! Already winning on a Monday 🤩🍾Lolz
First ever school run this morn. Saw a Dad at the gates wearing one of those nipple out muscle shirts and flip flops carrying a scooter like it's a cocktail at an Ibiza beach bar. Clearly the lead in his own 2004 Judd Apatow movie. Excited to watch his progression🍸
It's the best thing when you meet writers who aren't thinking about the industry, getting a rep or winning a comp. They just write because they absolutely love it. And it always shows in their work. Shackle free, honest expression. Reminds me I always need to keep a bit of that🙌
This is a brilliantly articulated and contextualised thread on the state of our industry here in the UK. New talent needs a way in. And right now the system is rigged to keep the already successful succeeding. It has to change 👇🏻🧵
🧵Today is the last day of filming
@BBCDoctors
A show that has run for 24 years, employed thousands of people, produced more than 4,500 episodes, will call ‘cut’ for the final time. As a writer on the show for the past 19 years I’m personally impacted along with hundreds 1/
Having met hundreds of new writers over the past few months it's sent me on a weird mental rollercoaster with my own work. From sheer panic that my ideas are shit, wanting to up my game and branch out - all the way back to re-evaluating what it is I do and to trust my instincts
If you didn’t progress in the latest BBC Academy call out just remember that it isn’t a direct reflection of your ability as a writer. As always, they’re looking for very specific things. The more the rounds progress, the more specific they get ✍🏼💛
Woken up feeling extremely proud today. Since November we've literally gathered a huge community of amazing screenwriters out of nothing, who are helping each other (and me) in ways I never imaged. I'm so grateful to everyone who has supported
@uk_scribe
You guys rock💛
Proud to be representing
@uk_scribe
as host of a live Q&A tonight at
@RoundhouseLDN
- we’ll be chatting about ‘Writing Your First Screenplay’. Something I failed miserably at! Can’t wait to share how 😆🙌🏼🚀
There we go. New TV spec delivered to the agent📨No idea if it works properly or not. But I had some themes and sensibilities I was desperate to showcase and I've done that so whatever happens, it's mission accomplished🔥
Starting something cool this month, helping 4 writers go from idea to script in 6 weeks. Be rude to not join them in the process! Absolutely buzzed to write a new spec🔥🔥
This is just how things go. Some years are great, some are crap. But one thing we can’t do is judge ourselves against other people and wonder why it’s not happening to us because truth is they’ve probably had a shit time too and they’ve earned their win. And so will you
You know all those tiny details you weave into your work that you just assume are weird mundane quirks from your own life...? That's the stuff that makes your work unique. Lean into it 🔥✍️
Another thought from reading comp TV scripts: Get that premise established! Lose the set up, the meandering character building and chuck us in at the deep end, we can handle it! Who are we dealing with? Why do they have this dilemma? & what's the 'mission' in front of us...🔥🚀
Was recently asked by a producer what's my biggest strength that I bring to a writers room. Hard question but I think it's an eye for emotional hooks within a story and maybe knowing how to maximise their impact. That and neat handwriting 😆 What's yours?
@uk_scribe
Excited to have a new project lift off today, again from a 1 pager. I cannot tell you how much I've learned lately from the
@uk_scribe
writers, reading and discussing their material. It's helping push my own work to the next level (something I wished I'd done years ago!)✍️🔥
You really don’t have to be at the top of your game to help other writers around you. Even if you don’t have experience, you can still be an empathetic reader and understand what makes a great story. Sometimes all people need is someone to listen🔥🙌🏼
I cannot tell you how inspiring it is to read up-and-coming writer's work. The boldness, fearlessness, no creative shackles, no broadcaster expectations - just their passion and instinct on the page. Shit me, we all need to keep raising our game 🙌
So exciting when you read a script where a writer has really thought about how they're introducing their lead character. It's amazing how much info it's possible to get across about a character in an opening. It's your chance to be bold - iconic✍️🔥
Always a mega buzz when the agent calls raving about the new spec. Channelled everything I've learned from
@uk_scribe
over the past year into it. Can actually feel my writing evolving🔥🔥
Going into 2024 with some pretty simple goals:
✨Appreciate what I have
✨Push myself creatively
✨Learn from the failures
✨Do what I can
And mostly
✨Find as much joy as possible
Happy new year everyone🥂🍾