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The Idolcast Podcast

@idolcast

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American fan of Asian pop culture; idol expert; 日本語 OK All opinions my own; I'm just a hobbyist; if you don't like me, move along.

Joined June 2021
Don't wanna be here? Send us removal request.
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@idolcast
The Idolcast Podcast
15 days
Still working on the track list but the notes are up for Episode 79: "If You Can Believe Your Eyes and Ears", an in-depth look at one of my favorite groups--the Mamas & the Papas!!
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@idolcast
The Idolcast Podcast
2 years
Not to add to the ratio but this is exactly the kind of poor journalism that we discuss in the episode I posted today. More than anything else it demonstrates how unseriously these publications and journalists take Kpop and idol music.
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@idolcast
The Idolcast Podcast
1 year
Like I'm sorry but anybody who thinks Super Junior or TVXQ or BigBang in the mid-2000s were sitting around with Silver Spoons in their mouths collecting paychecks and trophies is just living in a fantasy world.
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@idolcast
The Idolcast Podcast
2 months
All of the dirt leaking out... it feels like K-pop fans have finally had enough with the company's business practices and with the Hybe fandoms.
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@idolcast
The Idolcast Podcast
29 days
Every single K-Pop boy group that followed, followed in their shadows. Nobody has come close to surpassing their influence. TVXQ x BigBang are the dual pillars of K-Pop.
@junslayed
🔫
30 days
sm cadet junsu was shocked by yg big bang's free style
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@idolcast
The Idolcast Podcast
8 months
New post on "K-Pop" minus the "K"
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@idolcast
The Idolcast Podcast
1 year
I've spent a lot of time digging through 2000s K-Pop history the last few weeks and it really is sad how much of this has been completely memory-holed. I see stans today referring to "the big 3" as this holy trinity that has existed since the dawn of time and it's just not true.
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@idolcast
The Idolcast Podcast
3 months
I've been following Hybe's investment in vocal AI for a while. That's where they've been investing instead of in their talents' vocals. Who needs human voices when you can just generate "good" vocal takes via AI?
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@nickajames
The Bias List
3 months
Instead of shaming idols for not singing well (which is just mean), we should be shaming agencies for not making singing a priority.
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@idolcast
The Idolcast Podcast
2 years
Kpop (the genre) is not nearly as popular in America as the media play insists and the current generation of fans is more likely to be siloed into fans of their respective groups rather than "Kpop" as an industry. Like I keep saying:
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@billboard
billboard
2 years
Broadway's ‘KPOP’ musical is closing after 44 previews and 17 regular performances.
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@idolcast
The Idolcast Podcast
2 years
Take this statement: an outright lie. It was not unusual but rather extremely on trend. When BTS debuted in 2013, they were following in the immediate wake of extremely popular hip-hop based groups Block B (debuted 2011) and BAP (debuted 2012). Not to mention BigBang (2006).
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@idolcast
The Idolcast Podcast
2 months
Tbh I think they took it more seriously before. The "K-Pop" brand has become toxic.
@cierabyul
Ciera 씨에라 ⭐
2 months
ngl i went half my life not caring if the general public took kpop seriously lol
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@idolcast
The Idolcast Podcast
2 months
Sadly, this is what I've found. The colonization of K-Pop fan spaces by ignorant and incurious outsiders has been unfortunate but the real awful part has been the wave of "K-Pop academia" and "K-Pop journalism" by those same types. Writing essays on nonsense and call it fact.
@SUJI96808
G-Dragon of EXO
2 months
The reason a lot of groups that took part in creating k-pop are now discredited is because k-pop stans are pretty much PROUD of their ignorance. You don’t know some of the biggest groups in kpop? Then you are in absolutely NO POSITION to talk about kpop history and how it
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@idolcast
The Idolcast Podcast
1 year
YG Entertainment was a small independent firm when BigBang debuted in 2006; SM was a small independent firm when HOT debuted and they struggled for YEARS afterwards. All through the mid-2000s.
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@idolcast
The Idolcast Podcast
2 months
Rain with Stephen Colbert in 2008; BigBang at TRL Studios in 2006; Hyun Jin-Young filming in LA in 1993; a rave from the Village Voice for 2NE1 in 2012.
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@chaelisastoe2
❦Risa
2 months
“No group would be able to make it out of Korea” just a reminder that wonder girls was the first Kpop act to enter the billboard hot 100 in 2009.
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@idolcast
The Idolcast Podcast
1 year
Trax, milk, black beat... remember these? No? Nobody else does either because they're all flopped mid-2000s SM acts. They didn't have any silver spoons...
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@idolcast
The Idolcast Podcast
4 months
The recent surge of K-Pop fans into J-Pop spaces has been interesting. Projecting K-Pop structure onto companies like Avex is kind of the reverse of stans projecting American industry structure onto K-Pop companies...
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@idolcast
The Idolcast Podcast
3 years
With all the BigBang discourse, I'm inspired to pick back up on the MADE episode I was working on. New fans to Kpop post 2018 do not understand the extent to which we're all still living in BigBang's world. Nobody has come along to replace them as Kpop Trendsetters.
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@idolcast
The Idolcast Podcast
2 years
Winner really are the "boy next door" Kpop idols in the same way HOT were. I hope I get to see them again live in the future!! Still one of the best concerts I've been to!
@winnerperfs
WINNER Live Stages
2 years
Everyday #WINNER #위너 (May 2022, Daedongchae Healing Concert in Busan)
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@idolcast
The Idolcast Podcast
2 years
I've really been enjoying the #WINNER_HOLIDAYinTheCity guerrilla concert footage today. The crowd was incredible and Winner are such great performers. In a lot of ways it feels like they've been re-introducing themselves to the public post hiatus.
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@idolcast
The Idolcast Podcast
10 months
Tsuyoshi doubling down on any excuse to speak Korean
@neet21_
dff
10 months
What’s the most out of pocket Johnny's moment?
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@idolcast
The Idolcast Podcast
2 months
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@Espressoiinggme
Kun ✨
2 months
So they went around in award shows preaching about "making music the right way(not cheating)" trying to shade others while they were themselve doing chart manipulation? 🤨
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@idolcast
The Idolcast Podcast
2 years
Nice to see a journalist tackling this problem of Kpop cyberbullying--and the whitewashing of it by Professional Fans. We talk about it in the episode I'm currently editing.
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@koryodynasty
Raphael Rashid
2 years
Cyberbullying by K-pop fans must stop. Be it intimidation, racism, misogyny, or outright death threats, trying to downplay the problem is part of it. Being a K-pop fan does not exclude one from being a bully. Meanwhile, labels keep quiet.
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@idolcast
The Idolcast Podcast
1 year
"Pre-existing" idols? I'll never get over the way the dominant fandom narrative requires stans to pretend that the K-Pop ecosystem sprung forth fully formed, with the Big Three and music show voting and Perfect All Kills just invented out of thin air.
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@idolcast
The Idolcast Podcast
8 months
I love the lady who was so overwhelmed she started hitting her boyfriend 😂😂
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@idolcast
The Idolcast Podcast
8 months
HOLY SHIT I haven't seen an idol command a room like this in ages. This video is incredible:
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@idolcast
The Idolcast Podcast
2 months
I'm sure there's more to come in the ongoing Hybe/Ador saga but what I find interesting so far is the confirmation of things we long-time Hybe watchers have strongly suspected. The extremely cozy relationship with the media; the metrics obsession; the focus on beating SM, etc.
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@idolcast
The Idolcast Podcast
6 months
This "discovery" of BigBang/GD&TOP/2NE1 by the critical sphere is a big part of one of my upcoming episodes. Stans today are largely unaware of the big role this played in paving the way for K-Pop in the US especially.
@elite_gz
jaime brooks ☭
6 months
i was the first one playing k-pop for the rock kids. i wrote about it for pitchfork. everybody thought i was crazy
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@idolcast
The Idolcast Podcast
2 months
This is sadly common. Partly due to the metrics arms race where the benchmark for "hit" album has been set way beyond any ties to actual human listeners and partly due to things like photocards and other bonuses. In Japan Seventeen has a very robust card trading fandom...
@Shibuya_news_03
渋谷NEWS
2 months
渋谷公園通りにseventeenのベストアルバムがダンボールごと廃棄されていました…これは酷い… #SEVENTEEN #セブンティーン #세븐틴
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@idolcast
The Idolcast Podcast
2 months
Not that the Big 3 era was perfect but at least the quality of the music was good and the groups were entertaining.
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@idolcast
The Idolcast Podcast
8 months
Kimura Takuya for KANEBO in the late 1990s This series of ads was so popular, women would rip them down in the subway to take home.
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@idolcast
The Idolcast Podcast
2 years
@rogue_taeminbot @topgirl207 It truly was. I don't understand how these outlets are STILL getting K-Pop so wrong in 2022. It's like fact checking doesn't exist. Nothing exists before the author received a press release 3 months ago.
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@idolcast
The Idolcast Podcast
2 months
Live from Hybe HQ lmao
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@idolcast
The Idolcast Podcast
3 years
Yoon! I was thinking about this the other day but Yoon's run on King of Masked Singer was kind of his T-Pain Tiny Desk Concert moment when people who hadn't been paying attention were like, oh wait the Really Really guy can REALLY REALLY SING.
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@idolcast
The Idolcast Podcast
2 years
A lot of Japanese vocabulary I later learned was not typical women's speech. 😅😅😅
@CDJapan
CDJapan
2 years
Would you tell me what have you learned from Johnny's groups? Comment us here.
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@idolcast
The Idolcast Podcast
1 year
Watching the documentary. I'm at 2:15 and he's already claimed Johnnys dominated the market since the early 1960s (false); used fan video of Sakurai Sho at NY Comic Con in 2009 to illustrate "fans all over the world"; and spoke over an idol, denying the idol's own reaction.
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@idolcast
The Idolcast Podcast
2 years
I know I've said this before but in many, many ways K-Pop boy groups have been following BigBang's mold for at least a decade. They have yet to be overtaken:
@justasnidge
⚡️
2 years
boy groups circling back to these outfits 10 years later has been funny
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@idolcast
The Idolcast Podcast
2 years
A little post on some thoughts I've been working through on G-Dragon's Elvis cover:
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@idolcast
The Idolcast Podcast
2 years
And here's B.A.P. in 2012
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@idolcast
The Idolcast Podcast
10 months
Arashi doing their best Takarazuka dancing -- wait for Matsujun's "YAH!"
@neet21_
dff
10 months
What’s the most out of pocket Johnny's moment?
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@idolcast
The Idolcast Podcast
2 months
Can we please let the myth of the "organic" group end now?
@idolcast
The Idolcast Podcast
2 months
I'm sure there's more to come in the ongoing Hybe/Ador saga but what I find interesting so far is the confirmation of things we long-time Hybe watchers have strongly suspected. The extremely cozy relationship with the media; the metrics obsession; the focus on beating SM, etc.
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@idolcast
The Idolcast Podcast
2 months
🧐😑😑😑 This book won't help you understand what K-Pop is and how it works but it will help you understand the narrative being promoted around a certain group. So I guess that's maybe helpful to "parents perplexed by army offspring."
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@TheEconomist
The Economist
2 months
In less than a lifetime, South Korea went from being a poor country to becoming an economic and technological powerhouse. But there are dark sides to this success story 👇
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@idolcast
The Idolcast Podcast
1 year
This is a hilariously bad list.
@RollingStone
Rolling Stone
1 year
K-pop is a multi-billion-dollar industry, now embraced globally across generations and cultures. Rolling Stone ranked the 100 best Korean pop songs ever made.
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@idolcast
The Idolcast Podcast
1 year
"There's so little differentiation between these guys" Yes, because you're looking a wall of Sakurai Sho pictures my dude. If this is what the documentary is like... 🥶🥶🥶
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@idolcast
The Idolcast Podcast
2 years
Tokio and the chocolate objects game 😂
@NindyMamori
Nindy_i ❤️👑
2 years
@johnnysfess share video talent janis yg bikin ngakak dong 🙏😂
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@idolcast
The Idolcast Podcast
10 months
The song/MV that was the personality of at least one generation of idols to follow... Legend.
@todayin2ndgen
2nd Gen Anniversaries
10 months
10 years ago today, G-DRAGON released the music video for ‘CROOKED’.
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@idolcast
The Idolcast Podcast
2 months
Being proudly ignorant of Korean popular music before a few years ago when it's been part of the music industry conversation in the USA for decades. How else did JinuSean get Cypress Hill to guest on their album in 2001? "Nobody" heard of Korea or just you?
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@idolcast
The Idolcast Podcast
1 year
Some of the screenshots I've seen going around are either incredibly petty or just full of misinformation and distortions. I'd take anything written in that book with a massive grain of salt.
@TmiTwo
timi ☺️
1 year
Fanwars have always . Now we are talking about they openly feeding his insane pack of hyenas. Maybe, hybe felt that army had become insufficiently motivated and angry in the solo era. Lol
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@idolcast
The Idolcast Podcast
1 year
"Unfortunately Glam never caught on" 🤔🤔 I suppose that's one way to say it.
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@idolcast
The Idolcast Podcast
5 months
I've been listening to this live CD in the car a lot recently and this track gives me chills every time. Gorgeous arrangement of Haru Haru. I love how fresh it still sounds. We didn't know how good we had it until it was gone #BigBang
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@idolcast
The Idolcast Podcast
5 months
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@idolcast
The Idolcast Podcast
8 months
When I say neither a certain boy group nor K-Pop generally are known to normies and locals, this is what I mean. After 7 years there's no bigger recognition in the USA outside of "generic K-Pop boy band" = ***
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@idolcast
The Idolcast Podcast
2 years
This is something I've been pointing to for a long time. The fact that BigBang is still charting so well with a single, completely unpromoted song just shows that they are still most popular boy group in the domestic market.
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@JoongAngDaily
The Korea JoongAng Daily
2 years
Boy bands are nowhere to be found gracing the top spots of streaming charts. At this rate, #BigBang is the only boy band to have secured a spot on the 2022 annual #Melon Chart, while it remains uncertain if #BTS 's #YetToCome will do so. #Kpop
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@idolcast
The Idolcast Podcast
10 months
Kanjani8 as human sushi
@neet21_
dff
10 months
What’s the most out of pocket Johnny's moment?
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@idolcast
The Idolcast Podcast
3 years
ABCZ didn't have a CD single "debut" until 2015 with "Moonlight Walker". They were/are a performance/stage focused unit and their first run of "DVD singles" were all done in one shot, no special effect tricks and acrobatics choreographed by the members.
@MidoRin_1224
Rin 💚 (‘◇‘ )
3 years
Since Johnny’s Fes is allowing everyone to get a taste of and possibly get into other Johnny’s groups (I know I am 😆) … QRT something new fans should know about your fave Johnny’s group(s) and/or fandom✨
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@idolcast
The Idolcast Podcast
2 months
Just pure NONSENSE! "Semiotics" that doesn't engage with the corporate marketing; lyrical analysis relying purely on fan translations; access journalism done without question. Very little engagement with the musical content, the music history in context, or anything of substance
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@idolcast
The Idolcast Podcast
4 months
I was discussing this with some other old time fans and it used to be the pipeline ran from J-Pop to K-Pop. Johnny's fans -> SHINee or AKB48 -> Girls Generation. As "K-Pop" stagnates artistically, the flow has reversed.
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@idolcast
The Idolcast Podcast
1 year
A friend passed this along. I just find it so fascinating that Seo Taiji and Boys has been retroactively canonized as the "first Kpop group" when the truth is a lot more complicated.
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@idolcast
The Idolcast Podcast
2 months
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@SHM_Colorado
Brooke Fu*KTheNRA🟧🟦🇺🇸🇰🇷BLM 🏳️‍🌈🏳️‍⚧️
2 months
PSA: Kpoppies, especially moots, the "right person/group, wrong place 🇰🇷" trend is not a flex. Y'all sound racist AF. If Korea offends you that much, well... Your faves are Korean/Asian and will be until they leave this earth. You, however, are free to leave Kpop.
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@idolcast
The Idolcast Podcast
2 months
Incredible bit of hagiography to release in the middle of the meltdown happening at home 🤪
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@Variety
Variety
2 months
'Hitman' Bang, the Powerhouse Behind BTS, on His Expanding Music Empire, HYBE, and His Shift into Gaming
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@idolcast
The Idolcast Podcast
5 months
"Something that had never been tried before... Hip Hop Idols." Looking back at the early era of #BigBang you can really see the seeds of that later boom of hip hop idols to follow. Paving the way, if you will...
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@idolcast
The Idolcast Podcast
5 months
And we're live! Part 2 of my #BIGBANG M.A.D.E. series is up, covering 2006-2008.
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@idolcast
The Idolcast Podcast
2 months
Sorry, I'm still laughing about "no sex and drugs in our rap, please, we're K-Pop fans" 😂😂😂
@idolcast
The Idolcast Podcast
2 months
🧐😑😑😑 This book won't help you understand what K-Pop is and how it works but it will help you understand the narrative being promoted around a certain group. So I guess that's maybe helpful to "parents perplexed by army offspring."
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@idolcast
The Idolcast Podcast
2 months
This has been obvious for a while. Things that would have been covered as scandals in other idols/companies are ignored or whitewashed...
@pannatic
pannatic
2 months
K-Netz Uncover Dispatch's Bias Towards HYBE Amidst HYBE-ADOR Controversy #Dispatch #HYBE #ADOR #디스패치 #하이브 #아도어
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@idolcast
The Idolcast Podcast
2 months
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@pannchoa
pannchoa
2 months
NewJeans' performance directors finally speak up against Hybe stealing their work for ILLIT after finding out that their latest choreography for NewJeans' McDonalds ad was allegedly stolen
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@idolcast
The Idolcast Podcast
3 years
We still see their influence trickling down in art design, sound, even group composition. In many of the ways that count, BigBang defined and continues to define Kpop.
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@idolcast
The Idolcast Podcast
3 months
Hybe unleashing that sweet, sweet vulture capitalism on the industry... the enshittification will continue until morale improves. I've said it before but the Weverse suite of sales and fan management tools is Hybe's main product. The "music" is just a loss leader.
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@pannchoa
pannchoa
3 months
OP talks about missing KPOP when Hybe didn't exist
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@idolcast
The Idolcast Podcast
1 year
The Dark Side of Kpop narrative is played out so we move to the Dark Side of Jpop... the charges against Kitagawa have been in the English press for over 20 years: Kitagawa won an initial libel case but it was overturned by a higher court.
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@JamesHadfield
James Hadfield
1 year
Bring it oooooon.
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@idolcast
The Idolcast Podcast
6 months
Pre-debut #BigBang
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@idolcast
The Idolcast Podcast
3 months
@mastermistres14 Stans need to understand that Hybe's priority is IP and tech, not music.
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@idolcast
The Idolcast Podcast
2 months
You can only treat your fan base as ATMs for so long...
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@idolcast
The Idolcast Podcast
2 years
Absolutely incredible!! I cannot believe I'm seeing Johnny's & Associates on American TV! Let's go to Hollywood!!!! #TravisJapan
@AGT
America’s Got Talent
2 years
Travis Japan brought the #AGT trifecta: personality, talent, and lotsa glitter!
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@idolcast
The Idolcast Podcast
5 months
TFW it's 2008 and you're K-Pop's no. 1 noona-slayer.
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@idolcast
The Idolcast Podcast
10 months
😂😂😂 Oh do "we all know" that?? The refusal of "academic" super-fans to understand the group in the context of K-Pop is fascinating. It means everything the group does is exceptional because their fans don't acknowledge what has been done by the rest of the industry.
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@idolcast
The Idolcast Podcast
8 months
@ArcticEllie Lollll! I'm sure he is salty about that. They threw EVERYTHING at trying to get that exemption.
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@idolcast
The Idolcast Podcast
7 months
Very excited about this new episode series I'm working on. Coming at some point in the nearish future... a look at BigBang and the song series I consider the artistic high point of K-Pop: MADE.
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@idolcast
The Idolcast Podcast
3 months
100% and it doesn't help that the stan narrative of great artists doing "music for healing" exists parallel to the reality we all hear in those encore stages.
@cierabyul
Ciera 씨에라 ⭐
3 months
this is probably year 6 of discussion about hybe's lack of vocal training. its clearly not a priority if their artists are gonna get support in spite of that. however, when they put them on big stages, of course they're leaving artists open to criticism on their exposed faults.
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@idolcast
The Idolcast Podcast
1 year
Legend Saijo Hideki sang the opening song to the Japanese version of Emperor's New Groove 🤩🤩
@Azumoff_lchabod
Azumoff
1 year
ディズニーオタクしか知らないトリビア『西城秀樹がディズニーソングを歌ったことがある』
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@idolcast
The Idolcast Podcast
1 year
So much from this era has been erased or written out of the "K-Pop narrative" as inconvenient. Histories today jump right from Seo Taiji to the mid-2010s.
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@idolcast
The Idolcast Podcast
3 years
It really is incredible how a group that hasn’t released any music in 5 years still dominates Kpop discourse.
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@idolcast
The Idolcast Podcast
8 months
Time to bring this back on the impermanance of K-Pop.
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@OneHallyu
OneHallyu
8 months
OneHallyu Will Be Closing at the End of 2023
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@idolcast
The Idolcast Podcast
5 months
YES!!!!! It really doesn't help that every article written past 2018 pretends the years from 2006-2018 do not exist. "... and then a rap position happened by magic mysteriously"
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@thatkpopauntie
thatkpopauntie
5 months
@idolcast Looking forward to this series. My sisters introduced me to BB back in 2008/2009 and to say they were THE tastemakers and epicenter of K-pop's rise and relevancy is an understatement. The MADE album release was a cultural shift that I wish newer kpop fans could grasp.
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@idolcast
The Idolcast Podcast
8 months
In the last episode we talked about K-Pop's Larry Stylinson moment... perhaps it's coming sooner than we expected. Holland was absolutely right. Shipping can be fun but don't take it into the real world. And FFS don't harass idols with it.
@Koreaboo
Koreaboo
8 months
HOLLAND Apologizes For Now-Deleted Statement About Shipping Male K-Pop Idols
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@idolcast
The Idolcast Podcast
1 year
Just recorded a fun episode on the Johnny's documentary, J-idol fandom, and how the media often gets it wrong. Do I use this as an excuse to bring up that 2014 Japan Times article about how Sexy Zone should do drugs? Yes. Yes, I do.
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@idolcast
The Idolcast Podcast
3 years
Blow Up Hideki was ground breaking. Really worth a watch if you can find it.
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@idolcast
The Idolcast Podcast
27 days
I've been pointing to this company's pivot away from music/talent and towards platforms for YEARS. Glad to see everyone else catching up.
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@TheKoreaHerald
The Korea Herald 코리아헤럴드
27 days
Binary Korea, a subsidiary of K-pop powerhouse Hybe, will officially launch the country’s first creator fandom platform, “Theus,” on June 22, the company said Monday.
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@idolcast
The Idolcast Podcast
5 months
I got hounded for saying exactly this last year but it's true. A decade ago, K-Pop was positioned as an innovator but that reputation has vanished. Which both is and isn't fair. Some companies (and artists) lean far harder into the emulation...
@arcticminkey
arctic minkey 🗝️🔮✨
5 months
instead of positioning themselves as the new innovative pop player in the game, kpop companies have decided to emulate what already saturates the western markets. it’s baffling.
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@idolcast
The Idolcast Podcast
1 year
This has nothing to do with music or idols. The way H*be has moved over the last few years has been about trying to consolidate all of "Kpop" onto a single proprietary app: W*verse. They don't care what you consume as long as you do it on W*verse.
@kchartsmaster
Kpop Charts
1 year
According to media outlets, Min Hee Jin and Bang Si Hyuk are being appointed as potential new directors for SM Entertainment.
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@idolcast
The Idolcast Podcast
5 months
The number of people who care about presenting an accurate history of K-Pop in English is so vanishingly small that it makes sense that 90% of what’s on offer is stan lore and aggressive PR. But it doesn’t make it less frustrating for the 10% of us who want to actually understand
@idolcast
The Idolcast Podcast
5 months
New post!
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@idolcast
The Idolcast Podcast
8 months
👇👇👇 This is something I've talked a lot about re: K-Pop "Journalism," most of which is either access journalism/copy-paste press release stuff or stan journalism.
@BenjaminGoggin
Ben Goggin
8 months
The rise of the stan journalist who always gives glowing reviews of the artists they love is one of the best encapsulations of how social media has poisoned parts of the media. To score points with their favs stan writers give positive coverage the stars they're obsessed with.
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@idolcast
The Idolcast Podcast
1 year
I'm sorry this documentary is extremely irresponsible and just poor journalism. The victims deserve so much better.
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@idolcast
The Idolcast Podcast
6 months
When BigBang debuted in 2006 they were called the "Super Rookies" and had a deal lined up with Tony Ahn's Schoolooks uniform company before their first single had even dropped! The excitement was real. Thousands of fans showed up for fan events. "Tempo" and "Taekwon"
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@idolcast
The Idolcast Podcast
9 months
The framing of that Time article is interesting because it's feels like apparently there is only narrative in the K-Pop media for boy groups and it's been this one since like 2010:
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@idolcast
The Idolcast Podcast
5 months
This is the first in a series of episodes looking at the musical evolution of #BigBang and you know I had to start at the very beginning... with G-Dragon and Taekwon.
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@idolcast
The Idolcast Podcast
2 months
The BBC has nothing better to do than trawl Asian entertainment for scandals to exploit?
@kchartsmaster
Kpop Charts
2 months
BBC releases documentary of the Burning Sun scandal, with exlcusive pictures and chat groups recording.
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@idolcast
The Idolcast Podcast
8 months
Pleasantly surprised at the positive response to this! Thank you for reading! 🎶
@idolcast
The Idolcast Podcast
8 months
New post on "K-Pop" minus the "K"
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@idolcast
The Idolcast Podcast
3 months
This is the problem with the "-Pop" suffix. K-Pop IS the export idol industry by design. "J-Pop" is 邦楽 of which the idol industry is only a part. The market for a "J-Pop news site" covering everything from King Gnu to Starto to the live house scene is vanishingly small.
@mbmelodies
Patrick St. Michel
3 months
problem with creating a "J-pop news site" is that the industry's reality (and strength) lies in how all over the place it is, making it hard for any coherent focus to emerge. K-pop, meanwhile, is presented as all idols, making it easier to specialize
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