craig keller @evillights Twitter profile

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craig keller

@evillights

4 years

A bump to watch my latest film for free on VImeo HD, I THROW TWO SHADOWS: FAIT ACCOMPLI 2. Perfect for the holidays.

I Throw Two Shadows: Fait Accompli 2

written, directed, and edited by Craig Keller starring Caroline Partamian produced by Jeffrey Gardener

vimeo.com

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Last Seen Profiles

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craig keller

@evillights

6 years

One of the movie events of the year — @Zak_Bagans on a video Skype interview with Kenneth Anger on tonight’s new #GhostAdventures

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craig keller

@evillights

9 months

"There is a fantastic thing that Godard used to say: In the old days, they made silent films and you understood everything, without words. You understood more than the story, you understood how people suffer and why." –Pedro Costa, 2023

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craig keller

@evillights

5 months

Haunted by this video. Bittersweet. Because this is the perfect glimpse/art-output of the 1990s. It was cool just to make cool shit. And this little 8mm thing is like 40,000 times cooler than anything now. And somehow had way more deep cultural influence than a million YT views.

SurfSkateThrash

@SurfThrash

5 months

Guided By Voices I Am A Scientist Bee Thousand (1994) Matador Records

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craig keller

@evillights

4 months

Not hyperbolic. He’s the greatest living filmmaker.

Josephine (Mistress Dread)

@JosephineDocma

4 months

Fucking hyperbolic statement, I know, but this two shots made me realize that Pedro Costa is one of best and most important filmmakers of the 21st century.

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craig keller

@evillights

9 months

“I like Eastwood’s films — even the one with the stupid monkey.” –Jacques Rivette, 1996

Gummy Arts

@gummyarts

9 months

“Every Which Way But Loose” was released on this date in 1978.

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craig keller

@evillights

1 year

If you torrent stuff, you’re basically crossing a picket line. If you want to keep doing it, shut the fuck up about it on Twitter. You’re basically saying “fuck you” to my and many’s living. I don’t mind when you need to take screengrabs, but other than that fuck you back.

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craig keller

@evillights

2 years

FUNNY WARS by JLG was apparently completed and runs 20 minutes and will be at Cannes. Aragno and Grivas are working to complete SCÉNARIO according to his prehumous instructions.

erickohn

@erickohn

2 years

This week’s column breaks news about Godard’s final movie going to #Cannes and unearths details about The Weeknd’s ambitions as an auteur, including an attempted remake of ICHI THE KILLER with Paul Schrader

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craig keller

@evillights

1 month

João César Monteiro Blu-ray Complete Films Box Set Spectrum French/English Subtitles 12 December 2024

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craig keller

@evillights

9 months

It can be revealed — @FilmsRadiance will be releasing the new restoration of Jacques Rivette’s epic 4-1/2 hour L’AMOUR FOU on Blu-ray. I put together the booklet.

Radiance Films

@FilmsRadiance

9 months

Coming with extensive new extras including a feature length doc, video essay by @AdrianMartin25 and @laughmotel , interview with Caroline Champetier, extensive booklet by @evillights and new artwork. Coming to cinemas soon and on disc

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craig keller

@evillights

2 years

Godard committed assisted suicide yesterday. He wasn’t ill; he had just had it. Libération reports.

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craig keller

@evillights

1 year

I've translated into English the Cahiers editor-in-chief Marcos Uzal's first impressions of Jean-Luc Godard's TRAILER OF THE FILM THAT WILL NEVER EXIST "PHONY WARS," from the Cahiers website:

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craig keller

@evillights

4 months

All hail Rivette and CÉLINE ET JULIE VONT EN BATEAU, fifty years old as of today. A life-changing work for me.

ZitaShort

@Zita_Short

4 months

Joyous and strangely moving. The film that allowed me, as a fledgling cinephile, to get into more experimental French cinema.

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craig keller

@evillights

1 year

My 2-hour film interview with Pedro Costa from the early 2010s. Someone liked it today and given Pedro's recent interview thought it would be a good time to repost:

Finding the Criminal

A 2010 interview film with Pedro Costa filmed in late 2008, featuring Craig Keller and Andy Rector. directed and edited by Craig Keller. camera and sound: Sam…

vimeo.com

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craig keller

@evillights

4 years

Greatest thing on Friday was Drew Barrymore having to acknowledge Errol Flynn stole John Barrymore’s corpse for one last party (cc: @KarinaLongworth ) and Drew declaring, “Defile my corpse too.” I find this very moving, I love Hollywood unabashedly

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craig keller

@evillights

4 months

"But mainly, [Fabrice Aragno] says, he is helping to establish the Jean-Luc Godard Foundation, renovating an old factory in the director’s home town of Rolle. This will serve as an exhibition space and archive, but principally it will provide a seedbed for young artists."

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craig keller

@evillights

3 months

Here's something: tonight late on TCM, they're screening Pedro Costa's OSSOS followed by COLOSSAL YOUTH.

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craig keller

@evillights

1 year

Ever see a shot from the Dylan sequence in Dennis Hopper’s BACKTRACK?

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craig keller

@evillights

1 year

New Harmony Korine movie coming later this year, exploring the aesthetics of gaming.

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craig keller

@evillights

8 years

. @60Minutes @CBSNews Will you cover the angle on Cernovich where he publicly smeared @VicBergerIV with fake accusations of pedo-ring'ing?...

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craig keller

@evillights

1 year

Today is the world premiere at Cannes of Jean-Luc Godard’s first of two posthumous films — TRAILER OF THE FILM THAT WILL NEVER EXIST “PHONY WARS.” In time we will see the completed version of his second, SCÉNARIO. It is a solace. Thank you to Fabrice Aragno, Jean-Paul Battaggia,

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craig keller

@evillights

10 months

RIP Jane Wodening Brakhage

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craig keller

@evillights

8 months

Just a note that CS published some startling texts in its time. It ran, for example, across two successive issues, B. Kite’s 15,000 word or so consideration on Jacques Rivette, a high point in English-language film writing.

Cinema Scope

@CinemaScopeMag

8 months

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craig keller

@evillights

1 year

Rivette’s top films of 1968 (reprinted from TEXTES CRITIQUES, taken from the Feb ‘69 issue of Cahiers no. 209) —

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craig keller

@evillights

2 years

I'm sorry but there is absolutely no racism in John Ford. I have to assert that that's the case. It's like saying there's racism in Faulkner. Ford was among the most progressive directors of the bygone era.

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craig keller

@evillights

5 months

The first images from Godard’s final film, SCÉNARIOS, have been released (alongside images from Aragno’s EXPOSÉ… film documenting JLG’s final time).

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craig keller

@evillights

5 months

Post-SCÉNARIOS by Godard, in its entirety I believe, we have words from Fabrice Aragno and Mitra Farahani.

#Cannes2024 - #Scénarios Godard

Gros coup de coeur de Shiva pour Scénarios de Godard, nous y reviendrons. La séance de présentation du film !

www.youtube.com

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craig keller

@evillights

5 months

Unless I missed it (very possible) the film isn’t actually named in the piece..? It’s Godard’s GRANDEUR ET DÉCADENCE D’UN PETIT COMMERCE DE CINÉMA from 1986

The Film Stage 📽

@TheFilmStage

5 months

One of Jean-Luc Godard's rarest masterpieces, starring Jean-Pierre Léaud, will have its first screening since 2017 at the Brooklyn Center for Theatre Research this month. Details and tickets:

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craig keller

@evillights

1 year

@Nick_Newman Same here. Every now and then I'll indulge in a regular Coke, and it blows the pants off of Diet Coke. Though I don't mind Coke Zero. Of course, the king is the Mexican Coke.

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craig keller

@evillights

1 year

Thread, with the English-tranlsated gist of Fabrice Aragno's remarks on Godard's DRÔLES DE GUERRES / PHONY WARS. JLG wanted to adapt the film from Charles Plisnier's 1937 novel FAUX PASSEPORTS / FAKE PASSPORTS broken into several sections with a different character in each...

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craig keller

@evillights

3 years

Name the first film you saw by these 5 directors: Pedro Costa Kenji Mizoguchi Lucrecia Martel Jean-Luc Godard Apichatpong Weerasethakul

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craig keller

@evillights

3 years

RIP Monte Hellman — one of the kindest and most generous of men, and an absolutely brilliant film artist. He seemed eternally youthful.

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craig keller

@evillights

3 years

Release every Johnnie To film on Blu-ray with English subtitles and real essays.

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craig keller

@evillights

3 years

Jean-Luc Godard's latest book LE GRAND TABLEAU (NOIR) went to print today, in the midst of his making his two new films SCÉNARIO and FUNNY WARS.

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craig keller

@evillights

2 years

The Cinemasparagus Poll of 2022 of Greatest Films Ever Made, an alternative to the Sight & Sound poll, is now live at Cinemasparagus —

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craig keller

@evillights

1 year

I translated on my blog the preview of Godard's TRAILER FOR THE FILM THAT WILL NEVER EXIST "PHONY WARS" published in the May issue of Cahiers, with texts by Fabrice Aragno and Nicole Brenez:

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craig keller

@evillights

9 months

Sitting with it overnight, BLACKHAT (Mann cut) is up there among his best films. Totally excellent, something unique from America, something à la NEW ROSE HOTEL.

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craig keller

@evillights

4 years

Aragno: Godard watches French TCM all the time “and films he DESTROYED, just DESTROYED in the Cahiers, now sometimes he says Well that’s not so bad...”

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craig keller

@evillights

1 year

Incredible and essential new interview from Mubi Notebook today by Christopher Small with Pedro Costa. "When I'm out of this hellhole..." [Cannes] — Thanks to @theMummyMa for bringing this to my attention.

Every Look Can Become a Poem: Pedro Costa Discusses "The Daughters of Fire"

From Cannes, a conversation with the Portuguese director about his phantasmagorical new short, a disrupted musical on a volcanic island.

mubi.com

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craig keller

@evillights

2 years

If you want the primary critical text on Ford, then you read JOHN FORD: THE MAN AND HIS FILMS by Tag Gallagher. People are complex, which the current era has no time for even considering. And again, I will only say: FAULKNER. FAULKNER. FAULKNER.

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craig keller

@evillights

1 year

Godard. Éloge de l’image. Aragno. June 2023.

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craig keller

@evillights

9 months

"Every thought should contain the ruins of a smile." –Jean-Luc Godard, ÉLOGE DE L'AMOUR, 2001

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craig keller

@evillights

2 years

Who’s a director you can’t stand but you nod at other people’s enthusiasm because good for them and also you don’t want to have any conversation about it. I’ll start it off: Hal Ashby.

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craig keller

@evillights

1 year

We applaud her courage

Daily Mail US

@DailyMail

1 year

Kevin Costner's first wife Cindy Silva shops for groceries 30 years after their marriage ended

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craig keller

@evillights

1 year

Ozu is as great as Shakespeare. Not with the language (Shakespeare remains unparalleled on all Earth for that), but with the wisdom and complexity of human emotions and psychology.

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craig keller

@evillights

2 years

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craig keller

@evillights

1 year

JLG once said in the last ten years or so that he would make films till his dying breath, if it involved pencils and markers and a little camera. I'm incredibly moved by this beautiful 30-second preview.

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craig keller

@evillights

5 months

In time it has taken its rightful place in my Top now-4!!! films ever made, for me. Its next to THE RULES OF THE GAME, OUT 1, and HISTOIRE(S) DU CINÉMA.

Lee

@leeartr

5 months

In Vanda’s Room (Pedro Costa, 2000)

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craig keller

@evillights

1 year

I know more film/media enthusiasts who’ve seen every new streaming series and never once seen a film by Mizoguchi or Lang

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craig keller

@evillights

5 months

via Gabe Klinger via the Cannes site: Cannes Classics will present a screening called "L'ultime film de Jean-Luc Godard". And that will be: his TRUE final-final film, SCÉNARIOS, which is near 19 minutes and filmed/completed the day before he went to die. But then a SECOND film...

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craig keller

@evillights

5 months

Out now on region B — Rivette’s L’AMOUR FOU. Contains fine fine work from @laughmotel and @AdrianMartin25 , and Jessica Felrice, et al. I produced the booklet and wrote this piece, included:

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craig keller

@evillights

7 months

Rest in peace David Bordwell - his Eisenstein which I read in college helped me understand and formulate ideas on mise-en-scène

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craig keller

@evillights

11 months

Very proud of this release which was my first co-production with @TheFilmDesk for the new restoration on Blu of Alain Resnais's LA GUERRE EST FINIE [THE WAR IS OVER], an undershown crucial piece of the master's cinema. Don't sleep on this!

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craig keller

@evillights

1 year

Published this year - Ishaghpour writes a several-page essay on each feature from BREATHLESS to GOODBYE TO LANGUAGE. 400 pages.

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craig keller

@evillights

10 months

Maybe in my top 3 Cronenbergs. Masterpiece probably.

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craig keller

@evillights

1 year

If you can't read the Spanish on that last RT, it's that Harmony Korine has also made the new film with thermodynamic cameras from NASA, according to his neighbor who also has a part in the film.

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craig keller

@evillights

9 months

A contender for the greatest silent film ever made (both parts).

Ozymandias𓆏

@0zmnds

9 months

Fritz Lang Die Nibelungen: Siegfried

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craig keller

@evillights

9 years

I've translated Jean-Luc Godard's homage to Jacques Rivette that was just shared by the Cinémathèque Française:

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craig keller

@evillights

3 years

The greatest living Japanese filmmaker is Kiyoshi Kurosawa.

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craig keller

@evillights

5 years

Unbelievable new issue of Cahiers du Cinéma. The long interview with Godard is accompanied by recent photos he's taken on his iPhone, and has manipulated. The working title of his next film (with images from the scenario) is SCÉNARIO.

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craig keller

@evillights

30 days

Just watched CHRONICLE OF ANNA MAGDALENA BACH for I think the 5th time. An angel hurtled through the light, the obscurity. A more perfect unison was there never till the Straubs made this film.

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craig keller

@evillights

5 months

The post-screening of SCÉNARIOS etc saw Aragno and Mitrahani take the stage. No-one cares. The most important film in years, the final gesture of the greatest. Anyway I'm watching it on FB so there's no way to reasonably share, but it might be on YT now. Enjoy the piss movies.

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craig keller

@evillights

1 year

Rest in peace, Jacques Rozier. You didn't have enough respect in this life.

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craig keller

@evillights

6 months

I love the Criterion 24/7 feature on the Channel. It’s basically TCM but better. I’ve been keeping it on in the background. Playing currently: LOST HIGHWAY

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craig keller

@evillights

5 months

After this 4K viewing I’m inclined to say that McCABE & MRS. MILLER is one of the finest films. I think it’s Altman’s first Great Film.

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craig keller

@evillights

1 year

No Raúl Ruiz in The Criterion Collection

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craig keller

@evillights

1 year

I have friends who do it and whose living rooms look like the 29th circle of hell. I don’t care whether it’s an “otherwise unavailable” film or not. Make the money to buy it on disc or canvas to make it come back into a rights-horizon.

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craig keller

@evillights

3 years

GIANT NEWS (cc: @NickPinkerton )

Lord Hydraulic

@HydraulicLord

3 years

"Boris Eustache has finally agreed to a deal with Les Fims du Losange for the restoration and theatrical/dvd release of Eustache full work"

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craig keller

@evillights

1 year

Janus Films has picked up Rivette’s L’AMOUR FOU, so expect an inevitable (though when??) Criterion release for this, one of the greatest of films.

Film at Lincoln Center

@FilmLinc

1 year

An #NYFF6 Main Slate selection, L’AMOUR FOU is one of the most remarkable of Jacques Rivette’s many explorations of the intersection of life and art. Rivette’s 1969 classic opens in a new 4K restoration this Friday! 🎟️:

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craig keller

@evillights

1 year

Woke up in a very good mood today, seeing Harmony’s movie has rankled Bilge Ebiri’s middlebrow ass. It can generally be counted on that a “zero” from Ebiri translates to a “10” from me.

Harmony Korine’s Aggro Dr1ft Looks Cool For a Few Minutes

The night-vision hit-man feature starring Jordi Molla and Travis Scott is a unique exercise in tedium.

www.vulture.com

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craig keller

@evillights

3 years

In English, Pedro Costa, in talk with @AntoineThirion2 : “Between HORSE MONEY and this latest film, Vitalina started working at a Zara shop, and there she learned it all. Three months at Zara, I think, is a course in Marxism-Leninism.”

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craig keller

@evillights

5 months

Linklater’s one of the best American filmmakers. I don’t know why he made this movie. I don’t want another breezy Run-through of the ‘60s and watered down re-representations of the stances at play. Also, “NOUVELLE VAGUE” is already a title used for one of the greatest films.

Sam WM 🇵🇸🇱🇧

@_SamWM_

5 months

Is the guy with the film slate the Rivette? For some reason I’m mainly curious about the Rivette in this film that I can only imagine will be terrible

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craig keller

@evillights

2 years

Read the excellent profile on @KarinaLongworth in the new issue of Rolling Stone. I can't profess to know who the devil this friend is in paragraph 1...:

How Karina Longworth Brought Sex and Sleaze Back to Hollywood History

We chased golden-age ghosts and Los Angeles' forgotten secrets with Karina Longworth, the brilliant mind behind 'You Must Remember This.'

www.rollingstone.com

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craig keller

@evillights

1 year

I’ve never understood the always failed compulsion to make spectacle, or entertainment, out of atrocity. The atom bomb, the Holocaust, are not cruise-rides. If they’re to be addressed, the filmmaker must THINK. Like Lanzmann, Resnais, Kubrick, Godard…

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craig keller

@evillights

2 years

I once told Tag I hadn’t seen WAR AND PEACE yet bc I was waiting to read the Tolstoy and he responded “You should see the Vidor first and wait to read the Tolstoy.”

Lord Hydraulic

@HydraulicLord

2 years

again...

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craig keller

@evillights

3 years

My translaton of Yannick Haenel's text, "The Radiant Cheek," on Pedro Costa's VITALINA VARELA, is now up @NotebookMUBI —

The Radiant Cheek

French novelist Yannick Haenel on Pedro Costa's "Vitalina Varela."

mubi.com

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craig keller

@evillights

1 year

All I ask of cinema is cinema itself. The premiere clip of Harmony Korine's AGGRO DR1FT has me more excited than anything I've seen in a long while, since Godard and Costa.

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craig keller

@evillights

9 months

Saw Mann's director's cut of BLACKHAT. This is one of the most stunningly weird films of recent times!

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craig keller

@evillights

5 months

If I were to start an email cc list thing where people, everyone and anyone, can sign up, and we discuss a single film till we feel like moving on to the next one — would anyone be interested?

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craig keller

@evillights

7 years

9 excerpts I translated from the amazing new/2016 Jean-Luc Godard interview (details in top of post) —

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craig keller

@evillights

4 years

via @theMummyMa — Jean-Luc Godard in conversation a few weeks ago in English and French (subtitled) after the lifetime achievement award, for 1 hour 30 minutes!

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craig keller

@evillights

1 year

He made a fifty-page brochure with each page constituting one shot. He told Aragno and Battaggia that this was "his best film." Fin de thread. Fin de cinéma.

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craig keller

@evillights

1 year

Precisely. Nolan is such a ghastly ghoul he thinks the visceral feeling of the atomic bomb will be “a showstopper.” It’s more obscene than the tracking shot in KAPO. Hiroshima, mon ami?

Geoff Wilt

@geoffwilt

1 year

The worst aspects of Michael Bay, but for people who want to think they’re having an “intellectual experience” instead of fun.

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craig keller

@evillights

1 year

Anyone an Armitage MIAMI BLUES fan? Fred Ward plays a detective with teeth like Dafoe in that one movie but wears dentures to conceal the grotesquerie

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craig keller

@evillights

9 years

My translation of Philippe Garrel's memorial of Chantal Akerman from the Nov issue of @cahierscinema is back online.

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craig keller

@evillights

1 year

RIP Henri Serre at 92, the magnificent Jim of Truffaut’s JULES ET JIM, and a star of Cavalier’s LE COMBAT DANS L’ÎLE (available via @FilmsRadiance ). I only just found out he died last Monday.

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craig keller

@evillights

1 year

Actully have no problem w/ the de-aging in THE IRISHMAN. Hollywood always used gimmicky tricks to deal with this though admittedly usually to make a character/actor look old. It looks fake, but the bias is just digital tools. Which everyone from Rivette to Kiarostami to JLG used.

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craig keller

@evillights

1 year

I posted two new translated pieces on Jean-Pierre Gorin from recent issues of Cahiers: one is a short report from Charlotte Garson, the other an interview by Garson with Gorin. Subscribe to Cahiers.

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craig keller

@evillights

3 years

It also should be noted that for all her extreme beauty, Vitti embodied an alienation and fractured psychosis that upended expectations onscreen and within the audiences, who could relate silently.

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craig keller

@evillights

1 year

Super stoked to be involved with the new @TheFilmDesk label. Thank you to the master-chief Jake Perlin. We have some AMAZING stuff coming down the road! In the meantime, set your pre-orders for our first release, Claire Denis's monstrous TROUBLE EVERY DAY.

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craig keller

@evillights

1 month

Alain Delon. Love-hate relationship inviting a strange interaction. Was never a major fan and didn’t find him that fascinating, as I do with Robert Ryan or Sterling Hayden. But Delon led some of the best movies ever made: NOUVELLE VAGUE, L’ECLISSE, LE SAMOURAÏ.

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craig keller

@evillights

3 years

Rest In Peace Hermine Karagheuz, who died two days ago, one of the ultimate actress presences of the ‘70s films of Jacques Rivette, including the all-shattering 13-hours-in final shot of OUT 1. RIP Cinema Goddess

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craig keller

@evillights

8 months

Two days ago saw the premiere in Venice of Abel Ferrara's documentary in Ukraine with Zelensky, shot by Sean Price Williams, TURN IN THE WOUND.

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craig keller

@evillights

1 year

I just wonder how many people on here going on about the New Wave this and that have ever seen, let's stick to, Luc Moullet's films, and writings, and books. Srikanth Srinivasan has translated key texts at — but there's only a circle of 10 who ever RTs him

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craig keller

@evillights

4 months

FURIOSA is a landmark in the history of the cinema. More in a bit. It is one of the best movies I have ever seen in my life. Every single moment is exhilarating. #MadMax #Furiosa

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craig keller

@evillights

2 months

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craig keller

@evillights

1 year

Been working piecemeal on these Truffaut translations at my blog from the '23 debut issue of the new Cahiers hors-série (with the obituary Godard wrote for him from the '84 special issue). First in a series:

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craig keller

@evillights

1 year

Latest issue of Cahiers about Hollywood is very good. Say what you will about the revue’s different phases and periods, but no-one puts in the work or has the curiosity of their editorial board in North American titles, where it’s just incessant festival coverage and free trips.

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craig keller

@evillights

2 years

Moullet: "Like a majority of the technical rules in use, this is also a strictly western law. The Japanese constantly break the shot-reverse shot line; for them the problem does not arise. Imagine: had Japan won the war, that would have been the end of 180 degrees!"

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craig keller

@evillights

2 years

Brian Wilson created a cathedral of the beach

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craig keller

@evillights

7 months

Radiance will be releasing a box set of three Jean-Pierre Mocky films..!!

Radiance Films

@FilmsRadiance

7 months

*ANNOUNCEMENTS* We are delighted to present our June slate: A yakuza classic, masterpieces from rural Italy, the wild world of Jean-Pierre Mocky and more Dirty Arthouse🧵

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