edo @edogoesboating Twitter profile

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edo

25 days

You: “The Brutalist is the purest example of locked-in cinema” Me: In tears as JLG signs off with a clipped “Ok” and the flash of a smile.

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Last Seen Profiles

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edo

@edogoesboating

9 months

Quite simply, the most remarkable late period in film history. Wild.

Cinema Tweets

@CinemaTweets1

9 months

Martin Scorsese’s Last Four Films:

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@edogoesboating

1 year

Still mulling it, but wild anyone views Oppenheimer as morally timid or ambiguous. Nolan has never been subtle. Here, he mixes the Los Alamos team’s stamping feet as they celebrate Hiroshima several decibels louder than the Trinity blast itself. It’s people who frighten him.

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@edogoesboating

1 year

It’s not gonna take 50

Variety

@Variety

1 year

“In 50 years no one will know who Joe Russo is." Film writers and more are sounding off after "Avengers" director Joe Russo took a playful jab at Martin Scorsese over box office. BeyondFest says: "Let’s just be honest, Joe Russo is a rich asshole hack.."

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@edogoesboating

1 year

@JohnMagary Familiar with his recent filmography. Don’t think it undermines his advocating for a turn to independent production.

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@edogoesboating

1 year

I only met Hou Hsiao-hsien once, outside Lincoln Center in 2015. It was the briefest of encounters, cut short by my bursting into tears as he shook my hand. I said "thank you" and then quickly walked away so as not to embarrass him. There was so much I wanted to tell him... 1/

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@edogoesboating

2 years

All I’m going to say re: the Sight and Sound poll today is that I think everyone who loves cinema should see more Hou Hsiao-hsien movies.

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@edogoesboating

2 years

Cape Cod was the last ICE hold out in New England and that, that is over. 🙌🏼

Taniel

@Taniel

2 years

Big result: Democrats have flipped the sheriff's race in Cape Cod (Barnstable County). Why is this big? This was one of the chief elections I was watching for immigration. The closest county to ICE in New England, and the winner promised to 'rip it up.'

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@edogoesboating

2 years

@genevieveyue These kids gonna turn me into Lydia Tar

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@edogoesboating

1 year

A great American filmmaker has died and the national paper of record's obit boils down to "he never regained his earlier acclaim," while dismissing his best film as "long, labored and not particularly thrilling." Just another fucking Monday.

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@edogoesboating

9 months

@FrankYan2 I probably love all the films you’re thinking of, but don’t think it’s quite the same level of achievement

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@edogoesboating

2 years

Museum of the Moving Image

@MovingImageNYC

2 years

We braved nearly 100 years of Academy Awards to choose some of our favorite American films that received no nominations. From CITY LIGHTS to UNCUT GEMS, the Academy might have missed these movies—but you shouldn't! SNUBBED opens on JAN 20.

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@edogoesboating

8 months

Every picture of Bordwell people have shared over the past 24 hours features a man wearing a broad smile and a glint in his eye. A good reminder at this time that the spirit of cinema ought be pure, infectious, and big hearted, not purist, toxic, and narrow minded.

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@edogoesboating

1 year

...but finally there was nothing to say. His films changed my life, as I know they did so many other lives, not the least of which include the filmmakers who we would not have were it not for his influence: Apichatpong Weerasethakul, Jia Zhang-ke, Lee chang-dong, et. al.. 2/

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@edogoesboating

1 year

It would be no understatement to say that Hou Hsiao-hsien is to modern East Asian cinema as Griffith was to the American narrative tradition. He gave them, and all of us, a framework. 3/3

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@edogoesboating

6 months

Been working on this for five years.

IndieWire

@IndieWire

6 months

Hiroshi Shimizu’s Filmography Honored in MoMI and Japan Society Retrospective Screening Series

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@edogoesboating

1 year

@JohnMagary I believe that’s specious logic which leads to the idea that the most successful actors can’t be true allies to SAG rank and file. It’s a cynical if intuitively seductive line that plays into the hands of capital, which wants the solidarity within the unions to collapse.

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@edogoesboating

3 years

Hey film twitter, Hamaguchi’s got a message for you: “I considered placing Edward Yang’s A Brighter Summer Day in this slot, but not enough attention is given to Hou Hsiao-hsien.”

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@edogoesboating

1 year

He wasn’t one of the best filmmakers of our time. He was THE best filmmaker.

IndieWire

@IndieWire

1 year

Hou Hsiao-hsien Is Now Retired from Filmmaking Due to Battle with Dementia

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@edogoesboating

1 year

@JohnMagary What’s the problem with it being him saying this exactly?

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@edogoesboating

1 year

There is a sequence in “The House of Mirth” where Davies cues a recording of Mozart’s trio Soave sia il vento from Cosi fan tutti over a montage of slow, stately tracking shots of a mansion. It is one of the most exquisitely, and achingly, beautiful passages in movies.

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@edogoesboating

1 year

Seems I was being too coy. So to be clear, I think "The Killer" is a self-reflexive tour de force about its own marginalization as just more grist for the content mill. Its hollowness is by design. As the tagline for one Fincher film went, "the feel bad movie of the year."

edo

@edogoesboating

1 year

I can’t recall the last time I saw a movie as purposefully off-putting, as pointedly hollow, as The Killer. It’s as if Fincher said, “you guys wanted content? Here’s some content.” Then, when you asked if you might have some meaning with that, he just smiled and walked away.

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@edogoesboating

6 months

Shimizu’s set fit.

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@edogoesboating

2 years

Ok. My Sight and Sound ballot was a bit much but here it is for whatever it’s worth:

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@edogoesboating

5 months

Ah, yes! The ol’ “ain’t Japanese enough” trope. Still the 1950s, I guess.

Armond White

@3xchair

5 months

Hamaguchi's eco-horror film "Evil Does Not Exist" fails the Kurosawa, Immamura, Ozu, Oshima, Mizoguchi and Godzilla test. Here's why: @FilmForum @FilmLinc #Hamaguchi

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@edogoesboating

6 months

The ratio of revelations to screenings in this series is very nearly 1:1. Hiroshi Shimizu was one of the great filmmakers, and for those who’ve seen or plan to see the superb new Hamaguchi, the spirit of Shimizu infuses its bloodstream.

The Film Stage 📽

@TheFilmStage

6 months

Watch our exclusive trailer debut for the 27-film, all-35mm retrospective of Hiroshi Shimizu, running May 4—June 1 at Japan Society and the Museum of the Moving Image:

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@edogoesboating

2 years

Two cents on the best narrative film I’ve seen this year:

Reverse Shot

@reverse_shot

2 years

ARMAGEDDON TIME is a portrait of innocence shading into experience set among the shadows of an American past that could scarcely feel more present. Read @edogoesboating 's review of James Gray's haunting, multilayered film:

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@edogoesboating

1 year

“He cares too much about filmmakers.” I just can’t… That’s the job. What is a film festival if not a haven for the art and its artists?

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@edogoesboating

1 year

“We tried, but the Michael Mann was better. He had $140 million.” Props to Nic. What a get:

Nicolas Rapold

@NicolasRapold

1 year

PACIFICTION hits @mubi on Friday! Pre-game with my li'l chat with filmmaker and custom tailor Albert Serra:

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@edogoesboating

1 year

Please keep our greatest living filmmaker in your thoughts.

mmcc

@mattmccrac

1 year

Saw Hou Hsiao-hsien's THE TIME TO LIVE AND THE TIME TO DIE at London's @TheGardenCinema today. Great screening with a lovely, specially recorded intro by Tony Rayns. Sorry to hear from that intro that Hou's health is failing him and he likely won't make another film. 😔

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@edogoesboating

6 months

But he is. It’s Shimizu and Naruse who remain underappreciated relative to overall achievement.

Richard Brody

@tnyfrontrow

6 months

It's a bad state of affairs that Mizoguchi isn't instantly and automatically taken to be their equal in both artistry and recognition. Answer: his films. Excluding him, too: 25 months ago, I'd have said Giants and Toys; then I saw Forever a Woman, my choice now.

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@edogoesboating

10 months

My best of 2023 for @FilmComment . With apologies to UNREST and LOVE LIFE, which I feel I should've kept on this list in retrospect. It's nice to see that ASTEROID CITY made the top 20, a victory of art over the winds of current fashion. The Fincher & Dardennes should have too.

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@edogoesboating

2 years

Bergman’s “Fanny and Alexander” is one of those films that really ought to have retained, even improved, its position on the Sight and Sound poll. An immense work. Come see it at MoMI this weekend. Then take your family to it on Christmas:

Museum of the Moving Image

@MovingImageNYC

2 years

Part fairy tale, part existential drama, FANNY AND ALEXANDER is a lush banquet of a film, featuring gorgeous, Oscar-winning cinematography, art direction, and costume design. Don't miss Bergman’s preferred version, screening DEC 11–26. Tickets:

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@edogoesboating

7 months

Those in Hollywood who support Glazer’s condemnation of Israel’s occupation of the West Bank and Gaza should not remain silent.

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@edogoesboating

1 year

It would be no *exaggeration*. Sorry, not at my most lucid right now.

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@edogoesboating

5 months

THE MASSEURS AND A WOMAN is my favorite Hiroshi Shimizu film. It was a personal project. He wrote the script himself, setting it in his beloved Izu. It’s also his boldest experiment in digressive narrative form, achieving a cinematic poetry that’s unlike anything before or since.

Museum of the Moving Image

@MovingImageNYC

5 months

A blind man’s stirrings of romantic longing for a mysterious young woman provide the wisp of a story in Shimizu’s most eccentrically personal film, THE MASSEURS AND A WOMAN, shot on his favored Izu Peninsula. See it May 12 at MoMI, in 35mm:

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@edogoesboating

8 months

The degree to which America both needs and utterly does not deserve this film from this artist feels unprecedented

The Film Stage 📽

@TheFilmStage

8 months

Elaine May's first feature in nearly 40 years, 'Crackpot,' is still coming, confirms Dakota Johnson:

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@edogoesboating

8 months

I have now read the director's quote several times and I still have no idea what they mean when they say those presenters and recipients who spoke out should have made "more differentiated statements on this issue." This is Kendall Roy levels of incoherent PR pleading.

Berlinale

@berlinale

8 months

Berlinale Files Criminal Charges Over the Spreading of Anti-Semitic Posts / Criticism of Statements Made by Artists at the Berlinale Award Ceremony See full press release via:

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@edogoesboating

2 years

Overjoyed for Claire Denis, whose films mean more to me than any other living filmmaker (save one). I’m sure she’ll retire when she’s good and ready, and I hope that’s never.

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@edogoesboating

3 months

Every audience that came out for THE SEARCHERS in 70mm this weekend showed their appreciation for the film and its presentation by clapping and it was quite moving. Ford's film is nearly seventy. Ford himself died over fifty years ago, but his spirit spoke through the work.

Analog Film NYC

@analogfilmnyc

3 months

Clapping after a movie if there aren't actual cast and or crew members present is so absurd

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@edogoesboating

3 months

“The Searchers,” still the greatest American film.

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@edogoesboating

1 year

As I depart Cannes, my current favorites (not having seen Arnow, Filho, Hong and Rohrwacher’s films):

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@edogoesboating

1 year

This old post referred to Hou Hsiao-hsien’s “The Puppetmaster,” a film that seems to me to fulfill a century’s worth, and then some, of modern dreams and longings regarding the possibilities of cinema, literature, painting, and, hell, art itself to encompass human experience.

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@edogoesboating

1 year

Still the greatest film I’ve ever seen, I reckon

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@edogoesboating

1 year

Thankful to the NYFF team for allowing us to screen the Godard and Glazer together. Both films, with Scorsese’s “Flower Moon” and, in its way, “Oppenheimer,” invite us to contemplate the 20th c.’s legacy of atrocity and the just way for cinematic images to approach that legacy.

New York Film Festival

@TheNYFF

1 year

As #NYFF61 takes place across all five boroughs (at @AlamoStaten , @BAMfilmBrooklyn , @BronxMuseum , @MayslesCinema , & @MovingImageNYC ), we're thrilled to now unveil the screening schedules for each venue: Single 🎟️ go on sale next Tuesday, September 19! 🎉

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@edogoesboating

2 years

“Until proven otherwise, it’s not Godard who’s dead, it’s us. We, the ‘bit’ generation. Our 21st century urgently needs to be reinvented. We will have to be reborn, open our eyes and cinemas, and learn the lessons. ‘Beauty is the splendor of truth.’” - Leos Carax (1/2)

clockness evertea

@pontdevarsovia

2 years

@DanielGorman20 will do it free of charge, its what Godard wouldve wanted

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@edogoesboating

1 year

I can’t recall the last time I saw a movie as purposefully off-putting, as pointedly hollow, as The Killer. It’s as if Fincher said, “you guys wanted content? Here’s some content.” Then, when you asked if you might have some meaning with that, he just smiled and walked away.

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@edogoesboating

10 months

Some @brofromanother -style measured ambivalence from yours truly on Jonathan Glazer's THE ZONE OF INTEREST, a film I find fascinating and frustrating in equal measure.

Reverse Shot

@reverse_shot

10 months

"It's a film formally premised on the structural interdependency of disclosure and concealment, where that which is revealed comes to presence only by virtue of that which is hidden." @edogoesboating reckons with Jonathan Glazer's THE ZONE OF INTEREST.

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@edogoesboating

10 months

Particularly excited about all of the wonderful guests who will be joining us this year: Kelly Reichardt, Mark Mylod, Ari Aster, Ira Sachs, Lucien Castaing-Taylor & Véréna Paravel, Joana Pimenta, and Alexander Payne. Hopefully, we'll have a few more to announce soon!

Museum of the Moving Image

@MovingImageNYC

10 months

We're pleased to announce the lineup for Curators' Choice, our annual survey of favorite films from the past year—many consensus titles but also some surprises! Dec 26–Jan 28:

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@edogoesboating

2 years

Only 5 films in this program are DCP. Several of the prints are courtesy of the UCLA, LoC, Academy and MoMA archives, as well as private collectors. Long live film. 🎞🎞🎞🎞🎞🎞🎞🎞🎞🎞

Museum of the Moving Image

@MovingImageNYC

2 years

ICYMI: One of the best to ever do it, celebrated cinematographer James Wong Howe is the subject of this major new film series, which highlights his incredible range of work, from classics like SWEET SMELL OF SUCCESS to HUD, and so much more. Opens MAY 13.

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@edogoesboating

1 year

I urge my film/art peers to sign this statement whether or not you fully align with its framing. What is being done to the people of Gaza is a human catastrophe that must cease. I will add that I find abhorrent institutional attempts to cow people in our community into silence.

ɹǝʇlɐH pƎ

@edhalter

1 year

This is more than a letter, it's an organizing tool, sign it if you actually care about life.

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@edogoesboating

5 months

I'm going to be thinking about the relationship between these two sequences for the rest of my life

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@edogoesboating

6 months

Jalen Brunson stepping into NBA playoff history like

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@edogoesboating

2 years

These shows of Fred Camper’s newly preserved 16mm films are truly not to be missed. Plus both Anthology and MoMI are accompanying them with killer Brakhage programs that Fred personally put together. Check below for all details 👇🏼

Chicago Film Society

@thefilmsociety

2 years

People of New York City! You can see the films of Fred Camper (preserved on 16mm by yours truly) at @MovingImageNYC on Saturday 1/14 and @AnthologyFilm on Monday 1/16! With Fred Camper in person!

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@edogoesboating

1 year

“Buttafuoco is one of the most prominent voices of Italy’s new right-wing, which has seen political success in the election last year of Italy’s far-right Prime Minister Giorgia Meloni and her Fratelli d’Italia party.”

The Hollywood Reporter

@THR

1 year

Who is Pietrangelo Buttafuoco, the New Head of Venice Biennale?

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@edogoesboating

3 years

THREAD. I know *many* await my oh so unique take on that PTA movie, but instead I’m gonna be obnoxiously on brand and share my love for some of the more under the radar films from First Look, which opens tomorrow (🚨):

First Look 2022 – Museum of the Moving Image

First Look, the Museum’s acclaimed festival of innovative new international cinema, introduces New York audiences to formally inventive works that seek to redefine the art form while engaging in a...

movingimage.org

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@edogoesboating

3 years

Thanks to the saintly Hamaguchi, seeing some love for fifties Renoir on the TL. Just so happens we’re showing “French Cancan” tomorrow and Sunday on 35mm: …

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@edogoesboating

6 months

MR. THANK YOU is simply one of Hiroshi Shimizu’s major works, a stone cold classic 1930s cinema. It was shot in Izu, Shimizu’s most beloved region, incorporating non-actors met during the scout, including a startlingly frank encounter with Korean migrant laborers.

Museum of the Moving Image

@MovingImageNYC

6 months

A genial bus driver carries travelers—a microcosm of depression-era Japan—from rural outskirts to a local train station. Shot on location, Shimizu's MR. THANK YOU is a timeless classic, comparable to Ford's STAGECOACH. One show only: Sun, 5/5 in rare 35mm

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@edogoesboating

1 year

Former Alamo projectionist here. What a disgrace, @AlamoNYC , @alamodrafthouse .

Screen Slate

@ScreenSlate

1 year

According to this story, projectionists at an NYC Alamo Drafthouse (unclear which) filed a petition to unionize Weds On Fri, Alamo sent an email notifying of its intention to eliminate the projectionist role and replace with with "technical engineer"

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@edogoesboating

2 years

Happy New Year, y’all.

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@edogoesboating

1 year

The relationship between Eustache’s Numero Zero and Hou’s The Puppetmaster—two films about storytelling, the cyclical vagaries of provincial life in the early 20th century, the passing (on) of tradition, and the braided births of modernity and of cinema—seems profound.

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@edogoesboating

11 months

I simply don’t understand the perspective of anyone who would respond to this news with less than total and unqualified enthusiasm

Reel Updates

@worldofreel

11 months

RICHARD LINKLATER is set to shoot a new film in Paris, entirely in French. The plot will revolve around the making of JEAN-LUC GODARD’s “Breathless” & the creation of the French New Wave. Roles currently being cast include Godard, Bresson, Rohmer, Rivette

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@edogoesboating

2 years

Largely ducking the @SightSoundmag poll fray, but yesterday I learned Koji Fukada’s👌🏽ballot includes Naruse’s FLOWING and Yamanaka’s HUMANITY AND PAPER BALLOONS. This moved me, partly because he and I were two of just three participants who voted for each of these films… (1/2)

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@edogoesboating

8 months

A scholar who had an immeasurably seismic impact on our field, but what I’ll always recall most warmly about Bordwell is his agile, accessible, impassioned, and gleefully nerdy analyses of asian cinema, particularly of Ozu, Johnnie To, and Hou Hsiao-hsien.

The Film Stage 📽

@TheFilmStage

8 months

RIP the legendary David Bordwell, who has died at 76. His blog is one of the greatest resources on film criticism, analysis, and history:

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@edogoesboating

3 years

“It’s an incredible moment, but it also makes me wonder what Mizoguchi was like as a person—probably scary.” 👈🏻

Criterion Collection

@Criterion

3 years

Ryusuke Hamaguchi's Top 10! ✨ The award-winning director of DRIVE MY CAR selects a list of films that are close to his heart, including work by international auteurs he considers underrated.

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@edogoesboating

6 months

This film moves like a WB/First National precode. It packs more into one hour than most directors manage in three today. Like a Wellman film, it's also a brutally frank social comment. Shimizu's use of dissolves within a single shot to signal temporal change is utterly singular.

Museum of the Moving Image

@MovingImageNYC

6 months

Shimizu’s A HERO OF TOKYO (1935) follows the travails of a family abandoned by their grifter father, and the sacrifices made by the devoted mother. In its taut 63-min. runtime, the kids grow to adulthood and contend with their parents’ choices. Sat, 5/4,

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@edogoesboating

6 months

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@edogoesboating

3 years

This was very fun to program and there is more to come.

Museum of the Moving Image

@MovingImageNYC

3 years

Often we praise movies for their restraint. We’re putting a stop to such gentility with the latest #SeeItBig series, a super-sized, bursting-at-the-seams program that features films that push cinematic style into excess. EXTRAVAGANZAS! (Part 1) opens NOV 5

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@edogoesboating

5 months

It’s been incredibly moving and heartening to see so many people join us @MovingImageNYC to discover and enjoy the films of Hiroshi Shimizu. I hope @shochiku_corp can prioritize restoring the films so that an even wider audience can someday do so.

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@edogoesboating

8 months

Proud of this program, more like an extravaganza. David and I were delighted by these films from some of the best doing it: @ndorsky , Carl Elsaesser, @keversonkevin , Eva Giolo, Lew Klahr, Simon Liu, Alee Peoples, @Maxwolf333 , Bruno Delgado Ramo, @bramruiter , @es_zip , Mike Stoltz

David Schwartz

@davidpschwartz

8 months

So glad to collaborate with amazing and obsessive programmer @edogoesboating on this rock-solid avant-garde program for First Look @MovingImageNYC . Incredible program and many of the artists will be there.

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@edogoesboating

2 years

Came late to this. @genevieveyue defines the precise shape, dimensions, and scope of the current predicament facing makers, curators, and critics of so-called experimental work. A vigorous head-nodding, audible mouth-breathing kind of read. Really moved:

The Accidental Outside - World Records

worldrecordsjournal.org

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@edogoesboating

8 months

First Look 2024 is here. And it’s gonna be a good one.

IndieWire

@IndieWire

8 months

The annual Museum of the Moving Image‘s First Look Festival has given IndieWire an exclusive “first look” at the lineup:

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@edogoesboating

2 years

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@edogoesboating

1 year

Wanna a foolproof metric for how badly you fucked up?

Screen International

@Screendaily

1 year

Nearly 300 and counting leading film figures call for Berlinale’s Carlo Chatrian to stay in open letter

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@edogoesboating

2 years

My vote for Pauline Kael is Lesley Manville. In a few months, we’ll know if Quentin was smart enough to cast her. Meantime, First Look opens today 3/15 and runs through 3/19 @MovingImageNYC and I would like to tell you about a few of this edition’s wonderful films:

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@edogoesboating

1 year

Saturday at MoMI and Anthology, the Spanish film scene comes to New York in three screenings of Super 8 and 16mm works, including two dazzling expanded performances, that have largely never shown in the US. Several artists made the trip for the occasion. Not to be missed! 📽🎞

Ragzy X

@ragzyartx

1 year

COLECCIÓN PRIVADA: THE SUPER-8 AND 16MM SCENE IN SPAIN Anthology Film Archives & Museum of Moving Image, May 13-14 Info: Tickets: +

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@edogoesboating

2 years

Folk proclaiming STARS AT NOON the worst thing they’ve ever seen at Cannes are either performing for clicks or didn’t actually bother to see much at this year’s festival. I’ve seen several far less achieved films over the past eight days, and only a handful of better ones. 1/

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@edogoesboating

2 years

Irma Vep may just be my favorite thing this year. That or Fabelmans. Both speak to the fragility of this thing we call “cinema”with a resigned yet humbled awareness of how obsolete their own conceptions of it have become.

Museum of the Moving Image

@MovingImageNYC

2 years

One of our favorite cinematic experiences of the year, we're thrilled to present the entirety of Olivier Assayas's IRMA VEP series across two days (JAN 7–8). Screens part of our ongoing CURATORS' CHOICE. Tickets:

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@edogoesboating

5 months

A STAR ATHLETE is the dark horse MVP of our retrospective. It is now less known than the other major films, as it wasn’t in Criterion or Shochiku’s DVD sets, but it has long been a historians’ favorite. Formally, it’s the purest, most exhilarating expression of Shimizu’s cinema.

Museum of the Moving Image

@MovingImageNYC

5 months

A David Bordwell favorite for its bravura camerawork, including a sublime 40-shot sequence, A STAR ATHLETE turns on the rivalry between a laid-back runner and his hard-working peer, winking at Shimizu’s rep as a lazy genius. Only SUNDAY, 5/12 in rare 35mm:

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@edogoesboating

9 months

David Fincher is the taliban Todd Haynes is a sex anarchist Martin Scorsese is an anti-American radical

Adam Nayman

@brofromanother

9 months

Todd Haynes, destroying civilization

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@edogoesboating

2 years

"I was in Cannes watching Tarantino’s movie. I already had the project. I came out of the Palais and I thought: It’s her, only her." Guess that answers that, don't it? I think Qualley is excellent for most of the film. She has something of Jean Arthur in ONLY ANGELS HAVE WINGS.

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@edogoesboating

9 months

As it stands, we probably don’t deserve a movie as good as MAY DECEMBER.

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@edogoesboating

2 years

Perhaps we should add Decision to Leave and Nope to SNUBBED.

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@edogoesboating

1 year

Nolan’s films often focus on the traps his heroes create for themselves within fundamentally paradoxical universes. The ambition of “Oppenheimer” seems to be to trace this theme back to its world historic source. So asking whether it’s pro or anti-nuke might be missing the point?

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@edogoesboating

2 years

This is really what it must feel like to have been a royalist last week

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@edogoesboating

7 months

Disgraceful

Variety

@Variety

7 months

More than 450 Jewish creatives, executives and Hollywood professionals have signed an open letter denouncing Jonathan Glazer’s “The Zone of Interest” Oscar speech.

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@edogoesboating

6 months

Here are my favorite pre-war Shimizu films (no order): A Star Athlete The Masseurs and a Woman Mr. Thank You Notes of an Itinerant Performer A Woman Crying in Spring Japanese Girls at the Harbor Introspection Tower Children in the Wind Four Seasons of Children Ornamental Hairpin

Hit Factory

@HitFactoryPod

6 months

what is everyone's favorite movie from: -tsai ming-liang -joseph losey -agnes varda -hou hsiao-hsien -jacques rivette -hong sang-soo -ousmane sembene -apichatpong weerasethakul -yasujiro ozu -edward yang -spike lee -elaine may -peter greenaway -kenji mizoguchi

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@edogoesboating

2 years

Can’t stress enough what a privilege it has been to discover Ewelina’s work. The future belongs to artists like her.

Museum of the Moving Image

@MovingImageNYC

2 years

The films of Ewelina Rosińska are impressionistic diary works whose montages create expansive connections between sounds and images that fuse disparate spaces, feelings, and moments in time. Join us for two special North American premieres on MAR 25.

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@edogoesboating

3 years

Indeed, only by promoting the production of more high budget films can we hope to cure the film industry of exploitative labor practices

Rebecca Green

@rebfive

3 years

Should the #SpiritAwards Cassavetes Award still exist when we know that making movies under 500k means no one earns a living wage? Should we be glorifying low budget exploitation in 2022?

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@edogoesboating

1 year

After all, we are a museum 😌

The Film Stage 📽

@TheFilmStage

1 year

This weekend @MovingImageNYC is better than film school: three by Chantal Akerman (including 'Jeanne Dielman'), 'Wavelength,' 'Sunrise,' and a Maya Deren program all play on prints —

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@edogoesboating

10 months

I resolve to watch more films from the 1930s in 2024

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@edogoesboating

9 months

@delphicbitch My favorite filmmaker, but no.

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@edogoesboating

8 months

I don’t hold “The Zone of Interest” in as high regard as some peers, but it’s not a cheap provocation nor a facile exercise, and the idea that it plays it safe, letting itself and viewers off the hook with its distancing effects, is a narrow read of how those effects operate.

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@edogoesboating

2 years

This Saturday, we launch our retrospective of Noriaki Tsuchimoto, which will take place over the next three weekends through Thanksgiving. I’m really proud of this one, and couldn’t be more grateful for the maniacally dedicated @solexyoghurt for putting it together. 1/3

Max Carpenter

@solexyoghurt

2 years

NORIAKI TSUCHIMOTO RETROSPECTIVE: NOVEMBER 12 - 27, MUSEUM OF THE MOVING IMAGE the most exciting rep series I've ever worked on.

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@edogoesboating

9 months

In fact, many had a clue.

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@edogoesboating

5 months

Cinema is seldom greater than Hiroshi Shimizu’s “Children of the Great Buddha,” a film that erects a space, a temple if you will, wherein to shelter and restore the castaways of a broken nation.

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@edogoesboating

6 months

By the way, it’s all 35mm @MovingImageNYC and nearly so @js_film_nyc .

IndieWire

@IndieWire

6 months

Hiroshi Shimizu’s Filmography Honored in MoMI and Japan Society Retrospective Screening Series

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@edogoesboating

1 year

What a gorgeous poster

The Film Stage 📽

@TheFilmStage

1 year

The theatrical poster for Hong Sangsoo's 'In Water,' opening December 1. Watch the new trailer:

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@edogoesboating

5 months

Like Kiarostami and his friend Ozu, Shimizu was one of the great directors of children. In the magical CHILDREN IN THE WIND, there’s a devastating scene where a young boy imagines playing hide and seek with his brother—taken to live elsewhere—and begins sobbing uncontrollably.

Museum of the Moving Image

@MovingImageNYC

5 months

CHILDREN IN THE WIND, Shimizu’s most adored film in Japan, is the saga of two brothers whose idyllic country life is shattered when their father is wrongly arrested. A shimmering evocation of the growth pangs of childhood. One show: Fri, 5/10, rare 35mm:

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@edogoesboating

1 year

One of the indelible American films

Museum of the Moving Image

@MovingImageNYC

1 year

With #AsteroidCity now out in wide release, see the film that put Wes Anderson on the map—spawning endless imitations, halloween costumes, lookbooks, and more. THE ROYAL TENENBAUMS screens in #35mm JULY 2—9. Tickets:

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@edogoesboating

3 years

The projector at the AMC where I’m seeing “The French Dispatch” has a magenta shift, cause they clearly haven’t replaced the optical block in these past two years. Wanna try harder @AMCTheatres ?

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@edogoesboating

2 years

🚨🚨🚨🚨

The Film Stage 📽

@TheFilmStage

2 years

We're thrilled to exclusively unveil the fantastic lineup for @MovingImageNYC 's #FirstLookFest 2023, featuring 'Tori and Lokita,' 'Fremont,' 'Mami Wata,' 'Rodeo,' 'The Eight Mountains,' and much more:

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