The way that Disney has convinced so many terminally online people that consuming their product isn't just progressive, but a moral good, should be studied in a lab.
Here's your daily reminder that the ending of TÁR isn't what Todd Field thinks is the worst thing that could happen to Lydia Tár, it's about the worst thing Lydia Tár thinks could happen to Lydia Tár.
Shocking! MAESTRO completely ignores Leonard Bernstein's tutelage of Lydia Tár. Bradley Cooper should be ashamed of this whitewashing of history. Tell the whole truth, Bradley!
The "auteurs are narcissistic rage monsters" for not liking superhero movies lady everyone keeps retweeting thinks Rome is hoax. Yes, Rome. The whole thing. Hard to take her beef with auteurs seriously if she thinks "Rome bros" are also a thing that exist.
It's wild looking at images like this and comparing them with the murky gray aesthetic that is so rampant in modern Hollywood films. We used to be a proper country, etc.
As someone who grew up watching Jon Stewart and Stephen Colbert, and still holds affection for both, it's been fascinating to watch their respective career trajectories, with Colbert shamelessly carrying water for the DNC, and Stewart losing favor for calling them on their BS.
Remember that time Damien Chazelle made a movie about a grieving father trying to fill the void in his life by throwing everything he had at going to the moon, and a bunch of bozos got mad because he didn't show the precise moment he planted the American flag?
Watching A QUIET PLACE PART II and thinking about how if this were real and anyone tried to keep people quiet so the aliens wouldn't eat them, anti-maskers would absolutely be standing in the middle of the street yelling as loud as they could because "you can't silence me."
I love FROZEN II, but I’m so happy that MISSING LINK won. It’s the only nominee that’s not a sequel or a remake and I hope it inspires more people to seek it out.
#GoldenGlobes
The people in that audience watching her conduct at the end of the film are not the punchline and it's bizarre to me to see people still acting like the film is looking down on them and their country. This is all about who Lydia is and what she thinks she's above.
The wildest thing about watching so many people get upset about Jonathan Glazer's Oscar speech, is realizing just how many people are content with being the woman on the left, when they could be the one on the right.
Either of these women would make fantastic Beat Actress winners this year. They don't see themselves as rivals and I wish Twitter would stop treating them like they are.
@vertigay314
Nothing rules up puritan Twitter more than being right (which you are).
If he's thinking every stage kiss is accompanied by feelings of real lust to the point he considers it infedelidy, that's creepy! And the problem here is him. Period.
It's so weird to me that so much of the anti-sex scene discourse stems from "sex scenes are awkward to watch with my parents" which should tell you exactly where this is coming from and why it should be ignored.
My favorite part of this take is that DUNE II already had that window blocked off and THE MARVELS delayed into it. DUNE isn't "taking" anything from Marvel. It was there first.
It is possible to love Disney and also acknowledge that they are a massive, multi-billion dollar corporation that makes problematic decisions, puts profits over people, and is coming dangerously close to monopolizing cinema. Always speak out and hold them accountable.
Right now I think John Oliver is probably doing this sort of thing better than anyone. Other leftists make fun of him but I don't think there's anyone out there truly identifying systemic issues better than him, even if he isn't directly offering socialist solutions.
Then wtf was Goosebumps? Scary Stories to Tell in the Dark? Are You Afraid of the Dark? Stop using the term "gr**ming" to describe things it was never meant to describe. You're just helping reactionaries at this point.
@misterminsoo
Such a wild conspiracy when there are actual women of color in Hollywood who passed for white at that time like Merle Oberon that could be studied.
I think Colbert is a genuinely good guy. But it really feels like the guy who stood next to George W. Bush and read him to filth is gone. I get that the Late Show gig necessitates this to maintain favor with high profile guests, but his edges have really been sanded off.
That moment in the new SHAZAM trailer where he says "I just through a truck at a dragon! I love my life!" pretty much sums up everything that bothers me about modern blockbusters.
@RasberryRazz
It's a guild rule thing since he collaborated with different people on separate drafts, so each writing pair gets their own credit. It looks weird but makes sense.
I love that THE TRAGEDY OF MACBETH is basically a modern German Expressionist film. The spirits of Murnau, Lang, and Wiene seem to be hanging over every frame.
@Kemloten1
I just don't read that scene that way. It feels like a set up for the audience and your own views are going to determine how you react there. That's the scene that really reveals her as an abuser - she's bullying that student. The film is not on her side in that scene.
But seeing Colbert host a political comedy show that's essentially predicated on Republicans bad/Democrats good is kind of depressing because it just seems so bland and safe.
Turning Oscar predictions into a year round industry that frames the entire artform as a horse race defined by a single yearly awards show has done more harm to film criticism than any personal anecdote in a review ever has.
I dunno, call me old fashioned but I think it was more fun when it was Roger Ebert dropping hyperbolic, often hilariously wrong takes from the Cannes Film Festival instead of, I dunno, “Oscar Buzz Larry” or whatever other goofballs are over there now.
This is *profoundly* missing the point. I'm not talking about DUNE. Y'all can shit on DUNE all you want, that has nothing to do with this weird corporate stanning.
@paulbarrow1
Yep that's the one. A lot of folks asking about why she takes the assignment so seriously and that's it. Her ego won't allow her to see herself as anything but the mythical Lydia Tár. But she's completely neutered by the metronome. She is no longer in control.
@jessehawken
I know there's a lot of petty in-fighting on the left, but I do think liberals tend to get very easily distracted by small potatoes incrementalism because they've convinced themselves that simple bare minimum "inclusion" without real justice is the answer to everything.
@RasberryRazz
I don't understand the pushback. Like even if they're not your cup of tea they're still worth analyzing and understanding, even if it's to understand what you DON'T want to do. The incuriosity is staggering.
Ehhh gonna limit those comments to people I follow now. I'm not trying to start a fight about DUNE in the comments. DUNE being problematic or not isn't really what this is about.
This is one reason why it infuriates to me when people try to erase this aspect of the Holocaust. The queer people in the camps didn't get liberated - they got re-imprisoned, because the Allies decided that was one aspect of Hitler's atrocities they were OK with.
The queer people that were sent to Nazi Concentration Camps but survived until the Allies liberation of the Camps were re-imprisoned because it was still considered a crime in West Germany. That particular law not being fully repealed until 1994.
DisTwitter: “Your employer doesn’t owe you anything!”
When are these trash bloggers going to stop pretending to be liberals? A multi-billion dollar corporation can afford both main entrance passes AND Disney+ subscriptions. One is worth $60 a year, the other worth thousands.
EEAAO was in my top ten of the year but I can't remember the last time I saw a movie produce such wildly obnoxious takes from both its fans and its detractors. All of y'all need to chill.
The fact that "Drive it Like You Stole It" from SING STREET wasn't nominated for Best Original Song will forever be a blot on the Academy's blot-filled record.
@rianjohnson
A studio rep actually tried to convince me of the same thing at my press screening when I told them how impressive it was that it was made to look like once single take. 😂 I just smiled and nodded and went about my day.
Looking back, I'm not sure we're going to see a 2023 film more eerily descriptive of our current moment than THE ZONE OF INTEREST - and how people are reacting to its filmmaker's POV has become a kind of litmus test that can't be unseen.
Kids like scary things! When I was a kid I was fascinated by the horror section in the movie rental places. I loved the Universal Monsters. I'd devour stories about ghosts and cryptids from the library. Let kids be kids and don't make it weird.
Why are leftist publications so bad at this? You have a great opportunity yo examine cinema from a leftist lens but it's almost always this kind of shit instead.
There are actually people in my mentions right now defending this guy which just goes to show that I could tweet “the sky is blue” and some cishet white dude would reply “well actually the blue in the sky is just the reflection of the oceans...”
@AjMurray21
Colbert consistently makes it clear whose side he's on, while you still get the feeling that Stewart is truly exasperated by the charade of the whole corrupt system in way that doesn't feel like mealy mouthed centrism.
The anti-sex in movies crusaders act like they're coming from a progressive place, but it's just giving off weird western-trad Handmaid's Tale vibes and it's so unsettling seeing how quickly y'all fall in line with fascist adjacent thinking.
Increased access to film festival is a good thing. Full stop. Gate keeping and exclusivity are inherently classist and privileged and I can't believe this is even being debated.
Rewatched THE PIANO last night for the first time in maybe 20 years and just marveled at how one of the greatest film scores of all time did not get nominated for an Oscar.
@ComplexCut
Exactly. I think there are som very uncharitable reads of it going around but depiction doesn't equal endorsement and I think the POV is getting grossly misread.
I used to love awards season. Now so much of it is the most insufferable people on the internet making mediocre movies their entire personality for a few months and insisting supporting their chosen fave is somehow a moral imperative.
My daughter is 3 - she doesn't watch "horror" but she loves things like Disney's Haunted Mansion. She will point at the ghosts and tell them they don't scare her. It helps her feel brave.
The article itself is even more embarrassing. Talking about all the movies they haven't seen because they haven't opened near them yet so they can't comment on whether or not they're good - THEN WHY ARE YOU WRITING THIS? Why should we listen to you?
@momochora_
@crawdadMcCray
@dc224
@shutupmikeginn
I had that almost that exact same experience with INFINITY WAR, except the girl was playing a game on on her phone the whole time and the boyfriend kept trying to explain who everyone was but she clearly didn’t care.
I think that's one reason why I appreciated AVATAR: THE WAY OF WATER so much. It's so sincere and doesn't feel like it's embarrassed by itself, and doesn't feel the need to create this ironic distance between the audience and the action.
@IxnayMatryoshka
Yeah that's the tragedy of it. We see one person escape and one resign to suffocation - continuing to apologize for simply taking up space. It's heart wrenching.
Film scores I've loved this year - SPENCER, THE FRENCH DISPATCH, THE GREEN KNIGHT, PASSING, THE LAST DUEL, DUNE, ETERNALS, FEAR STREET, LAND, RAYA AND THE LAST DRAGON, NO TIME TO DIE. What are some of your favorites?
Awards pundits getting mad at critics for awarding smaller non-English films like DRIVE MY CAR is always so funny to me. Like why does this bother them so much?
"People saying that words are violence has caused actual violence and that shows that words aren't really violence." Real galaxy brained shit from B*ri W*iss, here.