@amandapalmer
Our credentials as a "progressive, feminist paper" are not in any way diminished by us not covering your particular album/tour, as we constantly uphold these values in our other coverage, including on the music desk. You should be ashamed of conflating the two.
Four Tet's career is brilliantly Benjamin Button - starts out with a noodly prog band, does bucolic chillout and trip hop, then ambient techno, then Burial collab, then Ibiza tech-house with Eric Prydz, then heaters in Times Square with Skrillex. Ageing gracefully is for squares
@amandapalmer
Having read all your thread, we do actually publish the "long-form, thoughtful, nuanced, non-clickbait music journalism" you want, week in week out () – it just happens to not be about you on this particular album/touring cycle. I resent the generalisation.
@amandapalmer
You are not automatically entitled to coverage. There are tens of albums we would like to cover each week but can't because of space restrictions – we need to make sure there is a spread of genres while also covering the biggest releases. Ditto tour reviews. No vendetta here.
I interviewed
@bmthofficial
's Oli Sykes for the cover of Film & Music today, discussing the traumas and political realities awakened for him by the coronavirus crisis (which he eerily pre-empted).
RIP Christo. His work with Jeanne-Claude helps you to dream a little bigger. Sensual, even sentimental, but with so many allusions to censorship, statehood, and boundaries both political and psychological.
@amandapalmer
If you follow our coverage, you'll see we don't announce tour dates, unless it's a really historic occasion (someone coming out of retirement, Elton John's final tour etc). We have covered you extensively in the past, and I'm keen that we don't repeatedly cover the same artists.
This is a critical moment for
@guardian
. Everyone is feeling the pinch right now but if you read the Guardian and can afford to, please support it. Great news/features journalism costs money – it can't be done through ads alone and still be free online.
Brilliantly candid and intimate interview with K-pop sensations
@OfficialMonstaX
by
@_xTGx
, exploring loneliness, pressure, creative autonomy, and drawing strength from their fans.
This video will be very triggering for anyone disturbed by the Pulse nightclub terror attack, but kudos to
@Madonna
for making a vociferous call for gun reform in the US – one louder and clearer than almost anyone in pop culture.
@amandapalmer
We also have limited budget and so we don't commission reviews that won't also end up in print. Hope that clears things up, and I hope your upcoming gigs go well.
I work so hard to get access to big stars, and then my writers work so hard to do engaging, searching interviews with them – so Bobbi's "style" is particularly aggravating to me. I know it's meant to wind people up, but still. Tons of good stuff to ask Offset, just do the work!
Re SM's column, it's not my place to tweet about the censure of women, but suffice to say the
@guardian
's music desk will continue to champion the artistry of trans and non-binary people, some of the most vulnerable and victimised people in our increasingly blinkered culture.
I spoke to
@elliegoulding
about her career-best new album and the long road to get there, via the predatory producers she faced as a teenager, crippling anxiety, imposter syndrome, family strife and, finally, true love.
Back at work today after my paternity leave – seven of the best months of my life. Thank you
@guardian
for providing the paid shared parental leave that made this possible, and thanks to Laura and Shaad for such brilliant coverage while I was away 🙌
Interviewed
@samfendermusic
about his excellent new LP out in Oct, and he was possibly the most open, honest and soul-searching person I've ever interviewed. He's poured even more of himself into his new music and stepped up a level. One of the UK's best!
Devastated by the death of SOPHIE, who wrote some of my favourite ever music. A staggeringly powerful artist whose honesty, emotional intensity and sense of puckish humour beautifully exploded ideas about underground and overground.
Had a very nice Zoom call with
@NiallOfficial
this week while he was making a Victoria sponge, discussing what he's listening to in lockdown, the song he's writing about socially-distanced dating, and feeling the pressure in a golden age of pop.
Hundreds of people replied to my call yesterday to support the Guardian, many of them critically, with particular regard to our coverage of gender. I can't reply individually to everyone so please excuse the grandness of a thread, and please read it all. (1/10)
Morrissey repeatedly slagging off the Guardian while accusing UK halal meat producers of Isis links fills me with the warm glow of being on the right side of history
Stormzy raps "you're never too big for Adele". The Pyramid stage suddenly blackens and a voice rings out: "Fackin right you're not!" She launches into Someone Like You. Cop starts breakdancing
This is one of the best ideas I've ever received for a feature: going through the lonely hearts sections of old punk and metal mags and catching up with them today. And the piece itself is even better. Thank you
@JAK_TH
for this!
Fascinating interview with
@arcadefire
, discussing gun control, the failure of the American left, the toxicity of the internet, the backlash to Everything Now, and how to get people to feel something. By
@missbarton
.
Been thinking of Jamal Edwards all day. At a time when our political class sees arts and culture as a weapon, and algorithms smooth and exclude, Jamal's cultural evangelism, curation, and love/faith in artistic expression is more important than ever. He will remain an inspiration
My review of
@TierraWhack
last night at Village Underground. She wore a wordsearch dress and got fans to find words on it with marker pens. I really can't express how much I love her.
One of my faves in our Teenage Kicks series so far from
@julienrbaker
– very funny and vivid on Christian hardcore, skateboarding and the general ennui of growing up in ordinary suburbs.
Incredible stuff from
@Stormzy1
at the
#BRITs
– savaging Theresa May and the Daily Mail one minute, celebrating Daniel Kaluuya, Jourdan Dunn and his own family the next, in one mindblowing freestyle. National treasure.
One of my favourite ever interviews: hosed with ideas and anecdotes by
@DORIANELECTRA
, the gender fluid pop star who used to work as a stripper, had their breakthrough with a history of the clitoris, and is making incredibly catchy, witty should-be hits.
Trans women are women.
Trans men are men.
Non binary people are non binary.
For some, these terms are porous and they live between them.
Gender is not absolute. (2/10)
RIP Philip Jeck, who expanded "DJing" and "sampling" into stunningly deep, profound, beautiful new territory. Communes with history in the same way as Burial, The Caretaker, Christian Marclay etc and should be just as revered. Incredible live performer too. A British great.
Me and
@laurasnapes
have pulled together a guide to what we're interested in from freelance pitches – we're always hungry for story ideas, particularly from around breadth of UK/world, and on artists/subcultures with great human stories we've missed.
If you're underrepresented in the media – so if you're from a lower income background, from an ethnic minority, are LBGTQ+ or have a disability – you can apply for a bursary (£6k + tuition fees) to study for a journalism MA, & get Guardian work experience:
I am going on paternity leave for seven months, from the end of July until mid-February. Laura Snapes will cover my role, so we need someone to cover her deputy music editor position. Apply here!
Love this piece by
@carolabbottg
speaking to
@linndaquebrada
@jupdobairro
and
@badsista011
about swimming against the tide of the Brazilian music industry. Jup's Corpo Sem Juízo mini-album from earlier this year is incred, as are all these women!
I love this story. Berlin's S-Bahn rail network proposes using atonal music to disperse homeless; Berlin musicians stage protest with beautiful atonal music; S-Bahn manager is blown away and cancels initiative! A live-action Disney movie, with sax improv.
Press release: "Virgin Money is reimagining the role of the bank branch... and music will play a major part in this. Flagship Virgin Money stores will be ‘bank by day, music venue by night’, including co-working spaces, events throughout the year and content-creation studios." 🤮
Thank you
@rhodri
for this lovely tribute to Tim Smith of Cardiacs – as well as his kindness, humour and fervour, it gives a great sense of the small but hyper-energised community he created around him with his unique music.
A dynamite piece from
@jumiaa
reporting into how black British female singers provide many of the vocal hooks for hugely successful dance tracks – but are often erased from credits/visuals. This is a scandal in the UK industry that has to be addressed.
My essay on the sad death of Lil Peep – and how Soundcloud rap's fascination with prescription drugs is a wretched reflection on the US opioid crisis and healthcare system:
Just don't. This isn't like the second day of some hilarious Stormzy send. You broadcast the most gross and damaging antisemitic tropes to thousands of people. Get off Twitter.
Gutted to hear of P4K cuts in a merger that will frame music as just another branch of consumerist lifestyle. With ad spend issues etc, cultural journalism will need independence, reader-funding & paid support from labels who so rely on it to build emotional connection w/ artists
⭐️⭐️⭐️⭐️⭐️ from me for one-time
@silverjews
songwriter David Berman's new project, Purple Mountains, which is stuffed with funny, affecting lyrics about age, depression, and genitalia-related mishaps with an anthill in Des Moines.
Moving vid by Judith Hill, Prince and Michael Jackson backing singer, on the 5 years of pain from a
@TMZ
article that winkingly, baselessly alluded to her involvement in the stars' deaths. TMZ should be absolutely disgusted with themselves and apologise.
Spotify's new initiative of allowing users to donate direct to artists isn't wrong in and of itself, but set against their royalty rates and their simultaneous encouragement of charity donations, it is confused and galling. My thoughts here:
I spoke to
@elliegoulding
about her forthcoming album (which has some startlingly good songs on it), her recent engagement, her climate activism, and the person who "tried to write a song to damage me ... a really horrifying thing to go through":
Men threaten women in so many ways. Trans women (often non-white trans women) experience the blunt, murderous end of that threat all too often. Again, these women need compassion. (6/10)
Tomorrow we're publishing our list of the 100 greatest albums of the 21st century so far, online and in print in Film & Music. Let the righteous fury in the comments section begin! Well, soon.
RIP print NME. This was my fave era – that early-broadband moment when everyone's tastes were opening up and genres were dissolving. Often still enjoyed the subsequent New Rock Revolution era but it was blinkered in comparison.
The censorship of
@SkengdoxAm
from
@metpoliceuk
, unprecedentedly given a prison sentence for performing a song, is a shocking incursion into civil liberties and free speech. Read this essential piece about their case by
@danhancox
.
My entire life. Having 157 million super-engaged monthly global readers apparently pales next to getting put on the newsagent shelves behind a sudoku compendium, hoping to snare a few thousand passing hypebeasts or Chelsea fashionistas.
Publicist: We're only considering covers at the moment
Me: There are like 3 magazines left… but ok
*one month later*
Publicist: Did you see [client] on the cover of [pub nobody has heard of]? The pics are so gorg!
Me:
Got a full house on Guardian comment section bingo on our Billie Eilish review this morning🏅
- iTs jUsT aUtOtUnEd
- Didn't write it entirely herself so is creatively invalid
- The Guardian only reviews hyped pop stars
- Famous people deserve hatred
- Men with guitars are better
Most people's gender "matches" with the one conferred on them by biology and society. Mine does, and it's the same for millions more. A minority differ. We should be compassionate towards them. (3/10)
Later this week
@ArcticMonkeys
I Wanna Be Yours will notch up its billionth stream on Spotify – so I spoke to John Cooper Clarke (
@official_jcc
) about how he wrote the poem it's based on, and why Abbey Clancy's approval is the real thrill.
@bridgetminamore
I was lucky enough to speak to Brian Henson, Steve Whitmire and Dave Goelz about the making of it. Caine apparently said: "I will never wink, I will never do anything Muppety." So many lovely stories in this:
I wrote about the song of the year,
@ladygaga
and
@ArianaGrande
's Rain on Me. Flailing around my living room this on repeat on Friday nights wasn't better than going out, but it was definitely something.
I spoke to
@beth_orton
about her dark, startling, brilliant new album Weather Alive – and the struggles with identity, motherhood, chronic illness, grief and more that she poured into it. Still one of the UK's very best artists.
Just catching up with the Police, Crime, Sentencing and Courts Bill being voted on tomorrow and I'm disgusted. Protest will be deemed unlawful not just if it endangers the "life, health, property" of the public but also "comfort" too. Protest is uncomfortable – that's the point.
Gutted to hear of the death of Peter Rehberg. With his Editions Mego label, you can reach for a new release in total confidence without knowing what it is – such an great curator of underground culture. His own KTL series is awe-inspiring cathedral-industrial music. A big loss.
Really excited to have
@laurasnapes
joining me on
@guardianmusic
! A brilliant, humane writer with great insights about music and what it means in our culture. 🎶🎉🎶🎉🎶
Dismayed to receive a laughably bad box of promo from Spotify for [redacted]'s album campaign, including ultra-thick plastic box that purely makes a sound effect. Companies need to think with every marketing decision: do we need to use earth's finite resources on this?
To the trans people who feel betrayed by the Guardian's coverage of trans issues: there are many people in the company who want to tell your stories, struggles and triumphs, honestly and compassionately. (4/10)
I don't have all the answers but I want to ask the right questions, to help equality and understanding, and for everyone to be empowered. I think the Guardian is a place that does that and I'm proud to work there. (10/10)
Sad news: Gang of Four's Andy Gill has died, aged just 64. His guitar work on To Hell With Poverty is some of my favourite ever: juggernauts of noise straining to stay on the road. Dancefloor chaos when he starts the funk on Natural's Not In It. A genius.
To the cis women who feel betrayed by the Guardian's coverage of trans issues: I'm genuinely saddened to have lost you as everyone working here wants to fight misogyny, sexism and patriarchal power/bullshit. (5/10)
Years on from when it first broke into the UK, today's baile funk scene is to my ears the most thrilling, progressive music being made anywhere in the world rn – the new gen of DJ Arana, DJ Jeeh FDC etc is just next level.
@felipemaia
reported on it all:
This is the first single from the best album I've heard so far this year (it's out end of March). Me and
@laurasnapes
thought to ration it so as not to spoil it, but I'm starting to think it's actually an all-time classic that can never be overplayed.
There needs to be debate on how to ensure safety and agency of all women; of methods and timings of transitioning, which will vary for each person. But any debate needs to come from a place of compassion where the fact of trans women's existence and womanhood is honoured. (7/10)
"To walk through a music festival that only exists because of a branding imperative is one of the most spiritually bereft experiences in cultural life." My take on the Amazon music festival, which is essentially:🙅♂️
I listened to the 16-hour Radiohead MiniDisc archive and picked out the best bits. It's so interesting to see how they flirted with happier, comfier Britpop/alt-rock before getting all paranoid android.
Very powerful interview with one of the very greatest British musicians: Vini Reilly of the Durutti Column, speaking for the first time in a decade to
@DanielDylanWray
. Stunning portraits too, by Chris Thomond.
I signed the letter in the wake of Suzanne Moore's column because I thought she mis-characterised the fight for trans rights as denying women's rights. I respect debate and part of that is calling out something I don't agree with. She isn't silenced, nor would I want that. (8/10)
Great reporting by
@JonesJourno
in the wake of Raye's fractious departure from Polydor, exploring how pop stars too often get eagerly signed, then sidelined and ignored. Labels need to remember they have a real duty of care to the artists they sign.
I reviewed the new one from
@lambchopisaband
– Kurt Wagner remains one of the all time great lyricists and the impressionistic electronic vocals totally work. So much ❤️ for this band.
Whew the mentions. I stand by what I said earlier. I never denied biological reality; I supported valid gender identity in the face of hostility to it. I want all women to be safe and have a voice. Twitter isn't set up for a debate this complex, I admit. Night all
An absolutely astonishing moment from
@Santandave1
at the
#Brits2020
, to match Stormzy's evisceration of Theresa May in 2018. Boris's racism, Meghan, prison rehabilitation, Grenfell, Windrush and reparations all sent into the homes of millions. Awesome.
I wrote about the horrible attacks on critics who reviewed Taylor Swift's Folklore with less than perfect score, and took her Metacritic rating slightly down as a result – perhaps these attacks are a symptom of an aggressively quantified culture.
Loved the
@blkfootwhtfoot
album out today - really loose and breezy, shuttling between styles, but all of it cohering thanks to her melodic instinct and emotional honesty.
Dismayed to see one of my freelancers barred from writing for us by the massive streaming company they are *temporarily* contracted to, citing conflict of interest where there isn't one. Big companies should not be stifling young writers, freelance culture is difficult enough!
I paid tribute to Vaughan Oliver, someone who did some of the toughest and most mystically powerful things with graphic design – his images are glutted but always elegant, and set the stage for music like nothing else.