Sometimes I wonder what would happen if everyone fully realized Josh O’Connor learned Italian for La Chimera, a movie in which he acts … fully in Italian
Here are some of my main assumptions as a critic. They’re not always *right*, but I find they’re a good place to begin.
(1) You’re not smarter than the movie.
(2) The fact you identified what the movie is doing does not mean it’s bad.
(3) Take the movie first on its own terms.
I promise I won’t do this again unless I land on the front page or something, but I haven’t been in print since like 2008 (RIP print Paste) and this feels really nice
I watched all of THE CURSE (the new Nathan Fielder / Benny Safdie / Emma Stone show on Showtime this week) and it’s brilliant, studded with dark references and asides that build out several layers of interpretation. Wrote about it without spoilers!
I have strong opinions about the factors behind the struggle of movie theaters (I have written about them all, many times), and there isn’t just one. But it’s mostly the business tanking itself for no reason other than short-term profit chasing, and it bums me out.
This should interest literally everyone working in every field, especially all the novelists who just discovered their work was used without pay to train AI
#wga
The impulse to not release this EXTREMELY DELIGHTFUL MOVIE in the normal theatrical fashion — after Anything But You made 10x its budget — is literal bananas math
it (a) is an original screenplay but (b) isn’t according to the Academy’s bizarre rules, which say that any screenplay based on existing IP (including sequels to actual original screenplays) are “adapted.” And no, this does not make sense.
EXCLUSIVE: Greta Gerwig's blockbuster comedy “Barbie” has been deemed an adapted screenplay by the Writers Branch executive committee of the AMPAS, despite campaigning for original screenplay.
@glenpowell
MENUS-PLAISIRS LES TROISGROS (Frederick Wiseman) | U.S. Premiere
The United States’s unrivaled maestro of observational nonfiction, Frederick Wiseman, brings his camera into a three-star Michelin restaurant in rural central France.
#NYFF61
#Oppenheimer
gives Christopher Nolan more reasons to meld physics, and metaphysics, and ancient myths and texts, and also an inquiry into power. Fantastique.
According to SAG-AFTRA national executive director Duncan Crabtree-Ireland, the AMPTP's proposal on AI included allowing background actors to be scanned, paid for one day's work, and then be used however they want in perpetuity for the rest of the universe forever
Working on OPPENHEIMER and reminded of this genuinely bizarre thing Nolan knitted into TENET that really got way less chatter than it deserved (though for understandable reason):
I read DUNE a couple summers ago before the first movie came out, and I hated the whole experience till the last 150 pages when suddenly it got very interesting (Herbert's prose notwithstanding), and a lot of what's in those pages is in DUNE 2, and I loved watching it.
Nothing like going to the cinema on a Friday night to see a movie that’s been out since July and is streaming and on physical media and finding yourself sitting with 80 other people who are absolutely glued to the screen
It's official: SAG-AFTRA is on strike starting midnight tonight, after 98% authorization vote from the membership and unanimous strike order from leadership.
I still think the late Terence Davies’ Emily Dickinson movie, A QUIET PASSION, is one of the most devastating and extraordinary films about devotion, faith and the loss of it, and art that I’ve ever seen. Cynthia Nixon’s never been better.
It is genuinely fun to see Sandra Huller finally get recognized. Two of her earlier films -- REQUIEM and especially TONI ERDMANN -- are among my favorites of all time.
REN FAIRE premieres Sunday night on HBO at 9pm (first ep of 3) and my fervent wish is people will watch this to have their minds busted open about what docs can be
FURIOSA didn’t leave me with the same high as FURY ROAD, but it’s also darker and more full of, uh, well, you know. Anyhow! You should see it, and I wish someone would scan George Miller’s brain so I can see what is actually happening in there
(4) A bad movie usually fails on its own terms.
(5) The means of production matter but are rarely the main thing that matters.
(6) If you are confused, don’t assume it’s the movie’s fault.
(7) Text on screen always matters.
(8) Ditto any unexpected formal choice.
The most interesting thing to me about THE SUBSTANCE is the notion that, if you were a gorgeous public figure as a younger woman, then you’ll be haunted by your younger disembodied doppelgänger your whole life, which clearly makes aging way more fraught + has labor implications
the goofiest thing about this is that the votes have already been cast, it’s not like attending the Oscars is going to do anything besides alert people that there’s a handsome hilarious dog in ANATOMY OF A FALL
Multiple companies with nominated films complained to the Academy that allowing Messi from ‘ANATOMY OF A FALL’ to attend the Oscar nominees luncheon gave the film an advantage during the voting window.
He will not be attending this year’s
#Oscars
.
()
One of my final pieces for Vox (😢) is about PAIN HUSTLERS, ALL THE BEAUTY AND THE BLOODSHED, and Hollywood's struggle to figure out what the story of America's opioid crisis really is.
People have been asking / lurking, so yes: I am among the many King’s colleagues who learned on Monday that our contracts are being ended early, though the college is not closing. (No fall classes.)
These guardians wrote themselves into Osage wills and insurance policies, then systematically murdered their wards and took their oil rights. That’s where Killers of the Flower Moon ends, in the 1920s.
I’ve always been intrigued by the lessons solitude and loneliness and contemplation teach, and I wrote about them and PRISCILLA for my last piece at Vox.
Had a lot of conversations about that KILLERS OF THE FLOWER MOON ending. In writing about it, I found it was inextricable from those mind-blowing conclusions of SILENCE and THE IRISHMAN:
(9) With nonfiction in particular, the subject comes second to the film’s relationship to the audience.
(10) Start from your gut, but that means you’ve got to argue for it.
Everyone in New York City is running a half marathon today — there are big races in Central Park and in Brooklyn. So that includes me, very very slowly, still working this now much older body through years-old injuries
SAG-AFTRA president Fran Drescher is passionately explaining why the leadership voted to order the strike: "We are being victimized by a very greedy entity . . . What are you doing? Why are you doing this? . . . It was insulting!"
This, from
@nathanheller
’s piece on attention a few New Yorkers ago, is very precisely the definition of art that I used to teach my students. I like the way it’s framed here.
This was a bear for me to wrestle down to the page, but THE MISSION (out 10/13) and SAVIOR COMPLEX (out today) deserve to be seriously wrestled with, no matter where your beliefs land regarding “missions work.”
If there’s one thing that I know, it’s that the Chinese government historically adores films about how the world works best when we have the freedom to be individuals
Last year my feeling on the Best Pic nominees was essentially “they’re all fine, I won’t be mad.” This year it’s more “I won’t be mad but some of these are stone cold masterpieces for the ages”
I have long wondered what the real season for Disney’s insistence on “live-action” remakes was and though I can’t confirm my darkest suspicions, starting to feel like this week may have propped them up significantly
Apparently
#Tenet
is back in theaters, so let me remind you that I sort of cracked the (more or less literal) code on it and it’s so much weirder than I expected:
The next ‘AVENGERS’ movie may feature more than 60 characters returning to the MCU.
It is already set to be one of Marvel’s biggest productions ever.
(Source: Deadline)
Have now seen CHALLENGERS twice for work reasons, and the laugh lines landed in the same spot in both the press screening and the public screening. This so rarely happens
Greta & Margot,
While it can sting to win the box office but not take home the gold, your millions of fans love you.
You’re both so much more than Kenough.
#HillaryBarbie
I just got done writing an extracurricular thing about how transgressive Scorsese’s religious films have been, which makes today’s news beautifully funny
I’ve been at the Times for six months now and so far the funniest shift has been realizing an article must be in that day’s print edition because I get a flood of erudite early-morning email about it
I have seen a ton of movies in the past few weeks (it’s the good season and the fests are coming!) but the one I can already tell I will be thinking about forever is Wim Wenders’ latest, PERFECT DAYS
I’ve recommended it to so many people lately that I will do it here: if you like going to the movies and are in NYC or the Bay, you should know
@ScreenSlate
, the most useful site on the Internet (and also subscribe so they can keep going):
Once again announcing, on this hallowed EVIL DOES NOT EXIST release weekend, that you must see Ryusuke Hamaguchi’s WHEEL OF FORTUNE AND FANTASY (which you can rent for $3), which I liked even more than the same year’s DRIVE MY CAR