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Alissa Wilkinson Profile
Alissa Wilkinson

@alissamarie

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Movie critic @nytimes . Author of “We Tell Ourselves Stories: Joan Didion and the American Dream Machine" (2025) and "Salty" (2022)

New York City
Joined February 2007
Don't wanna be here? Send us removal request.
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@alissamarie
Alissa Wilkinson
3 months
This is in a sense old news (book is written, it's in edits), but now it's official:
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@alissamarie
Alissa Wilkinson
2 months
Sometimes I wonder what would happen if everyone fully realized Josh O’Connor learned Italian for La Chimera, a movie in which he acts … fully in Italian
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@alissamarie
Alissa Wilkinson
5 months
Denis Villeneuve does something so visually wild with DUNE: PART TWO that I've been thinking about it for days
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@alissamarie
Alissa Wilkinson
8 months
all the personal news fit to print
@NYTimesPR
NYTimes Communications
8 months
We’re thrilled to announce @alissamarie is joining Culture as a critic covering movies.
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@alissamarie
Alissa Wilkinson
1 year
BARBIE is a rich text for Biblical studies folks. No I am not kidding
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@alissamarie
Alissa Wilkinson
1 year
Here are some of my main assumptions as a critic. They’re not always *right*, but I find they’re a good place to begin. (1) You’re not smarter than the movie. (2) The fact you identified what the movie is doing does not mean it’s bad. (3) Take the movie first on its own terms.
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@alissamarie
Alissa Wilkinson
8 months
I promise I won’t do this again unless I land on the front page or something, but I haven’t been in print since like 2008 (RIP print Paste) and this feels really nice
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@alissamarie
Alissa Wilkinson
8 months
I watched all of THE CURSE (the new Nathan Fielder / Benny Safdie / Emma Stone show on Showtime this week) and it’s brilliant, studded with dark references and asides that build out several layers of interpretation. Wrote about it without spoilers!
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@alissamarie
Alissa Wilkinson
7 months
The very worst, laziest form of “criticism” is “everyone says they like this, but I do not, and thus they are lying”
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@alissamarie
Alissa Wilkinson
1 month
I have strong opinions about the factors behind the struggle of movie theaters (I have written about them all, many times), and there isn’t just one. But it’s mostly the business tanking itself for no reason other than short-term profit chasing, and it bums me out.
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@alissamarie
Alissa Wilkinson
10 months
This should interest literally everyone working in every field, especially all the novelists who just discovered their work was used without pay to train AI #wga
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@alissamarie
Alissa Wilkinson
8 days
bad criticism: "this is bad" good criticism: "this is bad *because*"
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@alissamarie
Alissa Wilkinson
10 months
cmon it’s literally adapted from the book of Genesis
@DiscussingFilm
DiscussingFilm
10 months
Warner Bros is officially campaigning ‘BARBIE’ for Best Original Screenplay rather than Adapted Screenplay. (Source: )
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@alissamarie
Alissa Wilkinson
1 year
this is bananas
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@alissamarie
Alissa Wilkinson
9 months
Thinking about the end of KILLERS OF THE FLOWER MOON in tandem with SILENCE and THE IRISHMAN is very revealing:
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@alissamarie
Alissa Wilkinson
9 months
it’s deeply annoying and also 1000000% a product of exec notes geared toward streaming
@nataliawinke
Natalia Winkelman
9 months
has anyone written about how every single contemporary documentary starts with essentially a long trailer for the documentary
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@alissamarie
Alissa Wilkinson
6 months
Among the many movies you probably skipped last year, I kinda think everyone should see ARE YOU THERE, GOD? IT’S ME, MARGARET
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@alissamarie
Alissa Wilkinson
8 months
Today's my last day at @voxdotcom , which I joined back in its toddlerhood, six weeks before the 2016 election. What a time to join!
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@alissamarie
Alissa Wilkinson
3 months
The impulse to not release this EXTREMELY DELIGHTFUL MOVIE in the normal theatrical fashion — after Anything But You made 10x its budget — is literal bananas math
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@alissamarie
Alissa Wilkinson
6 months
it (a) is an original screenplay but (b) isn’t according to the Academy’s bizarre rules, which say that any screenplay based on existing IP (including sequels to actual original screenplays) are “adapted.” And no, this does not make sense.
@Variety
Variety
6 months
EXCLUSIVE: Greta Gerwig's blockbuster comedy “Barbie” has been deemed an adapted screenplay by the Writers Branch executive committee of the AMPAS, despite campaigning for original screenplay.
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@alissamarie
Alissa Wilkinson
6 months
What I am interested in is making it so Malick, Scorsese, and Verhoeven all have their Jesus movies come out at the same time, for Personal Reasons
@Variety
Variety
6 months
Martin Scorsese’s New Jesus Film Is 80 Minutes Long and Aims to ‘Take Away the Negative’ Associations With ‘Organized Religion’
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@alissamarie
Alissa Wilkinson
11 months
this is my super bowl, my oscars, my barbieheimer, my literal greatest dream movie
@TheNYFF
New York Film Festival
11 months
@glenpowell MENUS-PLAISIRS LES TROISGROS (Frederick Wiseman) | U.S. Premiere The United States’s unrivaled maestro of observational nonfiction, Frederick Wiseman, brings his camera into a three-star Michelin restaurant in rural central France. #NYFF61
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@alissamarie
Alissa Wilkinson
5 months
expensive movies that LOOK GOOD! bring 'em back! more of those!
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@alissamarie
Alissa Wilkinson
1 year
#Oppenheimer gives Christopher Nolan more reasons to meld physics, and metaphysics, and ancient myths and texts, and also an inquiry into power. Fantastique.
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@alissamarie
Alissa Wilkinson
1 year
According to SAG-AFTRA national executive director Duncan Crabtree-Ireland, the AMPTP's proposal on AI included allowing background actors to be scanned, paid for one day's work, and then be used however they want in perpetuity for the rest of the universe forever
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@alissamarie
Alissa Wilkinson
1 year
Working on OPPENHEIMER and reminded of this genuinely bizarre thing Nolan knitted into TENET that really got way less chatter than it deserved (though for understandable reason):
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@alissamarie
Alissa Wilkinson
5 months
honestly may be the greatest movie ever made, or at least real close
@adamm0rgan
Adam Morgan
5 months
Somehow I went 38 years without watching Terrence Malick's DAYS OF HEAVEN (1978) and now I'll be thinking about it for the rest of my life.
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@alissamarie
Alissa Wilkinson
11 months
it is done (for now)
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@alissamarie
Alissa Wilkinson
4 months
I am once again wondering why A CANTICLE FOR LEIBOWITZ hasn’t been adapted for the screen??
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@alissamarie
Alissa Wilkinson
5 months
I read DUNE a couple summers ago before the first movie came out, and I hated the whole experience till the last 150 pages when suddenly it got very interesting (Herbert's prose notwithstanding), and a lot of what's in those pages is in DUNE 2, and I loved watching it.
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@alissamarie
Alissa Wilkinson
1 year
I’m not sure one student ever knew what this was
@alissamarie
Alissa Wilkinson
1 year
cleaning out my office
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@alissamarie
Alissa Wilkinson
5 months
Nothing like going to the cinema on a Friday night to see a movie that’s been out since July and is streaming and on physical media and finding yourself sitting with 80 other people who are absolutely glued to the screen
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@alissamarie
Alissa Wilkinson
2 months
so far my conclusion from the movies I have seen at this Cannes is this: The People of Earth Are Not Okay
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@alissamarie
Alissa Wilkinson
1 year
I feel a substantial number of my followers will want to know that the Ethan Hawke Flannery O'Connor movie is premiering at TIFF
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@alissamarie
Alissa Wilkinson
2 months
je suis made it, so to speak
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@alissamarie
Alissa Wilkinson
1 year
It's official: SAG-AFTRA is on strike starting midnight tonight, after 98% authorization vote from the membership and unanimous strike order from leadership.
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@alissamarie
Alissa Wilkinson
9 months
I still think the late Terence Davies’ Emily Dickinson movie, A QUIET PASSION, is one of the most devastating and extraordinary films about devotion, faith and the loss of it, and art that I’ve ever seen. Cynthia Nixon’s never been better.
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@alissamarie
Alissa Wilkinson
5 months
MADAME WEB is indeed quite bad and, perhaps not coincidentally, the most fun I’ve had watching a movie of this variety since VENOM
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@alissamarie
Alissa Wilkinson
4 months
It is genuinely fun to see Sandra Huller finally get recognized. Two of her earlier films -- REQUIEM and especially TONI ERDMANN -- are among my favorites of all time.
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@alissamarie
Alissa Wilkinson
2 months
My one qualm with ANORA was blown to bits by the final scene so: very very good.
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@alissamarie
Alissa Wilkinson
1 month
REN FAIRE premieres Sunday night on HBO at 9pm (first ep of 3) and my fervent wish is people will watch this to have their minds busted open about what docs can be
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@alissamarie
Alissa Wilkinson
2 months
FURIOSA didn’t leave me with the same high as FURY ROAD, but it’s also darker and more full of, uh, well, you know. Anyhow! You should see it, and I wish someone would scan George Miller’s brain so I can see what is actually happening in there
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@alissamarie
Alissa Wilkinson
1 year
(4) A bad movie usually fails on its own terms. (5) The means of production matter but are rarely the main thing that matters. (6) If you are confused, don’t assume it’s the movie’s fault. (7) Text on screen always matters. (8) Ditto any unexpected formal choice.
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@alissamarie
Alissa Wilkinson
2 months
The most interesting thing to me about THE SUBSTANCE is the notion that, if you were a gorgeous public figure as a younger woman, then you’ll be haunted by your younger disembodied doppelgänger your whole life, which clearly makes aging way more fraught + has labor implications
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@alissamarie
Alissa Wilkinson
2 months
It’s honestly crazy how good the most recent trilogy of Apes movies were. I’ve been beating this drum for years and years but it’s still pretty wild
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@alissamarie
Alissa Wilkinson
4 months
the goofiest thing about this is that the votes have already been cast, it’s not like attending the Oscars is going to do anything besides alert people that there’s a handsome hilarious dog in ANATOMY OF A FALL
@FilmUpdates
Film Updates
4 months
Multiple companies with nominated films complained to the Academy that allowing Messi from ‘ANATOMY OF A FALL’ to attend the Oscar nominees luncheon gave the film an advantage during the voting window. He will not be attending this year’s #Oscars . ()
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@alissamarie
Alissa Wilkinson
8 months
One of my final pieces for Vox (😢) is about PAIN HUSTLERS, ALL THE BEAUTY AND THE BLOODSHED, and Hollywood's struggle to figure out what the story of America's opioid crisis really is.
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@alissamarie
Alissa Wilkinson
4 months
1pm today! AMA!
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@alissamarie
Alissa Wilkinson
1 year
I have been trying to find a good way to articulate this but this is just it
@flamingpetty
Adam Fleming Petty
1 year
It’s funny, evangelicalism in the 90s wanted nothing more than to sway the culture at large. And now it has! And it sucks.
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@alissamarie
Alissa Wilkinson
1 year
People have been asking / lurking, so yes: I am among the many King’s colleagues who learned on Monday that our contracts are being ended early, though the college is not closing. (No fall classes.)
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@alissamarie
Alissa Wilkinson
9 months
great, blistering historical thread about what happens after #KillersoftheFlowerMoon
@Greg_Palast
Greg Palast
9 months
These guardians wrote themselves into Osage wills and insurance policies, then systematically murdered their wards and took their oil rights. That’s where Killers of the Flower Moon ends, in the 1920s.
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@alissamarie
Alissa Wilkinson
8 months
I’ve always been intrigued by the lessons solitude and loneliness and contemplation teach, and I wrote about them and PRISCILLA for my last piece at Vox.
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@alissamarie
Alissa Wilkinson
9 months
Had a lot of conversations about that KILLERS OF THE FLOWER MOON ending. In writing about it, I found it was inextricable from those mind-blowing conclusions of SILENCE and THE IRISHMAN:
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@alissamarie
Alissa Wilkinson
1 year
(9) With nonfiction in particular, the subject comes second to the film’s relationship to the audience. (10) Start from your gut, but that means you’ve got to argue for it.
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@alissamarie
Alissa Wilkinson
1 month
Getting 12 New Yorkers to agree on anything really is a feat. ask us about bagels some time
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@alissamarie
Alissa Wilkinson
7 months
(In other news, I have completed week 5 of New Job, and it has honestly been an easier transition than I ever would have imagined.)
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@alissamarie
Alissa Wilkinson
1 month
I don’t want to be a dunker here but I would like to suggest a little watching of comedians
@Variety
Variety
1 month
'The Bear' Tackles Serious Themes About Alcoholism, Anxiety and Suicide -- And It's a Comedy?
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@alissamarie
Alissa Wilkinson
6 months
pretty sure the best movie I saw for the first time in 2023 was SAFE
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@alissamarie
Alissa Wilkinson
1 year
cleaning out my office
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@alissamarie
Alissa Wilkinson
2 months
Everyone in New York City is running a half marathon today — there are big races in Central Park and in Brooklyn. So that includes me, very very slowly, still working this now much older body through years-old injuries
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@alissamarie
Alissa Wilkinson
1 year
(11) Write well or it doesn’t matter what you say.
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@alissamarie
Alissa Wilkinson
1 year
SAG-AFTRA president Fran Drescher is passionately explaining why the leadership voted to order the strike: "We are being victimized by a very greedy entity . . . What are you doing? Why are you doing this? . . . It was insulting!"
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@alissamarie
Alissa Wilkinson
2 months
MEGALOPOLIS has the distinction of being the only movie I have seen at Cannes, or indeed any major festival, with a full-on CCM number in the middle
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@alissamarie
Alissa Wilkinson
2 months
This, from @nathanheller ’s piece on attention a few New Yorkers ago, is very precisely the definition of art that I used to teach my students. I like the way it’s framed here.
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@alissamarie
Alissa Wilkinson
8 months
the moment you truly begin a new job is when you lose access to one Slack and gain access to another
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@alissamarie
Alissa Wilkinson
7 months
Followed close behind by “everyone loves this and I, alone, am brave enough to speak the truth they are hiding from you”
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@alissamarie
Alissa Wilkinson
5 months
relatable
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@alissamarie
Alissa Wilkinson
10 months
This was a bear for me to wrestle down to the page, but THE MISSION (out 10/13) and SAVIOR COMPLEX (out today) deserve to be seriously wrestled with, no matter where your beliefs land regarding “missions work.”
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@alissamarie
Alissa Wilkinson
1 year
Well! Turns out Greta wasn’t kidding about Barbie and Ken and ... Genesis?
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@alissamarie
Alissa Wilkinson
1 year
If there’s one thing that I know, it’s that the Chinese government historically adores films about how the world works best when we have the freedom to be individuals
@VanityFair
VANITY FAIR
1 year
Senator Ted Cruz calls #Barbie “Chinese communist propaganda,” and says the film will brainwash the young girls who go see it.
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@alissamarie
Alissa Wilkinson
1 year
y’all better watch The Wind That Shakes the Barley, I swear
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@alissamarie
Alissa Wilkinson
6 months
Last year my feeling on the Best Pic nominees was essentially “they’re all fine, I won’t be mad.” This year it’s more “I won’t be mad but some of these are stone cold masterpieces for the ages”
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@alissamarie
Alissa Wilkinson
5 months
Glorious day: @JustinCChang is headed to the New Yorker and I literally could not be happier about this
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@alissamarie
Alissa Wilkinson
1 year
I have long wondered what the real season for Disney’s insistence on “live-action” remakes was and though I can’t confirm my darkest suspicions, starting to feel like this week may have propped them up significantly
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@alissamarie
Alissa Wilkinson
3 months
I am 0% kidding when I say this is how I launched my writing career
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@alissamarie
Alissa Wilkinson
4 months
Subway conductor called it “Houston” like the city in Texas. Twice. we used to be a real city
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@alissamarie
Alissa Wilkinson
2 months
I really liked OH CANADA, and there’s a lot packed into it about documentaries so I am excited to write about it when it comes out
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@alissamarie
Alissa Wilkinson
5 months
Apparently #Tenet is back in theaters, so let me remind you that I sort of cracked the (more or less literal) code on it and it’s so much weirder than I expected:
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@alissamarie
Alissa Wilkinson
1 month
and the real miracle is none of them will be on set at the same time
@DiscussingFilm
DiscussingFilm
1 month
The next ‘AVENGERS’ movie may feature more than 60 characters returning to the MCU. It is already set to be one of Marvel’s biggest productions ever. (Source: Deadline)
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@alissamarie
Alissa Wilkinson
8 months
I rewatched MARIE ANTOINETTE today and it just feels so 2006 that people hated it. The wealth we were living in
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@alissamarie
Alissa Wilkinson
2 months
Have now seen CHALLENGERS twice for work reasons, and the laugh lines landed in the same spot in both the press screening and the public screening. This so rarely happens
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@alissamarie
Alissa Wilkinson
5 months
one has to wonder what incentives one’s former employees have to not spill every bean available if they have no severance or even clips left
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@alissamarie
Alissa Wilkinson
3 months
probably this will get me cancelled by someone but I would love to read DFW’s review of Challengers
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@alissamarie
Alissa Wilkinson
6 months
It is an interesting choice to pre-decide that Greta and Margot are going to lose their Oscars, but this is why I am not an awards prognosticator
@HillaryClinton
Hillary Clinton
6 months
Greta & Margot, While it can sting to win the box office but not take home the gold, your millions of fans love you.  You’re both so much more than Kenough. #HillaryBarbie
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@alissamarie
Alissa Wilkinson
1 year
Don’t forget, the best show on TV is back for its third and final season and it does some really wild stuff:
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@alissamarie
Alissa Wilkinson
3 months
I just got done writing an extracurricular thing about how transgressive Scorsese’s religious films have been, which makes today’s news beautifully funny
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@alissamarie
Alissa Wilkinson
2 months
I’ve been at the Times for six months now and so far the funniest shift has been realizing an article must be in that day’s print edition because I get a flood of erudite early-morning email about it
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@alissamarie
Alissa Wilkinson
11 months
draft 1: done. never write a book, it’s never been done and nobody can do it
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@alissamarie
Alissa Wilkinson
8 months
After ~35 years of Oxford comma usage, about to see if a middle aged dog can learn new tricks
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@alissamarie
Alissa Wilkinson
2 months
don’t write your books in Google Docs dear heavens
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@alissamarie
Alissa Wilkinson
1 month
may you live in interesting times
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@alissamarie
Alissa Wilkinson
6 months
😳🥹
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@alissamarie
Alissa Wilkinson
10 months
I have seen a ton of movies in the past few weeks (it’s the good season and the fests are coming!) but the one I can already tell I will be thinking about forever is Wim Wenders’ latest, PERFECT DAYS
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@alissamarie
Alissa Wilkinson
8 months
my recommendation would be to avoid having to move two weeks after you start a new job. that’s just me
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@alissamarie
Alissa Wilkinson
7 months
I’ve recommended it to so many people lately that I will do it here: if you like going to the movies and are in NYC or the Bay, you should know @ScreenSlate , the most useful site on the Internet (and also subscribe so they can keep going):
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@alissamarie
Alissa Wilkinson
2 months
Once again announcing, on this hallowed EVIL DOES NOT EXIST release weekend, that you must see Ryusuke Hamaguchi’s WHEEL OF FORTUNE AND FANTASY (which you can rent for $3), which I liked even more than the same year’s DRIVE MY CAR
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@alissamarie
Alissa Wilkinson
3 months
I thought “oh, Connections was so funny and simple today” and came on here to discover I am weird
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