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@The3Rrrs

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Movie GIFs and criticism. Cult / Silent / Horror / Sci-Fi / Action films. Physical media sales master.

New Haven, CT
Joined November 2016
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@The3Rrrs
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1 year
Devilishly clever of James Cameron to lay out all the atrocity of TITANIC's climax via intentionally crude CGI modeling and character-actor comic-relief right off the bat before another 80 minutes of narrative stakes build to the actual fully-rendered point of crisis.
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William Holden floats into the great beyond in SUNSET BOULEVARD
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Vangelis improvises a little something off the top of his head.
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Hitchcock victim accusing the viewer as the cause of their suffering in THE BIRDS.
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WILD AT HEART #DavidLynch
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Hard for me to imagine a more pitch-perfect comic delivery than this sequence from SPINAL TAP. #FredWillard , R.I.P.
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@ReelBrew The smile fading as she realizes how clearly the pediatrician sees through the lies Wendy has planted to protect her abusive husband = good acting
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Francis Ford Coppola - BRAM STOKER'S DRACULA
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Slavko Vorkapich's rapid-fire editing from "The Furies" sequence opening CRIME WITHOUT PASSION
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Edgar Wright delivers one of the greatest "gear-up" sequences ever in SCOTT PILGRIM
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Robert Altman's THE LONG GOODBYE - released 50 years ago today
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RIP Dark Lord Kenneth Anger
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Wonder how many Parisian cinephiles who attended STALKER on the strength of its French poster made it through the entire movie expecting till the bitter end that an evil cat would appear in The Zone to torment the protagonists
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Belmondo and Bogie in BREATHLESS
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Tom Sizemore delivering -- no hyperbole -- the greatest bit performance in cinema history in POINT BREAK
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Big DEATH ON THE NILE '78 energy in GLASS ONION (by Rian Johnson's own admission)
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Francis Ford Coppola - ONE FROM THE HEART
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September 30 / October 1
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Bruce Willis squeals into shot in PULP FICTION
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BRAM STOKER'S DRACULA - Francis Ford Coppola (pulling out all the stops)
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#RobertDeNiro as Neil McCauley delivering one of the best lines ever in Michael Mann's HEAT.
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Al Pacino gets knocked around in CRUISING
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Paul Thomas Anderson
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Harvey Keitel - THE DUELLISTS
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@Straysmovie From the humans who brought you 21 JUMP STREET
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Actual footage of Martin Scorsese enjoying films made before 1975
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The famous "Odessa Steps Sequence" from Sergei Eisenstein's BATTLESHIP POTEMKIN ... still stressful almost 100 years later
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R.I.P. Cloris Leachman, unforgettable in the opening of the film noir classic KISS ME DEADLY
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INFERNO (1980) - dir. #DarioArgento Garish, unreal color design in a nightmare world.
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Clint Eastwood's first film appearance, REVENGE OF THE CREATURE (1955)
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@DWLundberg Yes! Complex stuff that NEEDS to be clear BEFOREHAND so that in the midst of the drama, Cameron’s not cutting to a never-before-featured admiral yelling, “oh no! The lower levels must have taken on so much water that the ship’s potentially going to crack in … aaaaaaah!” So smart
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Barry Lyndon chopping wood out of sexual frustration but being really bad at it is a mood
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TAXI DRIVER (1975) - dir. Martin Scorsese #PaulSchrader 's examination of a cipher so solitary, even the movie knows to give him his space. The writing in this painfully one-sided phone-call always felt like even more of a gut-punch than the film's culminating violence.
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Unabashed emotionally intensity in MARNIE
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"Yub Nub" or it ain't RETURN OF THE JEDI
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R.I.P. Daria Nicolodi. Forever the coolest.
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David Lynch - WILD AT HEART
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Dario Argento - INFERNO
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@fastworkers6 Making a vinyl record ... ROCKERS style
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Francis Ford Coppola - RUMBLE FISH
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Best visual gag of all time turns 100 today. #BusterKeaton and Sybil Seeley, ONE WEEK (1920) #Silentfilm
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I mean...seriously?
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Can't quite believe how perfect all the blocking, camera, and editing is in YES, MADAM
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Slavko Vorkapich's rapid-fire editing from "The Furies" sequence opening CRIME WITHOUT PASSION
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Mephisto blots out the sun in Murnau's FAUST, a masterpiece of the #SilentFilm era
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The Rig, The Shot, The Legend - TO LIVE AND DIE IN L.A.
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SNOW WHITE (1937) - prod. #WaltDisney "Wishing Well" - Duet for Voice + electronically treated Voice. On top of all the mesmerizing uncanny-valley-ness of this groundbreaking masterpiece's rotoscoping, can not get over how totally far out this song still sounds to this day.
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"It's like they took my brain out and did sight stimulation on my brain, so it projected an image on the screen." - #PhilipKDick commenting on how closely BLADE RUNNER matched the images in his head while writing "Do Androids Dream of Electric Sheep?"
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#PhilipSeymourHoffman as THE BIG LEBOWSKI's toady servant. This moment where he does his own double-take stutter of the prescribed speech about Lebowski's achievements--mistake or not--has got to be one of the finest performance details I've ever witnessed. We weren't worthy.
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Francis Ford Coppola - APOCALYPSE NOW
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Stanley Kubrick - 2001
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John Carpenter - DARK STAR / James Cameron - ALIENS ... knife skills
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POINT BLANK (1967) - dir. John Boorman #LeeMarvin as Walker, walking and walking.
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The Discreet Charm of the Bourgeoisie (1972) - dir. #LuisBu ñuel Weekend outing
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Can't believe Disney didn't tap Dario Argento to direct the new live-action SNOW WHITE
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R.I.P. Hugh Keays-Byrne
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#WilliamHolden floats through the intro of Billy Wilder's #FilmNoir SUNSET BOULEVARD
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MAN WITH A MOVIE CAMERA (1929) - dir. #DzigaVertov
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THE SHINING (1980) - Dir. #StanleyKubrick The look the doctor gives Wendy when we've all realized Jack is a raging alcoholic might be the saddest moment in the movie, and this scene might be the scariest. So powerful, it's hard to believe Kubrick cut it from all non-US versions.
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James Caan setting the world on fire in Michael Mann's THIEF
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Nothing says 1990 like a Fabio cameo in EXORCIST III
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David Cronenberg - NAKED LUNCH
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Pro move: using the highly reflective knife someone has lodged in your back as a rear-view mirror as you try to outrun them
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@AndyRichter It's so weird to me that people are acting like it's...required of us?
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HEAT (1995) - dir. Michael Mann #Heat25
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@ComedyCentral While we're all here...
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Interviewer : "There's a cut to you [in EYES WIDE SHUT]. You've been crying for hours. You're smoking. How did you achieve that?" #NicoleKidman : "I cried for hours."
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@unamuno1898 @DannyDrinksWine Sure, while demonstrating that the dive team with all their historical perspective and technical expertise are so callous in money-driven desires that they can never truly understand the true emotional significance of the event in the same way a participant can
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Shelley Duvall's performance-within-a-performance in Stanley Kubrick's THE SHINING, desperately trying to convince both herself and the pediatrician that she and Danny are safe from Jack while feeding a horror-hungry audience's anticipation as Act 1 comes to a threatening close.
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#RutgerHauer coming into focus in BLADE RUNNER
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ANGST, master class in Snorricam
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That moment in HEAT when you're reminded, "Oh, right, these guys are all scum and a hair's breadth away from being Waingro."
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@mike_daws ...not to mention becoming one of the world experts on the history of phantasmagorical stereoscopic imagery. Alas, he is not also the Brian May who composed the score for MAD MAX
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Death's scythe slice animated across the image of Freder in #FritzLang 's ground-breaking METROPOLIS. Shown here full-speed and ramped down
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Jimmy Stewart in Alfred Hitchcock's VERTIGO
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Brad Pitt and Nicole Kidman hanging out with an unmoving cardboard cutout of Tom Cruise
@thegoodpicture
the good picture.
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@coensesque Not the Onion
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Happy 100th to Murnau's deathless NOSFERATU
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#Vangelis 's now legendary score for BLADE RUNNER injects much-needed humanity into characters who have trouble expressing themselves and unites the solitude of lonely souls across Los Angeles, 2019.
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HOUR OF THE WOLF (1968) - dir. Ingmar Bergman A dramatically banal minute with #MaxVonSydow , R.I.P. "These seconds...See how long they last?"
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#GregoryPeck , Roman tour guide
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THE LAIR OF THE WHITE WORM (1988) - dir. #KenRussell
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SUNSET BOULEVARD #Noirvember
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R.I.P. Douglas Trumbull , visionary FX mastermind behind the stargate in Stanley Kubrick's 2001
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"We were trying to reproduce the color of #WaltDisney 's SNOW WHITE; it has been said from the beginning that Technicolor lacked subdued shades, [and] was without nuances—like cut-out cartoons." - #DarioArgento on SUSPIRIA. #SideBySide
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Harrison Ford : 1/1/2020 12/24/2020
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Lena Headey in DREDD
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SORCERER (1977) - dir. #WilliamFriedkin
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