Founded Shadow & Act LLC, 2009. Sold to Blavity Inc, 2017. Staff writer at IndieWire 2018-2022. Now building
@akorokoafrica
, and African cinema platform!
And so it begins... I have no idea what to expect, but even one subscriber would be a win. I can build on that over time. That said, I'll be publishing a lot less often here. Much of the work (and more to be unveiled), will go to subscribers only. Join me in starting something...
"Americanah," "The Underground Railroad," "The Last Black Man in San Francisco," "If Beale Street Could Talk," "Moonlight," "Selma," "12 Years a Slave"... Brad Pitt has produced more *black films/TV* than certain influential black industry folks I will not name...
"A descendant of an American slave on Wednesday sued Harvard University to gain possession of photos of her great-great-great grandfather that the school commissioned in 1850 on behalf of a professor trying to prove the inferiority of black people."
Buried in all the madness is that Will Smith's win makes him only the 5th Black actor to win the Oscar for Best Actor, and the first in 16 years, since Forest Whitaker won for "The Last King of Scotland" in 2006.
#Oscars
This is a whole TV series right here... Set in the first black modeling agency, following the people who ran it, and their many clients. How about it
@netflix
?
"Proctor was the first African-American woman to own an ad agency... who brought the Beatles' music to America—literally—as a Vee-Jay Records executive."
#HiddenFigures
The film made her the first Black woman to direct a studio movie, the first Black filmmaker to direct an Oscar-nominated film, and the only woman to direct Marlon Brando.
#FunFact
: Rita Moreno's skin was darkened for her role as Anita in the 1961 adaptation of "West Side Story," which launched her career with an Oscar win. Although she didn't have a say in the matter. But clearly, for Black Latinx in Hollywood, "wait a while" is so 1960s.
“Well I’m simply saying, can’t you just wait a while and leave it alone?” Moreno responded.
That’s such a damming quote, and I’m totally disappointed with Rita Moreno.
Trailer debut | Hulu's "The Other Black Girl." Based on Zakiya Dalila Harris’ best-selling novel. She cited Jordan Peele's "Get Out" and Ira Levin's "The Stepford Wives" as inspiration. It's evident. Premieres Sept. 13.
It doesn't appear that
#Netflix
is making its African series and movies available to American press for coverage. Every American journalist I've asked didn't receive screeners, nor talent pitches for this series which premieres today. Hence, virtually no reviews, interviews, etc.
And here's Netflix's first Kenyan series
#CountryQueen
, coming July 15: "A family drama series that tells the story of ordinary Kenyans fighting against a corporate power that threatens to destroy their homes and lives. Focuses on the issues of land grabbing and exploitation."
The African Film Heritage Project (AFHP) has restored 15 African films since it launched in 2016. The AFHP is the initiative spearheaded by Martin Scorsese's Film Foundation that aims to preserve classic African films. I wasn't aware they'd done that many. No fanfare I guess..
"Something Good-Negro Kiss," the newly discovered 1898 silent film "believed to be the earliest cinematic depiction of African-American affection" has been added to the Library of Congress’ National Film Registry. Watch the 30-second short here
I wonder how many
#Atlanta
and
#ChildishGambino
fans are familiar with Donald Glover's early career as a member of Internet sketch comedy group Derrick Comedy, pre-2010s. "You've Come a Long Way, Baby."
Nikyatu Jusu is only the second Black woman filmmaker to win the coveted U.S. Dramatic Grand Jury Prize in Sundance history. The first was Chinonye Chukwu's "Clemency" in 2019.
Criterion is catching up. Oldies "Love Jones," "Chameleon Street," and now "Eve's Bayou," plus newbies "Farewell Amor" and "Eyimofe," all entered the collection this year. This is what happens when you hire a curatorial director who is committed to elevating Black cinema.
Kasi Lemmons’s spellbinding feature debut EVE'S BAYOU ('97) is an evocative journey into the maze of memory steeped in southern-gothic atmosphere—a scintillating showcase for a powerhouse ensemble of Black actresses.
Entering the collection this October!
As I've said before, she's the best thing about the movie. I don't know if any other actress could've carried it as she does. At times, it feels like she's in an entirely different movie than everyone else around her. That's just raw talent.
No matter how you feel about
#UsMovie
the one thing I hope we all can agree on, after you all see it opening weekend, is that
@Lupita_Nyongo
deserves a best actress nomination. Two in fact.
Born on this day, January 2, 1884, pioneer filmmaker Oscar Micheaux. To commemorate, here's a piece I wrote for IndieWire last year: Why Has Hollywood Still Not Given Pioneering Black Filmmaker Oscar Micheaux His Due?
"Financed by the Rhodes family of New Orleans (a wealthy African American family that has provided dignified burials for African Americans since the Civil War), 'Cane River' was championed by Richard Pryor, but disappeared for decades after director Horace Jenkins' sudden death."
Yo, here's your chance to watch Kathleen Collins' "Losing Ground" for *free*. Take advantage and see one one of the most compelling indies of the last 40 years, directed by a black woman filmmaker.
#Netflix
has dropped a 45-page report on its "Africa adventures" from 2016-2022. I just received it. I'll go through it and share highlights in this thread, so this may take all day... 🤪
Rami Malek is only the second actor of Egyptian descent to be nominated in an acting category. His predecessor, Omar Sharif, was nominated for Best Supporting Actor for his role as Sherif Ali in "Lawrence of Arabia," in 1962. He lost, so Malek makes history!
#Oscars
#Oscars2019
"Something Good-Negro Kiss," the newly discovered 1898 silent film "believed to be the earliest cinematic depiction of African-American affection" has been added to the Library of Congress’ National Film Registry. Watch the 30-second short here
The
@donaldglover
/
@MuraiHiro
tag-team continues to be wonderfully fruitful. I'm not sure Murai's contributions are being acknowledged enough, but he's the man behind most of Childish Gambino's music videos, as well as directing almost the entire 1st & 2nd seasons of
#Atlanta
.
"Even though the majority of Brazil’s female population is black, Brazilian cinema is still dominated by white talent. A new generation of filmmakers is bringing Brazil’s black female experience to the big screen."
Carl Franklin is 74. An early directing career that included ONE FALSE MOVE and DEVIL IN A BLUE DRESS should've augured a career of feature film opportunities that lived somewhere between Sidney Lumet's and David Fincher's. For much of this century, he's directed TV.
#Unsung
Paul Robeson's birthday today... was just reminded. One of my fave media clips of him here, speaking about his process as the first Black American to play Othello in an American Theatre (New York 1943).
And here's Netflix's first Kenyan series
#CountryQueen
, coming July 15: "A family drama series that tells the story of ordinary Kenyans fighting against a corporate power that threatens to destroy their homes and lives. Focuses on the issues of land grabbing and exploitation."
It's very rare that a Nigerian film, directed by a Nigerian-American filmmaker, starring a (mostly) Nigerian cast, and set in Nigeria, receives a theatrical release in the USA. Congrats Faraday Okoro!
There's a film to be made about Welles' involvement w/ the New York Negro Theatre Unit in the 1930s, a precursor to the American Negro Theater. In fact, that entire theatrical backdrop, which also included Poitier, Belafonte, Dee & Ossie, can be foregrounded in multiple projects.
Yes, the DGA honored him, and he received a star on the Hollywood Walk of Fame (a trifle), both in the late 80s, forty years after his death. But just how well-known and acknowledged is Oscar Micheaux - and some of his contemporaries - as artist and entrepreneur? I weigh in.
Don't underestimate the power of a poster to spark interest in your film. I know nothing about the plot or the filmmaker, other than he/she is Nigerian. But, it has an aesthetic that differentiates it from typical "Nollywood" film posters. As a result, I want to learn more... 🤷🏾♂️
"In its first month, 'Lupin' drew viewers from 76M households, more than 'The Queen’s Gambit' or 'Bridgerton' [...] It's Netflix's second-biggest original debut of all time [...] Sy recently optioned 'At Night All Blood Is Black,' the potent novel about WWI Senegalese riflemen."
I told her that she should have Helen Mirren's career. She told me that she should have me in her hip pocket. It was that kind of conversation. Read it...
Meshell Ndegeocello's "Bitter" is a masterpiece (a word I rarely use) that should've won all the Grammys, but wasn't even nominated for a single one. In fact, Meshell has never won a Grammy Award. That should tell you all you need to know about the Grammys.
@kyalbr
@Winston_Duke
@yahya
Just realized that the scissors top resembles the 2 heads that made up the first poster for the film. Makes me wonder if we might be looking at hands from 2 different people.
Instead of a remake, he should produce a film that tells the origin story of Candyman - the legend of an artist and son of a slave, who had his hand severed and replaced it with a hook by an angry white mob, who then exposed him to hungry bees that stung him to death.
.
@questlove
makes his feature directorial with this head-bobbing, finger-snapping, toe-tapping, although at times sobering "jawn," which opened the 2021 Sundance Film Festival. My review...
Plus, zero films directed by Black filmmakers, in and out of competition. Then again, there rarely are more than one of two. That's one reason I look forward to
#TIFF
every year. What Cannes misses, TIFF will offset.
How is
@SaloumMovie
still without distribution, especially in the US? It premiered at TIFF last year, and is still on the fesitval circuit. It's a gem hiding in plain sight; an imaginative genre mashup from Senegal, directed by Jean Luc Herbulot. I hope a deal is in the works.
I thought it would be an inspired idea to revisit the film from the POV of the women co-leads, so I went down memory lane with both Cynda Williams and Joie Lee. They were very wonderfully open about their experiences, from auditions to the film's release, critics etc. READ:
A forgotten black director's only film resurfaces after almost 40 years: Horace Jenkins' "Cane River" (1982). Sadly, Jenkins died the same year the film debuted. If you're in NYC,
@MoMAFilm
is screening an HD restored version of the film on Jan. 18 and 31
"White students graduate into an industry; Black students into a desert. Young filmmakers don't learn from history. We are making Black versions of white imagination. Why? White culture is exhausted. The new vibrations are going to come from us, Africa, Latin America, Asia."
It just hit me.... Jason Clarke has been directed by three different Black women directors: Dee Rees, Victoria Mahoney and Jada Pinkett-Smith. I can't think of another while male actor who has been directed by three Black women. If you can, lemme know.
"Historically, Academy Award-sanctioned films about black life imply that the idea of 'black struggle' governs the contemporary industry viewpoint on what is genuine about that experience."
Gil Scott-Heron, born this day, April 1, 1949. Here he is performing "The Revolution Will Not Be Televised" with Ossie Davis and Ruby Dee, during an episode of the short-lived PBS variety arts series "Ossie and Ruby!" (1980-1981).
Believed to be the first film directed by a black African filmmaker, watch the short doc "Afrique sur Seine" (1955) - a film that captures Africans in Paris, by Beninese/Senegalese film director and historian, Paulin Vieyra
"I navigate with a sense of knowing that I’m being ‘allowed’ entry into these spaces, by the gatekeepers... They can now say, ‘this space is being occupied by Tarell McCraney, and there isn’t any room for any more like him.' And that’s just not what I want my experience to be..."
I guess this is a good time to announce that Walton Goggins is a FUCKING BEAST and is part of the cast of I'm A Virgo-
He's joining Jharrel Jerome, Mike Epps, Brett Gray, Carmen Ejogo, Olivia Washington, Kara Young, Allius Barnes and others who all love Mezcal.
It's not the first time. A producer, especially one with wide reach and influence, should know this. See "Kongi's Harvest," 1970, directed by
Ossie Davis, starring Soyinka himself.
Nice to see Tina Gordon back in the director's chair, 6 years after her feature debut! As of today, it might be the ONLY studio-backed feature film directed by a black woman filmmaker, to be released in 2019.
So far this year, I've had the pleasure of seeing four distinct 2023 features directed by Nigerian filmmakers based in (and outside) the country: GIRL (Adura Onashile), MAMI WATA (CJ Obasi), ALL THE COLOURS IN THE WORLD... (Babatunde Apalowo), and GANGS OF LAGOS (Jade Osiberu).
I built Shadow and Act, which I no longer operate. And now I'm building something new, emphasizing African cinema. Details forthcoming. In the meantime:
When "Get Out" was released, I referenced "Tales From the Hood" as an earlier movie that used horror to tackle social issues of importance to African Americans, and I expected this might happen after "Get Out's" success >> TALES FROM THE HOOD 2 Is Coming
An
@akorokoafrica
campaign thread... Some of you might be sick and tired of seeing my fundraiser tweets. Alas... 🤷🏿♂️ Consider this a 2022 finale. Although I will likely retweet this several times over the next two weeks
#FairWarning
"Few know that Sembène’s [BLACK GIRL] was based on a real-life incident... The 'real' Diouana was Diouana Gomis, a 31-year-old woman from Senegal, hired as a maid and nanny for a white French family, and died by suicide less than three months later."
Oh,
@DanaiGurira
will script the adaptation of Chimamanda Ngozi Adichie's "Americanah" that
@Lupita_Nyongo
will star in. It'll be their next project. I wonder if David Oyelowo is still involved. There doesn't appear to be a director attached yet however...
#ABFF
2023 will open with THEY CLONED TYRONE, Netflix's "satirical conspiracy caper" starring John Boyega, Teyonah Parris, and Jamie Foxx. The opening night screening will take place on June 14 in Miami Beach.
Given how well
#THEWOMANKING
performing, figured I'd see what I could dig up about Beninese cinema — specifically, if any Beninese filmmakers have tackled the Dahomey Warriors story on film. Why Benin? Dahomey was located within what is present-day Benin. It's their history.
NEON has acquired North American rights to Raoul Peck’s documentary ORWELL, described as the definitive feature-length documentary on visionary author George Orwell, with the exclusive cooperation of his Estate. Producers include Alex Gibney for Jigsaw Productions.
I'm so tired of "statements." Everytime something like this happens, every politician or former politician releases a "statement." But "statements" don't make change. Policy does. And until the people in power enact policies that directly address the problem, nothing will change.
"If there's a show with black people on it that too many white people like, chances are it's not for black people" ~ Lena Waithe. Hah!
#BoomerangOnBET
#TCA19
Fun fact: German filmmaker Tom Tykwer of "Run Lola Run," "Cloud Atlas," and "Sense8" (both with the Wachowskis) fame (he also composed music for "The Matrix Resurrections"), produced at least 6 films by Kenyan writer-directors making their feature debuts, between 2010 and 2019.
Ms. Jusu has been toiling away for years and I'm glad to see her get this shine. I hope the film sells well, and she's afforded the same opportunities that white dudes typically get after their Sundance splashes.
Nikyatu Jusu’s NANNY… wow. An unreal Anna Diop, lush cinematography by Rina Yang, and devastating use of folktales by Jusu. Such a smart film about the exploitation of African immigrant mothers. People need to see this movie, and do the work it demands. It’s worth it.
#sundance
Meanwhile... across the pond... what is effectively considered Africa's version of the Cannes Film Festival, is underway, celebrating its 50th anniversary, and will likely receive very little, if any, Stateside coverage
#Fespaco2019
"It was a familiar dilemma for Viola Davis... The star of
#Widows
needed to know what kind of wig or extensions she should wear to play [her character]. Director Steve McQueen’s answer shocked her: "Your own hair is beautiful just wear it that way..."
I spoke to the always delightful Ms. Nyong'o about freaking out her castmates and crew while staying in character throughout the filming of "Us." But more importantly, we talked about her rigorous process which just might earn her another Oscar nomination.
Gotta feel bad for Walter Mosley. Since "Devil in a Blue Dress," he's seen so many of his novels put into development, but none made it to the screen. If "Devil" did launch a franchise, we might be having a different conversation about his work right now. My thoughts...
I'm compiling a list of novels by African authors that have been adapted to film or television anywhere in the world. Chime in: Half of a Yellow Sun, Things Fall Apart, Beasts of No Nation, The Boy Who Harnessed the Wind, Xala, Horses of God, Americanah (in the works)... (contd)
A black director has never won in the Best Director – Motion Picture category. There've been 4 nominees: Spike Lee, Do the Right Thing; Steve McQueen, 12 Years a Slave; Ava DuVernay, Selma; and Barry Jenkins, Moonlight.
#GoldenGobes
I shared brief similar stories of my own mother and sisters. We laughed, chatted for a couple of minutes. She left with her mother. The end. Sorry, if you were expecting some other ending to this 😁. Ultimately, the lesson here is: woman or man, know your worth & don't settle.
Letitia Wright To Play Lead In ‘Black Panther’ Co-Star Danai Gurira’s Stage Play ‘The Convert’ About A Girl Who Converts to Catholicism in 1890s Rhodesia (Zimbabwe Today)
Streaming for the win - especially when it comes to what might be seen as *riskier* (read: anomalous work by people of color) bets? >> ‘Atlantics’: Netflix’s Aggressive Africa Push Continues With Acquisition of Cannes Grand Prix Winner
Must look up this play >> "... follows twin sisters who are on a revenge journey from the South to the California desert to find (and kill) their father at the request of their ailing mother, who is God."
Trailer: LOVE TO LOVE YOU, DONNA SUMMER: HBO's intimate documentary portrait of the Queen of Disco, directed by Roger Ross Williams, and Brooklyn Sudano, daughter of Donna Summer. Premieres May 20th on HBO Max.
Discovering
#MidjourneyAI
. This thing can soak up a chunk of your time if you're not paying attention. I asked
#MidjourneyAI
to imagine painterly Nollywood-style images of Wong Kar-wai's "In the Mood for Love," and this is what it created 🤷🏾♂️
"In another historic feat,
#BlackPanther
is on track to close 2018 as North America's highest-grossing film, marking the first time that a movie with a predominantly black cast, black writers & black director has ever topped any annual list of the highest-grossing movies!"
One thing I will say about my experience finally seeing
#BlackPantherWakandaForever
is realizing just how generally underutilized Lupita Nyong'o and Danai Gurira have been as two versatile actresses, with undeniable screen presence, and leading lady vibes. We are being denied.
I've joined the Urbanworld Film Festival team as Lead Curator. Looking forward to heading back to NYC, working with new festival director Karen McMullen, and having some impact on the lancscape!
Other things I learned in talking to him for this piece, include how supportive his parents were of his pursuing acting from a very young age, which isn't always the case, especially for a kid from a working class African American family living in Bessemer, Alabama.