Idle illustrator, lavish letter-lover, & type tinkerer—living up to my name as a silver award-winning graphic designer. Butterfly babbler during sleep onset. 🦋
Cosmic Ladybug WIP (2024)
It has been a while since my last scan, but I made quite a bit of progress in the last week! It feels like the end is finally approaching!
Cosmic Ladybug WIP (2024)
I thought I hadn’t done much since the last scan, but I made more progress than I thought! All the planets and the Moon are done, and I’m slowly working on the flowers.
Gela (2021) by Lewis MacDonald.
An exploration of mixed contrast approaches, and inspired by the funk & flare of ’70s typography, Gela combines naive blobby forms and confident incised details, with a laid-back attitude. Available in 3 optical sizes.
Burberry logo before & after (2023).
The new Burberry logotype had some issues, so I redesigned it for practice.
The swash with the ball terminal on ‘B’ is inspired by the ‘B’ on the knight’s shield—thus establishing a relationship between the logomark and the logotype.
@girldrawsghosts
I used to walk alone at night with headset on, staring at my phone, without any concerns for my safety.
3 months into my transition, I learned I can no longer do that; I walked into a guy in the park at 2 am, who sexually assaulted me.
Now I always stay aware of my environment.
Unofficial Burberry rebrand (2023).
The new Burberry logotype had some issues, so I redesigned it for practice.
The swash with the ball terminal of ‘B’ is inspired by the ‘B’ on the knight’s shield—thus establishing a connection between the logomark and the logotype.
@bennyjohnson
Such an incredible reach!
You’re going back to 2018 (Aberdeen shooter), so here is the number of mass shooters since 2018:
2018: 340
2019: 417
2020: 612
2021: 693
2022: 647
2023: 130 (so far)
Total: 2,839
And you identified 3 trans shooters out of 2,839!
@etheralfem
How reductive can you be? One of my friends is agender with a feminine presentation. On their request, I refer to them by they/them pronouns, in accordance with their sense of gender. Why would they have to present as masculine? I don’t get your argument.
A 10th-century alphabet with the coolest ‘A’ I’ve ever seen—reminiscent of the Eye of Ra.
‘The hand book of mediaeval alphabets and devices’ (1853), by Henry Shaw.
Japanesque (1877) by Herman Ihlenburg.
Such a unique and tantalizing serif typeface! I love the dramatic, robust terminals and serifs. So many cool things to behold in this old typeface. The S, C, N, M, U… 🤩
From ‘Convenient Book of Specimens’ (Franklin Type Foundry, 1889).
Wow, this is bad.
1. For one, you would need to make the thin stroke thicker so it optically looks as thick as the outline of the downstroke.
2. Horizontal strokes look optically thicker, and thus require compensation.
3. This won’t work well as an icon.
Nysé (2021) by Stéphane Elbaz.
A beautiful typeface inspired by the Art Nouveau typeface Bellery-Desfontaines (1910), which was designed by Henri Bellery-Desfontaines and released by Peignot & Fils.
Gesh Ortega Roman (1972) by Gerhard Schwekendiek.
A largely overlooked typeface that has never been digitized. But wow, I love those juicy legs on ‘K’, ‘R’, and ‘k’!
@ExpectedChels
@charwinslow
@xgigglypuff
Never heard of that.
Either way, I don’t think it’s surprising to have a complicated love/hate relationship with an abusive parent, and to feel both grief and relief when that abusive parent dies.
Such a fascinating ‘g’, with its joint going through its counter, and the loop ending with a horizontal terminal that cuts into its open counter space.
From ‘Art Alphabets and Lettering’ (Bergling, 1914).
@finngalkn
Trans woman: I’ve been stalked and sexually assaulted.
Tranphobes [option 1]: That’s just more man-on-man violence.
Tranphobes [option 2]: They were obviously gay.
Both options invariably lack any compassion or concern, and don’t address the real issue.
Nixe (date & designer unknown).
Such a gorgeous fraktur typeface. I love that little bridge at the top of ‘W’! I don’t think I’ve ever seen that before. The ‘m’ is also beautiful, with its sharp vertexes and terminals.
From ‘Hauptprobe’ (Schelter & Giesecke, 1912).
“Day 30 typeface” [36daysoftype] (2021) by Alex Slobzheninov.
A typeface that properly defies classifications! I guess you might call it a Tuscan serif typeface with pixelation influences and a creative interplay between positive and negative space.
Sonnets pour Hélène (1927) by Pierre de Ronsard (originally published in 1578). Lettering by Louis Jou.
I’m not generally a fan of capital ligatures, but these intersecting capitals are cool! Nice ‘R’s with straight legs and internal curls (Pour & Livre). And the ‘R’ in ‘Paris’!
@bennyjohnson
About 1% of the general population is trans, so proportionally, you might expect 28 trans shooters. But there were 3!
In other words, trans people are significantly underrepresented among mass shooters; 0.1% of mass shooters are trans, compared to 99.9% non-trans shooters.
The British Hat Guild logo by
@Counter_Studio
.
This is one of the—if not THE—best logos that utilize negative space to communicate a concept I’ve ever seen. So clever how the white hat and face form the counters of the ‘H’, with the hat band and shadow forming the crossbar!
Some badass typography on Regal’s ‘Remember Why You Started’ (2021) album!
Album design by Juan Vázquez. The display typeface used is New Eddy (2020) by Eliott Grunewald.
@MediClit
What you did here seems pretty harmful to both trans and cis women. Look at how many cis women are responding, saying their vulvas look nothing like any of the ones you circled! You've inadvertently shamed other people by expressing your own insecurity in such an insensitive way.
@KatyMontgomerie
Here is Pride Amsterdam 2023.
*Conservatives see two drag queens in a sea of at least 90% gay/bi men and LGBTQ allies*
Conservatives: Pride is such an exclusive club for T/Q people now. So political. Concerning!
Oh wow, that ‘a’ with a completely closed aperture is so cool! The ‘M’ is wild as well. And sweet bifurcating descender on ‘y’. And let’s not forget the bone terminals on ‘S’!
And is that an hourglass ‘8’ at the bottom right? So many amazing things to discover in a single image!
Hello everyone. You may or may not have known me as Martin.
But today I want to introduce the real me to the world—the me I have known since I was about 8 years old, but was too afraid to show.
My name is Eva. Nice to meet you! 😘
An alphabet from a brass, from the end of the 15th century.
Note the short ascenders and descenders, and the ascenderless ‘f’. And why does the ‘w’ have a ‘z’-like construction on its right side?
From ‘The hand book of mediaeval alphabets and devices’ (1853), by Henry Shaw.
I have no idea what this ‘A’ design by German designer Annegret Biere was for, but I immediately recognized it.
It’s based on Cathedral Text (c. 1828)!
The type specimen shown here is from ‘American Line Type Book’ (American Type Founders Company, 1906).
@vexwerewolf
@turnintoabat
@slutriarch
Nor what determines maleness (it’s the SRY gene, not the Y chromosome per se; so she falsely believes XXY couldn’t possibly be phenotypically female, and that only XX could determine femaleness).
Can anyone recommend some Art Nouveau-inspired sans typefaces?
I’m looking for a typeface with diagonal crossbars in ‘P’ and ‘R’, like the ones below—but a bit more generic than Abalda and Friedhof (pictured).
“Zwartgat” / “Astroville” (2015).
A dot/star-based stencil typeface in two optical cuts—both based on the construction of Baskerville.
I designed these two fonts for a school project on black holes, where I ironically designed a lamp which conveyed the history of black holes.
@doublehelix
"I got suspended because I know a man in a dress is still a man"
No, you got suspended because you prioritize your understanding of things over the comfort and dignity of your colleagues, and it’s undermining productivity.
Why can’t they just be respectful and do their job?
A spread from Giovanni Antonio Tagliente’s 1724 writing manual, ‘Lo presente libro’ (The true art of excellent writing).
Some masterful Venice chancery! The left page looks particularly wild. I’ve never seen such excessively ligatured calligraphy from the 17th century before!
BL Arctic (2020) by Sam G. Hughes.
A rather unique typeface with straight, tapered terminals and thin, sharp serifs. It even features unexpected foot serifs on V/v and W/w, and connecting top serifs on the left wise of W/w!
@OnlyAWorldAway
I think this would actually make a compelling miniature.
All I see from this person is contempt for obesity, rainbow colors, and black people. I’m surprised they’re so willing to be openly racist.
Dina Chaumont Display & Text (2020) by b•v-h type.
A funky and playful monospace/unicase display typeface that makes it easy to stack letters and icons for impactful displays; plus a text version—a contemporary humanistic sans full of personality!
More masterful and excessively ligaturized chancery script!
Another page from the 1733 edition of Giovanni Antonio Tagliente’s ‘Lo presente libro insegna la vera arte delo excellente scrivere’.
A spread from Giovanni Antonio Tagliente’s 1724 writing manual, ‘Lo presente libro’ (The true art of excellent writing).
Some masterful Venice chancery! The left page looks particularly wild. I’ve never seen such excessively ligatured calligraphy from the 17th century before!
@SNeurotypicals
I never pick up the phone if it’s from a number I don’t already have on my phone.
If it’s important enough, I assume they will leave a voicemail—which I also don’t listen to. 😆
@Publius215
@angel_0f_deathx
Wearing a bikini isn’t inherently sexual; you having a sexual response to it makes it sexual.
But even if we agree it’s sexual, consenting to presenting in an arguably sexual way is not a general consent to being sexualized in other contexts.
The business cards of the famous scene in American Psycho are hilarious!
Faux small-caps, bad kerning, and a lack of a space after the ampersand in Bateman’s card.
And two of the typefaces used are supposedly ‘Silian Rail’ (Bateman) and ‘Romalian type’ (Van Patten). 😆
Petit Samba (2023) by Ana Ferraz.
Supposedly a low-contrast typeface, but with a pretty high contrast in the joints (i.e., variable contrast). Together with its ink traps and sharp, gracious fox tail terminals, Petit Samba works well in text and display.
Here are four interpretations of Baskerville, and I’m not saying which is which until later. Two questions:
• Which do you think is the Baskerville “Jony Ive spent 4 years perfecting”?
• Which of these four designs is your favorite?
@HolyroodDaily
So instead of delaying puberty that is responsible for an increase in gender dysphoria—and subsequent surgical costs—we should flatten our emotions so we can feel marginally less distressed around increasing gender dysphoria?
Utterly bizarre that she’s even suggesting this.
Whoa stunning!
The swashes remind me of the French cursive type Civilité (1557) by Robert Granjon; except here, the thick strokes are descenders instead of the diagonal ascenders of Civilité.
From ‘The Model Book of Calligraphy’ (1561–1596) by Georg Bocskay & Joris Hoefnagel.
@MannyPWade
@briantylercohen
That’s how academia works; once you make a name for yourself, you come up with new ideas and have your students conduct the research. Some papers you may write yourself. Others are collabs where you may have minor contributions.
But all are valid.
Barlösius-Buchschrift (1907) by Georg Barlösius
Isn’t this one of the coolest ‘G’s ever? I love the internal double strokes. This could make a nice ‘GH’ monogram as well!
From ‘Alphabete und Ornamente für Skizzierszwecke’ (Bauersche Gießerei).
Barlösius-Buchschrift (1907) by Georg Barlösius
I’m so excited to discover a magnificent blackletter I’ve never seen before! I first noticed the straight strokes in ‘E’. Such a cool ‘J’ and ‘Y’ as well!
From ‘Alphabete und Ornamente für Skizzierszwecke’ (Bauersche Gießerei).
Version (2020) by Céline Hurka.
Version consists of 4 experimental variable fonts that explore optical distortions, movement, and shape shifting in animation. I love Version 3 & 2 in particular!
Images: Version 3, Version 2, Version 1, Version 4.
@biboofficial
“No decent person will ever respect you, or want to associate with you.”
*Guilhermedal3 looking at a picture of you together with two people respecting you and associating with you*
Epoche (1912) by Franz Riedinger.
But wait, there is more! I don’t know if you saw the quirky ‘M’ in the previous specimen, but in this semibold version of Epoche it’s more prominent: a serif on the vertex of ‘M’! I’ve never seen that before.
From ‘Die Auslese’ (Krebs, 1924).
Epoche (1912) by Franz Riedinger.
Quite a few interesting things going on here! First off, what a wonderfully dynamic ‘ß’! Same goes for ‘S’. And what a funky ‘g’! And such an interesting ‘e’ with its small counter and smooth joint transition.
From ‘Die Auslese’ (Krebs, 1924).
@caitlinkoi_art
That reminds me of what a friend in high school said about my art.
I used to do illustrations completely in the stippling technique. At the time I was doing an illustration that I sank 64 hours into, yet it still never got done.
I love this lettering, with what you might call a geometric emphasis—circular letterforms & almost horizontal top serifs combined with straight letterforms (bottom of ‘b’, ear of ‘g’, arm of ‘&’).
Chiseled lettering by Michael Biggs, for Arbour Hill Memorial (1959–1963), Dublin.
Pythagoras ‘g’ (2023).
I came across this image of Pythagoras standing next to a fava bean plant, and became inspired by the ‘g’ in ‘Pythagoras’. Here are two variants I designed based on it.
@girldrawsghosts
And I REALLY have to. This was not a one-off thing. I’ve been followed by guys. One ran up to me to scare me. I’ve been followed by cars at least three times now.
I sort of joke that when the weather gets warm, hunting season opens. Because guys stalk me during the warm months.
@girldrawsghosts
It’s absolutely scary being a woman (or looking like one, for those who deny my womanhood).
And most guys just aren’t aware of any of this. I certainly wasn’t. I’ve never had an incident in the first 32 years of my life. Lots of bizarre experiences in the last 2.5 years.
This week started with a hint of uncial. We’ll close it with another.
The uncial script of course had no capital eszett, so memorial masons have to solve this problem by themselves. In this case, the differentiation between ‘ẞ’ and ‘B’ mainly hinges upon the descender.
Debemur Morti Productions logo (2012)
I designed this blackletter-based logo for a French black metal label to loosely resemble a ribcage—because why not?
Debemur Morti Productions monogram (2012)
I can’t believe I designed this 12 years ago already! I would adjust the curly stroke on the left now, and probably increase the size of the claw-like ornament on the ‘D’ a bit; but other than that, I’m still pleased with this.
@michael1980elco
@dudar_qyz
@bustybumbuns
@whoregreymon
@CatchUpFeed
The existence of intersex people is also factual. Chromosomal sex not always corresponding with biological sex is also factual. The brain and sense of gendered self not always corresponding to the anatomy of the body is also factual.
Mama Mexa brand identity (2022) by Seachange.
Such a wild and delicious typeface! Almost allantoid.
“A custom typeface with character and visual immediacy, generating an invitational familial warmth and evoking Mexican flora.”
@BadMedicalTakes
I’m curious about which hormones she thinks the body doesn’t produce naturally.
My guess: testosterone for women, and estrogen for men.
Always people with the mind of a pancake talking with so much confidence about things they know nothing about.
Ohh what a majestic ‘Q’! I’ve never seen a tail quite like that before.
And such an intriguing texture and use of negative space in the lowercase with those leftward curves.
From ‘The Model Book of Calligraphy’ (1561–1596) by Georg Bocskay & Joris Hoefnagel.
Any idea what those twisty things above the ‘u’s are? Are they ornamental, or do they affect the pronunciation?
I’m leaning towards the former, since I only see them in the first paragraph.
From ‘The Model Book of Calligraphy’ (1561–1596) by Georg Bocskay & Joris Hoefnagel.
Gothic No. 2 (c. 1856) & Gothic No. 3 (date unknown).
Look at that 48pt ‘a’! I feel that embodies the true meaning of ‘grotesque’. I really enjoy the high contrast in the grotesques pictured here.
From ‘Convenient Book of Specimens – Franklin Type Foundry’ (Cincinnati, 1889).
Pff Likes are private now for my privacy? Bullshit.
Seeing people’s Likes can actually provide a sense of safety because I can see if there are any red flags in what they Like.
I don’t need privacy; I need safety. Letting people hide who they are makes this platform less safe.
Blacktrap WIP
“How can a blackletter have ink traps, let alone extreme ones?” they said. Well, take this!
• 1st image: a blackletter ‘A’ based on Cathedral Text (1828).
• 2nd image: ‘A’ with ink traps.
• 3rd & 4th images: ‘A’ with more experimental ink traps & inlines
G.W. Bacon’s 1902 Excelsior Lettering Cards by Frank Steeley.
Very interesting to see letters with ornamental chunks taken out of the letterforms, including the tops and bottoms of the serifs (reminiscent of Tuscan serifs).
Sonnets pour Hélène (1927) by Pierre de Ronsard (originally published in 1578). Lettering by Louis Jou.
Similar lettering as the previous cover with the same kind of curly terminals, yet completely redone, with a very different construction of intersecting capitals. Fun!
Sonnets pour Hélène (1927) by Pierre de Ronsard (originally published in 1578). Lettering by Louis Jou.
I’m not generally a fan of capital ligatures, but these intersecting capitals are cool! Nice ‘R’s with straight legs and internal curls (Pour & Livre). And the ‘R’ in ‘Paris’!
@girldrawsghosts
I’ve had one guy drive onto the parking lot I was crossing and stop me to “ask a question”. When he heard my voice (I hadn’t done any voice training at that point), he made up an excuse about looking for the gym.
No idea what he would have done if I had done voice training yet.
Type Beaudoire, 10pt Nº 1 & Nº 2. Fonderie Générale.
This is the information I have, but I still don’t know what typeface this is. Does anyone know?
Either way, I love the use of cursive letterforms for ‘r’ and ‘s’, the downward spur on ‘q’, and the spur on ‘a’.
One of the coolest ‘fi’ ligatures I’ve seen—the way the starting stroke of the cursive ‘i’ suggests the right side of the bar of ‘f’!
Nice interaction between the bottom terminals of ‘i’ and ‘s’ as well. Such a cool typeface in general.
@NoCisgender
No one in that thread is saying males can be females and vice versa. They are just pointing out to you that sex is complex and not binary.
Sex consists of chromosomal, genetic, and gonadal sex. There can be discrepancies between all three aspects of sex, which defies the binary.
‘Modern German Capitals’ by Gustave Lemmens.
A lovely ‘P’ and ‘R’, and an awesome cyma (a space-filling swash) inside ‘C’, and at the apex of ‘A’.
From ‘Letters & lettering: a treatise with 200 examples’ (1902).
New Diane Script (2021) by Paul Bergès.
Such a crazy, glitchy, electric, and electrifying script typeface! ⚡️
From ‘Chinese Protest Recipes’ (2020), designed by studio Meat.
Barlösius-Buchschrift (1907) by Georg Barlösius
I’m so excited to discover a magnificent blackletter I’ve never seen before! I first noticed the straight strokes in ‘E’. Such a cool ‘J’ and ‘Y’ as well!
From ‘Alphabete und Ornamente für Skizzierszwecke’ (Bauersche Gießerei).