My book "Floodgate Companion" is back in print and shipping now from Floating World Comics
@floating_world
. I made this trailer for the book in 2016, remastered here in HD.
"R Plus Seven" by
@0PN
came out 10 years ago this week. By far one of the strangest album covers I've made and one that's taken on a weird life of it's own. Here's a thread with some backstory to how it came to be.
Artforum firing their editor for signing a letter of support for a Free Palestine while having Black Panther artist Emory Douglas on their cover is peak art world hypocrisy. The Black Panthers were extremely vocal in their support for Palestine, absolutely shameful.
Two stills from a Brazilian commercial for Sharp electronics directed by Walbercy Ribas Camargo from the late 70’s. Images from the 79/80 Graphis Annual. Would love to see this, it’s surely totally insane. Someone find it!
Over the span of a few months I designed a visual world for every song on
@0PN
Magic Oneohtrix Point Never which became the inner sleeves of the double LP, one panel for each side of the record.
Today, I finally did it. Peak dad.
Took a mini WD40 to the playground to tackle the squeaky swings that have bothered me for months. Satisfaction off the scale. Permanent addition to the bottom of the buggy going forward.
My purpose in life is found.
How did this Ikko Tanaka poster end up being the most prominent image associated online with Haruomi Hosono's "Watering a Flower" cassette of minimal background music for MUJI? Well let me tell you!
Thread->
While working on the cover I turned it upside down & saw "R+7" in it and immediately any reservations I had about recreating this image went away and I knew Dan had make the right decision to use this as the cover. An abstracted flipped version then became the back cover
The “R Plus Seven” art thread has escaped my bubble and made it to normal twitter where people are critiquing the art and correcting my grammar mistakes. Didn’t know that was still possible on this site
In a lifetime of incredible work the Michael Snow piece I come back to most often is his video “Corpus Callosum” from 2002. Hypnotic and strange beyond words. RIP
I made an illustration for The New York Times for an article on how billionaires’ world-building aspirations are built on misunderstanding science fiction and how we all suffer because of it. Fun stuff!
Going extremely hard in Illustrator experiments lately, making things that look entirely un-vector like. There are straight screenshots, no processing.
The cover image is a recreation from scratch by me of a VHS screengrab still from the film "Le ravissement de Frank N. Stein" from 1982 by animator Georges Schwizgebel. I made the image with Schwizgebel's blessing and permission.
Oneohtrix Point Never made a version of "Tales From the Trash Stratum" with Elizabeth Fraser (Cocteau Twins) and I made an accompanying video.
@0PN
@WarpRecords
I remade the image 100% from scratch, trying to match the colors and texture of the screenshot as closely as possible. Also to make it work as an LP cover it had to extended from 4:3 to square.
Goodbye to early computer artist Ken Knowlton. The work he did at Bell Labs with Lillian Schwartz is some of my favorite art ever made. Here's a clip from "UFO's" from 1971 with a soundtrack by Emmanuel Ghent (warning- flashing images)
While working on the cover I turned it upside down & saw "R+7" in it and immediately any reservations I had about recreating this image went away and I knew Dan had make the right decision to use this as the cover. An abstracted flipped version then became the back cover
Absolutely bonkers Charlemagne Palestine interview from PBS in 1979. Dressed in a leather jacket and a sparkly scarf waving a torch and spewing absolute nonsense. Hard to believe this is real.
“Currents” by
@tameimpala
was released 5 years ago today. Never could have imagined when I made this that years later I’d still be seeing it every day in the form of memes, tattoos, bootlegs, and whatever else you can imagine.
In recent years I've seen people question online about whether I made this cover or not. It's been an interesting learning experience about perception of authorship in visual sampling, especially in context of the sampling on the album and how authorship isn't questioned there.
I had been working on a bunch of minimal pseudo corporate graphic stuff in the vein of Paul Rand for the cover that wasn't really coming together when Dan suggested using that still for the cover. I was definitely skeptical, but Warp got in touch with Schwizgebel about it.
Here's a photo from the inside of the house Maya Deren's "Meshes of the Afternoon" was filmed in from the real estate listing the last time it was sold in 2014. That window in the back is (probably) where this famous shot was filmed.
It used to be that you could go to the experimental section in any record store and buy some of the most mind-blowing music in existence and it was all somehow on one label. Glad all this Tzadik stuff will be available to a wider audience now via streaming. Some of my faves-
"John Was Trying To Contact Aliens" is on
@netflix
today! I designed the titles for this incredible short documentary directed by Matthew Killip and featuring music from Harmonia, K. Leimer and Michael Stearns.
I had been working on a bunch of minimal pseudo corporate graphic stuff in the vein of Paul Rand for the cover that wasn't really coming together when Dan suggested using that still for the cover. I was definitely skeptical, but Warp got in touch with Schwizgebel about it.
Really curious if anyone actually cares about Apple Motion or Spotify Canvas or finds any value in it beyond "content". The amount of extra expected work it has created for album cover artists *usually without the budget to justify it* is completely untenable.
I've been reading
@thewiremagazine
since I was a teenager when it blew my mind wide open several times over. Psyched to have done a cover illustration for the new issue for a feature on Tangerine Dream.
Said goodbye to my companion of the past 7 years this week. Velvet was the sweetest, funniest, most resilient miniature alien deer and it gave me immeasurable joy to give her the best life possible.
Tried to order a book of Iranian music posters from
@50WattsDotCom
and Paypal blocked the transaction because it had the word "Iran" in it. Cool policy there
@PayPal
Posters by Ghobad Shiva from the book "Music Posters from Pre-Revolution Iran, 1960s-70s."
I made an illustration for the new issue of the New Yorker for the article "What a Major Solar Storm Could Do to Our Planet." A fascinating piece about space weather and the people who study it. Thanks to art director
@zsigmonda
I made the cover illustration for this weekend's
@nytimes
Sunday Review "The Coup We Are Not Talking About" by Shoshana Zuboff. Online now and in print tomorrow.
All of the images Schwizgebel sent over were crisp scans of the original animation cels that didn't have the patina of being shot on film and recorded to VHS that gave the screenshot it's aura so it was decided I would recreate the VHS still with Georges' permission
If you spend any time in this world, you soon realize it's all guided by the money. If some billionaire hedge fund bozo who wants to decorate his condo decides you're annoying, you're done for.
I've spent years trying to emulate the Rutt-Etra Scan Processor in Photoshop (and have gotten very close using a few different techniques) but this new
@texturelabs
tutorial really cracks it. Unreal.
Genesis P-Orridge has passed away. I've known this was coming for a while but still hurts. Gen was about as complex as a person can be, and there's so much (good and bad) to learn from such an insane life. I wouldn't be here doing what I do without them.