A collection of my essays and articles on Edward Said and Palestine — including my two travelogues to occupied Palestine— published by Haymarket Books in 2020 —
“Anyone wishing to understand what progressive Iranian intellectuals are now thinking about the traumatic developments in their country will want to read this book—
Talal Asad
“What does it mean to be a Muslim in this world . . . ? Dabashi suggests that the transition to a changed, post-Western world requires the crafting of a new language of critical conversation with Islam . . . a language that is tuned to the emerging, not the disappearing, world—
— What the Israelis are doing in Palestine is what the French did in Algeria, the British did in India, the Belgians in the Congo, the Americans in Vietnam, the Spaniards in Latin America, the Italians in Africa …another chapter of …genocidal history.
“Dabashi coaxes and cajoles the reader to achieve the critical intimacy with the founding epic of Iran . . . . Such readings open many worlds, shaming the Eurocentric binaries of 'world literature.' --
Gayatri Chakravorty Spivak
"The Persian Prince is a unique and formidable text that encapsulates the brilliance, vivacity, and political ferocity of Dabashi's mind."
—Jeanne Morefield, University of Oxford
I published this book on the ideological foundations of the Islamic Revolution in Iran more than thirty years ago in 1992— had started working on it soon after the 1977-1979 revolution— it is now itself a historical document —
“A major achievement. With wit and erudition, Hamid Dabashi has pushed open one of the great locked doors of world literature: the Shahnameh.”
Aravind Adiga, author of The White Tiger
“Hamid Dabashi's scholarly writings always have a revelatory quality. Yet again he uncovers, in his new book, an astonishing new world for English readers.”
— Pankaj Mishra
My “End of Two Illusions: Islam after the West” (California University Press 2022) has just been awarded the Lionel Trilling Award — past recipients of this award include Edward Said, Simon Schama, Fritz Stern, Caroline Bynam, and Arthur Danto —
“Dabashi articulates a bold new idea of the Persian Prince—a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that . . . continues to inform political debate today.”
“The grand clash of civilizations and ideologies will increasingly take place in the West, with such writers and intellectuals as Dabashi.”
The Guardian
“This book should have been written a long time ago. It is the first bold and incisive deconstruction of the greatest fabricated binary of this century: 'Islam and the West.' (Ilan Pappe) —
"Disarmingly accessible, laden with millennia of Persian cultural riches, The Persian Prince deftly and decisively shifts the axis of history and of the conception of subjectivity itself.”
—Laura U. Marks, Simon Fraser University
’What time is it?’ Hamid Dabashi asks in this profoundly original and daring mediation on our contemporary condition. His provocative answer: time to break free from obsolete, Western-devised constructs said to define history’s trajectory.
Andrew J. Bacevich
"Hamid Dabashi's illuminating study, while both provincializing and enriching the classic frameworks of Machiavelli and Gramsci, provides a provocative and compelling archetype for understanding political power and organization."
—Michael Hardt, Duke University—
“With meticulous attention to literary and poetic texts, moral and philosophical treatises, allegorical and anecdotal stories, sacred and secular evidence, visual and performing arts . . . this sweeping work offers a deeply learned . . transformative piece of critical thinking.
“Dabashi's effortless, capacious erudition is obvious all throughout. Even his offhand comments about Ferdowsi's Shahnameh or Muhammad Iqbal's Asrar-e Khodi (and dozens of other canonical Persian works) are uniformly brilliant.”―
Steve Donoghue, Open Letters Monthly
Just out on Aljazeera: “Have we all – Jews, Muslims, Hindus, atheists, agnostics, shamans etc – become Christianised or has the Christmas tree itself assumed a whole different set of meanings?”
“Dabashi's convincing and powerful argument is the call to extricate ourselves from this and all binary illusions that shatter thinking in order to manage subjective and intersubjective relations."—Walter D. Mignolo, author of The Politics of Decolonial Investigations —
“Generates new ways of thinking about global culture that do away with tired dichotomies such as East and West, center and periphery, and tradition and modernity… [An] urgent and impressive accomplishment.”—
Shaj Mathew, Critical Inquiry—
Dismantling the myths that divide Islam and the West, this cutting-edge work of critical thinking proposes new ways to reread Islamic and world histories.
“Dabashi engages a diverse body of political thought to reveal the construction of the Persian Prince as a potent archetype — [tracing it] through its varied historic gestations and finds it resurfacing in postcolonial political thought as a rebel, a prophet, a poet, and a nomad.
“. . . sparkles with verve and a sometimes punishing wit. Encyclopedic in scope, informal in tone, shrewd in its interpretation, it is the indispensable work on one of the most extraordinary artistic and social adventures of our time. Dabashi is the perfect guide.
Edward W. Said
“Praised by leading academics in the field as “extraordinary,” “a brilliant analysis,” “fresh, provocative and iconoclastic,” Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies.”
Hamid Dabashi’s scholarly investigation into Persophilia―the attraction that Iran’s literary humanism held for giants of European culture including Mozart, Goethe, and Nietzsche―turns simplistic views of ‘Orientalism’ upside down.
Malise Ruthven—
"Hamid Dabashi's book takes the reader on a journey across time and place. Both a historical investigation and a philosophical-political proposal, the book will reward readers with many unusual intellectual encounters."
—Giovanni Giorgini, University of Bologna
Perhaps one of the greatest episodes of contemporary modern Iranian art was happening right under Warhol’s nose and yet he . . . could not have cared less who Hossein Zenderoudi was, or Nikzad Nodjoumi, or Parviz Tanavoli, or scores of others—
“This book should have been written a long time ago. It is the first bold and incisive deconstruction of the greatest fabricated binary of this century: 'Islam and the West.' This old Orientalist and destructive juxtaposition has survived until today . . .
Ilan Pappé
“The modern "state" and especially the so-called "nation-state" are increasingly showing their dark underbelly . . . Is there another path ahead, beyond myth and calculation? Dabashi's stunning text explores this crucial question.” ―Fred Dallmayr, author of Post-Liberalism
“Americans must take a few steps back from the shock of 6 January and ask themselves: is this really the first and only time their democratic institutions have been under attack?
“In this gripping text, Dabashi advances a new materialist, post-Saidian perspective to dismantle the ideological foundation of the all-too-familiar binary 'Islam and the West.’ — Asef Bayat
“Why and how did “9/11” become such a globally iconic signifier? We are now approaching the 20th anniversary of this talismanic number. It is frozen. It does not move, regress, progress, blink. It just stands there, like the Great Sphinx of Giza.”
“The End of Two Illusions is the most iconoclastic work of critical thought and scholarship to emerge in recent memory, clearing the way toward a far more liberating imaginative geography of the world we share.
“Far more important than reflecting on what has happened over the past 20 years, we need to ask . . . what has it done to our abilities to reflect on the history of our world before and after 9/11?”
Video of the gracious event hosted by
@sofheyman
in celebration of my latest book "The Last Muslim Intellectual: The Life and Legacy of Jalal Al-e Ahmad" with my esteemed colleagues
@AliMirsepassi
,
@ElleniZeleke
, Atefeh Akbari, and Gil Hochberg: 📺📕🔽
Mourning is not for the dead. Mourning is for the living. It is the virtuous art of living a noble life . . . It is when we mortals feel the immortality of our souls. What happens to cultures that have lost the civilising solemnity of mourning?
“Their first press conference clearly showed that the Taliban leaders had been watching quite a bit of BBC, CNN and Al Jazeera as they loitered in the lobbies of gaudy hotels in Doha. They can now schmooze and lie as skilfully as Obama . . . Trump, Johnson and Macron put together
“A work of quietly revolutionary insight. By following the work of Persian art and literature . . . Dabashi adds a much-needed undercurrent to the entire school of thought that originated with Said’s Orientalism.”―Steve Donoghue
“Trump has a history of comparing himself to Jesus Christ. “Someone said to me the other day,” he said back in 2020, “‘You’re the most famous person in the world by far’. I said, ‘No, I’m not’… they said, ‘Who’s more famous?’ I said: ‘Jesus Christ.'”
“In this gripping text, Dabashi advances a new materialist, post-Saidian perspective to dismantle the ideological foundation of the all-too-familiar binary 'Islam and the West.' (Asef Bayat)
". . . convincing and powerful . . . the call to extricate ourselves from this and all binary illusions that shatter thinking in order to manage subjective and intersubjective relations."—Walter D. Mignolo—