🚀 Introducing the ARRI SkyPanel S60 Pro: The next generation of the iconic S60-C! 🎥 Built-in power, advanced dimming, enhanced LED zones, wireless control and more. Discover all features and tech specs at
#ARRI
#ARRILighting
#SkyPanelPro
#S60Pro
Check out our new
#ARRI
camera showreel 2018, which highlights some of the finest images to be captured by more than 50 cinematographers on
#ARRIALEXA
,
#AMIRA
and
#ALEXAMini
over the past year. Watch the complete showreel here:
We are deeply saddened to learn about the tragic death of our friend, Cinematographer Halyna Hutchins. You were an exceptional talent and will not be forgotten.
Rest in peace.❤️
One of the most-watched non-english films on
#Netflix
, director S.S. Rajamouli's blockbuster action drama
@RRRMovie
was captured with
#ARRI
cameras, lenses, and lights. Check out our behind-the-scenes interview with cinematographer K.K. Senthil Kumar ISC:
Cinematographer Arvind Kashyap captured the Indian hit film
#Kantara
with the
#ALEXAMiniLF
and
#ALEXALF
cameras combined with
#ARRISignaturePrime
lenses. He spoke to
#ARRI
about the challenges he faced on the production, which was largely shot on location:
The crew behind Thai film "Man Suang" explains how the ALEXA 35's digital workflows helped to seamlessly blend the film's diverse genres, narratives, and visions. Read our interview with director, cinematographer, and colorist:
At the
@filmfestmunich
, the
#ARRI
Award was presented to “Broker” as “Best International Film” in the CineMasters competition. The top prize of the festival was handed over by Dr. Matthias Erb, Chairman of the ARRI Executive Board.
“The ALEXA LF gave me the freedom to shoot at ISOs as high as 3200 and I’m in love with the organic skin tones of the ALEXA LF.”
-- DP Vijay Kartik Kannan from the sets of the Indian movie “DOCTOR” (in thamizh language)
#ARRI
#ALEXALF
#ARRILargeFormat
#LargeFormat
#doctor
Behind the scenes of the 2019 film, "Lost in Russia" with Junior Locano. The shoot featured a 360-degree movement on ice using the TRINITY in -24 degree temperatures.
And the Oscar for Best Cinematography goes to...Alfonso Cuaron for "Roma"! The film was captured in black-and-white on ALEXA 65 with Prime 65 lenses from ARRI Rental. Among others, Cuaron thanked the cast and crew, Mexico, and ARRI.
Congrats to the one & only Roger Deakins for winning the Best Cinematography Oscar! He thanked his wife/collaborator of 27 years James and also his crew of BLADERUNNER 2049!: "This award is for US because it was a team, it was a team effort."
#capturedonalexa
#masterprimes
ARRI Camera Systems welcomes its brand new 4.6K Super 35 camera.
Join our online keynote presentation and be among the first to experience the next-generation ARRI camera that elevates digital cinematography to unprecedented heights.
Learn more here:
#ARRI
announces four new
#SignatureZoomLenses
, designed for universal usage with any large-format or Super 35 camera. Fast T-stop of T2.8, focal length range of 16 to 510 mm, absolute image consistency, HDR compatibility, 8K resolving power.
Be inspired:
The ALEXA LF is Netflix approved in all three sensor modes (LF Open Gate, LF 16:9 and LF 2.39:1) in ARRIRAW or ProRes/Log C (4444 XQ, 4444 or 422 HQ) recording formats:
Have fun shooting your
#Netflix
productions with the
#ALEXALF
!
DP Christopher Doyle (
@dukefeng52
) spoke to
#ARRI
about filmmaking in Asia and why the organic nature of the camera is very important. Watch the interview of our
#TheFilmmakersView
series:
Arise, Sir Roger Deakins!
The cinematographer was Knighted today for services to Film during an Investiture Ceremony at Windsor Castle.
Sir Roger has won two Academy Awards for his work on Blade Runner 2049 and 1917. 🎞️
📸BFI / Tim Whitby
For
#DunePartTwo
, cinematographer Greig Fraser ACS, ASC combined the
#ALEXA65
and
#ALEXAMiniLF
, blending cutting-edge technology with bold artistic choices to bring the visually captivating
#Dune
universe to life. Read more about the cinematography here:
Cameras and accessories with SDI connections can be damaged when connecting power cables. To avoid this: 1. FIRST connect power cables, THEN BNC. 2. FIRST disconnect BNC, THEN power. Also helpful is using shielded power cables and avoiding D-tap connectors.
Take a look behind the scenes of
#Ripley
, captured by cinematographer Robert Elswit ASC in black and white with
#ALEXALF
&
#ALEXAMiniLF
and
#ARRI
lights! The Netflix series was filmed in stunning Italian locations including Atrani, Naples, Venice, Rome, and Palermo.
RIP Jean-Luc
#Godard
, a pioneer of the French New Wave & great believer in lightweight, portable movie equipment. We’re proud that he used
#ARRI
cameras at various points through his career. Here he is while shooting “Bande à part” (1964), a big influence on Tarantino and others.
Cinematographer
#rogerdeakins
, his wife James Deakins, & TRINITY operator Charlie Rizek about how they used
#ARRI
#ALEXAMiniLF
,
#ARRISignaturePrimes
, & TRINITY to achieve the real-time camerawork of “1917.” Read the fully story & watch the video interview:
Throwing back to “
@bladerunner
2049,” which was captured on ALEXA XT Studio cameras with Master Prime lenses & ARRI lights, provided by
@ARRIRental
. These pictures show 256 ARRI 300-watt Fresnels on set. Read the full interview with gaffer Bill O’Leary:
From the massive stages to location work, the production of
#TheLastJedi
reportedly utilized 1,000 ARRI
#SkyPanels
over the course of the shoot.
#ARRI
talked to cinematographer
@steveyedlin
ASC about his lighting approach for the film:
As of today, ARRI is enabling owners and operators of AMIRA cameras to record in ARRIRAW. It will give cinematographers the option to record
#ARRIRAW
2.8K up to 48fps, increasing the versatility of their
#AMIRA
even further. Learn more here:
#arriraw4amira
We are excited to announce the ARRI Approved Certified Pre-Owned Program. It’s a new, cost-effective way for filmmakers & film schools to buy selected pre-owned ALEXA cameras. Find out more here:
#ARRICPO
Meet ARRI’s new flexible sunshade for the LMB 4x5. The rubber hood can be easily retrofitted to any LMB 4x5 or LMB-25 and is ideal for situations where your matte box might take a couple of knocks. We’ve also introduced extended side flag holders with room to place filter tags.
Yesterday, we had some very special guests at
#ARRI
! It was a great pleasure to welcome Oscar winning DP Roger Deakins (l.) and his partner James Deakins for a factory tour at ARRI's headquarters in Munich and at the ARRI Lighting facility in Stephanskirchen.
ARRI's SkyPanel process lighting effect was recently used by DoP Jason West and Gaffer Ravi Raokhande who created a realistic lighting setup to simulate a car driving down a highway. (video courtesy by Mr. Mulchand, International Lighting Gaffer, India)
#arrilighting
#skypanel
ARRI congratulates the
#GoldenGlobes
winners! Best Motion Picture – Drama: “Bohemian Rhapsody,” Best Motion Picture – Musical or Comedy: “Green Book,” Best Motion Picture – Foreign Language: “Roma,” and Best Television Series – Drama: “The Americans” were all captured on ALEXA.
Go behind the scenes of
#Coldplay
's
#mixedreality
promo shoot, filmed at ARRI Stage London, which placed the band in a fantasy version of Dubai’s Al Wasl dome! Read the full story:
Another
@netflix
production captured with
#ALEXALF
cameras: DP Kiko de la Rica is shooting ¨A PESAR DE TODO¨, he says: “With the ALEXA LF, I see more definition and cleaner blacks. When working at low levels of light, quality does not suffer." Special thanks to
@videocineimport
Catching up on the latest series over the holidays? If
@1899Netflix
is on your watchlist, don't miss out on our interview with DP Nik Summerer on the show's incredible virtual production design, developed in collaboration with
#ARRISolutions
. Full story:
Dropping the trailer for upcoming
#ARRIAcademy
video course - “Lighting Systems Control with Richard Cadena (
@SwamiCandela
),” coming in the end of March. Topics include
#DMX
,
#RDM
,
#WDMX
,
#ArtNet
,
#sACN
, and much more.
Comment “+” if you want to get the link when it’s out.
Documentary cinematographer David Baillie
@wildcatfilms
challenged the
#SRH3
on rough, unpredictable waters. The combined benefits of light weight and no need for stabilization in post production made for an efficient shoot. Big Thanks to Dave for this great footage!
#ARRI
ALEXA remains a popular camera option for
#Oscar
-nominated filmmakers to shoot their films.
@nofilmschool
presents an impressive list of all camera and lenses of this year´ s
@TheAcademy
Award nominees: Thanks for the trust in ARRI.
The Oscar for Best Picture goes to...THE SHAPE OF WATER! Directed by Guillermo del Toro (who also won for best director), the film was produced by J. Miles Dale and captured by Dan Laustsen ASC, DFF on ARRI ALEXA and Master Primes. Congrats to the team on this achievement!
The
#ALEXAMiniLF
’s new MVF-2 viewfinder has the same high-contrast HD OLED display, color science, and
#ARRICAM
eyepiece as in
#ALEXALF
’s EVF-2 viewfinder, allowing optimal judgement of focus, dynamic range, and color on set.
#ARRILargeFormat
DP Heiko Knauer raves about the new
#ALEXAMiniLF
: „I was so impressed to be holding a large-format camera this small. On the shoot, I never really put the camera down. It’s built to work in every condition, this is how it feels when you hold it in your hands.“
#ARRILargeFormat
ARRI announces a new version of its AMIRA camera: the AMIRA Live. Designed specifically for multi-camera live broadcasts, it offers a unique combination of system camera efficiencies and truly cinematic images.
#ARRI
#AMIRALive
#ARRIMulticamSystem
The 2023 Oscar nominees just dropped! All five cinematography nominees relied on ARRI and ARRI Rental cameras: "All Quiet on the Western Front," "Bardo," Elvis,“ "Empire of Light,” and “Tár.” Congratulations to all!
📸 : Netflix, 20th Century Studios, James Ellis Deakins
"When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form."
Earlier this summer, we released a limited number of
#ALEXAMiniLF
pre-production 1 cameras (PP-1). We will now supply a larger number of PP-2 cameras with greatly refined software. The final production software will be available mid-September 2019.
#ARRI
#ARRILargeFormat
Congratulations to the team of “As Bestas” on winning Best Film & Best Cinematography at the
@PremiosGoya
! The Spanish and French coproduction from director Rodrigo Sorogoyen was captured by DP Alex De Pablo on the ALEXA Mini LF with ARRI Signature Prime lenses 🎥
#Goya2023
Sascha Mieke (l.,
@ARRIRental
) prepping an
#ARRIFLEX
765 camera (5-perf 65 mm) with Scott “Smitty” Smith & Mike Hendriks (r. & c.,
#IMAX
) prepping an IMAX MSM camera (15-perf 65 mm) for a project.
#ARRI
is a partner of the new “Filmed in IMAX” program:
Cinematographer Matias Boucard on shooting with
#ALEXALF
: "It makes a huge difference, the color balance and the resolution are real game changers for me. Especially at night, I am pushing the camera with higher ASAs, and we all love it. I can't wait for the
#SignaturePrimes
!"
“30 days in the jungles of the Solomon Islands and Thailand on the Burma railway, and the
#ARRI
#AMIRA
did not miss a beat or fail even in the worst heat and humidity. ARRI AMIRA is the only camera I trust when filming for National Geographic.” Jamie Knights, DP Epic TV Studios
Congratulations to Roger Deakins ASC, BSC, CBE and all the winners of the 34th Annual ASC Awards. Deakins took home the top prize for his camera work on
@1917
. This is Deakins’ fifth ASC Award win.
#TheASC
#ASCAwards
For the complete list of winners:
ARRI’s new, versatile LED fixture Orbiter was greenlit into serial production. Starting today, the first units are being delivered to customers wordwide. For more information on Orbiter, please visit:
#arri
#orbiter
#arriorbiter
#stayinspired
The emotionally gripping Thai film
#HowtoMakeMillionsBeforeGrandmaDies
continues to captivate audiences & break box office records in Southeast Asia. DP Boonyanuch Kraithong used
#ALEXA35
to create the nuanced story that has moved cinema goers and TikTokers in Asia to tears 🎥
Did you know that our Signature Prime lenses have a detachable magnetic net filter holder? Create your own look without any compromises.
#ARRILargeFormat
#ARRISignaturePrimes
Janusz Kaminski, Roger Deakins, Hoyte Van Hoytema, Rachel Morrison, Dan Laustsen, and Robert Elswit talked to
@THR
about their latest works and with which director they would have liked to work.
Here’s me pretending to direct. My entire goofy job is predicated on capturing images; and yet after 25 years of making movies, I still don’t know how cameras work. Nearest I can figure is they got pixies or demons in there. I probably shouldn’t have dropped out of film school...
“Let’s learn a bit about this fascinating 65mm film camera, the
#ARRIFLEX
765, which was the 2nd unit camera for the latest James Bond
@007
movie – ‘No Time To Die.’” Read the full article about
@ARRIRental
's exclusive camera on “
@Y_M_Cinema
”:
#arri
Bong Joon-ho’s Cannes Palme d’Or-winning "Parasite" was honored with 6 prizes, including "Best Film," at the Buil Film Awards of the
@busanfilmfest
. The dark comedy was shot by Kyung-pyo with
#ARRI
's
#ALEXA65
camera system with
#PrimeDNA
lenses and serviced by
@ARRIRental
.
#biff
Award-winning cinematographer Taro Kawazu while shooting the
#Netflix
Original series “Alice in Borderland” with
#ALEXALF
and
#ARRI
Signature Prime lenses in Japan.
#cinematography
The
#ALEXAMiniLF
not only has a large sensor, a compact body, and is able to record internally on a new affordable Codex Compact drive, but it also has extra user buttons and connectors. Learn all about what else is new:
#ARRILargeFormat
The ARRI Signature Zooms have arrived in East Asia Pacific! And they’re about to zoom their way all around the region. Here’s a sneak peek of the unrivalled cine zoom lenses with Hong Kong based DP Rick Lau.
#arri
#signaturezooms
#arriasia
#stayinspired
Caption it!
Project: Penny Dreadful: City of Angeles (premieres today!)
DP: John Conroy
Gaffer: Ed Maloney
Rigging Gaffer: Tim Durr
LCP: Jeffrey Pardee
Lit with 16 SkyPanel S60s